{"title":"Dynamics Plugins","description":null,"products":[{"product_id":"fabfilter-pro-mb","title":"FabFilter Pro-MB","description":"\u003cp\u003eMultiband compression and expansion are powerful tools, but notoriously difficult to set up and control. Enter FabFilter Pro-MB: making multiband dynamics processing intuitive yet powerful at the same time.\u003c\/p\u003e\n\u003ch3\u003eA new approach\u003c\/h3\u003e\n\u003cp\u003eInstead of conventionally splitting the entire spectrum with crossovers, Pro-MB enables you to directly create a new band at the frequency range you want to work on. Think bands, not crossovers.\n\n\u003c\/p\u003e\n\u003cp\u003eThe interactive multiband display clearly shows that the rest of the spectrum stays untouched. And if desired, you can easily snap bands together to recreate a traditional crossover system.\n\n\u003c\/p\u003e\n\u003ch3\u003eLifesaver and timesaver\u003c\/h3\u003e\n\u003cp\u003eFabFilter Pro-MB introduces a unique Dynamic Phase processing mode. It has virtually the same frequency response as traditional multiband processing, but doesn't introduce latency or pre-ringing, and only introduces minor phase changes when the gain actually changes. Of course, we have also included an excellent Linear Phase mode and a traditional Minimum Phase mode.\n\n\u003c\/p\u003e\n\u003cp\u003eThe powerful combination of high quality processing, optimized workflow using the interactive multiband display and all the expert features you need, makes Pro-MB both a lifesaver and timesaver!\n\n\u003c\/p\u003e\n\u003ch3\u003eFabFilter goodies\u003c\/h3\u003e\n\u003cp\u003eOf course, you also get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, an excellent help file with interactive help hints, SSE optimization and much more.\n\n\u003c\/p\u003e","brand":"FabFilter","offers":[{"title":"Default Title","offer_id":47394524332281,"sku":"1358-377","price":275.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/pro-mb-intro.jpg?v=1770260708"},{"product_id":"fabfilter-pro-l-2","title":"FabFilter Pro-L 2","description":"\u003cp\u003eA true peak limiter is an essential tool for every mastering or mixing engineer. Are you looking for a professional, feature-packed limiter that is loud and transparent at the same time, equipped with extensive loudness metering? Then FabFilter Pro-L 2 is your weapon of choice!\n\n\u003c\/p\u003e\n\u003ch3\u003eTop-class metering\u003c\/h3\u003e\n\u003cp\u003eFabFilter Pro-L 2 features precise true peak level meters and extensive loudness metering with support for the EBU R128, ITU-R BS.1770-4 and ATSC A\/85 standards. Combined with its unique real-time level display, you have all the information you need to achieve the best possible results.\n\n\u003c\/p\u003e\n\u003ch3\u003eProfessional feature set\u003c\/h3\u003e\n\u003cp\u003eWith highly advanced algorithms, linear-phase oversampling, professional dithering and noise shaping and surround support (up to Dolby Atmos 9.1.6) and intelligent channel linking, FabFilter Pro-L 2 is the complete solution for every mixing and mastering job.\n\n\u003c\/p\u003e\n\u003ch3\u003eFabFilter goodies\u003c\/h3\u003e\n\u003cp\u003eOf course, you also get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, an excellent help file with interactive help hints, SSE optimization, GPU-powered graphics acceleration and much more.\n\n\u003c\/p\u003e","brand":"FabFilter","offers":[{"title":"Default Title","offer_id":47394524365049,"sku":"1358-378","price":275.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/pro-l-2-intro.jpg?v=1770260709"},{"product_id":"fabfilter-pro-c-3","title":"FabFilter Pro-C 3","description":"\u003cp\u003eFabFilter Pro-C 3 is a high-end compressor plug-in for the most demanding engineers. Compression is one of the most essential tools in modern production — and Pro-C 3 is not just a great-sounding compressor, it’s a superb stereo and surround compressor with all the tricks up its sleeve that you will ever need. Whether you need transparent mastering control, punchy mixbus glue, classic opto warmth, modern upward dynamics or aggressive pumping, Pro-C 3 delivers results with unmistakable style.  \u003c\/p\u003e\n\u003ch3\u003eEverything you need \u003c\/h3\u003e\n\u003cp\u003ePro-C 3 features a powerful dynamics engine with 14 total compression styles across Modern, Classic and Utility categories, including six brand new algorithms that expand the plug-in into entirely new creative territory. You also get Character modes with built-in analog saturation, upgraded side-chain EQ filtering based on Pro-Q shapes (including all-pass and brickwall slopes), host tempo pulse triggering, MIDI triggering, immersive surround processing up to 9.1.6 Dolby Atmos®, and oversampling up to 32x for pristine high-resolution dynamics—even under aggressive settings.  \u003c\/p\u003e\n\u003ch3\u003eBeautiful interface and optimized workflow \u003c\/h3\u003e\n\u003cp\u003eThe modern redesigned interface in FabFilter Pro-C 3 is built for speed, insight and precision. The animated level display and optional knee display visualize input, output and gain reduction in real time, helping you dial in compression faster and with more confidence. For distraction-free work, Pro-C 3 can also switch to a Compact layout that hides the large displays and focuses on essential metering, making it feel like a traditional compressor at a glance.  \u003c\/p\u003e\n\u003cp\u003eThe improved preset browser adds easy searching, tagging, metadata and favorites, and also supports copy\/paste of plug-in settings across instances—making professional workflow faster than ever in real sessions.  \u003c\/p\u003e\n\u003ch3\u003eFabFilter goodies \u003c\/h3\u003e\n\u003cp\u003eOf course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, undo\/redo and A\/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more.  \u003c\/p\u003e\n\u003cp\u003eA professional compressor plug-in with immersive routing options, versatile trigger control, rich character, and a modern interface designed for mixing speed and mastering precision. \u003c\/p\u003e","brand":"FabFilter","offers":[{"title":"Default Title","offer_id":47394524430585,"sku":"1358-380","price":275.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/1-main.png?v=1770260710"},{"product_id":"nugen-isl-2","title":"NUGEN ISL 2","description":"\u003ch3\u003eMastering \u0026amp; post production\u003c\/h3\u003e\n\u003cp\u003eISL is a transparent look-ahead limiter designed to allow you to get on with creative audio production while it takes care of True Peak compliance for you.\n\n\u003c\/p\u003e\n\u003cp\u003eISL uses the standardised True Peak algorithms of ITU-R B.S. 1770 and related standards (including Apple ‘afclip’ True Peak detection), and is suitable for the control of audio for post production, music mastering and broadcast applications. True Peak limiting can also be used to ensure that downstream codecs (mp3, AAC etc.) do not introduce distortion into the signal.\n\n\u003c\/p\u003e\n\u003ch3\u003ePowerful processing\u003c\/h3\u003e\n\u003cp\u003eUnlike traditional limiters, ISL provides a TPlim control, automatically adjusting transfer curve parameters for minimally invasive brick-wall protection.\n\n \n\nAuto-release monitors incoming audio for low frequency content, dynamically adapting to prevent distortions and deliver transparent audio in the most demanding of situations.\u003c\/p\u003e\n\u003ch3\u003eInnovative visualisations\u003c\/h3\u003e\n\u003cp\u003eWith unique steering and ducking meters, ISL guides you to the perfect settings. Whether you are preserving directional integrity or atmospheric ambience, ISL gives you the information and control you need to achieve your objective with ease. New processing enhancements assess the incoming audio for frequency content and automatically take care of those minor adjustments required when LF content drives the limiter, delivering increased transparency whilst maintaining our renowned reputation of intuitive operation.\n\n\u003c\/p\u003e\n\u003ch3\u003eFor music production\u003c\/h3\u003e\n\u003cp\u003eLet ISL take care of your mastering for today's music delivery services (Apple Music, Spotify, Tidal etc.) The risk of distortion from down-stream codec conversion (mp3, AAC etc.) is eliminated with ISL on the master bus.\n\n \n\nMix and master with confidence that your audio will be delivered the way you intend, without downstream distortions introduced by inter-sample clip reconstruction errors.\u003c\/p\u003e\n\u003ch3\u003eFor post and broadcast\u003c\/h3\u003e\n\u003cp\u003eWorld class, broadcast quality limiting is an essential requirement for any broadcast production, and the latest standards also demand True Peak compliance. ISL delivers both, giving you superb sound with complete confidence when meeting True Peak delivery criteria.\n\n\u003c\/p\u003e\n\u003cp\u003eWith ITU-R B.S. 1170-4 compliance and a dedicated brick-wall TPlim setting, you can produce with confidence, leaving ISL to transparently take care of the compliance.\n\n\u003c\/p\u003e\n\u003ch3\u003eTransparent, reliable\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eIn use on a daily basis in thousands of studios across the world, ISL is a proven reliable standard for transparent True Peak limiting.\u003c\/li\u003e\n\u003cli\u003eNow in version 2, ISL delivers reliable brick wall limiting and in-depth control to handle the most demanding of situations.\u003c\/li\u003e\n\u003cli\u003eAvailable in several editions there is an ISL to suit every production requirement.\u003c\/li\u003e\n\u003cli\u003eISL 2st - Mono and Stereo audio production\u003c\/li\u003e\n\u003cli\u003eISL 2 - Surround compatibility up to 7.1.4 for Post \u0026amp; Movie production\u003c\/li\u003e\n\u003cli\u003eISL 2st DSP \u0026amp; ISL 2 DSP - Avid HDX hardware compatible editions, please note ISL 2 DSP supports 7.1.2 but not 7.1.4\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTypical applications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eMix and master for music streaming services\u003c\/li\u003e\n\u003cli\u003eProduce broadcast compliant audio\u003c\/li\u003e\n\u003cli\u003eTransparent end of chain limiting\u003c\/li\u003e\n\u003cli\u003eApple 'afclip' inter-sample monitoring\u003c\/li\u003e\n\u003cli\u003eProtection for downstream data compression\u003c\/li\u003e\n\u003cli\u003ePreserving quality for podcast material\u003c\/li\u003e\n\u003cli\u003eInter-sample clip management in hi-res files\u003c\/li\u003e\n\u003cli\u003eLoudness compliance\u003c\/li\u003e\n\u003cli\u003eAudio for video production\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"NUGEN Audio","offers":[{"title":"Default Title","offer_id":47425514307833,"sku":"1358-119","price":345.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Screen_20Shot_20-_20ISL_20-_20Stereo.png?v=1771377910"},{"product_id":"psp-busspressor","title":"PSP BussPressor","description":"\u003cp\u003ePSP BussPressor is a compressor optimized for group and master buss processing. It combines the sound of classic VCA compression with wide tuning capabilities, while it's extra controls allow you to adjust a side chain high pass filter or apply parallel compression with ease.\n\n\u003c\/p\u003e\n\u003cp\u003ePSP BussPressor is part of our series of Zero Latency Processing plug-ins; making it ideal for situations such as live monitoring, live broadcast production, and managing levels while tracking.\n\n\u003c\/p\u003e","brand":"PSP AUDIOWARE","offers":[{"title":"Default Title","offer_id":47425514930425,"sku":"1358-1199","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/psp_busspressor2.jpg?v=1771377923"},{"product_id":"psp-fetpressor","title":"PSP FETpressor","description":"\u003cp\u003ePSP FETpressor is a FET feedback type compressor plug-in designed to provide accurate, almost instant compression with loads of character. Great for vocals, guitars, bass, drums, and whenever a classic 1970s-style FET compressor is needed, PSP FETpressor contains everything you’d expect from a FET compressor: an internal side chain high pass filter to control amount of low frequency pumping, smoothly adjustable compression ratio, ability to select which channel to process, and a link switch.\n\n\u003c\/p\u003e\n\u003cp\u003ePSP FETpressor also contains a dry signal blend for fast and easy parallel compression. Additionally, PSP FETpressor contains makeup amplifier and output transformer emulations to add subtle character even when set to a 1:1 ratio.\n\n\u003c\/p\u003e\n\u003cp\u003ePSP FETpressor is part of our series of Zero Latency Processing plug-ins; making it ideal for situations such as live monitoring, live broadcast production, and managing levels while tracking.\n\n\u003c\/p\u003e","brand":"PSP AUDIOWARE","offers":[{"title":"Default Title","offer_id":47425515028729,"sku":"1358-1201","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/PSP_FETpressor.png?v=1771377926"},{"product_id":"psp-oldtimer","title":"PSP oldTimer","description":"\u003cp\u003ePSP oldTimer: A vintage-style compressor designed for track or group compression and limiting.\n\n\u003c\/p\u003e\n\u003cp\u003eOur goal in developing these plug-ins has been to provide you with versatile compressors that offer detailed control, and an exceptionally musical sound. PSP oldTimer is not based on any specific hardware, but is inspired by vintage circuitry and we designed them to emulate our favorite characteristics of such compressors.\n\n\u003c\/p\u003e\n\u003cp\u003eIn the case of PSP oldTimer, our goal was to provide a simple compressor that offers an exceptionally musical sound while requiring minimal tweaking. PSP oldTimer is so simple and so easy to use, that it's difficult to make it sound bad even at the most extreme settings! These compressors offer soft and smooth compression in most applications, however they may slightly color the sound with their tube emulation on transients when heavily driven internally by high compression values.\n\n\u003c\/p\u003e","brand":"PSP AUDIOWARE","offers":[{"title":"Default Title","offer_id":47425515061497,"sku":"1358-1202","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/PSP_oldTimer2.png?v=1771377928"},{"product_id":"psp-mastercomp","title":"PSP MasterComp","description":"\u003cp\u003ePSP MasterComp is a high fidelity stereo dynamics processor. Its double-precision 64-bit floating point and double-sampled FAT (Frequency Authentication Technique) processing offers unrivaled transparency even at extreme compression settings and high sample rates.\n\n\n\u003c\/p\u003e\n\u003ch3\u003ePSP MasterComp installer includes two version of the plug-in:\u003c\/h3\u003e\n\u003cp\u003ePSP MasterComp - which is mainly designed for mastering compression and expansion and\n\u003c\/p\u003e\n\u003cp\u003ePSP MicroComp - designed for use on buses and track processing during mixing.\n\u003c\/p\u003e\n\u003ch3\u003ePSP MicroComp\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSimple and effective control layout\u003c\/li\u003e\n\u003cli\u003eCPU efficient algorithm optimized for mixing purposes\u003c\/li\u003e\n\u003cli\u003eLow distortion thanks to optional Smooth Level Detector algorithm\u003c\/li\u003e\n\u003cli\u003eOptional automatic release time\u003c\/li\u003e\n\u003cli\u003eWide range of controls dedicated for mixing purposes\u003c\/li\u003e\n\u003cli\u003eOver threshold compression and expansion\u003c\/li\u003e\n\u003cli\u003eSide chain filtering and channel linking controls\u003c\/li\u003e\n\u003cli\u003eAdvanced PPM\/VU meters with contextual readings and adjustable operation parameters\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"PSP AUDIOWARE","offers":[{"title":"Default Title","offer_id":47425515520249,"sku":"1358-1217","price":275.