{"product_id":"blackmagic-design-cineursaaa12klfabdy","title":"Blackmagic Design URSA Cine 12K LF Camera (Body Only)","description":"\u003cp\u003e\u003cstrong\u003eBody only model when you have existing cinema accessories. Excludes top handle, baseplate, power supply, battery plate and PL lens mount. Includes CFexpress media module and EF lens mount.\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBlackmagic URSA Cine 12K\u003c\/strong\u003e is a revolution in digital film with a new large format RGBW 36 x 24mm sensor with larger photo-sites for 16 stops of dynamic range. This revolutionary model also includes interchangeable lens mounts, a dedicated assist station with a second 5″ HDR LCD touchscreen, built in ND filters and industry standard Lemo and Fischer connections. Blackmagic URSA Cine comes with a massive 8TB of removable high performance media storage built in and also includes high speed 10G Ethernet and Wifi for fast media upload and syncing to Blackmagic Cloud.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCinematic Large Format Sensor\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 12K! The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo-sites leading to an astounding 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green and blue pixels. This means it is optimized to deliver incredibly rich colors at all resolutions and provide the ultimate in image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever before! Plus, in sensor scaling means you can record at all resolutions without cropping!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eA Camera Body Optimized for High End Productions!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Cine is designed to meet the demands of any high end production. The evenly weighted camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help you move quickly on set. Soft touch backlit buttons make controls easy to see in all conditions. There’s a 5″ fold out touchscreen for reviewing shots and accessing camera settings, plus a dedicated assist station on the other side of the camera, with 5″ LCD and full camera controls! Standard Lemo and Fischer connectors let you control the camera remotely while providing power for lens motors and other accessories. You also get 12G‑SDI out, 10G Ethernet, USB-C, XLR audio and more!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLarge Format Flexibility\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe large format sensor in URSA Cine provides the ultimate in flexibility for aspect ratios, lenses and delivery formats! The full sensor area gives you a stunning 3:2 open gate image which lets you reframe your shots in post production. Or you can use the large sensor area to shoot anamorphic and deliver in a range of aspect ratios with 1.3, 1.5, 1.6, 1.66, 1.8 and 2x de-squeeze factors. Plus, you can shoot in 4K, 8K or 12K using the entire sensor without cropping, retaining the full field of view of your lenses. There are even 9K Super 35 4-perf, 3-perf and 2-perf modes for full compatibility with classic cinema lenses. All this lets you create distinctive content in the highest quality!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh Resolution Monitoring and Camera Control\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Cine lets crews work faster on set with multiple monitoring options! The fold out monitor has a large 5″ HDR touchscreen on one side and an external color status LCD on the other. You can even rotate the screen and fold it back into the camera! On the right side of the camera, there’s a dedicated assist station with a second 5″ HDR touchscreen which allows crew to work around the camera without needing external monitors. Plus, with a 1500 nit display and removable sunshade, it’s always visible, even in bright sunlight. On screen overlays show status and record parameters, histogram, frame guides and more. There’s even a dedicated focus puller’s mode to help you get perfect focus!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRugged Industry Standard Connections\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe wide range of industry standard connections on URSA Cine make it perfect for high end cinema production. The 7 pin Lemo and 3 pin Fischer connectors at the front provide record start\/stop and 24V power so are ideal for on board accessories such as focus motors. Camera power is provided by a standard 24V 8 pin Lemo connection, plus there's an additional 2 pin Lemo 12V connection at the rear for lower voltage accessories. All this means you can power accessories straight from the camera without messy external cabling! There are also two independent 12G-SDI outputs for monitoring on 2 different monitors with different overlays, plus 10G Ethernet for Blackmagic Cloud media syncing!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBlackmagic RAW Fueled Image Capture\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post production. Constant quality options lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options are designed to give you the best possible images with predictable and consistent file size. URSA Cine records to the included Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or a massive 20 hours in 4K!