{"title":"Royer","description":"\u003cp\u003eRibbon microphones hand-built in California.\u003c\/p\u003e","products":[{"product_id":"royer-ro-r10","title":"Royer R-10 Ribbon Microphone","description":"\u003cp\u003eThe Royer R-10 is a passive figure-8 ribbon microphone for the studio and the stage, hand-built by Royer Labs in Burbank, California. It uses the same 2.5-micron aluminum ribbon as Royer's R-121 and handles more than 160 dB SPL at 1 kHz, so it can sit close to a loud guitar cabinet or a trumpet. A three-layer windscreen and an internally shock-mounted transducer protect the ribbon, soften plosives and reduce bass buildup when you mic up close.\u003c\/p\u003e\n\n\u003ch3\u003eFront and Back\u003c\/h3\u003e\n\u003cp\u003eRoyer's patented offset-ribbon design sets the ribbon toward the front of the transducer. The front (logo) side takes loud sources, and the back side gives a brighter sound for quieter ones such as acoustic guitar, ukulele and vocals at 3 feet or closer, with the polarity reversed. A custom Royer transformer keeps the passive design from saturating at high levels, and the transducer is wired for humbucking to reject electromagnetic noise.\u003c\/p\u003e\n\n\u003ch3\u003eWhere to Use It\u003c\/h3\u003e\n\u003cp\u003eRoyer recommends the R-10 for electric and acoustic guitars, brass and horn sections, drum overheads and rooms, percussion, strings, acoustic piano and vocals. Ribbons take EQ well, so a high-frequency boost adds top end on a vocal without harshness. The compact body and swivel mount make it easy to place on stage.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePassive mono ribbon microphone with a figure-8 pattern\u003c\/li\u003e\n  \u003cli\u003e2.5-micron aluminum ribbon, the same element used in the R-121\u003c\/li\u003e\n  \u003cli\u003eHandles over 160 dB SPL at 1 kHz\u003c\/li\u003e\n  \u003cli\u003eThree-layer windscreen protects the ribbon from air blasts and plosives\u003c\/li\u003e\n  \u003cli\u003eInternally shock-mounted ribbon transducer\u003c\/li\u003e\n  \u003cli\u003eCustom Royer transformer resists overload at high SPL\u003c\/li\u003e\n  \u003cli\u003eHumbucking transducer wiring for very low residual noise\u003c\/li\u003e\n  \u003cli\u003ePatented offset-ribbon design with a brighter back side\u003c\/li\u003e\n  \u003cli\u003eRibbon element unaffected by heat or humidity\u003c\/li\u003e\n  \u003cli\u003eHand-built in Burbank, California\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eElement:\u003c\/strong\u003e 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium (grade 52)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, +\/- 3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -54 dBV (re. 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 100 ohms\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e 700 ohms or greater\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e Over 160 dB at 1 kHz, over 135 dB at 50 Hz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 3-pin male XLR (pin 2 hot)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 149 mm (5 7\/8 in) long including mounting base, 35 mm (1 3\/8 in) wide\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 368 g (13 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Five years; first re-ribbon free to the original owner within the first year\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eRoyer R-10 ribbon microphone\u003c\/li\u003e\n  \u003cli\u003eSwivel microphone mount\u003c\/li\u003e\n  \u003cli\u003eMic sock\u003c\/li\u003e\n  \u003cli\u003eAluminum carrying case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380174913785,"sku":"RO-R10","price":849.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/r10-front.jpg?v=1792175453"},{"product_id":"royer-ro-r10-db20","title":"Royer R-10 Ribbon Microphone with dBooster","description":"\u003cp\u003eThis Royer Labs bundle puts the R-10 passive ribbon microphone together with the dBooster (R-DB20) in-line signal booster. On its own, the R-10 handles more than 160 dB SPL for guitar cabinets, brass and drums. With the dBooster between the mic and the preamp, it gains 12 dB or 20 dB of clean level, which gives acoustic guitars, ukuleles, vocals and other quiet sources enough signal and leaves more headroom at the preamp.\u003c\/p\u003e\n\n\u003ch3\u003eThe R-10\u003c\/h3\u003e\n\u003cp\u003eThe R-10 uses the same 2.5-micron aluminum ribbon as Royer's R-121, behind a three-layer windscreen and an internally shock-mounted transducer. Its patented offset-ribbon design takes loud sources on the front (logo) side and gives a brighter sound on the back side for quieter sources at 3 feet or closer. It is hand-built in Burbank, California.\u003c\/p\u003e\n\n\u003ch3\u003eThe dBooster\u003c\/h3\u003e\n\u003cp\u003eThe dBooster runs on 48 V phantom power and has a Class A input with high input impedance, so it loads the ribbon lightly and adds very little distortion or coloration. An internal regulated supply isolates the mic electrically and protects the ribbon from phantom power. The low-impedance balanced output can drive an audio interface directly and handles long cable runs, mic splitters and vintage-style preamps.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eRoyer R-10 passive figure-8 ribbon microphone\u003c\/li\u003e\n  \u003cli\u003eRoyer dBooster in-line signal booster with 12 dB and 20 dB gain settings\u003c\/li\u003e\n  \u003cli\u003eR-10 handles over 160 dB SPL at 1 kHz\u003c\/li\u003e\n  \u003cli\u003eThree-layer windscreen and internally shock-mounted ribbon transducer\u003c\/li\u003e\n  \u003cli\u003ePatented offset-ribbon design with a brighter back side\u003c\/li\u003e\n  \u003cli\u003edBooster Class A input with high input impedance to minimize mic loading\u003c\/li\u003e\n  \u003cli\u003edBooster protects ribbon mics from phantom power and provides electrical isolation\u003c\/li\u003e\n  \u003cli\u003edBooster low-impedance output for long cable runs and difficult loads\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eR-10 Specifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eElement:\u003c\/strong\u003e 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium (grade 52)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, +\/- 3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -54 dBV (re. 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 100 ohms\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e 700 ohms or greater\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e Over 160 dB at 1 kHz, over 135 dB at 50 Hz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 3-pin male XLR (pin 2 hot)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 149 mm (5 7\/8 in) long including mounting base, 35 mm (1 3\/8 in) wide\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 368 g (13 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Five years; first re-ribbon free to the original owner within the first year\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003edBooster Specifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGain:\u003c\/strong\u003e 12 dB or 20 dB, switchable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz to 20 kHz, +\/- 0.25 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTHD+N:\u003c\/strong\u003e 0.0015% at 20 dB gain (-25 dBu input), 0.001% at 12 dB gain (-6 dBu input)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSelf-noise:\u003c\/strong\u003e Under 11 dBA at 20 dB, under 15 dBA at 12 dB (referred to -48 dB re. 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHeadroom:\u003c\/strong\u003e 127 dB at the 20 dB setting, 120 dB at the 12 dB setting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e 3.6 kilohms\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 300 ohms (20 dB setting)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConnectors:\u003c\/strong\u003e Balanced XLR input and output\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 48 V phantom, about 5 mA at idle and 7.5 mA at full output\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 92 x 51 x 41.3 mm (3.62 x 2.0 x 1.62 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 170 g (6 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e One year, parts and labor\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eRoyer R-10 ribbon microphone\u003c\/li\u003e\n  \u003cli\u003eSwivel microphone mount\u003c\/li\u003e\n  \u003cli\u003eMic sock\u003c\/li\u003e\n  \u003cli\u003eAluminum carrying case\u003c\/li\u003e\n  \u003cli\u003eRoyer dBooster (R-DB20) in-line signal booster\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380175798521,"sku":"RO-R10\/DB20","price":1049.