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/psp_mastercomp_xl.jpg?v=1771377949"},{"product_id":"psp-twin-l","title":"PSP Twin-L","description":"\u003cp\u003ePSP Twin-L is a dual algorithm classic limiter effect. The aim of this plug-in is to provide a wide variety of shaping options. PSP Twin-L is able to emulate the main features of two types of limiter: VCA-limiters, which is a modern type of analog limiter, and Opto-limiters which are vintage optical limiters.\n\n\u003c\/p\u003e\n\u003cp\u003ePSP Twin-L’s limiting algorithms are not intended to emulate any specific hardware, but rather to bring the capabilities of both types into a versatile plug-in.\n\n\u003c\/p\u003e\n\u003cp\u003ePSP Twin-L is part of our series of Zero Latency Processing plug-ins; making it ideal for situations such as live monitoring, live broadcast production, and managing levels while tracking.\n\n\u003c\/p\u003e","brand":"PSP AUDIOWARE","offers":[{"title":"Default Title","offer_id":47425515553017,"sku":"1358-1218","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/PSP_Twin-L.png?v=1771377950"},{"product_id":"psp-oldtimermb","title":"PSP oldTimerMB","description":"\u003cp\u003ePSP oldTimerMB is a vintage-style multi-band compressor designed for demanding track processing, buss \/ mix compression, and mastering. Our aim in developing this plug-in was to design a high end multi-band processor based on the algorithm from our best-selling PSP oldTimer compressor.\n\n\u003c\/p\u003e\n\u003cp\u003eThe result is a musical and warm sounding processor with a range of controls making it a vital tool for virtually any kind of music. The switchable and adjustable output valve emulation stage gives you a choice of additional colors to the sound.\n\n\u003c\/p\u003e","brand":"PSP AUDIOWARE","offers":[{"title":"Default Title","offer_id":47425515684089,"sku":"1358-1222","price":275.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/PSP_oldTimerMB.png?v=1771377954"},{"product_id":"psp-xenon","title":"PSP Xenon","description":"\u003cp\u003ePSP Xenon is a full band, dual-stage limiter plug-in featuring an integrated leveler, advanced K-System metering, and psychoacoustically optimized word-length reduction. PSP Xenon offers pristine 64-bit precision processing throughout its entire signal path, and can operate at sample rates up to 192kHz.\n\n\u003c\/p\u003e\n\u003cp\u003eOnce you experience for yourself the pristine, transparent response and intuitive design of this plug-in, we believe it will become your \"go to\" limiter for mastering and other critical audio applications.\n\n\u003c\/p\u003e","brand":"PSP AUDIOWARE","offers":[{"title":"Default Title","offer_id":47425515716857,"sku":"1358-1223","price":275.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/PSP_Xenon.jpg?v=1771377956"},{"product_id":"baby-audio-parallel-aggressor","title":"Baby Audio Parallel Aggressor","description":"\u003ch3\u003eAdd Triple Impact To Your Tracks\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eParallel Aggressor lets you add parallel saturation and parallel compression from within one plugin window.\u003c\/li\u003e\n\u003cli\u003eIt splits your audio into three individual tracks: Saturated duplicate, Compressed duplicate, Dry Original.\u003c\/li\u003e\n\u003cli\u003eBalance the three signals to add impact and punch while retaining the dynamics of your original track.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eParallel processing plays a fundamental part in getting a big mix sound. By duplicating the same audio into multiple copies and processing each duplicate with different levels of intensity, you can add more presence to a track - while still preserving its natural dynamics. The technique is a staple of modern music production. \u003c\/p\u003e\n\u003cp\u003eParallel Aggressor is based on this concept. Except, instead of routing any audio to external busses, the plugin hosts the parallel tracks internally - and has them calibrated for maximum impact from the get-go.\u003c\/p\u003e\n\u003cp\u003e\"Spank\" offers a heavily compressed duplicate of your original track. \"Heat\" offers a heavily saturated duplicate. \"Dry\" is your clean audio. Work the two duplicates hard! Then combine all three signals to squeeze every last drop of sonic juice out of your track!\n\u003c\/p\u003e\n\u003ch3\u003eParallel Aggressor comes with 25 presets created by friends of BABY Audio - including:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eKurtCurt (Grammy nominated engineer for 2 Chainz, Diamond D, Wiz Khalifa)\u003c\/li\u003e\n\u003cli\u003eAnthony Saffery (Producer for Portugal. The Man, Dirty Vegas, Cornershop)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Baby Audio","offers":[{"title":"Default Title","offer_id":47425516208377,"sku":"1358-1357","price":95.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/BABY_Audio_Parallel_Aggressor_Plugin.webp?v=1771377978"},{"product_id":"psp-impressor","title":"PSP Impressor","description":"\u003cp\u003eThe PSP Impressor is an incredibly accurate, a fully-featured, high-precision compressor designed to process whole mixes, busses or single tracks. PSP Impressor emulates the magical classic characteristics of compressors with valve and opto-electronic circuits as well as classic modern compressors. PSP Impressor also features a highly configurable side-chain. The side-chain filter has a significant effect on PSP Impressor’s sound and operation. Depending on your side-chain filter settings, the filter also lets you use the compressor as a de-esser or to reduce the pumping effects of heavy kick drums and the like.\u003c\/p\u003e\n\u003cp\u003ePSP Impressor also works very well in combination with the PSP Saturator. With the PSP Impressor before the PSP Saturator in the signal path (think of it like placing a bus compressor before a tape machine), you can employ both plug-ins simultaneously (using subtle settings!) in order to impart a very cohesive sound, like your mix was being produced on expensive analog hardware. Of course, you can also reverse the order, placing PSP Saturator before PSP Impressor - never be afraid to experiment!\u003c\/p\u003e","brand":"PSP AUDIOWARE","offers":[{"title":"Default Title","offer_id":47425527841017,"sku":"1358-2002","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/PSP_Impressor_www.jpg?v=1771378273"},{"product_id":"baby-audio-ihny-2","title":"Baby Audio IHNY-2","description":"\u003ch3\u003eSlaps So Good\u003c\/h3\u003e\n\u003cp\u003eWe set out to make the hardest hitting compressor in the industry. The kind that makes your tracks slam and sing. To achieve that extra edge, IHNY-2 works in parallel. This allows you to compress more while retaining the dynamics of your dry track. \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEngineered for a modern and ultra-aggressive compression sound, perfect for adding power to your tracks. \u003c\/li\u003e\n\u003cli\u003eHosts parallel signal chain internally for a fast and obstacle-free parallel compression workflow.\u003c\/li\u003e\n\u003cli\u003eMajorly upgraded V2 of our first ever plugin (I Heart NY) - offering surgical control and a range of new features.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMix Harder\u003c\/h3\u003e\n\u003cp\u003eContemporary mixes need punch. And to achieve maximum impact, without killing a track's dynamics, engineers turn to parallel compression (a technique that blends a dry track with a heavily compressed duplicate). IHNY-2 hosts a plug-and-play parallel configuration so you don’t have to set up any extra routing in your DAW.\u003c\/p\u003e\n\u003cp\u003eThe plugin is purpose-designed for slamming your tracks in parallel and it will hit harder than your typical go-to compressors. It is not subtle, but a dedicated tool for adding energy and “slap' to drums, mix busses or even the master bus (if you dare!).\u003c\/p\u003e\n\u003cp\u003eIHNY-2 is an evolution of our very first plugin, I Heart NY. The original was a favorite with many users and was picked for the SOS Awards by Sound On Sound Magazine. V2 ships with new features, surgical control - and improvements in sound. \u003c\/p\u003e\n\u003ch3\u003eIt's All About The Sound\u003c\/h3\u003e\n\u003cp\u003eIHNY-2 comes with a range of new features to surgically tweak the compression behavior. But a compressor should not be judged on its features (or ability to run in parallel) as much as it should be judged on its sound. Let’s get into that.\u003c\/p\u003e\n\u003cp\u003eJust like its predecessor, IHNY-2 offers its own, unique sonic signature: Its style of compression is clinical and aggressive, combining the precision of a digital algorithm with a touch of analog-inspired non-linearity. It can even go into full-on saturation mode as you apply the 'Harmonics' control. \u003c\/p\u003e\n\u003cp\u003eThe plugin is designed especially with modern genres in mind - i.e. optimized for loudness and impact, without a loss of clarity. \u003c\/p\u003e\n\u003cp\u003eHowever, some of our inspiration actually goes back in time as well. Particularly to the affordable DBX units of the 80s and 90s. You can call them basic, but these compressors had a brutal and hard hitting nature that their most sophisticated counterparts just couldn't muster. They are loved and used for that to this day. \u003c\/p\u003e\n\u003cp\u003eWith IHNY-2 we had an ambition to take the \"slammy\" and \"squashy\" behavior of our favorite old hardware compressors even further - and make it an intentional feature rather than a byproduct of design limitations. At the same time we wanted an algorithm that didn't destroy the signal, even at high compression levels (unlike cheaper hardware compressors).\u003c\/p\u003e\n\u003cp\u003eWe're sure you'll find that IHNY-2 sounds like none of your other plugins. It's not designed for \"smooth\" work. But when you need some power, you'll have a hard time finding a better companion. IHNY-2 is everything I Heart NY was - and so much more!\u003c\/p\u003e\n\u003ch3\u003ePreset Creators \u003c\/h3\u003e\n\u003cp\u003eIHNY-2 comes loaded with 156 presets created by BABY Audio and friends of the house - including:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDelbert Bowers (Lizzo, Icona Pop, Shawn Mendes)\u003c\/li\u003e\n\u003cli\u003eMatt Sim (Nicki Minaj, The Chainsmokers, Gucci Mane)\u003c\/li\u003e\n\u003cli\u003eM-Phazes (Eminem, Madonna, Demi Lovato)\u003c\/li\u003e\n\u003cli\u003ePreston \"Prizzie\" Reid (Kanye West, Alicia Keys, Muni Long)\u003c\/li\u003e\n\u003cli\u003eRob Kleiner (Cee Lo, SIA, David Guetta, Britney Spears)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Baby Audio","offers":[{"title":"Default Title","offer_id":47425529184505,"sku":"1358-2363","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Best_Parallel_Compression_VST_Plugin._Get_free_trial.webp?v=1771378336"},{"product_id":"initial-audio-boost-x","title":"Initial Audio Boost X","description":"\u003cp\u003eBoost X is a dynamic and smart Saturation\/Overdrive plugin. Used to make any sound warmer by adding extra harmonics.\n\u003c\/p\u003e\n\u003cp\u003eMany other Saturation\/Overdrive plugins use a static (stateless) algorithm that doesn’t change depending on the audio passed through. These effects rely on a gain boost, when the audio hits a certain threshold then Saturation is applied. They are either on or off and the amount of saturation is heavily dependent on the loudness of the audio passed into them.\n\u003c\/p\u003e\n\u003cp\u003eBoost X is different, it reacts to the input audio and applies the perfect amount of saturation at the current loudness. This means even quiet sounds can be overdriven without any gain in loudness. Boost-X also compensates for perceived loudness, bringing the loudness down even further so you get nice rich harmonics added to your sound, without destroying the balance of your mix.\n\u003c\/p\u003e\n\u003cp\u003eGives your sounds a rich depth and warmth that sits well in your mix, bringing your vocals and instruments to life with a true analog warmth and feel. Get it with Boost X – Dynamic Saturation.\n\u003c\/p\u003e","brand":"INITIAL AUDIO","offers":[{"title":"Default Title","offer_id":47425529741561,"sku":"1358-2427","price":68.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/BoostX-600x600.png?v=1771378448"},{"product_id":"initial-audio-ia-la1","title":"Initial Audio IA-LA1","description":"\u003cp\u003eOur IA-LA1 compressor plugin is designed to be super responsive. It comes with a transparent algorithm that introduces no distortion or artefacts. But if colouration is required we have the THD control, which introduces a gentle dynamic distortion adding extra warmth and depth.\n\n\u003c\/p\u003e\n\u003cp\u003eIA-LA1 comes with accurate level meters and a gain reduction meter giving a clear visual of the compression being applied. Get perfect compression in less time with our IA-LA1 compressor plugin.\n\n\u003c\/p\u003e\n\u003ch3\u003eEasy Compression\u003c\/h3\u003e\n\u003cp\u003eIA-LA1 is a simple to use Compressor plugin. Threshold and Make up gain are the two main controls. The threshold represents the level at which compression will start to affect the audio. Anything over the threshold is compressed, which reduces the dynamic range of the audio. The threshold is shown as an orange line on the input meter, compression will start to happen when the audio level goes above this line. Now use the Make up gain to compensate for any loss in loudness. That’s it! Get perfect compression every time with just these two controls. No need to set an attack or release like on many other compressors.\n\u003c\/p\u003e\n\u003cp\u003eMeet your new compressor plugin. Initial Audio IA-LA1 Compressor. Please give the demo a try and see for yourself!\n\u003c\/p\u003e","brand":"INITIAL AUDIO","offers":[{"title":"Default Title","offer_id":47425529807097,"sku":"1358-2429","price":68.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/IA-LA1-GUI.webp?v=1771378366"},{"product_id":"psp-auralcomp","title":"PSP auralComp","description":"\u003cp\u003ePSP auralComp is a multi-channel compressor and limiter designed from the ground up to be powerful, simple, and flexible for all kinds of surround and immersive audio applications.\n\n\u003c\/p\u003e\n\u003cp\u003ePSP auralComp v. 2.0.0 introduces four compression types - Opto (default), FET, VCA, and OldTimer - giving you the flexibility to choose the compression style that best suits your material.\n\n\u003c\/p\u003e\n\u003cp\u003ePowerful: PSP auralComp is the first in a series of plug-ins created in partnership with acclaimed immersive audio pioneer Ronald Prent, whose credits include Depeche Mode, Helloween, Manowar, Iron Maiden, Rammstein, Def Leppard, Richie Hawtin, Celine Dion, Simple Minds, and many others. Ronald has extensive experience designing and tuning analog multi-channel dynamics processors and mixing\/mastering consoles, and he has brought this expertise to the development of PSP auralComp\n\n\u003c\/p\u003e\n\u003cp\u003eSimple: PSP auralComp provides up to 16 channels of compression per multi-channel input bus, each with intuitive controls and clear metering. Channels can be easily grouped, allowing you to adjust multiple channels simultaneously with minimal effort.