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGeneration Color Science\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Generation 5 Color Science features a new film curve designed to make full use of the massive amount of color data from the new URSA Cine sensor. This delivers even better color response for more pleasing skin tones, and better rendering of highly saturated colors such as neon signs and car tail lights in high contrast scenes. Generation 5 Color Science informs complex Blackmagic RAW image processing, with color and dynamic range data from the sensor preserved via metadata for use in post production. Compatible with all previously shot Blackmagic RAW files, Generation 5 Color Science lets you take advantage of the new film curve even with your existing work!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuilt in Optical Low Pass Filter\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe high frequencies of synthetic materials like fabrics or the LED matrix in video walls can cause problems for ultra sharp modern lenses and high resolution sensors, creating interference patterns. Using an optical low pass filter minimizes that interference, which results in a reduction of moire and aliasing. URSA Cine includes a high performance, optical low pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red color response which, when combined with Blackmagic RAW processing for the URSA Cine, preserves color and critical image detail for new levels of image fidelity.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuilt in Color Balanced ND Filters\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Cine features high quality ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colorimetry and color science of the camera, the 2, 4 and 6 stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer. URSA Cine ND filters are true optical filters with a precision mechanism that quickly moves them into place when the ND filter dial is turned. Filter settings can even be displayed as either an ND number, stop reduction or fraction on the LCD!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull Frame Captureat Higher Frame Rates\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Cine is multiple cameras in one, shooting standard resolutions and frame rates in 4K, 8K, Super 35 9K and even insanely detailed 12K! You can shoot 100 fps in 12K 12,288 x 6480 17:9 or 120 fps in 12K 2.4:1 widescreen! For higher frame rates, you can shoot 144 fps at 8192 x 5360, 180 fps at 8192 x 3408 and even capture 8K 2.4:1 widescreen at an incredible 224 fps at 8,192 x 3,408! URSA Cine has flexible frame rate and resolution options, and captures with incredible motion rendering with smoother edges in 8K and 4K, even at lower frame rates. Plus, with a massive 100 megapixels per frame at up to 80 fps in Blackmagic RAW, you can capture perfect stills and motion shots at the same time!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh Performance Internal Media for Recording\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Cine is the first digital film camera with ultra fast high capability Cloud Store technology built in. Blackmagic Media Module is fast, rugged and includes a massive 8TB of storage. It’s like a Cloud Store Mini built into your camera! The high speed storage lets you record at the highest resolutions and frame rates for hours and access your files directly over high speed 10G Ethernet. Or you can use the media you already own with the optional Blackmagic Media Module CF, which has dual CFexpress slots. The module can be easily removed from the camera and loaded into a Blackmagic Media Dock for transferring media to a network or to Blackmagic Cloud for instant global collaboration!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEliminate Media Offload Time\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Media Dock accelerates your post production workflow by making it faster and simpler to start editing and color correction! Mount up to three Blackmagic Media Modules for high speed access to media from multiple URSA Cine cameras all at the same time! The four high speed 10G Ethernet ports allow up to four separate edit workstations to connect directly and it is extremely fast, even when a lot of users are connected at the same time. Plus, the USB-C connection supports Ethernet so you can transfer media using a simple USB-C cable connected to your computer. There is also an HDMI output that lets you see the status of your media in real time on a TV or monitor.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDeliver Clips Directlyinto DaVinci Resolve Bins\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Cine supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post production workflows!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThree Simple Steps!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eRecord toInternal Storage - \u003c\/strong\u003eYou can record to the internal Blackmagic Media Module. This will allow you to browse the clips and let the camera sync your media files to other users globally.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSelect andUpload Clips - \u003c\/strong\u003eIf you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eRecord into DaVinci Resolve - \u003c\/strong\u003eLog into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project.\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConnect to Mobile Data, High Speed Wifi or Ethernet!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen live streaming or uploading to Blackmagic Cloud, you can connect and use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and URSA Cine will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G! You can also connect via high speed wifi or wired Ethernet using the 10G Ethernet port. With live streaming built into the camera, you get the solution you need for clients and post production to monitor shoots from anywhere in the world! That's a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people all working together.