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/r10-db20-bundle.jpg?v=1792175465"},{"product_id":"royer-ro-r10mp","title":"Royer R-10 Ribbon Microphone Matched Pair","description":"\u003cp\u003eThe Royer R-10 Matched Pair is two R-10 passive figure-8 ribbon microphones, supplied by Royer Labs as a matched set for stereo recording. Each mic has the 2.5-micron aluminum ribbon used in the R-121, handles more than 160 dB SPL at 1 kHz, and protects its ribbon with a three-layer windscreen and an internally shock-mounted transducer. Both mics are hand-built in Burbank, California.\u003c\/p\u003e\n\n\u003ch3\u003eStereo Setups\u003c\/h3\u003e\n\u003cp\u003eTwo figure-8 mics cover the classic coincident techniques: a Blumlein pair crossed at 90 degrees, or a mid-side array, where recording mid and side on separate tracks lets you set the stereo width at mixdown. Royer's manual also suggests a spaced pair over the bass and treble strings of a piano, an X-Y pair near the soundboard, and a pair 4 to 6 feet above a drum kit. A pair of R-10s beside a Leslie cabinet is another of Royer's suggestions.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eTwo R-10 passive ribbon microphones, sold as a matched pair\u003c\/li\u003e\n  \u003cli\u003eFigure-8 pattern suited to Blumlein and mid-side stereo\u003c\/li\u003e\n  \u003cli\u003e2.5-micron aluminum ribbon, the same element used in the R-121\u003c\/li\u003e\n  \u003cli\u003eHandles over 160 dB SPL at 1 kHz\u003c\/li\u003e\n  \u003cli\u003eThree-layer windscreen protects the ribbon from air blasts and plosives\u003c\/li\u003e\n  \u003cli\u003eInternally shock-mounted ribbon transducer\u003c\/li\u003e\n  \u003cli\u003eCustom Royer transformer resists overload at high SPL\u003c\/li\u003e\n  \u003cli\u003eHumbucking transducer wiring for very low residual noise\u003c\/li\u003e\n  \u003cli\u003ePatented offset-ribbon design with a brighter back side\u003c\/li\u003e\n  \u003cli\u003eRibbon element unaffected by heat or humidity\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQuantity:\u003c\/strong\u003e 2 microphones, matched pair\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eElement:\u003c\/strong\u003e 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium (grade 52)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, +\/- 3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -54 dBV (re. 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 100 ohms\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e 700 ohms or greater\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e Over 160 dB at 1 kHz, over 135 dB at 50 Hz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 3-pin male XLR (pin 2 hot)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 149 mm (5 7\/8 in) long including mounting base, 35 mm (1 3\/8 in) wide\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 368 g (13 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Five years; first re-ribbon free to the original owner within the first year\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e2 x Royer R-10 ribbon microphone (matched pair)\u003c\/li\u003e\n  \u003cli\u003e2 x swivel microphone mount\u003c\/li\u003e\n  \u003cli\u003e2 x mic sock\u003c\/li\u003e\n  \u003cli\u003eAluminum carrying case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380177961209,"sku":"RO-R10MP","price":1749.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/r10-front_09a2a65f-76d4-441e-88ec-d097688ff84c.jpg?v=1792175456"},{"product_id":"royer-ro-r10mp-db22","title":"Royer R-10 Ribbon Microphone Matched Pair with dBooster2","description":"\u003cp\u003eThis Royer Labs bundle combines a matched pair of R-10 passive ribbon microphones with the dBooster2 (R-DB22), a two-channel in-line signal booster that also works as a DI. The R-10s handle more than 160 dB SPL for heavy guitars and close-miked brass, and the dBooster2 adds 12 dB or 20 dB of clean gain to each mic for acoustic instruments, vocals and room miking.\u003c\/p\u003e\n\n\u003ch3\u003eThe R-10 Pair\u003c\/h3\u003e\n\u003cp\u003eEach R-10 uses the 2.5-micron aluminum ribbon from the R-121, with a three-layer windscreen and an internally shock-mounted transducer. As a figure-8 pair they suit Blumlein and mid-side stereo, spaced pairs on piano and drum overheads. Both mics are hand-built in Burbank, California.\u003c\/p\u003e\n\n\u003ch3\u003eThe dBooster2\u003c\/h3\u003e\n\u003cp\u003eThe dBooster2 has two independent channels, so you can boost both mics, run two DIs, or use one channel for each. In mic mode each channel adds 12 dB or 20 dB of gain through a Class A input, and in DI mode the Hi-Z input takes guitar or bass at 0 dB or 8 dB of gain. It runs on 48 V phantom power, protects the ribbons from phantom power, and its balanced low-impedance outputs can drive an interface directly or feed long cable runs, mic splitters and vintage-style preamps.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eMatched pair of Royer R-10 passive figure-8 ribbon microphones\u003c\/li\u003e\n  \u003cli\u003eRoyer dBooster2 two-channel in-line signal booster and DI\u003c\/li\u003e\n  \u003cli\u003eR-10s handle over 160 dB SPL at 1 kHz\u003c\/li\u003e\n  \u003cli\u003eThree-layer windscreen and internally shock-mounted transducer on each mic\u003c\/li\u003e\n  \u003cli\u003edBooster2 gain: 12 dB or 20 dB per channel in mic mode, 0 dB or 8 dB in DI mode\u003c\/li\u003e\n  \u003cli\u003edBooster2 Class A inputs with high input impedance to minimize mic loading\u003c\/li\u003e\n  \u003cli\u003edBooster2 protects ribbon mics from phantom power and provides electrical isolation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eR-10 Specifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eElement:\u003c\/strong\u003e 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium (grade 52)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, +\/- 3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -54 dBV (re. 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 100 ohms\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e 700 ohms or greater\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e Over 160 dB at 1 kHz, over 135 dB at 50 Hz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 3-pin male XLR (pin 2 hot)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 149 mm (5 7\/8 in) long including mounting base, 35 mm (1 3\/8 in) wide\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 368 g (13 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Five years; first re-ribbon free to the original owner within the first year\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003edBooster2 Specifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eChannels:\u003c\/strong\u003e 2, fully independent\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGain:\u003c\/strong\u003e 12 dB or 20 dB in mic mode, 0 dB or 8 dB in DI mode, switchable per channel\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz to 20 kHz, +\/- 0.25 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTHD+N:\u003c\/strong\u003e 0.0015% at 20 dB gain (-25 dBu input), 0.001% at 12 dB gain (-6 dBu input)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSelf-noise:\u003c\/strong\u003e Under 11 dBA at 20 dB, under 15 dBA at 12 dB (referred to -48 dB re. 