\n\n\u003c\/p\u003e\n\u003cp\u003eFlexible: With a wide range of Quick Select configurations, PSP auralComp supports immersive formats from 5.1 up to 9.1.6 with a single click. PSP auralComp also offers Mid-Side processing for stereo tracks and includes an output brick-wall limiter for precise peak control.\n\n\u003c\/p\u003e\n\u003cp\u003eWe believe PSP auralComp sets a new standard for multi-channel compression and limiting. Once you’ve used it on your most demanding immersive projects, we’re confident you’ll agree.\n\n\u003c\/p\u003e","brand":"PSP AUDIOWARE","offers":[{"title":"Default Title","offer_id":47425531085049,"sku":"1358-2512","price":415.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/psp_auralcomp_hr.jpg?v=1771378413"},{"product_id":"psp-flare","title":"PSP Flare","description":"\u003cp\u003ePSP Flare is a tool designed for smooth and musical compression across a variety of tracks and groups. The base algorithm and inspiration for the compressor were provided by Paolo Pasquariello, a talented and gifted Italian post-production sound engineer. While it was specifically designed for film and TV\/video post-production, its unique behavior can deliver excellent results in almost any application.\u003c\/p\u003e","brand":"PSP AUDIOWARE","offers":[{"title":"Default Title","offer_id":47425534329081,"sku":"1358-3117","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Flow.png?v=1771378558"},{"product_id":"boz-transgressor-3","title":"Boz Transgressor 3","description":"\u003cp\u003eTransgressor sets a new standard for transient design by combining transient shaping with two 4-band equalizers, giving you the unprecedented power to EQ attack and sustain individually. Now you can craft the sound of your drums any way you want, whether it’s subtle enhancement or changing the sound of an entire kit, and more.\n\n\u003c\/p\u003e\n\u003ch3\u003eNot Just Another Transient Designer\u003c\/h3\u003e\n\u003cp\u003eIf we were to dissect the sound of a single drum hit, we would discover an incredibly complex series of events, all happening in rapid succession, that creates the unique tone of each drum. From the attack of the stick to the resonance of the head, these short time slices add together to create what we hear as the tone. This is why it’s such a shame that the standard is to rely on static EQ to sculpt the tone of our drums. To put it bluntly, eq is just not a very good tool for the job, especially if drastic changes are needed.\n\n\u003c\/p\u003e\n\u003cp\u003eEnter Transgressor. Transgressor breaks up your drum hits into separate sections: Transient (attack) and Sustain and lets you control the volume and EQ of those sections independently. This opens up huge potential for dialing in your drums to sound exactly the way you want them too.\n\n\u003c\/p\u003e\n\u003cp\u003eDo you need a sharper attack on your snare but don’t want a harsh ring? Just boost the high end of the attack only.\n\n\u003c\/p\u003e\n\u003cp\u003eDoes your kick drum ring out too long, cluttering your low end? Just take some low frequencies out of the sustain of your kick to retain the deep impact without the rumble.\n\n\u003c\/p\u003e\n\u003cp\u003eIs your snare to harsh but you don’t want to deaden the resonance? Just remove some of the high end from the attack.\n\n\u003c\/p\u003e\n\u003ch3\u003ePower + Ease of Use\u003c\/h3\u003e\n\u003cp\u003eIt’s not easy to create a plugin that so drastically changes the game while being easy and intuitive to use, but once you try it out, you will instantly click with what it can do.\n\n\u003c\/p\u003e\n\u003ch3\u003eBreak the Rules\u003c\/h3\u003e\n\u003cp\u003eBecause Transgressor lets you EQ such small slices of time, it also opens up a whole set of new possibilities on how you use your EQ. The traditional rules of EQ can be thrown out the window. That resonant shelf filter on your parametric EQ that no sane person in the history of music making has ever used? It suddenly becomes useful. 20dB of low end boost on your kick? Go for it. You don’t have to be shy when it comes to extreme settings anymore.\n\n\u003c\/p\u003e\n\u003ch3\u003eJust the Facts\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHybrid transient designer with two 4-band equalizers with selectable slopes\u003c\/li\u003e\n\u003cli\u003eGain controls let you boost or eliminate transients and sustain independently\u003c\/li\u003e\n\u003cli\u003eMix knob lets you adjust wet\/dry signal\u003c\/li\u003e\n\u003cli\u003eAdjustable transient detector lets you control sensitivity, eliminate false triggers from bleed\u003c\/li\u003e\n\u003cli\u003eInternal, external and MIDI sidechain control of detector\u003c\/li\u003e\n\u003cli\u003eFactory presets to get you started\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BOZ DIGITAL","offers":[{"title":"Default Title","offer_id":47425536033017,"sku":"1358-3198","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/transgessor3.png?v=1771378622"},{"product_id":"noiseworks-gainaim","title":"NoiseWorks GainAim","description":"\u003ch3\u003eVocal rider with five different speed modes\u003c\/h3\u003e\n\u003cp\u003eThe GainAim vocal rider plugin comes with a variety of modes. This allows GainAim to react appropriately to different music genres and vocal dynamics. No matter the genre—be it opera, rock, hip-hop, or rap—selecting the right mode grants you precise control over volume adjustments. This also applies to the sound processing of other signals such as guitar and drums.\n\n\u003c\/p\u003e\n\u003cp\u003eYou can use the modes to set how quickly GainAim should adjust the actual volume to the target volume. \n\n\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRider: The “Rider” mode enables you to preserve the natural sound of your vocals, whether in the studio or live.\u003c\/li\u003e\n\u003cli\u003eLeveler: The “Leveler” mode makes it possible to use GainAim as an autogain for each vocal track.\u003c\/li\u003e\n\u003cli\u003eFast: The “Fast” mode is a bass rider. It is equally suitable for very dynamic signals and fast sounds, such as rap.\u003c\/li\u003e\n\u003cli\u003eSquash: The “Squash” mode turns your signal into a sausage.\u003c\/li\u003e\n\u003cli\u003eLocked: The “Locked” mode fixes the current gain setting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eStreamline your workflow with our next level vocal rider\u003c\/h3\u003e\n\u003cp\u003eFeatures of the GainAim vocal rider:\n\n\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTarget Loudness: You can choose the target values you want.\u003c\/li\u003e\n\u003cli\u003eLoudness Control: The “Fast” and “Squash” modes enable you to achieve quick loudness control.\u003c\/li\u003e\n\u003cli\u003eNo latency for live events: There is no time delay in the transmission of audio signals during live events or performances. This ensures real-time processing without any perceptible delay.\u003c\/li\u003e\n\u003cli\u003eNoiseFloor: You can easily exclude audio signals, such as breathing sounds or noise, below a certain threshold.\u003c\/li\u003e\n\u003cli\u003eChannel Link: You can control the amount of stereo linking applied to the trigger signal.\u003c\/li\u003e\n\u003cli\u003ePreparation of signals: With GainAim you can prepare vocals and bass before compressing. Thanks to the automatic processing of vocals, you can prevent over-compression.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"NOISEWORKS","offers":[{"title":"Default Title","offer_id":47425539440889,"sku":"1358-3404","price":68.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Vocal-Rider-GainAim-2.0-Green-NoiseWorks-Web-1536x1014.jpg?v=1771378766"},{"product_id":"noiseworks-transplit","title":"NoiseWorks TranSplit","description":"\u003ch3\u003eSimple transient control.\u003c\/h3\u003e\n\u003cp\u003eThe dynamics of the incoming signal are sampled in high resolution by TranSplit and divided into Punch (yellow) and Body (blue). The position of the slider determines where the focus should be shifted. This allows very dynamic instruments to be quickly controlled.\n\n\u003c\/p\u003e\n\u003ch3\u003eQuick and easy to use.\u003c\/h3\u003e\n\u003cp\u003eThe slider determines the volume balance between Punch and Body. Sensitivity controls how detailed the dynamics are captured. Length sets the fade-out of the detected transients (yellow), and Trigger allows a frequency focus to be established. This way, the focus can be shifted more towards the kick or more towards the crashes.\n\n\u003c\/p\u003e","brand":"NOISEWORKS","offers":[{"title":"Default Title","offer_id":47425539473657,"sku":"1358-3405","price":68.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Transient-Splitter-Transient-Designer-TranSplit-NoiseWorks-Web-1536x1024.jpg?v=1771378768"},{"product_id":"noiseworks-enshape","title":"NoiseWorks Enshape","description":"\u003ch3\u003eStable compression using DAEA.\u003c\/h3\u003e\n\u003cp\u003eDAEA makes it possible to achieve consistent compression on the vocal track without a threshold. The volume curve of the signal is captured in detail and displayed in the interface as blue (Input) and yellow (Target) envelopes. This allows for separate editing of attack and release, which are always applied relative to the volume of the transient. Quiet parts (verse) are compressed just as effectively as loud parts (chorus), resulting in a uniform sound. No over- or under-compression.\n\n\u003c\/p\u003e\n\u003ch3\u003eOnly four parameters replace the compressor.\u003c\/h3\u003e\n\u003cp\u003eOnly four parameters are required to control the compression level. Attack and Release for the Input Envelope (blue) describe how detailed the original signal should be captured. Attack and Release for the Target Envelope (yellow) determine the adjustment to be made. Longer attack values result in a reduction of the transient, while longer release values enhance sustain and release.\n\u003c\/p\u003e","brand":"NOISEWORKS","offers":[{"title":"Default Title","offer_id":47425539506425,"sku":"1358-3406","price":68.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Compressor-Transient-Designer-Expander-Enshape-NoiseWorks-Green-Web-1536x814.jpg?v=1771378769"},{"product_id":"kit-plugins-bb-n54","title":"Kit Plugins BB N54","description":"\u003ch3\u003eA legend wrapped in Marinair transformers.\u003c\/h3\u003e\n\u003cp\u003eInspired by the iconic Neve 2254 compressor\/limiter, the BB N54 delivers rich, analog warmth and musical dynamic control straight to your DAW. Designed in partnership with Blackbird Studio and tuned to John McBride’s personal taste, it captures the unmistakable low-end weight and harmonic depth that made the 2254 a studio essential.\n\u003c\/p\u003e\n\u003cp\u003eDial in classic compression with ease. The BB N54 combines dual-stage compression and limiting with a modern workflow, giving you the power to add cohesion, warmth, and character to any track—without the hassle of complex setups.\n\u003c\/p\u003e\n\u003ch3\u003eForm And Function\u003c\/h3\u003e\n\u003cp\u003eTwo Plugins - One Price\n\u003c\/p\u003e\n\u003cp\u003eThe KIT BB N54 Single is a loving recreation of what makes this diode bridge compressor special. The N54 oozes mojo and creative possibilities making it useful in all sorts of context.\n\n\u003c\/p\u003e\n\u003cp\u003eThe KIT BB N54 Dual is the same great sound of the N54 Single but with additional features to support your more complex stereo needs such as mid\/side. Whether you need a simple vibe filled compressor, or a detailed mid\/side effect we have you covered.\n\n\u003c\/p\u003e","brand":"KIT PLUGINS","offers":[{"title":"Default Title","offer_id":47425543143673,"sku":"1358-4034","price":209.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/BB_N54_Composite_Resize.png?v=1771379383"},{"product_id":"kit-plugins-noiz-one-series-c-bundle","title":"Kit Plugins NOIZ One Series C Bundle","description":"\u003cp\u003eBuilt for producers, engineers, and creators who need fast, professional results, the NOIZ One C Series delivers smooth, musical compression with the simplicity of a single main knob. Inspired by award-winning KIT Plugins designs, these plugins let you effortlessly control dynamics while adding punch, energy, and cohesion to any track. Get polished, analog-style compression in seconds—no endless tweaking, just instant impact.\n\n\u003c\/p\u003e\n\u003cp\u003eThe NOIZ One C Series continues the NOIZ One legacy with one-knob compression plugins designed for speed and simplicity. Whether you need subtle glue or bold punch, a single turn dials in the perfect compression to shape your mix with warmth and clarity. Achieve pro-level dynamics instantly with the NOIZ One C Series.\n\n\u003c\/p\u003e\n\u003ch3\u003eC-54\u003c\/h3\u003e\n\u003cp\u003eInspired by the BB N54, the C-54 combines vintage character with modern precision, delivering punchy and aggressive dynamic control.\n\n\u003c\/p\u003e\n\u003ch3\u003eC-66\u003c\/h3\u003e\n\u003cp\u003eThe C-66 delivers the warmth, punch, and musicality of classic analog compression inspired by the BB F66, providing smooth and musical glue.\n\n\u003c\/p\u003e","brand":"KIT PLUGINS","offers":[{"title":"Default Title","offer_id":47425543241977,"sku":"1358-4035","price":165.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/C_Series_Bundle.png?v=1771379383"},{"product_id":"kit-plugins-noiz-one-c-54","title":"Kit Plugins NOIZ One C-54","description":"\u003cp\u003eBuilt for producers, engineers, and creators who need fast, professional results, the NOIZ One C-54  delivers smooth, musical compression with the simplicity of a single main knob. Inspired by award-winning KIT Plugins designs, this plugin lets you effortlessly control dynamics while adding punch, energy, and cohesion to any track. Get polished, analog-style compression in seconds—no endless tweaking, just instant impact.\n\n\u003c\/p\u003e\n\u003cp\u003eThe NOIZ One C-54 continues the NOIZ One legacy with one-knob compression plugins designed for speed and simplicity. Whether you need subtle glue or bold punch, a single turn dials in the perfect compression to shape your mix with warmth and clarity. Achieve pro-level dynamics instantly with the NOIZ One C-54.\n\n\u003c\/p\u003e\n\u003ch3\u003eC-54\u003c\/h3\u003e\n\u003cp\u003eInspired by the BB N54, the C-54 combines vintage character with modern precision, delivering punchy and aggressive dynamic control.\n\n\u003c\/p\u003e","brand":"KIT PLUGINS","offers":[{"title":"Default Title","offer_id":47425543438585,"sku":"1358-4037","price":83.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/C54__Lo_a66d79bc-d1bf-4ec6-a7b2-bb7b9d926907.png?v=1771379384"},{"product_id":"kit-plugins-noiz-one-c-66","title":"Kit Plugins NOIZ One C-66","description":"\u003cp\u003eBuilt for producers, engineers, and creators who need fast, professional results, the NOIZ One C-66  delivers smooth, musical compression with the simplicity of a single main knob. Inspired by award-winning KIT Plugins designs, this plugin lets you effortlessly control dynamics while adding punch, energy, and cohesion to any track. Get polished, analog-style compression in seconds—no endless tweaking, just instant impact.