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLive Stream Directly to Your Client\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eNow you can live stream from film sets! URSA Cine features a built hardware streaming engine that supports RTMP and SRT streaming to major platforms or directly to clients! Simply connect to the internet via Ethernet, high speed wifi or even connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to video village or the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now everyone can keep an eye on the shoot, live, while it's happening!\u003c\/p\u003e\r\n\r\n\u003cp\u003e[High Resolution Viewfinder for Accurate Focus]\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh ResolutionViewfinder for Accurate Focus\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Cine supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included viewfinder bracket and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompatible with Industry Standard Batteries and Power\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Cine includes an 8-pin Lemo power connector at the back of the camera that works with 24V and 12V power supplies. That means it’s easy to use the camera with existing power supplies, batteries and accessories! The front of the camera includes additional Lemo and Fischer connectors for powering lens motors and other accessories. URSA Cine comes with a massive 250W power supply and B Mount battery plate so you can use a wide range of high voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB and more. You can also add the optional Blackmagic URSA Cine VLock Battery Plate or Blackmagic URSA Cine Gold Battery Plate for using legacy V‑Mount and Gold Mount batteries.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. URSA Cine features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDigital Slate for Fast Metadata Entry\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Cine features a digital slate so you can quickly add metadata to any shot! Simply swipe left or right on the built in touchscreen to bring up the digital slate. If you start and stop recording the slate can automatically increment the take numbers so you don’t have to enter them manually for each shot! You can also set your reel numbers to increment automatically each time you format a card. Lens metadata is automatically populated or it can be entered manually, along with production specific information, technical information and more! All of the metadata is saved with the files for use in post production when editing and color correcting with software such as DaVinci Resolve!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWireless Bluetooth Camera Control\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLocalized in 13 Popular Languages\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Cine is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide! When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eURSA Cine includes a full version of DaVinci Resolve Studio. You get the world’s most advanced solution that combines professional editing, color correction, audio post and visual effects all in one software tool! DaVinci Resolve is used to finish more Hollywood feature films than any other solution, so you'll get the best possible post production tools to edit native video from your camera and retain every bit of quality. Whether you’re working on major Hollywood feature films, episodic television, music videos, commercials or even the latest YouTube shoot, DaVinci Resolve Studio gives you a completely lossless workflow for native editing, color correction, effects, audio and delivery.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eCamera Features\u003c\/strong\u003e\r\n\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eEffective Sensor Size - \u003c\/strong\u003e35.64mm x 23.32mm (Large Format)\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eLens Mount\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003ePL mount. Interchangeable with URSA Cine lockable\u003c\/li\u003e\r\n\t\t\t\u003cli\u003eEF mount included.\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eLens Control - \u003c\/strong\u003eActive EF and PL mount lens control with compatible lenses.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eDynamic Range - \u003c\/strong\u003e16 Stops\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eShooting Resolutions\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e12,288 x 8040 (12K 3:2 open gate)\r\n\t\t\t\u003cul\u003e\r\n\t\t\t\t\u003cli\u003e12,288 x 6480 (12K 16:9)\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003e12,288 x 6912 (12K 17:9)\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003e12,288 x 5112 (12K 2.4:1)\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003e9648 x 8040 (12K 6:5)\u003c\/li\u003e\r\n\t\t\t\u003c\/ul\u003e\r\n\t\t\t\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e9408 x 6264 (9K 3:2)\r\n\t\t\t\u003cul\u003e\r\n\t\t\t\t\u003cli\u003e8688 x 4896 (9K 16:9)\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003e9312 x 4896 (9K 17:9)\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003e9312 x 3864 (9K 2.4:1)\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003e7680 x 6408 (9K 6:5)\u003c\/li\u003e\r\n\t\t\t\u003c\/ul\u003e\r\n\t\t\t\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e8192 x 5360 (8K 3:2 