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHeadroom:\u003c\/strong\u003e 127 dB at the 20 dB setting, 120 dB at the 12 dB setting\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e 3.6 kilohms in mic mode\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 300 ohms (20 dB setting)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInputs:\u003c\/strong\u003e 2 x combo jack: balanced XLR for mic, unbalanced 1\/4-inch for Hi-Z instruments\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutputs:\u003c\/strong\u003e 2 x balanced XLR\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 48 V phantom\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 98.4 x 98.4 x 44.5 mm (3.875 x 3.875 x 1.75 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 289 g (10.2 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e One year, parts and labor\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e2 x Royer R-10 ribbon microphone (matched pair)\u003c\/li\u003e\n  \u003cli\u003e2 x swivel microphone mount\u003c\/li\u003e\n  \u003cli\u003e2 x mic sock\u003c\/li\u003e\n  \u003cli\u003eAluminum carrying case\u003c\/li\u003e\n  \u003cli\u003eRoyer dBooster2 (R-DB22) two-channel signal booster and DI\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380178813177,"sku":"RO-R10MP\/DB22","price":2099.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/r10mp-db22-bundle.jpg?v=1792175461"},{"product_id":"royer-ro-r12","title":"Royer R-12 Active Ribbon Microphone","description":"\u003cp\u003eThe Royer R-12 is an active figure-8 ribbon microphone for studio recording and live sound. It uses the 2.5-micron aluminum ribbon from Royer's R-121, and its phantom-powered electronics raise the output to a level comparable to a studio condenser, so quiet acoustic instruments and vocals reach any phantom-powered preamp at a healthy level. A -15 dB pad and a 100 Hz high-pass filter let the same mic take on loud drums, cranked guitar amps and close vocals.\u003c\/p\u003e\n\n\u003ch3\u003ePad, Filter and Protection\u003c\/h3\u003e\n\u003cp\u003eThe pad sits ahead of the electronics, giving the mic 15 dB more headroom for high-SPL sources. The high-pass filter rolls off at 6 dB per octave from 100 Hz to control proximity bass on close vocals and speaker cabinets. Inside, the active circuit gives the ribbon a consistent load, and a three-layer windscreen and an internal shock mount protect the ribbon from plosives and handling noise.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFigure-8 pattern\u003c\/li\u003e\n  \u003cli\u003eActive ribbon microphone powered by 48 V phantom\u003c\/li\u003e\n  \u003cli\u003eSame 2.5-micron ribbon element as the R-121\u003c\/li\u003e\n  \u003cli\u003eOutput level comparable to a studio condenser microphone\u003c\/li\u003e\n  \u003cli\u003eSwitchable -15 dB pad placed ahead of the electronics\u003c\/li\u003e\n  \u003cli\u003eSwitchable 100 Hz high-pass filter, 6 dB per octave\u003c\/li\u003e\n  \u003cli\u003eHandles over 160 dB SPL at 1 kHz\u003c\/li\u003e\n  \u003cli\u003eSelf-noise under 16 dB\u003c\/li\u003e\n  \u003cli\u003eThree-layer windscreen and internally shock-mounted transducer\u003c\/li\u003e\n  \u003cli\u003eLow output impedance for long cable runs\u003c\/li\u003e\n  \u003cli\u003ePatented offset-ribbon design\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eElement:\u003c\/strong\u003e 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium (grade 52)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, +\/- 3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -36 dB (re. 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSelf-noise:\u003c\/strong\u003e Under 16 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePad:\u003c\/strong\u003e -15 dB, switchable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh-pass filter:\u003c\/strong\u003e 100 Hz, 6 dB per octave, switchable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e Over 160 dB at 1 kHz, over 135 dB at 30 Hz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 200 ohms, balanced\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e 1 kilohm minimum\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 3-pin male XLR (pin 2 hot)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 48 V phantom, 4 mA\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 209.5 mm (8 1\/4 in) long including mounting base, 35 mm (1 3\/8 in) wide\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 462 g (16.3 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e 10 years on materials, workmanship and finish to the original owner; first re-ribbon free within one year\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eRoyer R-12 active ribbon microphone\u003c\/li\u003e\n  \u003cli\u003eSwivel microphone mount\u003c\/li\u003e\n  \u003cli\u003eMic sock\u003c\/li\u003e\n  \u003cli\u003eHard-shell carrying case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380180025593,"sku":"RO-R12","price":1199.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/r12-front.jpg?v=1792175469"},{"product_id":"royer-ro-r12mp","title":"Royer R-12 Active Ribbon Microphone Matched Pair","description":"\u003cp\u003eThe Royer R-12 Matched Pair is two R-12 active figure-8 ribbon microphones, supplied by Royer Labs as a matched set for stereo recording. Each mic uses the 2.5-micron aluminum ribbon from the R-121 and runs on 48 V phantom power, with output comparable to a studio condenser. Switchable -15 dB pads and 100 Hz high-pass filters let the pair handle loud drum overheads and guitar amps as well as quiet acoustic sources.\u003c\/p\u003e\n\n\u003ch3\u003eStereo Setups\u003c\/h3\u003e\n\u003cp\u003eTwo figure-8 mics give you a Blumlein pair crossed at 90 degrees, or a mid-side array, where recording mid and side on separate tracks lets you set the stereo width at mixdown. Royer's manual also suggests a spaced pair over the bass and treble strings of a piano, an X-Y pair just outside the open lid, and a pair 4 to 6 feet above a drum kit. The low output impedance of the active electronics suits long cable runs on live stages.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eTwo R-12 active ribbon microphones, sold as a matched pair\u003c\/li\u003e\n  \u003cli\u003eFigure-8 pattern suited to Blumlein and mid-side stereo\u003c\/li\u003e\n  \u003cli\u003eActive ribbon microphone powered by 48 V phantom\u003c\/li\u003e\n  \u003cli\u003eSame 2.5-micron ribbon element as the R-121\u003c\/li\u003e\n  \u003cli\u003eOutput level comparable to a studio condenser microphone\u003c\/li\u003e\n  \u003cli\u003eSwitchable -15 dB pad placed ahead of the electronics\u003c\/li\u003e\n  \u003cli\u003eSwitchable 100 Hz high-pass filter, 6 dB per octave\u003c\/li\u003e\n  \u003cli\u003eHandles over 160 dB SPL at 1 kHz\u003c\/li\u003e\n  \u003cli\u003eSelf-noise under 16 dB\u003c\/li\u003e\n  \u003cli\u003eThree-layer windscreen and internally shock-mounted transducer\u003c\/li\u003e\n  \u003cli\u003eLow output impedance for long cable runs\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQuantity:\u003c\/strong\u003e 2 microphones, matched pair\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eElement:\u003c\/strong\u003e 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium (grade 52)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, +\/- 3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -36 dB (re. 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSelf-noise:\u003c\/strong\u003e Under 16 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePad:\u003c\/strong\u003e -15 dB, switchable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh-pass filter:\u003c\/strong\u003e 100 Hz, 6 dB per octave, switchable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e Over 160 dB at 1 kHz, over 135 dB at 30 Hz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 200 ohms, balanced\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e 1 kilohm minimum\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 3-pin male XLR (pin 2 hot)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 48 V phantom, 4 mA\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 209.5 mm (8 1\/4 in) long including mounting base, 35 mm (1 3\/8 in) wide\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 462 g (16.3 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e 10 years on materials, workmanship and finish to the original owner; first re-ribbon free within one year\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380180582649,"sku":"RO-R12MP","price":2439.