\n\n\u003c\/p\u003e\n\u003cp\u003eThe NOIZ One C-66 continues the NOIZ One legacy with one-knob compression plugins designed for speed and simplicity. Whether you need subtle glue or bold punch, a single turn dials in the perfect compression to shape your mix with warmth and clarity. Achieve pro-level dynamics instantly with the NOIZ One C-66.\n\n\u003c\/p\u003e\n\u003ch3\u003eC-66\u003c\/h3\u003e\n\u003cp\u003eThe C-66 delivers the warmth, punch, and musicality of classic analog compression inspired by the BB F66, providing smooth and musical glue.\n\n\u003c\/p\u003e","brand":"KIT PLUGINS","offers":[{"title":"Default Title","offer_id":47425543536889,"sku":"1358-4038","price":83.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/C66__Fast_306a2520-fdd1-4eab-b0bb-59048488431d.png?v=1771379384"},{"product_id":"nugen-isl-w-dsp-extension","title":"NUGEN ISL 2 w DSP extension","description":"\u003ch3\u003eMastering \u0026amp; post production\u003c\/h3\u003e\n\u003cp\u003eISL is a transparent look-ahead limiter designed to allow you to get on with creative audio production while it takes care of True Peak compliance for you.\n\n\u003c\/p\u003e\n\u003cp\u003eISL uses the standardised True Peak algorithms of ITU-R B.S. 1770 and related standards (including Apple ‘afclip’ True Peak detection), and is suitable for the control of audio for post production, music mastering and broadcast applications. True Peak limiting can also be used to ensure that downstream codecs (mp3, AAC etc.) do not introduce distortion into the signal.\n\n\u003c\/p\u003e\n\u003ch3\u003ePowerful processing\u003c\/h3\u003e\n\u003cp\u003eUnlike traditional limiters, ISL provides a TPlim control, automatically adjusting transfer curve parameters for minimally invasive brick-wall protection.\n\n \n\nAuto-release monitors incoming audio for low frequency content, dynamically adapting to prevent distortions and deliver transparent audio in the most demanding of situations.\u003c\/p\u003e\n\u003ch3\u003eInnovative visualisations\u003c\/h3\u003e\n\u003cp\u003eWith unique steering and ducking meters, ISL guides you to the perfect settings. Whether you are preserving directional integrity or atmospheric ambience, ISL gives you the information and control you need to achieve your objective with ease. New processing enhancements assess the incoming audio for frequency content and automatically take care of those minor adjustments required when LF content drives the limiter, delivering increased transparency whilst maintaining our renowned reputation of intuitive operation.\n\n\u003c\/p\u003e\n\u003ch3\u003eFor music production\u003c\/h3\u003e\n\u003cp\u003eLet ISL take care of your mastering for today's music delivery services (Apple Music, Spotify, Tidal etc.) The risk of distortion from down-stream codec conversion (mp3, AAC etc.) is eliminated with ISL on the master bus.\n\n \n\nMix and master with confidence that your audio will be delivered the way you intend, without downstream distortions introduced by inter-sample clip reconstruction errors.\u003c\/p\u003e\n\u003ch3\u003eFor post and broadcast\u003c\/h3\u003e\n\u003cp\u003eWorld class, broadcast quality limiting is an essential requirement for any broadcast production, and the latest standards also demand True Peak compliance. ISL delivers both, giving you superb sound with complete confidence when meeting True Peak delivery criteria.\n\n\u003c\/p\u003e\n\u003cp\u003eWith ITU-R B.S. 1170-4 compliance and a dedicated brick-wall TPlim setting, you can produce with confidence, leaving ISL to transparently take care of the compliance.\n\n\u003c\/p\u003e\n\u003cp\u003eLoudness Toolkit has been included in the audio tool category of Netflix’s Production Technology Alliance. This is a programme for manufacturers that handles sound, image or metadata during the processes of production to postproduction. If the product meets specific criteria, it is considered as a candidate for the alliance. Any product that bears the alliance logo has been assessed to ensure that it meets with Netflix’s technical and workflow requirements.\n\n\u003c\/p\u003e","brand":"NUGEN Audio","offers":[{"title":"Default Title","offer_id":47425545634041,"sku":"1358-532","price":485.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/ST_7b3cb672-780f-42c0-9886-43dd6856d4de.png?v=1771379363"},{"product_id":"u-he-presswerk","title":"u-he Presswerk","description":"\u003cp\u003ePresswerk is more than an emulation of a single hardware compressor. Like Satin, Presswerk is a toolkit, drawing ideas and inspiration from a number of sources. It starts with warmth of classic analogue units and adds features only possible in the digital realm. The result is a powerful compressor with a rich feature set and a very musical soul.\n\n\u003c\/p\u003e\n\u003cp\u003ePresswerk was designed to fit into any workflow, no matter what task you throw at it. Presswerk gives you the tools for better sound.\n\n\u003c\/p\u003e\n\u003cp\u003ePresswerk is a powerful dynamics processor with a musical soul. An easy-to-use interface and a rich feature set give you hands-on control over all details of your sound. Presswerk doesn’t emulate famous compressors, it blends the warmth of classic hardware models with developments that are only possible in the digital domain.\n\n\u003c\/p\u003e\n\u003ch3\u003ePresswerk has all the features you expect in a compressor…\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSidechaining: Use ducking to create more space in your mixes, or get creative with keying and pumping effects.\u003c\/li\u003e\n\u003cli\u003eAdjustable compression curve and envelope: Find the best settings, get the most out of your audio using the soft knee, compression ratio, attack and release and other controls.\u003c\/li\u003e\n\u003cli\u003eLoud: Oh yes, Presswerk is more than capable of making your tracks louder.\u003c\/li\u003e\n\u003cli\u003eSoft clip: Roll off those harsh peaks and avoid distortion when output levels get too high.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e…plus what we added to enhance Presswerk’s capabilities:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e6 special views for better workflow: Drum Compressor, Vocal Compressor, M\/S Program Compressor, Easy Compressor, Bus Compressor, Limiter (see the screenshots above).\u003c\/li\u003e\n\u003cli\u003eM\/S mode: More detailed stereo signal processing\u003c\/li\u003e\n\u003cli\u003eDual Phase Rotator (DPR): applies a radio broadcaster’s trick to reduce unwanted asymmetries in the signal. It smears phases, increases headroom a little and adds bass ‘oomph’.\u003c\/li\u003e\n\u003cli\u003eSaturation: This is where Presswerk really shines—adding colour and character to your audio. Apply Saturation sparingly for subtle warmth and transient-taming, or crank it up to create tape overdrive-like effects.\u003c\/li\u003e\n\u003cli\u003eInternal parallel compression: The Mix controls let you blend the compressed and uncompressed signals. This helps preserve some of the original, natural dynamics.\u003c\/li\u003e\n\u003cli\u003eVariable detection topologies:\u003c\/li\u003e\n\u003cli\u003eAdjust and store global preferences\u003c\/li\u003e\n\u003cli\u003eNew MIDI learn controls\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"u-he Software","offers":[{"title":"Default Title","offer_id":47425546453241,"sku":"1358-551","price":179.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/uhe-presswerk-screenshot-fullui-1150x791.jpg?v=1771379351"},{"product_id":"boz-10db-compressor-2","title":"Boz +10dB Compressor 2","description":"\u003cp\u003e+10db Compressor is meticulously modeled after one of the industries most iconic hardware compressors. Unless you refuse to listen to any music after Beethoven, you most certainly have heard this unit in action. Best yet, this is the first time this hardware unit has been available in plugin format.\n\n\u003c\/p\u003e\n\u003cp\u003e+10db Compressor is the first of it’s kind channel strip plugin. This plugin is modelled after a very highly sought after compressor hardware unit. We didn’t just use the hardware unit for inspiration, we dug in deep and made sure that it sounded just like the original.\n\n\u003c\/p\u003e\n\u003ch3\u003eWhy did we model this unit?\u003c\/h3\u003e\n\u003cp\u003eHere’s the deal. It seems like everybody is modelling hardware these days, but we wanted to do something a little different. We didn’t want to model any hardware units that have been done a million times. We wanted to do something that had never been done before but has been an icon in the recording industry, and the only way to do that was to team up with producer\/mixer David Bendeth. He just happened to have a few of these in his rack, so he sent us one to pour over.\n\n\u003c\/p\u003e\n\u003cp\u003eUnless you stopped listening to music after “Johnny B Goode” then you have most definitely heard this hardware unit many many times. Think of Led Zeppelin drums.\u003c\/p\u003e\n\u003cp\u003eIn order to get this same compressor in hardware, not only would you have to pay over $2,000 to get one, but you’d have to deal with all the other drawbacks of using analog hardware. For a very small fraction of the price, you can get that same sound in the much more convenient software format. There are really no downsides (unless you live in Alaska an need a room heater)\u003c\/p\u003e\n\u003ch3\u003eA few extra features\u003c\/h3\u003e\n\u003cp\u003eSince we weren’t bound by the limits of the analog hardware, we took the liberty of adding a couple features that make this even more powerful than the original hardware. For one, we added a “Dry Passthrough” knob that makes parallel compression super easy, without having to set up extra buses.\u003c\/p\u003e","brand":"BOZ DIGITAL","offers":[{"title":"Default Title","offer_id":47425547206905,"sku":"1358-645","price":109.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Plus10dbCompressorScreenshot.jpg?v=1771379352"},{"product_id":"boz-manic-compressor","title":"Boz Manic Compressor","description":"\u003cp\u003eManic Compressor makes cumbersome and procedurally intense chores easy and intuitive. With true parallel processing, it features six compressor models and the ability to switch between them instantly without changing settings. Two EQ sections give you sidechain controlas well as the ability to create truly unique sounds unattainable by standard EQ\/compressor combinations.\n\n\u003c\/p\u003e\n\u003cp\u003eManic Compressor is not only manic, but also has multiple personalities—six to be precise, each one providing its own unique character. Manic Compressor addresses the creative needs of mix engineers in ways that no other compressor does. Its ability to instantly switch between compressors models without changing settings lets you can choose the most effective compressor for the job without losing perspective or valuable mix time. Along with supreme flexibility, Manic Compressor was conceived with true parallel compression as its core functionality. It also combines the compressor models with two sections of EQ, plus a number of innovative features that give you the ability to drive Manic Compressor as hard as you like, simultaneously creating new and unique sounds while still retaining musicality. Once you hear what Manic Compressor can do, you’ll wonder how you lived without it. Plus, it will be hard to resist the temptation to revisit old mixes with a renewed enthusiasm.\n\n\u003c\/p\u003e\n\u003ch3\u003eParallel-O-Grammys\u003c\/h3\u003e\n\u003cp\u003eManic Compressor is built for parallel compression right from the drawing board. It comprises six unique compressor models, each optimized for the response you want from bus compression, plus separate faders for compressed, uncompressed, and master levels—offering true parallel compression in a single plug-in. However, if you want subtle compression with natural sound, you can combine the Wet and Dry faders to function like a mix knob.\n\n\u003c\/p\u003e\n\u003ch3\u003eThe Power of Six\u003c\/h3\u003e\n\u003cp\u003eWith Manic Compressor, you can switch between its six compressors instantly without any change in settings, so you can hear the tonal effect and impact of each in action without losing perspective. Plus, since compression is treated more and more as a creative effect, Manic Compressor is built for abuse, enabling you to go to extremes and achieve unique, musically useful sounds that go beyond the limits (so to speak) of mere level control. One such effect is the Tone EQ in a parallel compression setup.\n\n\u003c\/p\u003e\n\u003ch3\u003eBuilt-in Tone and Sidechain EQ\u003c\/h3\u003e\n\u003cp\u003eIn standard parallel compression schemes, EQ is used to boost or cut various frequencies for pre- or post-compression effects. Ahead of the compressor, EQ can tame sounds going into the compressor, such as cymbals from being too harsh, or, it can prevent low frequencies from pulling down the mix. Used after the compressor, EQ can emphasize lost frequencies or tame those that the compressor over-emphasizes. This involves a lot of extra steps, even in software. Either way, this approach is more utilitarian than creative.\n\n\u003c\/p\u003e\n\u003cp\u003eManic Compressor gives you both practical and creative EQing. It hosts two EQ sections, both with their own preset manager, for the “all-in-one” functionality you’ve come to expect from Boz Digital. The Sidechain EQ, which is not audible, affects the signal going into the detector, determining how it reacts to program material by emphasizing or de-emphasizing selected frequencies. Additionally, the Sidechain input, selectable between internal and external sources, can be monitored in isolation for tweaking purposes.\n\n\u003c\/p\u003e\n\u003cp\u003eThe second EQ section is the Tone EQ, which does affect the audio output and gives you creative license to go wild if you want to. This EQ is designed to give you control over the frequency bands mainly associated with parallel compression. However, it’s not simply for low- and high-end boost. It follows its own set of rules. You can use extreme settings and blend them in with the dry signal for some truly unique sounds, unattainable by standard compressors and EQs.\n\n\u003c\/p\u003e\n\u003ch3\u003eBringing Transients into Sharp Relief\u003c\/h3\u003e\n\u003cp\u003eYou know you have a great piece of kit when you can crank knobs all the way up and still get a good sound, or an unexpectedly great sound, which is what Manic Compressor is built for—so let’s make some mistakes—that’s what it’s all about. The last “mistake” that spawned a unique compression effect was the “all button mode,” which is so 50 years ago. Among Manic Compressor’s innovative features is its Loud Relief control, which lets you apply extreme amounts of compression while relaxing the compressor’s grip on loud transients for a more natural sound.\n\n\u003c\/p\u003e\n\u003cp\u003eWith Loud Relief, Manic Compressor lets you visit sonic mayhem on an unsuspecting populace, crushing tracks under your merciless boot heels, and then ease off with Loud Relief, which softens the compression artifacts even under super heavy load.\n\n\u003c\/p\u003e","brand":"BOZ DIGITAL","offers":[{"title":"Default Title","offer_id":47425547370745,"sku":"1358-666","price":205.