open gate)\r\n\t\t\t\u003cul\u003e\r\n\t\t\t\t\u003cli\u003e8192 x 4608 (8K 16:9)\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003e8192 x 4320 (8K 17:9)\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003e8192 x 3408 (8K 2.4:1)\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003e6432 x 5360 (8K 6:5)\u003c\/li\u003e\r\n\t\t\t\u003c\/ul\u003e\r\n\t\t\t\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e4096 x 2680 (4K 3:2 open gate)\r\n\t\t\t\u003cul\u003e\r\n\t\t\t\t\u003cli\u003e4096 x 2304 (4K 16:9)\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003e4096 x 2160 (4K 17:9)\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003e4096 x 1704 (4K 2.4:1)\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003e3216 x 2680 (4K 6:5)\u003c\/li\u003e\r\n\t\t\t\u003c\/ul\u003e\r\n\t\t\t\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eFrame Rates - \u003c\/strong\u003eProject frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported. Maximum sensor frame rate dependent on resolution selected.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eHigh Speed Frame Rates\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e12K 3:2 open gate up to 80 fps\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e12K 17:9 up to 100 fps\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e12K 2.4:1 up to 120 fps\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e9K 3:2 Super 35 up to 100 fps\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e8K \/ 4K 3:2 open gate up to 144 fps\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e8K \/ 4K 2.4:1 up to 224 fps\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eBuilt in ND Filters - \u003c\/strong\u003eButton activated ND filters with clear, 2-stop, 4-stop and 6-stop IR ND filters.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eFocus - \u003c\/strong\u003eFocus button turns on peaking, auto focus available using compatible lenses.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eIris Control - \u003c\/strong\u003eIris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses so no pixel is clipped in film mode. Scene average auto exposure in video mode.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eScreens\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e2 x Monitoring Screens\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e1 x Camera Status Screen\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eMonitoring Screen Dimensions - \u003c\/strong\u003e5 inch.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eMonitoring Screen Resolution - \u003c\/strong\u003e1920px x 1080px\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eMonitoring Screen Brightness - \u003c\/strong\u003e1500 nits.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eMonitoring Screen Type - \u003c\/strong\u003eLCD capacitive touchscreen\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eMetadata Support - \u003c\/strong\u003eAutomatically populated lens data from i\/Technology with compatible PL, LPL lenses and electronic EF lenses when using optional EF lens mount. Automatic recording of camera settings and slate data such as project, scene number, take and special notes.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eControls - \u003c\/strong\u003eTouchscreen menus on 5 inch screen. Push buttons for other controls. 7 assignable shortcut keys plus 6 assignable shortcut keys on URSA Cine EVF.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eTimecode Clock - \u003c\/strong\u003eHighly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eTotal Video Outputs - \u003c\/strong\u003e2\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSDI Rates - \u003c\/strong\u003e1.5G, 3G, 6G, 12G.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eAnalog Audio Inputs - \u003c\/strong\u003e2 x XLR analog switchable between mic, line and AES audio. Phantom power support.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eAnalog Audio Outputs - \u003c\/strong\u003e1 x 3.5mm headphone jack\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eReference Inputs - \u003c\/strong\u003eTri-Sync\/Black Burst and Timecode.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eViewfinder - \u003c\/strong\u003e1 x Viewfinder USB-C with power, data, video and locking connector.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eAccessories\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e1 x 7-pin Lemo ‘EXT’ for power out, serial communication, and run\/stop.\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e1 x 3-pin Fischer ‘RS’ for power out and run\/stop.\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eComputer Interface\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e2 x USB Type-C side expansion ports for camera accessories.\u003c\/li\u003e\r\n\t\t\t\u003cli\u003eSoftware updates using rear side USB-C.\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eEthernet - \u003c\/strong\u003e1 x 10Gb\/s RJ‑45 connector supporting 10\/100\/1000\/10G BASE-T for Web Media Management, Blackmagic Cloud uploads, camera control and streaming.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eAudio\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eMicrophone - \u003c\/strong\u003eIntegrated stereo microphone.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eBuilt in Speaker - \u003c\/strong\u003e1 x mono speaker.