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/r12-front_616506cf-48cc-43cd-8b24-c17b37638838.jpg?v=1792175472"},{"product_id":"royer-ro-r121","title":"Royer R-121 Ribbon Microphone","description":"\u003cp\u003eThe Royer R-121 is Royer Labs' flagship passive figure-8 ribbon microphone, introduced in the 1990s and still a first choice for electric guitar cabinets in studios and on live stages. Its 2.5-micron aluminum ribbon handles more than 160 dB SPL at 1 kHz, so it can face a wide-open amp or a trumpet played full out, and it captures fingerpicked acoustic guitar, harp and flute with the same natural detail. The body is compact and light, which makes it easy to position.\u003c\/p\u003e\n\n\u003ch3\u003eTwo Sounds From One Mic\u003c\/h3\u003e\n\u003cp\u003eRoyer's patented offset-ribbon transducer sets the ribbon closer to the front (logo) side. From the front, the ribbon has room to move on loud sources and keeps its full frequency response. The back side gives a brighter pickup at close range that suits acoustic instruments and vocals; reverse the polarity at the preamp or in your DAW when you use it. With no active electronics, there is nothing to overload below the maximum SPL.\u003c\/p\u003e\n\n\u003ch3\u003eWhere to Use It\u003c\/h3\u003e\n\u003cp\u003eRoyer lists electric guitar amps, brass and horn sections, drum rooms, kick drum, woodwinds, percussion, acoustic piano, acoustic guitar, strings, choirs and orchestras, and broadcast. Royer recommends its Sling-Shock shock mount and the dBooster in-line booster as companions.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePassive figure-8 ribbon microphone\u003c\/li\u003e\n  \u003cli\u003e2.5-micron, 99.99% pure aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003eHandles over 160 dB SPL at 1 kHz\u003c\/li\u003e\n  \u003cli\u003ePatented offset-ribbon transducer with a brighter back side\u003c\/li\u003e\n  \u003cli\u003eNo active electronics to overload or distort up to the maximum SPL\u003c\/li\u003e\n  \u003cli\u003eRare earth neodymium magnets in Royer's flux-frame design\u003c\/li\u003e\n  \u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n  \u003cli\u003eRibbon element unaffected by heat or humidity\u003c\/li\u003e\n  \u003cli\u003eGold-plated XLR contacts\u003c\/li\u003e\n  \u003cli\u003eHand-built in Burbank, California\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eElement:\u003c\/strong\u003e 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, +\/- 3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -47 dBV (re. 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 300 ohms at 1 kHz (nominal)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e 1,500 ohms or greater\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e Over 160 dB at 1 kHz, over 135 dB at 20 Hz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 3-pin male XLR (pin 2 hot), gold-plated contacts\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 155.7 mm (6.13 in) long, 25 mm (1 in) wide\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 244 g (8.6 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Dull satin nickel\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eRoyer R-121 ribbon microphone\u003c\/li\u003e\n  \u003cli\u003eProtective wood case\u003c\/li\u003e\n  \u003cli\u003eMic sock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380181205241,"sku":"RO-R121","price":2059.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/r121-front.jpg?v=1792175474"},{"product_id":"royer-ro-r121-ss1","title":"Royer R-121 Ribbon Microphone with RSM-SS1 Sling-Shock Mount (Satin Nickel)","description":"\u003cp\u003eThe Royer R-121 is the passive ribbon microphone that put modern ribbons back in studios in the 1990s, and it is still a first-call mic for electric guitar amps. Its 2.5-micron aluminum ribbon gives a warm, natural figure-8 pickup and takes more than 160 dB SPL at 1 kHz, so it works on loud amps, brass and drum rooms as well as on fingerpicked acoustic guitar, harp and flute. This bundle adds the RSM-SS1 Sling-Shock, the shock mount Royer recommends for the R-121.\u003c\/p\u003e\n\n\u003ch3\u003eTwo Sounds in One Mic\u003c\/h3\u003e\n\u003cp\u003eRoyer's patented offset-ribbon transducer sets the ribbon closer to the front (logo) side of the body. Under high SPL the ribbon has room to move backward and stay in the strongest part of the magnetic field, so loud sources keep their full frequency response. The back side records brighter at close range, which suits softer sources such as acoustic instruments and vocals. Royer suggests flipping polarity at the preamp or in your DAW when you record on the back side.\u003c\/p\u003e\n\n\u003ch3\u003eThe RSM-SS1 Sling-Shock\u003c\/h3\u003e\n\u003cp\u003eThe Sling-Shock suspends the mic on non-resonant nylon cord and damped steel springs, with no rubber parts to stretch or wear out. It cuts the rumble and low-level noise that travel up a mic stand, and it adds none of the self-resonance a conventional shock mount can produce on close-miked guitar cabinets. A clip on the mount holds the mic cable, which keeps cable vibration out of the recording.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePassive figure-8 ribbon microphone with a 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003eHandles more than 160 dB SPL at 1 kHz\u003c\/li\u003e\n  \u003cli\u003eNo internal electronics to overload or distort up to the maximum SPL rating\u003c\/li\u003e\n  \u003cli\u003ePatented offset ribbon with a brighter back side at close range\u003c\/li\u003e\n  \u003cli\u003eLow residual noise\u003c\/li\u003e\n  \u003cli\u003eRibbon element unaffected by heat or humidity\u003c\/li\u003e\n  \u003cli\u003eEqual sensitivity from the front and back of the ribbon\u003c\/li\u003e\n  \u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n  \u003cli\u003eGold-plated XLR contacts\u003c\/li\u003e\n  \u003cli\u003eHand built in Burbank, California\u003c\/li\u003e\n  \u003cli\u003eRSM-SS1 Sling-Shock with nylon cord and damped steel spring suspension\u003c\/li\u003e\n  \u003cli\u003eFelt-lined mic chamber with a knurled lock-down knob\u003c\/li\u003e\n  \u003cli\u003eBuilt-in cable clip on the shock mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGenerating element:\u003c\/strong\u003e 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, ±3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -47 dBV (re. 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 300 ohms at 1 kHz (nominal)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e More than 1,500 ohms\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e More than 160 dB at 1 kHz, more than 135 dB at 20 Hz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 3-pin male XLR, pin 2 hot\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 155.7 mm long, 25 mm wide (6.13 x 1 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 244 g (8.6 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Satin nickel\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShock mount:\u003c\/strong\u003e Royer RSM-SS1 Sling-Shock\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShock mount fit:\u003c\/strong\u003e Royer R-121, R-122 MKII, R-122V and SF-12, or any cylindrical mic about 1 in (±1\/8 in) in diameter\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShock mount size:\u003c\/strong\u003e About 4 x 4 x 4 in, 7 oz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStand thread:\u003c\/strong\u003e 5\/8 x 27, solid brass\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShock mount finish:\u003c\/strong\u003e Matte black powder coat\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eRoyer R-121 ribbon microphone\u003c\/li\u003e\n  \u003cli\u003eProtective wood case\u003c\/li\u003e\n  \u003cli\u003eMic sock\u003c\/li\u003e\n  \u003cli\u003eRoyer RSM-SS1 Sling-Shock shock mount\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380182286585,"sku":"RO-R121\/SS1","price":2259.