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/ScreenshotClean.jpg?v=1771379352"},{"product_id":"boz-the-wall-2","title":"Boz The Wall 2","description":"\u003cp\u003eThe Wall lets you crank your mix to commercial loudness without crushing its dynamics. Whether you’re sending a first pass to a client or bouncing a final reference for an artist, it needs to hit like\nthe final master. The Wall gets you there fast.\u003c\/p\u003e\n\u003cp\u003eIts impactful, yet simple controls deliver polished, competitive volume without painful tweaking or decision fatigue. Skip the second-guessing and print loud, clean mixes\/masters that stand up to anything out there.\u003c\/p\u003e\n\u003ch3\u003eThe Limiter That Hits Hard and Plays Nice\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDual Limiting Modes: Switch between Smooth and Aggressive for perfect control on any material, legato to percussive.\u003c\/li\u003e\n\u003cli\u003eFlavor Fader: One fader, 30+ internal parameters. Dial in the vibe without drowning in menus.\u003c\/li\u003e\n\u003cli\u003eSanity Check A\/B: Loudness tricks your ears, this button doesn’t. Level-match instantly and compare with confidence.\u003c\/li\u003e\n\u003cli\u003eOversampling That Actually Helps: Up to 8x oversampling to kill intersample peaks with zero CPU guilt.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBuilt for Mixers Who Hate Menus and Love Results\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCPU-Friendly Design: Drop it on your mix bus, your drum bus, your kick, your snare, everywhere.\u003c\/li\u003e\n\u003cli\u003eStereo Link Control: Keep your stereo field tight or let each side breathe, your call.\u003c\/li\u003e\n\u003cli\u003eThreshold \u0026amp; Ceiling Sliders: Straightforward, intuitive controls to crank it up and keep it clean.\u003c\/li\u003e\n\u003cli\u003eDesigned for Real-World Mixing: Whether you’re mastering or mixing high track counts, The Wall gets loud without killing your musicality or workflow.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BOZ DIGITAL","offers":[{"title":"Default Title","offer_id":47425547731193,"sku":"1358-4112","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/The-Wall-2-Screenshot-2.webp?v=1771379355"},{"product_id":"kit-plugins-core-compressor-plug-in","title":"Kit Plugins Core Compressor Plug-in","description":"\u003cp\u003eCore Compressor brings the tonal and dynamic control of a world-class bespoke compressor, packed into a producer-friendly interface that empowers creativity and musicality.\u003c\/p\u003e\n\u003ch3\u003eOne comp, endless possibility\u003c\/h3\u003e\n\u003cp\u003eCore Comp’s diverse tonal shaping features give you a vast sonic palette to work with. Whether you’re enabling crush mode on drum rooms, driving the output transformer on vocals, or dialing in some transparent parallel processing, Core Comp’s got you covered, no matter the source.\u003c\/p\u003e\n\u003ch3\u003eAn Extra Touch\u003c\/h3\u003e\n\u003cp\u003eThe included Mix and Body controls allow for easy parallel processing and recovery of that much needed low end during hard compression.\u003c\/p\u003e\n\u003ch3\u003eCRUSH your mix!\u003c\/h3\u003e\n\u003cp\u003eWith one click of this button, quickly jump to the Core Compressor’s most aggressive setting!\u003c\/p\u003e","brand":"KIT PLUGINS","offers":[{"title":"Default Title","offer_id":47425548222713,"sku":"1358-3876","price":42.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/CORECOMPGUIFORWEBSITE.png?v=1771379361"},{"product_id":"kit-plugins-smash-dynamics-and-saturation","title":"Kit Plugins SMASH Dynamics and Saturation","description":"\u003ch3\u003eBring analog life to your tracks\u003c\/h3\u003e\n\u003cp\u003eInspired by the effect of running through analog amplifier circuits, SMASH brings a unique blend of saturation and compression to your sound.\n\n\u003c\/p\u003e\n\u003ch3\u003eUnder the hood\u003c\/h3\u003e\n\u003cp\u003eSMASH uses a series of compressors and saturators all calibrated to the one main control. The harder you drive the control the more of each stage you will hear.\n\n\u003c\/p\u003e","brand":"KIT PLUGINS","offers":[{"title":"Default Title","offer_id":47425548812537,"sku":"1358-3882","price":97.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/ScreenShot2022-10-07at10.09.40AM_1_bff062db-509d-441c-b1c4-4f1fac80b0eb.png?v=1771379362"},{"product_id":"kit-plugins-bb-f66-f67-compressors","title":"Kit Plugins BB F66\/ F67 Compressors","description":"\u003ch3\u003eThe Legend Reborn\u003c\/h3\u003e\n\u003cp\u003eDeep within the heart of Blackbird Studio lies a sacred rack of gear, meticulously curated and fiercely protected: Martina’s vocal chain. This exceptional collection, featuring John and Martina McBride’s handpicked favorites, is a testament to their pursuit of sonic perfection.\n\u003c\/p\u003e\n\u003cp\u003eThe F66\/67 plugins embody the essence of Martina McBride's personal Fairchild 660 Compressor as a true real world model.\n\u003c\/p\u003e\n\u003cp\u003eThe F66 and 67 give you the secret sauce behind some of the most beloved tracks ever recorded, adding that unmistakable warmth and control heard on countless records. It's like having a piece of music history in your studio, giving your recordings that same timeless quality.\n\u003c\/p\u003e","brand":"KIT PLUGINS","offers":[{"title":"Default Title","offer_id":47425548878073,"sku":"1358-3883","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/F66_67_20Product_20Image.png?v=1771379363"},{"product_id":"relab-176-tube-compressor-limiter","title":"Relab 176 Tube Compressor\/Limiter","description":"\u003ch3\u003e Hardware-Accurate Tube Compression In Software Form\u003c\/h3\u003e\n\u003cp\u003e Accurately modeled from the entire audio circuit of a vintage 1960s 176-style compressor:\n every tube, transformer, timing network, and power supply interaction is re-created using a\n real time circuit solver. This preserves the tone, timing, and dynamic behavior of the original\n hardware.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Hardware-Accurate from Input to Output:  The Relab 176 reproduces everything: the tone, timing, and dynamic behavior of the  hardware. Every tube stage, transformer, and timing network responds as it does in the  original.\u003c\/li\u003e\n\u003cli\u003e Compression That Adapts to the Music:  Fixed-threshold, variable-gain design where ratio, drive, and source material interact to  shape timing, curve, and harmonics.\u003c\/li\u003e\n\u003cli\u003eInstant Control Over Tone and Transients: Switchable interstage transformer, asymmetry detection, and calibration trims allow quick  changes to character and transient handling.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e Every Stage of the 176, Modeled Without Shortcuts\u003c\/h3\u003e\n\u003cp\u003eThe original 176 used a fixed-threshold, variable-gain topology that reshaped its compression\n curve with each ratio - smooth leveling at low settings, assertive limiting at high ones. Its tone\n comes from an all-tube signal path, interstage transformer coupling, and a program\ndependent sidechain.\u003c\/p\u003e\n\u003cp\u003eThe Relab 176 models the entire audio circuit in real time. Each component is re-created, so\n the plugin responds like the hardware:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Tubes – Variable-gain stage and line amp with bias interactions shaping dynamics and  harmonics\u003c\/li\u003e\n\u003cli\u003e Transformers – Input, output, and interstage stages modeled for saturation and frequency  shaping\u003c\/li\u003e\n\u003cli\u003e Rectifiers \u0026amp; Timing – RC sidechain delivering program-adaptive attack and release\u003c\/li\u003e\n\u003cli\u003e Power Supply – Sag and recovery influencing timing under sustained gain reduction\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e Because compression in the Relab 176 emerges from a fully modeled circuit rather than a\n fixed transfer curve, its response is inherently musical and dynamic - timing and harmonics\n adapt to the source, each ratio shifts the slope and knee position, and the exact signal flow,\n including transformer coupling and tube stage interactions, is preserved.\u003c\/p\u003e\n\u003ch3\u003e Features That Preserve the 176's Sound - and Expand Its Workflow\u003c\/h3\u003e\n\u003cp\u003e From compression curves and harmonic behavior to transformer tone and calibration control,\n every element of the original 176 is modeled for authenticity, with added tools to fit\n seamlessly into modern  production workflows.\u003c\/p\u003e\n\u003ch3\u003e Ratio-Driven Knee Behavior for Nuanced Dynamics\u003c\/h3\u003e\n\u003cp\u003eThe Relab 176 follows the original fixed-threshold design with four hardware ratios -2:1, 4:1,\n 8:1, and 12:1. Knee position and slope change with each ratio, producing compression that\n ranges from smooth leveling to assertive limiting.\u003c\/p\u003e\n\u003cp\u003e Compression intensity adapts naturally, ensuring nuanced dynamic shaping at every setting.\u003c\/p\u003e\n\u003ch3\u003e Program-Dependent Timing from True RC-Tube Interaction\u003c\/h3\u003e\n\u003cp\u003e Attack and release times come from resistor-capacitor networks directly coupled to the tube\n gain stage.\u003c\/p\u003e\n\u003cp\u003e Timing is program-dependent, shaped by signal level, transient size, tube nonlinearity, and\n transformer interaction — not fixed millisecond values.\u003c\/p\u003e\n\u003cp\u003e The Fixed\/Auto toggle changes how release adapts to the program\n\u003c\/p\u003e\n\u003ch3\u003ePolarity-Selective Detection for Targeted Transient Control\u003c\/h3\u003e\n\u003cp\u003e The Sidechain Polarity control in the Relab 176 changes how the detector responds to the\n positive, negative, or both halves of the waveform. This lets you target specific transient\n edges - for example, clamping kick drum attack without touching low-end body, or\n controlling plosives in vocals without affecting overall presence.\u003c\/p\u003e\n\u003ch3\u003e Transformer Path for Sub-ms Attack, Resistor Path for Vintage Thump\u003c\/h3\u003e\n\u003cp\u003e The Stage Coupling switch changes how the variable-gain tube stage connects to the output\n amp: \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Transformer – Adds a transformer between stages for faster attack (sub-ms possible),  subtle “smiley curve” tone, and reduced low-end wobble.\u003c\/li\u003e\n\u003cli\u003eResistor – Uses a resistor path for slower attack, flatter tone, and more vintage-style low frequency thump.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e Both are authentic circuit paths and can be chosen for transient speed, tone, and low-end\n behavior.\u003c\/p\u003e\n\u003ch3\u003e Shift Bias, Harmonics, and Threshold in a Single Move\u003c\/h3\u003e\n\u003cp\u003e Calibration shifts the internal tube bias and balance – just like adjusting multiple trim pots on\n the original hardware – changing threshold, harmonic profile, and dynamic feel.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Bias \u0026amp; Balance: Adjusts 6BC8 and 12AX7 tube operating points, influencing even\/odd  harmonic mix and low-frequency stability.\u003c\/li\u003e\n\u003cli\u003eThreshold Shift: Moves the point where compression begins without changing your input  gain.\u003c\/li\u003e\n\u003cli\u003eDynamic Response: Alters transient smoothness and micro-dynamics.\u003c\/li\u003e\n\u003cli\u003eTone Shaping: Warms, brightens, or tightens tone depending on bias settings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e It's a single control that moves multiple internal parameters together, with extra flexibility\n available via the plugin's back-panel trims.\n\u003c\/p\u003e\n\u003ch3\u003eAdvanced Bias \u0026amp; Level Tuning\u003c\/h3\u003e\n\u003cp\u003e Click the Relab logo to access advanced controls: three hardware-style trim pots for 6BC8\n bias, 6BC8 anode balance, and 12AX7 bias – plus a Reference Level control.\u003c\/p\u003e\n\u003cp\u003e Fine-tune threshold, harmonic mix, transient response, and low-frequency stability with the\n same adjustments available inside the original hardware, now with greater flexibility for gain\n staging and tone shaping. \u003c\/p\u003e\n\u003ch3\u003e How the Relab 176 Fits Into Modern Sessions\u003c\/h3\u003e\n\u003cp\u003e From vocal tracking to final mastering, the 176's hardware-accurate behavior delivers the\n tone, dynamics, and control that engineers rely on across every stage of production.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Vocals – Maintains presence while controlling dynamics; harmonics scale with level for depth  without dulling articulation.\u003c\/li\u003e\n\u003cli\u003e Mix Bus – Gentle peak control for cohesion; transformer mode adds weight, resistor mode  stays cleaner.\u003c\/li\u003e\n\u003cli\u003eIndividual Instruments – Program-adaptive timing and asymmetry control allow targeted  transient shaping; drums retain sustain, bass stays even, guitars gain harmonic presence.\u003c\/li\u003e\n\u003cli\u003eMastering – Smooth harmonics with precise gain control; calibration and reference level fine tune headroom and harmonic profile.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RELAB","offers":[{"title":"Default Title","offer_id":47425549205753,"sku":"1358-4141","price":275.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Relab-Compressor.jpg?v=1771379359"},{"product_id":"boz-big-beautiful-door-2","title":"Boz Big Beautiful Door 2","description":"\u003cp\u003eWhile other gate plugins are stuck in the dark ages, Big Beautiful Door catapults gating into the future with cutting-edge innovation. This isn’t just a gate plugin—it’s a creative paradigm shift.\u003c\/p\u003e\n\u003cp\u003eTweak not only volume but also tonal balance above and below the threshold with stunning precision and fluidity. From surgical noise gating to intelligent automated EQ; from seamless drum de-bleeding to mind-blowing frequency shaping; Big Beautiful Door doesn’t just gate—it unleashes boundless creative potential. The future of gating is here, and it’s yours for the\ntaking.\u003c\/p\u003e\n\u003ch3\u003ePresets\u003c\/h3\u003e\n\u003cp\u003eBig Beautiful Door 2 comes equipped with its own preset menu. To save a preset, just hit the\n‘Save’ icon next to the preset menu, type the name of the preset and hit enter. If you enter a\nname of an existing preset, the old preset will be overwritten.\u003c\/p\u003e\n\u003cp\u003ePresets can be organized into sub menus by sorting them into folders in your finder\/explorer\nwindow. Note that the preset menu only supports one layer of sub folders, so if you put presets\ninside a folder that is inside a folder, the preset scanner will not find them.\n\u003c\/p\u003e\n\u003cp\u003ePresets are shareable across formats, computers and operating systems. This means that if you\nsave a preset in your DAW in OSX, you can send that preset file to a friend who uses a different\nDAW on Windows and it will work exactly the same.\n\u003c\/p\u003e\n\u003ch3\u003eThe Controls\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThreshold - This controls the level at which your gate opens and closes.\u003c\/li\u003e\n\u003cli\u003eInput Display - This graph shows the input level history, and also the state of the envelope.\u003c\/li\u003e\n\u003cli\u003eOpen Gain - Controls the volume of your transients.\u003c\/li\u003e\n\u003cli\u003eOpen Enable - This lets you turn on\/off your transients altogether\u003c\/li\u003e\n\u003cli\u003eEQ - This 4 band Equalizer equalizes only the transient portion of your audio signal.