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eStandards\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSD Video Standards - \u003c\/strong\u003eNone\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eHD Video Standards - \u003c\/strong\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eUltra HD Video Standards - \u003c\/strong\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSDI Compliance - \u003c\/strong\u003eSMPTE 292M, SMPTE 424 Level B, SMPTE 2081-1, SMPTE 2082-1\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSDI Audio Sampling - \u003c\/strong\u003e48 kHz and 24 bit\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eMedia\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eMedia - \u003c\/strong\u003e1 x Blackmagic Media Module.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eMedia Format - \u003c\/strong\u003eBlackmagic\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSupported Codecs\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eH.264 Proxy in 1920 x 1080, 8-bit 4:2:0\u003c\/li\u003e\r\n\t\t\u003cli\u003eBlackmagic RAW Constant Quality Q5.\u003c\/li\u003e\r\n\t\t\u003cli\u003eBlackmagic RAW Constant Quality Q3,\u003c\/li\u003e\r\n\t\t\u003cli\u003eBlackmagic RAW Constant Quality Q1,\u003c\/li\u003e\r\n\t\t\u003cli\u003eBlackmagic RAW Constant Quality Q0,\u003c\/li\u003e\r\n\t\t\u003cli\u003eBlackmagic RAW Constant Bitrate 18:1,\u003c\/li\u003e\r\n\t\t\u003cli\u003eBlackmagic RAW Constant Bitrate 12:1,\u003c\/li\u003e\r\n\t\t\u003cli\u003eBlackmagic RAW Constant Bitrate 8:1,\u003c\/li\u003e\r\n\t\t\u003cli\u003eBlackmagic RAW Constant Bitrate 5:1,\u003c\/li\u003e\r\n\t\t\u003cli\u003eBlackmagic RAW Constant Bitrate 3:1,\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eControl\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eExternal Control - \u003c\/strong\u003eBlackmagic URSA Cine EVF can trigger record plus camera functions assigned to the VF1, VF2, VF3, Zoom, Exp and Record buttons. External Camera Control supported using REST API over Ethernet, WiFi or serial communication via the 7-pin Lemo connector. Run \/ Stop supported via 3-pin Fischer and 7-pin Lemo connector. Blackmagic iPad control and Bluetooth control supported. Blackmagic Zoom Demand and Blackmagic Focus Demand for controlling camera and compatible lenses.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eStreaming\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eDirect Streaming - \u003c\/strong\u003e​Supports Secure Reliable Transport (SRT) and Real Time Messaging Protocol (RTMP) local live streaming using a Ethernet or WiFi, or global live streaming using an internet connection via Ethernet, WiFi or USB‑C cellular data.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eNetwork Management\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eNTP - \u003c\/strong\u003eNetwork time protocol support allows you to sync the time on your camera, whenever connected to a network with any NTP server of your choice.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eFTP - \u003c\/strong\u003eDownload files from any drive attached to your camera using FTP.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eWeb Media Manager - \u003c\/strong\u003eUsing a browser connected over Ethernet, web media manager allows you to access, browse, download and delete files from any drive connected to the camera.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSMB - \u003c\/strong\u003eFile sharing using SMB\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eStorage Features\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eStorage Type - \u003c\/strong\u003e1 x Blackmagic Media Module 8TB\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eStorage Rates - \u003c\/strong\u003eStorage rates based on 24 frames per second.\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e\n\u003cstrong\u003e12K - 12,288 x 8040\u003c\/strong\u003e\r\n\t\t\t\u003cul\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW 3:1 - 1,194 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW 8:1 - 448 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW 12:1 - 298 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW 18:1 - 199 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW Q0 - 298 to 1,432 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW Q1 - 179 to 716 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW Q3 - 119 to 298 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW Q5 - 90 to 224 MB\/s\u003c\/li\u003e\r\n\t\t\t\u003c\/ul\u003e\r\n\t\t\t\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e\n\u003cstrong\u003e9K - 9408 x 6264\u003c\/strong\u003e\r\n\t\t\t\u003cul\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW 3:1 - 713 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW 8:1 - 268 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW 12:1 - 178 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW 18:1 - 119 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW Q0 - 178 to 856 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW Q1 - 107 to 428 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW Q3 - 71 to 178 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW Q5 - 54 to 134 MB\/s\u003c\/li\u003e\r\n\t\t\t\u003c\/ul\u003e\r\n\t\t\t\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e\n\u003cstrong\u003e8K - 8192 x 5360\u003c\/strong\u003e\r\n\t\t\t\u003cul\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW 3:1 - 533 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW 5:1 - 320 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW 8:1 - 200 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW 12:1 - 133 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW Q0 - 133 to 319 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW Q1 - 80 to 200 