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/r121-front_9bec30ab-2f5c-473c-ae5c-c3cd4b21f528.jpg?v=1792175799"},{"product_id":"royer-ro-r121mp","title":"Royer R-121 Ribbon Microphone Matched Pair","description":"\u003cp\u003eThe Royer R-121 Matched Pair is two of Royer Labs' flagship passive figure-8 ribbon microphones, supplied as a matched set for stereo recording. Each R-121 has a 2.5-micron aluminum ribbon that handles more than 160 dB SPL at 1 kHz, so the pair can take on loud guitar amps, brass sections and drum rooms, and it stays natural on acoustic guitar, piano, strings and choirs.\u003c\/p\u003e\n\n\u003ch3\u003eStereo Setups\u003c\/h3\u003e\n\u003cp\u003eRoyer's manual covers the classic figure-8 techniques: a Blumlein pair crossed at 90 degrees for a well-defined stereo image, and mid-side, where recording mid and side on separate tracks lets you set the width at mixdown. It also suggests a spaced pair over the bass and treble strings of a piano, an X-Y pair a couple of feet from the soundboard, and a pair 4 to 6 feet above a drum kit. The figure-8 pattern adds ambience and depth to room, orchestral and choral recordings.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eTwo R-121 passive ribbon microphones, sold as a matched pair\u003c\/li\u003e\n  \u003cli\u003eFigure-8 pattern suited to Blumlein and mid-side stereo\u003c\/li\u003e\n  \u003cli\u003e2.5-micron, 99.99% pure aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003eHandles over 160 dB SPL at 1 kHz\u003c\/li\u003e\n  \u003cli\u003ePatented offset-ribbon transducer with a brighter back side\u003c\/li\u003e\n  \u003cli\u003eNo active electronics to overload or distort up to the maximum SPL\u003c\/li\u003e\n  \u003cli\u003eRare earth neodymium magnets in Royer's flux-frame design\u003c\/li\u003e\n  \u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n  \u003cli\u003eRibbon element unaffected by heat or humidity\u003c\/li\u003e\n  \u003cli\u003eGold-plated XLR contacts\u003c\/li\u003e\n  \u003cli\u003eHand-built in Burbank, California\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQuantity:\u003c\/strong\u003e 2 microphones, matched pair\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eElement:\u003c\/strong\u003e 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, +\/- 3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -47 dBV (re. 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 300 ohms at 1 kHz (nominal)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e 1,500 ohms or greater\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e Over 160 dB at 1 kHz, over 135 dB at 20 Hz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 3-pin male XLR (pin 2 hot), gold-plated contacts\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 155.7 mm (6.13 in) long, 25 mm (1 in) wide\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 244 g (8.6 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Dull satin nickel\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380183138553,"sku":"RO-R121MP","price":4239.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/r121-front_a41dc066-b76e-46e3-9939-6349bc9a882c.jpg?v=1792175475"},{"product_id":"royer-ro-r121mp-ss1","title":"Royer R-121 Ribbon Microphone Matched Pair with RSM-SS1 Sling-Shock Mounts (Satin Nickel)","description":"\u003cp\u003eThis bundle pairs two Royer R-121 passive ribbon microphones, matched at the factory and consecutively serial numbered, with an RSM-SS1 Sling-Shock shock mount for each. The R-121 put modern ribbons back in studios in the 1990s and is still a first-call mic for electric guitar amps. Its 2.5-micron aluminum ribbon gives a warm, natural figure-8 pickup and takes more than 160 dB SPL at 1 kHz. A matched pair covers stereo room miking, drum overheads, and orchestral and choral recording.\u003c\/p\u003e\n\n\u003ch3\u003eTwo Sounds in One Mic\u003c\/h3\u003e\n\u003cp\u003eRoyer's patented offset-ribbon transducer sets the ribbon closer to the front (logo) side of the body. Under high SPL the ribbon has room to move backward and stay in the strongest part of the magnetic field, so loud sources keep their full frequency response. The back side records brighter at close range, which suits softer sources such as acoustic instruments and vocals. Royer suggests flipping polarity at the preamp or in your DAW when you record on the back side.\u003c\/p\u003e\n\n\u003ch3\u003eThe RSM-SS1 Sling-Shock\u003c\/h3\u003e\n\u003cp\u003eThe Sling-Shock suspends the mic on non-resonant nylon cord and damped steel springs, with no rubber parts to stretch or wear out. It cuts the rumble and low-level noise that travel up a mic stand, and it adds none of the self-resonance a conventional shock mount can produce on close-miked guitar cabinets. A clip on the mount holds the mic cable, which keeps cable vibration out of the recording.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFactory-matched pair, consecutively serial numbered\u003c\/li\u003e\n  \u003cli\u003ePassive figure-8 ribbon microphone with a 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003eHandles more than 160 dB SPL at 1 kHz\u003c\/li\u003e\n  \u003cli\u003eNo internal electronics to overload or distort up to the maximum SPL rating\u003c\/li\u003e\n  \u003cli\u003ePatented offset ribbon with a brighter back side at close range\u003c\/li\u003e\n  \u003cli\u003eLow residual noise\u003c\/li\u003e\n  \u003cli\u003eRibbon element unaffected by heat or humidity\u003c\/li\u003e\n  \u003cli\u003eEqual sensitivity from the front and back of the ribbon\u003c\/li\u003e\n  \u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n  \u003cli\u003eGold-plated XLR contacts\u003c\/li\u003e\n  \u003cli\u003eHand built in Burbank, California\u003c\/li\u003e\n  \u003cli\u003eRSM-SS1 Sling-Shock with nylon cord and damped steel spring suspension\u003c\/li\u003e\n  \u003cli\u003eFelt-lined mic chamber with a knurled lock-down knob\u003c\/li\u003e\n  \u003cli\u003eBuilt-in cable clip on the shock mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePair:\u003c\/strong\u003e Two R-121 microphones, factory matched\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGenerating element:\u003c\/strong\u003e 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, ±3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -47 dBV (re. 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 300 ohms at 1 kHz (nominal)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e More than 1,500 ohms\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e More than 160 dB at 1 kHz, more than 135 dB at 20 Hz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 3-pin male XLR, pin 2 hot\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 155.7 mm long, 25 mm wide (6.13 x 1 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 244 g (8.6 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Satin nickel\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShock mount:\u003c\/strong\u003e Royer RSM-SS1 Sling-Shock\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShock mount fit:\u003c\/strong\u003e Royer R-121, R-122 MKII, R-122V and SF-12, or any cylindrical mic about 1 in (±1\/8 in) in diameter\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShock mount size:\u003c\/strong\u003e About 4 x 4 x 4 in, 7 oz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStand thread:\u003c\/strong\u003e 5\/8 x 27, solid brass\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShock mount finish:\u003c\/strong\u003e Matte black powder coat\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eTwo Royer R-121 ribbon microphones, matched pair\u003c\/li\u003e\n  \u003cli\u003eTwo protective wood cases\u003c\/li\u003e\n  \u003cli\u003eTwo mic socks\u003c\/li\u003e\n  \u003cli\u003eTwo Royer RSM-SS1 Sling-Shock shock mounts\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380185334009,"sku":"RO-R121MP\/SS1","price":4649.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/r121-front_368ae5b3-4e09-451e-8aab-cf8a03473ebe.jpg?v=1792175796"},{"product_id":"royer-ro-r122mk2","title":"Royer R-122 MKII Active Ribbon Microphone (Satin Nickel)","description":"\u003cp\u003eThe Royer R-122 MKII is a phantom-powered active ribbon microphone built around the same offset-ribbon transducer as the R-121. Its hand-wired head amplifier raises the output to -36 dBV, so it works with almost any preamp on quiet sources such as acoustic guitar, strings and voice-over. A switchable -15 dB pad and a 100 Hz bass cut let the same mic handle a wide-open guitar amp or a close vocal.