\u003c\/li\u003e\n\u003cli\u003eSustain Gain - Controls the volume of your sustain. \u003c\/li\u003e\n\u003cli\u003eSustain Enable - This lets you turn on\/off your sustain altogether.\u003c\/li\u003e\n\u003cli\u003eSustain EQ Section - This EQ has the same settings as the Transient EQ.\u003c\/li\u003e\n\u003cli\u003eAttack - This sets how quickly the envelope will open when the sidechain level rises above the threshold.\u003c\/li\u003e\n\u003cli\u003eRelease - This sets how quickly the envelope will decay after the sidechain drops below the threshold.\u003c\/li\u003e\n\u003cli\u003eHold - After the envelope opens, it will hold there for as long as this knob is set.\u003c\/li\u003e\n\u003cli\u003eRatio - After the sidechain drops below the threshold, the filter will drop to the “Closed” settings. Adjusting the ratio will give it sort of a soft threshold, so that it will gradually adjust from open to closed. When set to infinity, it will be a hard switch. When set to a lower ratio, the switch will be more gradual.\u003c\/li\u003e\n\u003cli\u003eLookahead - This is like a time machine that looks into the future. It lets your gate open before the level crosses the threshold, so that by the time your signal is loud, your gate is already open.\u003c\/li\u003e\n\u003cli\u003eHysteresis - After the sidechain rises above the threshold, the sidechain must drop below the threshold plus the hysteresis in order to close.\u003c\/li\u003e\n\u003cli\u003eSidechain - The sidechain section determines what audio will be used to send to the threshold detector\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"BOZ DIGITAL","offers":[{"title":"Default Title","offer_id":47425549697273,"sku":"1358-3892","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/BBD2-Screenshot-2.webp?v=1771379350"},{"product_id":"boz-gatey-watey","title":"Boz Gatey Watey","description":"\u003cp\u003eUnlike other gates, Gatey Watey enables you to zero in on precisely the frequency range you want attenuate without the hit-or-miss tweaking of complicated controls, yielding excellent results regardless of your skill level.\n\n\u003c\/p\u003e\n\u003cp\u003eInstead of the wibbly-wobbly, timey-wimey stuff that traditional gates chatter on about, Gatey Watey lets you select the frequencies you want to attenuate for a smooth and natural sound. If you want to shorten cymbal tails without losing the resonance of the kit, quiet singing toms without choking them, or tame the fizz but keep the fuzz on distorted guitars, Gatey Watey will give you the closure you need to move on and mix. Gatey Watey is a forward-thinking, resource-friendly plug-in that not only eliminates the guesswork typical of complicated gates, but also the steep learning curve as well. Gatey Watey is how a gate should work, especially if you want to breeze through the tedious housekeeping processes of noise cleanup and track preparation and focus on creativity.\u003c\/p\u003e\n\u003ch3\u003eGatey Watey—Cracking the Code\u003c\/h3\u003e\n\u003cp\u003eThe reasons for using gates have never gone away: singing toms, too much metal-work on a drum kit, bleed in kick and snare that makes processing troublesome at best, and we haven’t even gotten to guitars. Gating is a key element for increasing dynamic range and bringing out the punch and focus of drums in a dense mix. And yes, gates come standard in all DAWs, but how often do you actually use them? And wouldn’t you prefer a gate that works without all the histrionics (and hysteresis)?\n\n\u003c\/p\u003e\n\u003cp\u003eIn order to increase appeal, gate plug-ins have some complicated and downright incomprehensible controls, yet they still operate on the same principle as analog gates from the days of yore (with names like Kepex). Some argue that gates are outdated technology in the face of powerful DAW editing. For example, there’s that clip gain trick used in place of gating, which requires you cut regions, say between tom fills, and reduce the gain of the clip by around -14dB to maintain a natural sound. If you don’t have an intern (studio slang for “slave”) to do it for you, you’ll want something that gets the tedium out of the way. The real question is whether you want to focus on mixing, or spend hours cutting spaces between every snare, kick, and tom hit? And what if you have cymbal or hi-hat bleed you want to get rid of? That’s near impossible to edit. Again, wouldn’t you rather have a gate that does all that for you in a fraction of the time? Of course you would.\n\n\u003c\/p\u003e\n\u003ch3\u003eTransient ischemic attack\u003c\/h3\u003e\n\u003cp\u003eEven gate plug-ins, as fast as they are, have the same problem with transients as their analog ancestors. One clever workaround in DAWs is to copy the track you wish to add gating to, offset it slightly ahead of the track to be processed, and send a sidechain signal from the offset track to the gated track. The offset track opens the gate slightly ahead of the gated track so that transients will pass unmolested. Clever, yes? Well, not really when Gatey Watey will do that for you with its look-ahead feature.\n\n\u003c\/p\u003e\n\u003cp\u003eBoz Fun Fact: In the days of recording to tape, gates were used on drums as part of the tracking process. It took a bit of expertise to set the hold and release functions to have the gate close smoothly, but transients were another problem altogether. Since audio signal crossing a threshold opened the gate, a certain amount of transient information was lost, which was further exacerbated by analog tape’s tendency to soften transients. To preserve as much of the attack as possible, some devilishly clever engineers came up with an analog look-ahead scheme, which involved placing two microphones on each drum; one mic close to the drum that opened a gate key input (which wasn’t heard), and a second mic farther back to capture the sound of the drum. The few-millisecond delay of the transients hitting the second mic after the first one opened the gate allowed the transients to be captured entirely.\n\n\u003c\/p\u003e\n\u003ch3\u003eChatter below decks\u003c\/h3\u003e\n\u003cp\u003eAnother issue that comes with setting a gate is known as gate chatter, which occurs when audio signal fluctuates above and below the threshold at the tail end of its decay. The gate opens and closes rapidly, causing a stuttering effect. Standard gates have a hysteresis control to deal with that. Yet another parameter that has to be tweaked to sound natural, hysteresis keeps the gate open by a fixed amount below the threshold, allowing the sound to die out without shutting the gate. You’ll find this control on SSL and Neve consoles, but not on Gatey Watey. Due to its operating principle, gate chatter is simply not an issue.\n\n\u003c\/p\u003e\n\u003ch3\u003eGatey Watey controls\u003c\/h3\u003e\n\u003cp\u003eGatey Watey has three mode buttons: high-pass, low pass, and normal gate operation (should you need it). Below these buttons is a frequency slider ranging from 20Hz to 12kHz, which lights red and blue above and below the slider position (and depending on which mode you select). Below the frequency slider are Range, which determines how many dB the gate will attenuate; Attack, which sets how quickly the gate will respond (0ms – 200ms); Release, which determines how fast or slow the gate will close (25ms – 500ms), and Lookahead, which ranges from 0ms to 50ms. The Threshold slider on Gatey Watey’s left side also lights red and blue coinciding with the frequency slider and mode so you can see what’s happening graphically. And finally, a bypass button lives on the right side of the GUI.\n\n\u003c\/p\u003e\n\u003ch3\u003eWhy Gatey Watey when there are so many gates—even ones for free?\u003c\/h3\u003e\n\u003cp\u003eAs we briefly touched on in the beginning, Gatey Watey has one feature that sets it apart and makes it a must-have for anyone who has struggled with gating: frequency-selective attenuation. To put it simply, when the input drops below the threshold Gatey Watey will attenuate only the high frequencies or only the low frequencies based on selected mode switch and your selected crossover point. That ability makes Gatey Watey extremely powerful when it comes to gating drums, electric guitars, or pretty much anything that requires a gate.\n\n\u003c\/p\u003e\n\u003cp\u003eFor example, if you want to cut the hi-hat bleed from a snare without killing the ring of the snare, better call Gatey Watey (sorry Saul, this is out of your league). Do you want your distorted guitars to ring out without electrical hum from fluorescent bulbs or neon lamps blaring through your pickups? Gatey Watey to the rescue. You can even use two instances of Gatey Watey if you’d like to gate specific high and low frequencies simultaneously. Even in normal gating situations, Gatey Watey excels. You just tell it what to turn down and how much to turn down and Gatey Watey takes it from there. On the other hand, if you get stuck in 1969 without a TARDIS, you’ll just have to wait it out until Boz invents Gatey Watey (and don’t point your timey-wimey detector at a chicken . . . it’s not pretty when they blow.)\n\n\u003c\/p\u003e","brand":"BOZ DIGITAL","offers":[{"title":"Default Title","offer_id":47425551106297,"sku":"1358-892","price":68.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/screen-shot-high-res.jpg?v=1771379360"},{"product_id":"relab-maselec-mla-4","title":"Relab Maselec MLA-4","description":"\u003ch3\u003eMeet the Maselec MLA-4 Triband Compressor\/Expander\u003c\/h3\u003e\n\u003cp\u003eThe Maselec MLA-4 Triband Compressor\/Expander is the first and only officially endorsed software recreation of the legendary hardware unit, developed in direct collaboration with Leif Mases.\n\n\u003c\/p\u003e\n\u003cp\u003eDesigned for mixing, mastering, and stem processing, the MLA-4 delivers natural, musical dynamic shaping with precise multiband control—now enhanced with modern workflow features only possible in software.\n\n\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEffortless dynamic shaping without tonal shifts – Auto Spectral Balance preserves mix integrity while managing dynamics.\u003c\/li\u003e\n\u003cli\u003eAnalog warmth and depth, exactly where you want it – Per-Band THD Control lets you add harmonic coloration selectively.\u003c\/li\u003e\n\u003cli\u003eConfident, precise adjustments without guesswork – Advanced monitoring options provide per-band solo, left\/right cuts, and independent channel monitoring for total control.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWhether refining a final master, shaping a mix bus, or restoring dynamics in a crushed stem, the MLA-4 delivers the depth and musicality of a revered analog mastering tool—meticulously recreated in plug-in form.\n\n\u003c\/p\u003e\n\u003ch3\u003eDynamic Control That Works With Your Mix - Not Against It\u003c\/h3\u003e\n\u003cp\u003eFor mixing and mastering engineers who need precise dynamic control without compromising mix integrity, most multiband compressors create more issues than they solve, often introducing phase distortion, transient smearing, and tonal imbalance.\n\n\u003c\/p\u003e\n\u003cp\u003eHigh-end analog mastering tools set the standard for depth and cohesion, while most digital multiband solutions fail to capture the nuance and responsiveness professionals demand. \n\n\u003c\/p\u003e\n\u003cp\u003eWith the Maselec MLA-4 you get the best of both worlds, so you can:\n\n\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eControl low-end dynamics without losing impact.\u003c\/li\u003e\n\u003cli\u003eEnhance midrange clarity without adding harshness.\u003c\/li\u003e\n\u003cli\u003eRestore lost transients and depth without unintentional pumping.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWith surgical yet expressive control, the Maselec MLA-4 ensures that every adjustment serves the music first – without second-guessing settings, battling artifacts, or fighting against the processor itself.\n\n\u003c\/p\u003e\n\u003ch3\u003eThe Power of Compression and Expansion Together\u003c\/h3\u003e\n\u003cp\u003eAlthough multiband processing is nothing new—the ability to compress and expand each band both independently and interactively unlocks creative control rarely found in a single processor.\n\n\u003c\/p\u003e\n\u003cp\u003eWith compression (up to 6:1) and expansion (down to 1:2) per band, you can tighten low-end boom while lifting air in the highs, or recover lost transients from an over-processed mix—all in real-time.\n\n\u003c\/p\u003e\n\u003cp\u003eNeed to control bass while enhancing top-end detail? Done. Want to restore natural dynamics without disrupting tonal balance?\n\n\u003c\/p\u003e\n\u003cp\u003eThe MLA-4 makes it effortless.\n\n\u003c\/p\u003e\n\u003ch3\u003eSculpt Dynamics with Surgical Precision\u003c\/h3\u003e\n\u003cp\u003eThe MLA-4 simplifies dynamic shaping with precise per-band threshold, ratio, attack, and release controls, allowing compression and expansion to work in harmony.\n\n\u003c\/p\u003e\n\u003cp\u003eDial in tight low-end, articulate mids, and smooth highs without unwanted pumping, dulling, or overcorrection. Unlike conventional designs, every adjustment feels natural, preserving the integrity of your mix.\n\n\u003c\/p\u003e\n\u003cp\u003eFrom mix bus refinement to final mastering, the MLA-4 delivers pure, effortless dynamic control—so you can focus on the music.\n\n\u003c\/p\u003e\n\u003ch3\u003eSmarter Sidechain Linking for Smoother Dynamics\u003c\/h3\u003e\n\u003cp\u003eMost multiband sidechain behavior is an afterthought—either all bands react together or don’t. The MLA-4 redefines that approach with a five-mode sidechain linking system that adapts compression and expansion behavior to the material.\n\n\u003c\/p\u003e\n\u003cp\u003eNeed full-band cohesion? Engage full linking. Want surgical control? Keep bands independent. But the real magic happens in the in-between modes—where low frequencies can shape mid and high-band compression and expansion maintaining clarity without overcorrecting dynamics.\n\n\u003c\/p\u003e\n\u003cp\u003eThe difference is immediate: more control, fewer compromises, and a dynamic response that feels like the mix is breathing—not just reacting.\n\n\u003c\/p\u003e\n\u003ch3\u003ePreserve Your Sound, Perfect Your Dynamics\u003c\/h3\u003e\n\u003cp\u003eHeavy compression or expansion in one band can throw off the balance of your mix, forcing you to compensate manually.\n\n\u003c\/p\u003e\n\u003cp\u003eThe MLA-4’s Auto Spectral Balance eliminates this problem by intelligently applying independent gain compensation to the low, mid, and high bands.\n\n\u003c\/p\u003e\n\u003cp\u003eAnd with Auto Level also at your disposal, you can choose whether to preserve the mix’s tonal balance or reshape it to fit your creative vision.\n\n\u003c\/p\u003e\n\u003cp\u003eThe result? Compression that works invisibly—sculpting dynamics without unintentional tonal shifts.\n\n\u003c\/p\u003e\n\u003ch3\u003eAdd Harmonics Only Where You Want Them\u003c\/h3\u003e\n\u003cp\u003eMultiband processing just got more flexible: Per-band THD control lets you decide exactly where harmonic color is introduced—or where it’s left untouched.\n\n\u003c\/p\u003e\n\u003cp\u003eInstead of applying distortion across the entire spectrum, the MLA-4 allows you to selectively add warmth to the lows, richness to the mids, or keep the highs pristine. No unnecessary saturation, no compromises.