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW Q3 - 53 to 133 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW Q5 - 40 to 100 MB\/s\u003c\/li\u003e\r\n\t\t\t\u003c\/ul\u003e\r\n\t\t\t\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e\n\u003cstrong\u003e4K - 4096 x 2680\u003c\/strong\u003e\r\n\t\t\t\u003cul\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW 3:1 - 135 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW 4:1 - 101 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW 5:1 - 81 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW 6:1 - 68 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW Q0 - 34 to 81 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW Q1 - 20 to 50 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW Q3 - 13 to 34 MB\/s\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003eBlackmagic RAW Q5 - 10 to 25 MB\/s\u003c\/li\u003e\r\n\t\t\t\u003c\/ul\u003e\r\n\t\t\t\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eRecording Formats\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003eBlackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at full sensor width or height resolutions:\r\n\t\t\t\u003cul\u003e\r\n\t\t\t\t\u003cli\u003e[12,288 x 8,040], [12,288 x 6,912], [12,288 x 6,480], [12,288 x 5,112] and [9,648 x 8,040]\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003ewith film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.\u003c\/li\u003e\r\n\t\t\t\u003c\/ul\u003e\r\n\t\t\t\u003c\/li\u003e\r\n\t\t\t\u003cli\u003eBlackmagic RAW 3:1, 8:1, 12:1, 18:1, Q0, Q1, Q3 and Q5 at Super 35 windowed sensor resolutions:\r\n\t\t\t\u003cul\u003e\r\n\t\t\t\t\u003cli\u003e[9,408 x 6,264], [8,688 x 4,896], [9,312 x 4,896], [9,312 x 3,864] and [7,680 x 6,408]\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003ewith film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.\u003c\/li\u003e\r\n\t\t\t\u003c\/ul\u003e\r\n\t\t\t\u003c\/li\u003e\r\n\t\t\t\u003cli\u003eBlackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:\r\n\t\t\t\u003cul\u003e\r\n\t\t\t\t\u003cli\u003e[8,192 x 5,360], [8,192 x 4,608], [8,192 x 4,320], [8,192 x 3,408] and [6,432 x 5,360]\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003ewith film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.\u003c\/li\u003e\r\n\t\t\t\u003c\/ul\u003e\r\n\t\t\t\u003c\/li\u003e\r\n\t\t\t\u003cli\u003eBlackmagic RAW 3:1, 4:1, 5:1, 6:1, Q0, Q1, Q3 and Q5 at full sensor width or height scaled to:\r\n\t\t\t\u003cul\u003e\r\n\t\t\t\t\u003cli\u003e[4,096 x 2,680], [4,096 x 2,304], [4,096 x 2,160], [4,096 x 1,704] and [3,216 x 2,680]\u003c\/li\u003e\r\n\t\t\t\t\u003cli\u003ewith film, extended video or video dynamic range or custom 3D LUT embedded in metadata plus simultaneous recording of H.264 1920 x 1080 Proxies.\u003c\/li\u003e\r\n\t\t\t\u003c\/ul\u003e\r\n\t\t\t\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eIncluded Software\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eURSA Cine Blackmagic OS\u003c\/li\u003e\r\n\t\t\u003cli\u003eDaVinci Resolve Studio for Mac and Windows including activation key\u003c\/li\u003e\r\n\t\t\u003cli\u003eBlackmagic Camera Setup\u003c\/li\u003e\r\n\t\t\u003cli\u003eBlackmagic RAW Player\u003c\/li\u003e\r\n\t\t\u003cli\u003eBlackmagic RAW QuickLook Plugin\u003c\/li\u003e\r\n\t\t\u003cli\u003eBlackmagic RAW SDK\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eOperating Systems\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eMac 13.0 Ventura,\u003c\/li\u003e\r\n\t\t\u003cli\u003eMac 14.0 Sonoma or later.\u003c\/li\u003e\r\n\t\t\u003cli\u003eWindows 10 and 11.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eExternal Power Input\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e1 x 8 pin socket for external power or battery use.\u003c\/li\u003e\r\n\t\t\t\u003cli\u003eB-Mount battery plate.\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003ePower Output\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e1 x 7-pin Lemo with +12V DC or +24V DC power output depending on camera supply.\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e1 x 3-pin Fischer with +12V DV or +24V DC power output depending on camera supply.\u003c\/li\u003e\r\n\t\t\t\u003cli\u003eB-Mount battery plate with 2-pin Lemo +12V regulated output from camera.\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eEnvironmental\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eOperating Temperature - \u003c\/strong\u003e0° to 40°C (32° to 104°F)\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eStorage Temperature - \u003c\/strong\u003e-20° to 45°C (-4° to 113°F)\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eRelative Humidity - \u003c\/strong\u003e0% to 90% non-condensing\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eBlackmagic URSA Cine 12K LF camera with EF lens mount\u003c\/li\u003e\r\n\t\u003cli\u003eBlackmagic Media Module CF\u003c\/li\u003e\r\n\t\u003cli\u003eBlackmagic URSA Cine Rubber Caps for connectors\u003c\/li\u003e\r\n\t\u003cli\u003eBlackmagic URSA Cine WiFi Antennas\u003c\/li\u003e\r\n\t\u003cli\u003eBlackmagic EF Body Cap\u003c\/li\u003e\r\n\t\u003cli\u003eDaVinci Resolve Studio with activation key\u003c\/li\u003e\r\n\t\u003cli\u003eWelcome wallet with QR code for software download\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596609859833,"sku":"CINEURSAAA12KLFABDY","price":11169.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/CINEURSAA12KLFBODY.jpg?v=1782508193","url":"https:\/\/blackoutaudio.com\/products\/blackmagic-design-cineursaaa12klfabdy","provider":"Blackout Audio","version":"1.0","type":"link"}