\u003c\/p\u003e\n\n\u003ch3\u003ePad and Bass Cut\u003c\/h3\u003e\n\u003cp\u003eThe -15 dB pad sits ahead of the electronics, so even the loudest sources cannot push them into distortion. With the pad in, the MKII's output is 2 dB lower than an R-121's, and Royer reports no change in tone once levels are matched. The bass cut starts at 100 Hz with a 6 dB per octave slope to reduce proximity buildup on vocals, acoustic instruments and close-miked guitars. Both switches are recessed on the back of the body, and when they are off they are out of the circuit entirely.\u003c\/p\u003e\n\n\u003ch3\u003eActive Electronics\u003c\/h3\u003e\n\u003cp\u003eThe extra level comes from a large, specially wound toroidal transformer designed by Royer. The discrete, fully balanced head amplifier with low-noise FETs only converts impedance and adds no noise of its own, and self-noise is under 18 dB. The circuit keeps a constant load on the ribbon whatever preamp follows it, drives long cable runs with little loss, and protects the ribbon from phantom power and miswired cables. Compared with the R-121, the MKII's faster transient response gives more open highs and a tighter low end, which is why Royer suggests it for drum overheads, piano, strings, acoustic instruments and vocals.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eActive figure-8 ribbon microphone, 48 V phantom powered\u003c\/li\u003e\n  \u003cli\u003eHand-wired discrete head amplifier with a toroidal transformer\u003c\/li\u003e\n  \u003cli\u003eSwitchable -15 dB pad placed before the electronics\u003c\/li\u003e\n  \u003cli\u003eSwitchable bass cut at 100 Hz, 6 dB per octave\u003c\/li\u003e\n  \u003cli\u003eRecessed switches on the rear of the body\u003c\/li\u003e\n  \u003cli\u003eSelf-noise under 18 dB\u003c\/li\u003e\n  \u003cli\u003eHandles more than 160 dB SPL at 1 kHz\u003c\/li\u003e\n  \u003cli\u003ePatented offset ribbon with a slightly brighter back side at three feet and closer\u003c\/li\u003e\n  \u003cli\u003eRibbon element unaffected by heat or humidity\u003c\/li\u003e\n  \u003cli\u003eRibbon protected from phantom power and miswired cables\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGenerating element:\u003c\/strong\u003e 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, ±3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -36 dB (re. 1 V\/Pa, ±1 dB)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSelf-noise:\u003c\/strong\u003e Under 18 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePad:\u003c\/strong\u003e -15 dB, switchable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBass cut:\u003c\/strong\u003e 100 Hz, 6 dB per octave, switchable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 200 ohms, balanced\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e 1,000 ohms minimum\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e More than 160 dB at 1 kHz, more than 135 dB at 30 Hz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 3-pin male XLR, pin 2 hot\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 48 V phantom only, 4 mA\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 206 mm long, 25 mm wide (8 1\/8 x 1 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 309 g (10.9 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Satin nickel\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eRoyer R-122 MKII active ribbon microphone\u003c\/li\u003e\n  \u003cli\u003eProtective wood case\u003c\/li\u003e\n  \u003cli\u003eMic sock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380185923833,"sku":"RO-R122MK2","price":2599.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/r122mkii-front.jpg?v=1792175802"},{"product_id":"royer-ro-r122mk2-ss1","title":"Royer R-122 MKII Active Ribbon Microphone with RSM-SS1 Sling-Shock Mount (Satin Nickel)","description":"\u003cp\u003eThe Royer R-122 MKII is a phantom-powered active ribbon microphone built around the same offset-ribbon transducer as the R-121. Its hand-wired head amplifier raises the output to -36 dBV, so it works with almost any preamp on quiet sources such as acoustic guitar, strings and voice-over. A switchable -15 dB pad and a 100 Hz bass cut let the same mic handle a wide-open guitar amp or a close vocal. This bundle adds the RSM-SS1 Sling-Shock, Royer's shock mount for its 1-inch ribbon mics.\u003c\/p\u003e\n\n\u003ch3\u003ePad and Bass Cut\u003c\/h3\u003e\n\u003cp\u003eThe -15 dB pad sits ahead of the electronics, so even the loudest sources cannot push them into distortion. With the pad in, the MKII's output is 2 dB lower than an R-121's, and Royer reports no change in tone once levels are matched. The bass cut starts at 100 Hz with a 6 dB per octave slope to reduce proximity buildup on vocals, acoustic instruments and close-miked guitars. Both switches are recessed on the back of the body, and when they are off they are out of the circuit entirely.\u003c\/p\u003e\n\n\u003ch3\u003eActive Electronics\u003c\/h3\u003e\n\u003cp\u003eThe extra level comes from a large, specially wound toroidal transformer designed by Royer. The discrete, fully balanced head amplifier with low-noise FETs only converts impedance and adds no noise of its own, and self-noise is under 18 dB. The circuit keeps a constant load on the ribbon whatever preamp follows it, drives long cable runs with little loss, and protects the ribbon from phantom power and miswired cables. Compared with the R-121, the MKII's faster transient response gives more open highs and a tighter low end, which is why Royer suggests it for drum overheads, piano, strings, acoustic instruments and vocals.\u003c\/p\u003e\n\n\u003ch3\u003eThe RSM-SS1 Sling-Shock\u003c\/h3\u003e\n\u003cp\u003eThe Sling-Shock suspends the mic on non-resonant nylon cord and damped steel springs, with no rubber parts to stretch or wear out. It cuts the rumble and low-level noise that travel up a mic stand, and it adds none of the self-resonance a conventional shock mount can produce on close-miked guitar cabinets. A clip on the mount holds the mic cable, which keeps cable vibration out of the recording.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eActive figure-8 ribbon microphone, 48 V phantom powered\u003c\/li\u003e\n  \u003cli\u003eHand-wired discrete head amplifier with a toroidal transformer\u003c\/li\u003e\n  \u003cli\u003eSwitchable -15 dB pad placed before the electronics\u003c\/li\u003e\n  \u003cli\u003eSwitchable bass cut at 100 Hz, 6 dB per octave\u003c\/li\u003e\n  \u003cli\u003eRecessed switches on the rear of the body\u003c\/li\u003e\n  \u003cli\u003eSelf-noise under 18 dB\u003c\/li\u003e\n  \u003cli\u003eHandles more than 160 dB SPL at 1 kHz\u003c\/li\u003e\n  \u003cli\u003ePatented offset ribbon with a slightly brighter back side at three feet and closer\u003c\/li\u003e\n  \u003cli\u003eRibbon element unaffected by heat or humidity\u003c\/li\u003e\n  \u003cli\u003eRibbon protected from phantom power and miswired cables\u003c\/li\u003e\n  \u003cli\u003eRSM-SS1 Sling-Shock with nylon cord and damped steel spring suspension\u003c\/li\u003e\n  \u003cli\u003eFelt-lined mic chamber with a knurled lock-down knob\u003c\/li\u003e\n  \u003cli\u003eBuilt-in cable clip on the shock mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGenerating element:\u003c\/strong\u003e 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, ±3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -36 dB (re. 1 V\/Pa, ±1 dB)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSelf-noise:\u003c\/strong\u003e Under 18 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePad:\u003c\/strong\u003e -15 dB, switchable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBass cut:\u003c\/strong\u003e 100 Hz, 6 dB per octave, switchable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 200 ohms, balanced\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e 1,000 ohms