\n\n\u003c\/p\u003e\n\u003cp\u003eWith this level of control, harmonic enhancement becomes a choice, not a side effect, ensuring that every frequency range behaves exactly as you intend.\n\n\u003c\/p\u003e\n\u003ch3\u003eHear the Problem, Fix the Problem\u003c\/h3\u003e\n\u003cp\u003ePrecision starts with the ability to hear exactly what’s happening in the mix. The MLA-4 software expands on the original hardware with per-band solo and left\/right cut giving you deeper insight and control over your dynamics processing.\n\n\u003c\/p\u003e\n\u003cp\u003eLeft and right cut functions let you focus on a single channel’s contribution to the processing—essential for fine-tuning stereo balance. Per-band soloing allows you to isolate lows, mids, or highs to hear exactly how compression or expansion is affecting each frequency range.\n\n\u003c\/p\u003e\n\u003cp\u003eBy isolating what matters most, you gain the clarity to make precise, intentional dynamic choices—without second-guessing.\n\n\u003c\/p\u003e\n\u003ch3\u003eThe Power of a $10,000 Studio Classic at an Accessible Price\u003c\/h3\u003e\n\u003cp\u003eFor decades, high-end mastering studios have relied on the original Maselec MLA-4 hardware to shape dynamics with absolute precision. But at nearly $10,000, it’s been an exclusive tool, reserved for elite studios and top-tier engineers.\n\n\u003c\/p\u003e\n\u003cp\u003eNow, for the first time, that same uncompromising control, musicality, and phase-coherent processing is available in software—at a fraction of the cost.\n\n\u003c\/p\u003e\n\u003cp\u003eHere’s the real value of the MLA-4 plug-in:\n\n\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLegendary Dynamic Control – The same compression\/expansion interplay that mastering engineers trust, without the five-figure investment.\u003c\/li\u003e\n\u003cli\u003eZero Compromise on Sound Quality – Modeled directly from the original hardware in partnership with Leif Mases for an authentic response, free from the pitfalls of generic multiband processors.\u003c\/li\u003e\n\u003cli\u003eA Workflow That Saves Time (and Headaches) – Manual gain compensation, unwanted tonal shifts, and constant adjustments? Gone. The MLA-4 works seamlessly, keeping your mix intact.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eYour mixes deserve the best—without the price tag that comes with it. With the MLA-4, you’re getting the power of a mastering staple for less than 2% of the hardware cost—and with features only possible in software.\n\n\u003c\/p\u003e\n\u003cp\u003eOnce you hear what it can do for your mixes, you’ll wonder how you ever worked without it.\n\n\u003c\/p\u003e","brand":"RELAB","offers":[{"title":"Default Title","offer_id":47425551204601,"sku":"1358-3927","price":205.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/MLA-4-GUI-opt-01.jpg?v=1771379361"},{"product_id":"baby-audio-smooth-operator-pro","title":"Baby Audio Smooth Operator Pro","description":"\u003cp\u003eSmooth Operator Pro is a Dynamic Spectral Balancer and a vastly expanded successor of Smooth Operator which helps you achieve cleaner mixes by removing the bloated frequency energy your tracks don't need. Smooth operator Pro lets you fix specific problem areas with surgical control - or re-shape the entire tonal balance. \u003c\/p\u003e\n\u003ch3\u003eHow it works?\u003c\/h3\u003e\n\u003cp\u003eThink of it like a multiband compressor with infinite bands. When the sonic energy in any of these bands surpasses the threshold, the plugin attenuates it. Because the frequency spectrum is split into unlimited bands, even very narrow problems like resonances can be removed without affecting the rest of the signal. Using the 'FOCUS' parameters, you can set how fragmented you want the processing to be, up to essentially thousands of bands (high DETAIL + ISOLATION settings). Freely add and remove frequency nodes to design your ideal threshold curve and target certain frequency areas more or less. \u003c\/p\u003e\n\u003ch3\u003eInstant Track Cleaner\u003c\/h3\u003e\n\u003cp\u003eWe’ve engineered the new Pro version without compromising on the fast workflow that made Smooth Operator 1 so popular.\n\u003c\/p\u003e\n\u003cp\u003eSet the desired target curve, then turn the global threshold knob until the plugin starts balancing your audio. Dive into deep settings optionally for total control.\n\u003c\/p\u003e\n\u003cp\u003eSmooth Operator Pro removes fatigued frequency energy in realtime, improving your audio’s clarity. Dial it in gently and it will feel like lifting a blanket from your speakers.\n\u003c\/p\u003e\n\u003ch3\u003eResonance Suppression 2.0\u003c\/h3\u003e\n\u003cp\u003eWhere other resonance suppressors offer global settings to affect the signal, Smooth Operator Pro brings unprecedented depth: Overwrite the global settings for any frequency node to set individual dynamic profiles across the spectrum.\n\u003c\/p\u003e\n\u003cp\u003eExamples (within the same plugin instance):\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTarget the left side at 7500 hz to fix a harsh cymbal.\u003c\/li\u003e\n\u003cli\u003eAddress only the sides at 150 hz to clean up the bass.\u003c\/li\u003e\n\u003cli\u003eTame a vocal at 2.5 khz with a softer compression profile.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eA Pro-Level Spectral Workstation\u003c\/h3\u003e\n\u003cp\u003eSpectral Processing manipulates the building blocks that make up a digital signal. By splitting a sound into its individual components, the plugin rebalances the harmonic material with less artifacts than traditional mixing tools.\n\u003c\/p\u003e\n\u003cp\u003eSmooth Operator Pro brings surgical control over your sound at the DNA level. Fixing problems is only the beginning: Use the plugin to dramatically re-shape the tonal balance and bring out the best in every track.\n\u003c\/p\u003e\n\u003ch3\u003eSmooth(er) Operator\u003c\/h3\u003e\n\u003cp\u003eWe’ve listened and learned. The all-new Pro version incorporates four years of user feedback since V1.\n\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEnhanced performance and sound quality\u003c\/li\u003e\n\u003cli\u003eFull control over all dynamic and imaging parameters\u003c\/li\u003e\n\u003cli\u003eTwo correction algorithms: Even and Skew\u003c\/li\u003e\n\u003cli\u003eFreely add and remove nodes across the spectrum\u003c\/li\u003e\n\u003cli\u003eCreate individual dynamic processing profiles per node\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Baby Audio","offers":[{"title":"Default Title","offer_id":47425551597817,"sku":"1358-3931","price":179.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Main_20UI_20Image_20-_20SmoPro_20Pink_20_1_c003c6a2-0fb3-42b5-a4db-5016e1bd1997.png?v=1771379362"},{"product_id":"baby-audio-smooth-operator-pro-upgrade","title":"Baby Audio Smooth Operator Pro Upgrade","description":"\u003ch3\u003eThis Upgrade is only for owners of Baby Audio's original Smooth Operator\u003c\/h3\u003e\n\u003cp\u003eSmooth Operator Pro is a Dynamic Spectral Balancer and a vastly expanded successor of Smooth Operator which helps you achieve cleaner mixes by removing the bloated frequency energy your tracks don't need. Smooth operator Pro lets you fix specific problem areas with surgical control - or re-shape the entire tonal balance. \u003c\/p\u003e\n\u003ch3\u003eHow it works?\u003c\/h3\u003e\n\u003cp\u003eThink of it like a multiband compressor with infinite bands. When the sonic energy in any of these bands surpasses the threshold, the plugin attenuates it. Because the frequency spectrum is split into unlimited bands, even very narrow problems like resonances can be removed without affecting the rest of the signal. Using the 'FOCUS' parameters, you can set how fragmented you want the processing to be, up to essentially thousands of bands (high DETAIL + ISOLATION settings). Freely add and remove frequency nodes to design your ideal threshold curve and target certain frequency areas more or less. \u003c\/p\u003e\n\u003ch3\u003eInstant Track Cleaner\u003c\/h3\u003e\n\u003cp\u003eWe’ve engineered the new Pro version without compromising on the fast workflow that made Smooth Operator 1 so popular.\n\u003c\/p\u003e\n\u003cp\u003eSet the desired target curve, then turn the global threshold knob until the plugin starts balancing your audio. Dive into deep settings optionally for total control.\n\u003c\/p\u003e\n\u003cp\u003eSmooth Operator Pro removes fatigued frequency energy in realtime, improving your audio’s clarity. Dial it in gently and it will feel like lifting a blanket from your speakers.\n\u003c\/p\u003e\n\u003ch3\u003eResonance Suppression 2.0\u003c\/h3\u003e\n\u003cp\u003eWhere other resonance suppressors offer global settings to affect the signal, Smooth Operator Pro brings unprecedented depth: Overwrite the global settings for any frequency node to set individual dynamic profiles across the spectrum.\n\u003c\/p\u003e\n\u003cp\u003eExamples (within the same plugin instance):\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTarget the left side at 7500 hz to fix a harsh cymbal.\u003c\/li\u003e\n\u003cli\u003eAddress only the sides at 150 hz to clean up the bass.\u003c\/li\u003e\n\u003cli\u003eTame a vocal at 2.5 khz with a softer compression profile.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eA Pro-Level Spectral Workstation\u003c\/h3\u003e\n\u003cp\u003eSpectral Processing manipulates the building blocks that make up a digital signal. By splitting a sound into its individual components, the plugin rebalances the harmonic material with less artifacts than traditional mixing tools.\n\u003c\/p\u003e\n\u003cp\u003eSmooth Operator Pro brings surgical control over your sound at the DNA level. Fixing problems is only the beginning: Use the plugin to dramatically re-shape the tonal balance and bring out the best in every track.\n\u003c\/p\u003e\n\u003ch3\u003eSmooth(er) Operator\u003c\/h3\u003e\n\u003cp\u003eWe’ve listened and learned. The all-new Pro version incorporates four years of user feedback since V1.\n\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEnhanced performance and sound quality\u003c\/li\u003e\n\u003cli\u003eFull control over all dynamic and imaging parameters\u003c\/li\u003e\n\u003cli\u003eTwo correction algorithms: Even and Skew\u003c\/li\u003e\n\u003cli\u003eFreely add and remove nodes across the spectrum\u003c\/li\u003e\n\u003cli\u003eCreate individual dynamic processing profiles per node\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Baby Audio","offers":[{"title":"Default Title","offer_id":47425551696121,"sku":"1358-3932","price":40.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Smooth-operator-pro-upgrade.png?v=1771379363"},{"product_id":"psp-microwarmer","title":"PSP MicroWarmer","description":"\u003cp\u003ePSP MicroWarmer delivers the rich, analog-style warmth and punch of our legendary PSP VintageWarmer in a streamlined, single-band design. Ideal for individual tracks, it combines transparent limiting with smooth tape-like saturation - all with ultra-low latency.\n\n\u003c\/p\u003e\n\u003cp\u003eFeaturing precise VU and PPM metering, professional overload indicators, and 64-bit processing, PSP MicroWarmer brings classic analog character and modern precision together in one essential mixing tool.\n\n\u003c\/p\u003e","brand":"PSP AUDIOWARE","offers":[{"title":"Default Title","offer_id":47425552482553,"sku":"1358-4197","price":68.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/psp_microwarmer.jpg?v=1771379351"},{"product_id":"psp-drc","title":"PSP DRC","description":"\u003cp\u003ePSPaudioware DRC, a powerful new dynamic processor plug-in inspired by the legendary DBX 118. With a fresh perspective on the classic concept, PSP DRC offers advanced processing capabilities that are seldom found in contemporary hardware or software, making it an essential tool for modern music production. \u003c\/p\u003e\n\u003cp\u003eWhile the PSP DRC draws inspiration from the DBX 118, it is not a direct emulation of the original hardware. Instead, it reimagines and expands upon the original concept, incorporating additional features to enhance its utility in various audio processing scenarios. This unique approach allows users to harness both compression and expansion across the entire dynamic range of the signal. Additionally, the processor can isolate and handle signals above or below the threshold, providing a more refined level of control. \u003c\/p\u003e\n\u003cp\u003ePSP DRC also introduces a complementary compressor-expander pair function, which can be achieved by setting the Ratio to 2:1 in the compressor and down to 1:2 in the expander. The inclusion of advanced side chain features and external side chain support further elevates PSP DRC's capabilities, transforming it into a comprehensive compander system. \u003c\/p\u003e","brand":"PSP AUDIOWARE","offers":[{"title":"Default Title","offer_id":47425553465593,"sku":"1358-4018","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/PSP_DRC.jpg?v=1771379376"},{"product_id":"nugen-mastercheck-2","title":"NUGEN MasterCheck 2","description":"\u003ch3\u003eOne Master. Every Platform. Verified.\u003c\/h3\u003e\n\u003cp\u003eMasterCheck is an optimisation plug-in for cross-platform mastering, designed to ensure that your masters sound consistent across all platforms — physical, digital and streaming. Audition how loudness normalisation will affect your track, and preempt the impact that each codec will have, alongside industry standard loudness and True Peak measurement.\u003c\/p\u003e\n\u003cp\u003eFind the sweet spot between perceived loudness and dynamics, and avoid nasty surprises by compensating for encoding artefacts ahead of time.\u003c\/p\u003e\n\u003ch3\u003eReference and compare\u003c\/h3\u003e\n\u003cp\u003eHow does your music sound when it reaches the listener? You already optimise masters for domestic hi-fi systems, car stereos, headphones and earbuds. In the streaming era, shouldn’t you optimise for each streaming platform too?\u003c\/p\u003e\n\u003cp\u003eAudition and preempt data compression and loudness normalisation for…\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSpotify\u003c\/li\u003e\n\u003cli\u003eApple Music\u003c\/li\u003e\n\u003cli\u003eTidal\u003c\/li\u003e\n\u003cli\u003eYouTube\u003c\/li\u003e\n\u003cli\u003eSoundcloud\u003c\/li\u003e\n\u003cli\u003eBandcamp\u003c\/li\u003e\n\u003cli\u003eQobuz\u003c\/li\u003e\n\u003cli\u003ePandora\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e…and more, using the Codec mode and Offset to match function.\u003c\/p\u003e\n\u003ch3\u003eFor mixing and mastering, for stereo and surround\u003c\/h3\u003e\n\u003cp\u003eTo some extent, loudness and cross-platform optimisation is primarily a concern for the mastering engineer, not the mixer, artist or producer. But if a mix is too hot or over-compressed then there is nowhere further to go! So it makes sense to reference Integrated loudness, PLR, PSR and True Peak even at the mixing stage. Plus, MasterCheck can be a great demonstration tool for those clients who might still believe that “louder is better” no matter what.\u003c\/p\u003e\n\u003cp\u003eMasterCheck supports up to 7.1.4 channels, enough to receive a Dolby Atmos bed, or other immersive, 3D and surround audio formats. The resizeable portrait and landscape views mean that MasterCheck can fit neatly into practically any layout and workflow, regardless of on-screen real estate.