minimum\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e More than 160 dB at 1 kHz, more than 135 dB at 30 Hz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 3-pin male XLR, pin 2 hot\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 48 V phantom only, 4 mA\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 206 mm long, 25 mm wide (8 1\/8 x 1 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 309 g (10.9 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Satin nickel\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShock mount:\u003c\/strong\u003e Royer RSM-SS1 Sling-Shock\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShock mount fit:\u003c\/strong\u003e Royer R-121, R-122 MKII, R-122V and SF-12, or any cylindrical mic about 1 in (±1\/8 in) in diameter\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShock mount size:\u003c\/strong\u003e About 4 x 4 x 4 in, 7 oz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStand thread:\u003c\/strong\u003e 5\/8 x 27, solid brass\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShock mount finish:\u003c\/strong\u003e Matte black powder coat\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eRoyer R-122 MKII active ribbon microphone\u003c\/li\u003e\n  \u003cli\u003eProtective wood case\u003c\/li\u003e\n  \u003cli\u003eMic sock\u003c\/li\u003e\n  \u003cli\u003eRoyer RSM-SS1 Sling-Shock shock mount\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380186710265,"sku":"RO-R122MK2\/SS1","price":2879.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/r122mkii-front_8583bc6f-a2e7-4165-8b64-f9f906cffdb0.jpg?v=1792175812"},{"product_id":"royer-ro-r122mk2mp","title":"Royer R-122 MKII Active Ribbon Microphone Matched Pair (Satin Nickel)","description":"\u003cp\u003eThis matched pair gives you two Royer R-122 MKII active ribbon microphones, matched at the factory and consecutively serial numbered for stereo recording. The R-122 MKII is a phantom-powered active ribbon microphone built around the same offset-ribbon transducer as the R-121. Its hand-wired head amplifier raises the output to -36 dBV, so it works with almost any preamp on quiet sources such as acoustic guitar, strings and voice-over. A switchable -15 dB pad and a 100 Hz bass cut let the same mic handle a wide-open guitar amp or a close vocal.\u003c\/p\u003e\n\n\u003ch3\u003ePad and Bass Cut\u003c\/h3\u003e\n\u003cp\u003eThe -15 dB pad sits ahead of the electronics, so even the loudest sources cannot push them into distortion. With the pad in, the MKII's output is 2 dB lower than an R-121's, and Royer reports no change in tone once levels are matched. The bass cut starts at 100 Hz with a 6 dB per octave slope to reduce proximity buildup on vocals, acoustic instruments and close-miked guitars. Both switches are recessed on the back of the body, and when they are off they are out of the circuit entirely.\u003c\/p\u003e\n\n\u003ch3\u003eActive Electronics\u003c\/h3\u003e\n\u003cp\u003eThe extra level comes from a large, specially wound toroidal transformer designed by Royer. The discrete, fully balanced head amplifier with low-noise FETs only converts impedance and adds no noise of its own, and self-noise is under 18 dB. The circuit keeps a constant load on the ribbon whatever preamp follows it, drives long cable runs with little loss, and protects the ribbon from phantom power and miswired cables. Compared with the R-121, the MKII's faster transient response gives more open highs and a tighter low end, which is why Royer suggests it for drum overheads, piano, strings, acoustic instruments and vocals.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFactory-matched pair, consecutively serial numbered\u003c\/li\u003e\n  \u003cli\u003eActive figure-8 ribbon microphone, 48 V phantom powered\u003c\/li\u003e\n  \u003cli\u003eHand-wired discrete head amplifier with a toroidal transformer\u003c\/li\u003e\n  \u003cli\u003eSwitchable -15 dB pad placed before the electronics\u003c\/li\u003e\n  \u003cli\u003eSwitchable bass cut at 100 Hz, 6 dB per octave\u003c\/li\u003e\n  \u003cli\u003eRecessed switches on the rear of the body\u003c\/li\u003e\n  \u003cli\u003eSelf-noise under 18 dB\u003c\/li\u003e\n  \u003cli\u003eHandles more than 160 dB SPL at 1 kHz\u003c\/li\u003e\n  \u003cli\u003ePatented offset ribbon with a slightly brighter back side at three feet and closer\u003c\/li\u003e\n  \u003cli\u003eRibbon element unaffected by heat or humidity\u003c\/li\u003e\n  \u003cli\u003eRibbon protected from phantom power and miswired cables\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePair:\u003c\/strong\u003e Two R-122 MKII microphones, factory matched\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGenerating element:\u003c\/strong\u003e 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, ±3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -36 dB (re. 1 V\/Pa, ±1 dB)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSelf-noise:\u003c\/strong\u003e Under 18 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePad:\u003c\/strong\u003e -15 dB, switchable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBass cut:\u003c\/strong\u003e 100 Hz, 6 dB per octave, switchable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 200 ohms, balanced\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e 1,000 ohms minimum\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e More than 160 dB at 1 kHz, more than 135 dB at 30 Hz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 3-pin male XLR, pin 2 hot\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 48 V phantom only, 4 mA\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 206 mm long, 25 mm wide (8 1\/8 x 1 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 309 g (10.9 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Satin nickel\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380187267321,"sku":"RO-R122MK2MP","price":5349.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/r122mkii-front_5e00b81c-4832-4eba-bbc2-b6c12cc3a374.jpg?v=1792175805"},{"product_id":"royer-ro-r122mp-ss1","title":"Royer R-122 MKII Active Ribbon Microphone Matched Pair with RSM-SS1 Sling-Shock Mounts (Satin Nickel)","description":"\u003cp\u003eThis bundle pairs two Royer R-122 MKII active ribbon microphones, matched at the factory and consecutively serial numbered, with an RSM-SS1 Sling-Shock shock mount for each. The R-122 MKII is a phantom-powered active ribbon microphone built around the same offset-ribbon transducer as the R-121. Its hand-wired head amplifier raises the output to -36 dBV, so it works with almost any preamp on quiet sources such as acoustic guitar, strings and voice-over. A switchable -15 dB pad and a 100 Hz bass cut let the same mic handle a wide-open guitar amp or a close vocal.\u003c\/p\u003e\n\n\u003ch3\u003ePad and Bass Cut\u003c\/h3\u003e\n\u003cp\u003eThe -15 dB pad sits ahead of the electronics, so even the loudest sources cannot push them into distortion. With the pad in, the MKII's output is 2 dB lower than an R-121's, and Royer reports no change in tone once levels are matched. The bass cut starts at 100 Hz with a 6 dB per octave slope to reduce proximity buildup on vocals, acoustic instruments and close-miked guitars. Both switches are recessed on the back of the body, and when they are off they are out of the circuit entirely.\u003c\/p\u003e\n\n\u003ch3\u003eActive Electronics\u003c\/h3\u003e\n\u003cp\u003eThe extra level comes from a large, specially wound toroidal transformer designed by Royer. The discrete, fully balanced head amplifier with low-noise FETs only converts impedance and adds no noise of its own, and self-noise is under 18 dB. The circuit keeps a constant load on the ribbon whatever preamp follows it, drives long cable runs with little loss, and protects the ribbon from phantom power and miswired cables. Compared with the R-121, the MKII's faster transient response gives more open highs and a tighter low end, which is why Royer suggests it for drum overheads, piano, strings, acoustic instruments and vocals.