\u003c\/p\u003e","brand":"NUGEN Audio","offers":[{"title":"Default Title","offer_id":47425554088185,"sku":"1358-4262","price":345.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/MasterCheck2-B-2026.png?v=1771379356"},{"product_id":"nugen-mastercheck-mastercheck-2-upg","title":"NUGEN MasterCheck \u003e MasterCheck 2 UPG","description":"\u003ch3\u003eOne Master. Every Platform. Verified.\u003c\/h3\u003e\n\u003cp\u003eMasterCheck is an optimisation plug-in for cross-platform mastering, designed to ensure that your masters sound consistent across all platforms — physical, digital and streaming. Audition how loudness normalisation will affect your track, and preempt the impact that each codec will have, alongside industry standard loudness and True Peak measurement.\u003c\/p\u003e\n\u003cp\u003eFind the sweet spot between perceived loudness and dynamics, and avoid nasty surprises by compensating for encoding artefacts ahead of time.\u003c\/p\u003e\n\u003ch3\u003eReference and compare\u003c\/h3\u003e\n\u003cp\u003eHow does your music sound when it reaches the listener? You already optimise masters for domestic hi-fi systems, car stereos, headphones and earbuds. In the streaming era, shouldn’t you optimise for each streaming platform too?\u003c\/p\u003e\n\u003cp\u003eAudition and preempt data compression and loudness normalisation for…\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSpotify\u003c\/li\u003e\n\u003cli\u003eApple Music\u003c\/li\u003e\n\u003cli\u003eTidal\u003c\/li\u003e\n\u003cli\u003eYouTube\u003c\/li\u003e\n\u003cli\u003eSoundcloud\u003c\/li\u003e\n\u003cli\u003eBandcamp\u003c\/li\u003e\n\u003cli\u003eQobuz\u003c\/li\u003e\n\u003cli\u003ePandora\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e…and more, using the Codec mode and Offset to match function.\u003c\/p\u003e\n\u003ch3\u003eFor mixing and mastering, for stereo and surround\u003c\/h3\u003e\n\u003cp\u003eTo some extent, loudness and cross-platform optimisation is primarily a concern for the mastering engineer, not the mixer, artist or producer. But if a mix is too hot or over-compressed then there is nowhere further to go! So it makes sense to reference Integrated loudness, PLR, PSR and True Peak even at the mixing stage. Plus, MasterCheck can be a great demonstration tool for those clients who might still believe that “louder is better” no matter what.\u003c\/p\u003e\n\u003cp\u003eMasterCheck supports up to 7.1.4 channels, enough to receive a Dolby Atmos bed, or other immersive, 3D and surround audio formats. The resizeable portrait and landscape views mean that MasterCheck can fit neatly into practically any layout and workflow, regardless of on-screen real estate.\u003c\/p\u003e","brand":"NUGEN Audio","offers":[{"title":"Default Title","offer_id":47425554120953,"sku":"1358-4269","price":109.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Mastercheck2-UPGRADE.png?v=1771379356"},{"product_id":"punctuate","title":"Punctuate","description":"\u003ch3\u003eMake it Pop\u003c\/h3\u003e\n\u003cp\u003eBased on the Transient Emphasis section of the award-winning Elevate Mastering Limiter, Punctuate is a multi-band transient modulator based on the critical bands in the human ear. Punctuate’s intelligent algorithms allow you to control the transient emphasis or suppression of all 26 critical bands with just 4 controls. This makes for an incredibly powerful, but very easy to use, transient modulator.\u003c\/p\u003e\n\u003cp\u003eTransient shapers are used by top mix engineers to either crank up or soften the transients of instruments, emphasizing either the attack or sustain. However, traditional transient shapers work on the whole signal at once, modulating the whole frequency range when the transient snap is only happening in one band. Punctuate uses a model of the human ear to run a set of transient shapers across the whole spectrum of human hearing. This allows you to tailor the attack of a whole range of instruments, busses, and whole mixes without messing with the entire frequency range. The result is unparalleled transient shaping power-focused where you need it, and not where you don’t.\u003c\/p\u003e\n\u003ch3\u003eYou can:\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eTurn the drums up or down in an entire mix\u003c\/li\u003e\n\u003cli\u003eTurn up just the kick drum, without effecting the bass\u003c\/li\u003e\n\u003cli\u003ePull hi-hats out of the snare mic\u003c\/li\u003e\n\u003cli\u003eTurn up the snare crack, while turning down the thump\u003c\/li\u003e\n\u003cli\u003eBring instruments like acoustic guitars and pianos forward in the mix, or push them back\u003c\/li\u003e\n\u003cli\u003eBreathe life back into dull or overcompressed mixes\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eScience Behind Punctuate\u003c\/h3\u003e\n\u003cp\u003eHumans can only detect the presence of a tone if it is a certain distance from another tone playing at the same time. The Mel Scale defines the arrangement of auditory frequency bands such that each band sounds equally spaced from all others. This division of sound describes how humans hear. Most graphic EQs are IIR (infinite impulse response) or analog-style filters. These have a lot of great properties, but unfortunately, the shape of an IIR filter isn’t very flexible. For instance, even with every band set flat, the total filter shape isn’t actually flat. Furthermore, when you boost or cut each band you’re affecting the ones next to it as well. Punctuate uses a linear phase FIR (finite impulse response) filter that doesn’t have these problems so what you hear is true to what you see on the screen.\u003c\/p\u003e\n\u003cp\u003eInstead of using what DSP engineers call “ideal” rectangular FIR filters, these are triangularly shaped filters. These are often used in hearing models as a first approximation to the critical bands in your inner ear. When you shape filters like the ones in your ear, the filtered signal sounds natural. In a complex signal, at any given time, you can really only hear one sound source in each filter.\u003c\/p\u003e\n\u003cp\u003ePunctuate uses these filters to break the incoming audio signal into the 26 critical bands, and runs a transient shaper on each band for unprecedented control over the transients of the audio signal. By doing this, Punctuate allows you to add punch in only the places where the signal needs, instead of just slamming the level of the entire signal up and down at the transient point. Because you have independent control over the bands, you can even emphasize transients in some bands while suppressing them in others. And because it’s based on Critical Bands, it does this in such a way that sounds natural to the human ear, so you don’t hear any artifacts. Finally, Punctuate allows you to smooth the transient modulation across bands using the ADAPTIVE TRANSIENT control. This allows you to run the bands independently for ultimate control, or couple them for a smoother sound.\u003c\/p\u003e","brand":"Newfangled","offers":[{"title":"Default Title","offer_id":47492348018937,"sku":"1247-54","price":99.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Punctuate.png?v=1773076388"},{"product_id":"ds-10-drum-shaper","title":"DS-10 Drum Shaper","description":"\u003ch3\u003eEnhance your drums, beats, and loops with the twist of a knob. Get more smack in the attack. More gain in the sustain. Tight and punchy or huge and mighty: DS-10 improves your mixes in any direction. Fast.\u003c\/h3\u003e","brand":"XLN Audio","offers":[{"title":"Default Title","offer_id":47492348772601,"sku":"1096-47","price":59.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/FXFX0001.jpg?v=1773076389"},{"product_id":"articulate","title":"Articulate","description":"\u003ch3\u003eDynamics Made Intuitive\u003c\/h3\u003e\n\u003cp\u003eTake control of your mix with Articulate, the next generation envelope shaper that makes fixing dynamics as simple as using an EQ. More than a transient shaper, Articulate separates your audio into four bands: Attack, Decay, Sustain, and Release. By dialing in the desired level on the corresponding fader, you can instantly add Smack, Punch, Body, and Air to your tracks.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEnhance transients for percussion that cuts through the mix\u003c\/li\u003e\n\u003cli\u003eBoost presence for instruments that demand attention\u003c\/li\u003e\n\u003cli\u003eControl sustain for perfect note decay\u003c\/li\u003e\n\u003cli\u003eAdd clarity and punch exactly where needed\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eStudio-Grade Peak Protection\u003c\/h3\u003e\n\u003cp\u003eFrom the team behind the acclaimed Elevate Mastering Limiter, Articulate features a built-in peak limiter that effortlessly prevents unwanted clipping while preserving your dynamics.\u003c\/p\u003e\n\u003ch3\u003e Detect with Precision\u003c\/h3\u003e\n\u003cp\u003eArticulate lets you shape your envelope based on the original audio or external sidechain signals. Resolve mix clashes, or make space in a crowded mix by ducking elements.\u003c\/p\u003e\n\u003ch3\u003eTailor Your Signal\u003c\/h3\u003e\n\u003cp\u003eFine-tune Articulate’s envelope response: Slide towards “Smooth” for natural, transparent shaping, or shift to “Focused” for precise, aggressive transient control.\u003c\/p\u003e","brand":"Newfangled","offers":[{"title":"Default Title","offer_id":47492350247161,"sku":"1247-146","price":69.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/image-2.png?v=1773076390"},{"product_id":"invigorate","title":"Invigorate","description":"\u003ch3\u003eBus Compressor and Enhancer\u003c\/h3\u003e\n\u003cp\u003eHere’s a little secret: compression, limiting, and overdrive are all the same thing—and all of them can be used to add energy and excitement to your music. Invigorate is a deconstructed compressor, limiter, and overdrive distortion fine-tuned to add life to your mix, drum bus, or any other element. The intuitive design allows you to effortlessly morph from pumping compression, through hard-hitting limiting, to rich distortion while dialing in the perfect sound with the prominent MIX control. The result is guaranteed to bring your mix forward and make it sound bigger.\u003c\/p\u003e\n\u003ch3\u003eArtist Presets\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCount (Run the Jewels, New Order, No Doubt, Tycho, DJ Shadow, Gang of Youths, Lady Blackbird)\u003c\/li\u003e\n\u003cli\u003eJustin Hergett (FINNEAS, Beyoncé, Lady Gaga, Ashe)\u003c\/li\u003e\n\u003cli\u003eJohn O’Mahony (Marina, Coldplay, Sara Bareilles)\u003c\/li\u003e\n\u003cli\u003eMaor Appelbaum (Faith No More, Yes, Meatloaf, Rob Halford, Sepultura)\u003c\/li\u003e\n\u003cli\u003eJacob Shea (Planet Earth, Blue Planet, Inception)\u003c\/li\u003e\n\u003cli\u003eROCASound (The Orville, Iron Man 2)\u003c\/li\u003e\n\u003cli\u003eMatthew Wang (Tiger King, Glow, Reno 911!)\u003c\/li\u003e\n\u003cli\u003eScott Gershin (Pacific Rim, American Beauty, Team America)\u003c\/li\u003e\n\u003cli\u003eDavid Gnozzi (MixbusTv, MC Solaar)\u003c\/li\u003e\n\u003cli\u003eAPS Mastering (Vampire Weekend, The Shivers, Deer Tick)\u003c\/li\u003e\n\u003cli\u003eRonit Kirchman (The Sinner, Evil Eye, Limetown)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Newfangled","offers":[{"title":"Default Title","offer_id":47492350836985,"sku":"1247-74","price":49.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Invigorate-1.png?v=1773076393"},{"product_id":"omnipressor","title":"Omnipressor","description":"\u003ch3\u003eYour Omnipressor Loves You…\u003c\/h3\u003e\n\u003cp\u003eIntroduced in the early 1970s, the Omnipressor was the first dynamics effects processor of any kind. Originally invented by Eventide’s founder, Richard Factor (and later redesigned for production by John Paul), the Omnipresssor made a host of effects possible. It featured variable control of all aspects of dynamic modification. It also introduced the notion of the ‘side chain’ and foretold techniques that today we take for granted like ‘look ahead’ processing.\u003c\/p\u003e\n\u003ch3\u003e… And Wants To Be Your Friend!\u003c\/h3\u003e\n\u003cp\u003eThe Omnipressor plug-in is a faithful emulation of the “dark meter” unit and is popular among some of the world’s leading producers and engineers as a dynamics-modifier with variable expressive controls of all aspects of a signal’s dynamics. The Function control allows you to set compression and expansion ratios over a wide, continuous range from extreme expansion to infinite compression and beyond. Dynamic reversal, which reverses a sound’s envelope, allows you to make loud sounds quiet and quiet sounds loud.\u003c\/p\u003e\n\u003cp\u003eOne of our first customers was a young Brian May, lead guitarist of Queen. With the Omnipressor in his rig, his sound was never the same again.\u003c\/p\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":47492351885561,"sku":"1247-5","price":99.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Omnipressor-7.png?v=1773076393"},{"product_id":"waves-l3-16-multimaximizer","title":"Waves L3-16 Multimaximizer","description":"\u003cp\u003eThere’s nothing like the L3-16. Fusing paragraphic EQ and dynamics control, the informative displays shows 16 virtual bands, with response represented by three discrete curves—attenuation, EQ, and priority. And it’s all under intuitive control, thanks to a familiar paragraphic EQ control set.\n\n\u003c\/p\u003e\n\u003cp\u003eThe result is an uncanny ability to shape masters beyond traditional dynamics—it’s almost like you’re getting inside the music, then re-balancing dynamics and frequency for the perfect mix.\n\n\u003c\/p\u003e\n\u003ch3\u003eThe Union of EQ and Dynamics Control\u003c\/h3\u003e\n\u003cp\u003eThis 16-band peak limiter delivers unparalleled loudness, unprecedented control, superior transient response, and amazing accuracy—with a familiar, paragraphic-style interface that makes it easy to dial in your sound.\n\n\u003c\/p\u003e\n\u003ch3\u003eCreate Phase-Free Masters Thanks to Linear Phase Crossovers\u003c\/h3\u003e\n\u003cp\u003eEven when adding massive amounts of maximization, the total freedom from phase distortion provides the pristine sound quality, and superior high end, that maintains a mix’s sonic integrity.\n\n\u003c\/p\u003e\n\u003ch3\u003e21 Release Characters to Match Your Needs\u003c\/h3\u003e\n\u003cp\u003e21 release characters tailor the sound to your specific needs. Choose warm analog character, prioritize vocals, bring up the bass, enjoy crystal-clear digital, or pump up the volume—all with uncompromised clarity.\n\n\u003c\/p\u003e\n\u003ch3\u003eOne-Stop Mastering Shop\u003c\/h3\u003e\n\u003cp\u003eAfter obtaining your perfect maximization, use IDR™ precision bit-reduction function for digital releases. Choose 2 dithering options and 3 noise-shaping algorithms, with 16, 18, 20, 22, or 24 bits of resolution.\n\n\u003c\/p\u003e","brand":"WAVES","offers":[{"title":"Default Title","offer_id":48325532352761,"sku":"1358-2854","price":56.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/l3-16-multimaximizer.jpg?v=1777276866"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/collections\/pro-l-2-intro.jpg?v=1786422100","url":"https:\/\/blackoutaudio.com\/collections\/software-dynamics.oembed?page=3","provider":"Blackout Audio","version":"1.0","type":"link"}