\u003c\/p\u003e\n\n\u003ch3\u003eThe RSM-SS1 Sling-Shock\u003c\/h3\u003e\n\u003cp\u003eThe Sling-Shock suspends the mic on non-resonant nylon cord and damped steel springs, with no rubber parts to stretch or wear out. It cuts the rumble and low-level noise that travel up a mic stand, and it adds none of the self-resonance a conventional shock mount can produce on close-miked guitar cabinets. A clip on the mount holds the mic cable, which keeps cable vibration out of the recording.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFactory-matched pair, consecutively serial numbered\u003c\/li\u003e\n  \u003cli\u003eActive figure-8 ribbon microphone, 48 V phantom powered\u003c\/li\u003e\n  \u003cli\u003eHand-wired discrete head amplifier with a toroidal transformer\u003c\/li\u003e\n  \u003cli\u003eSwitchable -15 dB pad placed before the electronics\u003c\/li\u003e\n  \u003cli\u003eSwitchable bass cut at 100 Hz, 6 dB per octave\u003c\/li\u003e\n  \u003cli\u003eRecessed switches on the rear of the body\u003c\/li\u003e\n  \u003cli\u003eSelf-noise under 18 dB\u003c\/li\u003e\n  \u003cli\u003eHandles more than 160 dB SPL at 1 kHz\u003c\/li\u003e\n  \u003cli\u003ePatented offset ribbon with a slightly brighter back side at three feet and closer\u003c\/li\u003e\n  \u003cli\u003eRibbon element unaffected by heat or humidity\u003c\/li\u003e\n  \u003cli\u003eRibbon protected from phantom power and miswired cables\u003c\/li\u003e\n  \u003cli\u003eRSM-SS1 Sling-Shock with nylon cord and damped steel spring suspension\u003c\/li\u003e\n  \u003cli\u003eFelt-lined mic chamber with a knurled lock-down knob\u003c\/li\u003e\n  \u003cli\u003eBuilt-in cable clip on the shock mount\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePair:\u003c\/strong\u003e Two R-122 MKII microphones, factory matched\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGenerating element:\u003c\/strong\u003e 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, ±3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -36 dB (re. 1 V\/Pa, ±1 dB)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSelf-noise:\u003c\/strong\u003e Under 18 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePad:\u003c\/strong\u003e -15 dB, switchable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBass cut:\u003c\/strong\u003e 100 Hz, 6 dB per octave, switchable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 200 ohms, balanced\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e 1,000 ohms minimum\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e More than 160 dB at 1 kHz, more than 135 dB at 30 Hz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 3-pin male XLR, pin 2 hot\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 48 V phantom only, 4 mA\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 206 mm long, 25 mm wide (8 1\/8 x 1 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 309 g (10.9 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Satin nickel\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShock mount:\u003c\/strong\u003e Royer RSM-SS1 Sling-Shock\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShock mount fit:\u003c\/strong\u003e Royer R-121, R-122 MKII, R-122V and SF-12, or any cylindrical mic about 1 in (±1\/8 in) in diameter\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShock mount size:\u003c\/strong\u003e About 4 x 4 x 4 in, 7 oz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eStand thread:\u003c\/strong\u003e 5\/8 x 27, solid brass\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShock mount finish:\u003c\/strong\u003e Matte black powder coat\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eTwo Royer R-122 MKII active ribbon microphones, matched pair\u003c\/li\u003e\n  \u003cli\u003eTwo protective wood cases\u003c\/li\u003e\n  \u003cli\u003eTwo mic socks\u003c\/li\u003e\n  \u003cli\u003eTwo Royer RSM-SS1 Sling-Shock shock mounts\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380190609657,"sku":"RO-R122MP\/SS1","price":5899.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/r122mkii-front_ef047fa8-a224-4d73-bcc4-a334c6aec1ab.jpg?v=1792175808"},{"product_id":"royer-ro-r122v","title":"Royer R-122V Tube Ribbon Microphone (Satin Nickel)","description":"\u003cp\u003eThe Royer R-122V is a vacuum tube ribbon microphone and the top model in Royer's R-Series. It puts tube electronics behind the same offset-ribbon transducer used in the R-121 and R-122 MKII, which gives it high output, plenty of headroom and a rich, detailed midrange. It runs from its own dedicated power supply and suits orchestral and string recording, piano and harp, vocals and voice-over, as well as electric guitar, brass and drum overheads.\u003c\/p\u003e\n\n\u003ch3\u003eTube Electronics\u003c\/h3\u003e\n\u003cp\u003eThe head amplifier uses a low-noise, military-grade 5840 tube wired as a triode cathode follower. It keeps an ideal load on the ribbon, so gain and impedance matching to the preamp stop being a concern, and it drives long cable runs without losing high frequencies. A Jensen transformer isolates the fully balanced output to keep induced noise out. The extra output comes from a large toroidal transformer and adds no noise, with self-noise under 18 dB. Royer designed the circuit to avoid the usual tube coloration.\u003c\/p\u003e\n\n\u003ch3\u003ePower Supply\u003c\/h3\u003e\n\u003cp\u003eThe dedicated supply sends the tube's operating voltages through a 7-pin cable, and the audio leaves the supply on a standard 3-pin XLR. It ramps power up slowly to reduce stress on the tube, and Royer recommends letting the mic warm up for at least 15 minutes before recording. The supply switches between mains settings from 100 to 240 V AC.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eVacuum tube ribbon microphone with a figure-8 pattern\u003c\/li\u003e\n  \u003cli\u003eJAN mil-spec 5840W tube wired in triode configuration\u003c\/li\u003e\n  \u003cli\u003eJensen output transformer with fully balanced output\u003c\/li\u003e\n  \u003cli\u003eSelf-noise under 18 dB\u003c\/li\u003e\n  \u003cli\u003eHandles more than 160 dB SPL at 1 kHz\u003c\/li\u003e\n  \u003cli\u003eDedicated power supply, selectable from 100 to 240 V AC\u003c\/li\u003e\n  \u003cli\u003ePatented offset ribbon with a slightly brighter back side at three feet and closer\u003c\/li\u003e\n  \u003cli\u003eVery low magnetic leakage\u003c\/li\u003e\n  \u003cli\u003eRibbon element unaffected by load, heat or humidity\u003c\/li\u003e\n  \u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient with vacuum tube electronics\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eVacuum tube:\u003c\/strong\u003e JAN mil-spec 5840W pentode, wired in triode configuration\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGenerating element:\u003c\/strong\u003e 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, ±3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -36 dB (re. 1 V\/Pa, ±1 dB)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSelf-noise:\u003c\/strong\u003e Under 18 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 200 ohms, balanced\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e 1,000 ohms\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e More than 160 dB at 1 kHz, more than 135 dB at 20 Hz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower requirements:\u003c\/strong\u003e Plate supply 135 V DC at 2 mA, filament supply 6 V DC at 150 mA, from the dedicated power supply\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower supply mains:\u003c\/strong\u003e 100 to 240 V AC, selectable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 206 mm long, 25 mm wide (8 1\/8 x 1 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMicrophone weight:\u003c\/strong\u003e 300 g\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower supply weight:\u003c\/strong\u003e 1.6 kg (3.5 lb)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShipping weight:\u003c\/strong\u003e 7 kg (15.5 lb)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Satin nickel\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eRoyer R-122V tube ribbon microphone\u003c\/li\u003e\n  \u003cli\u003eDedicated power supply\u003c\/li\u003e\n  \u003cli\u003eLocking 7-pin microphone cable, 25 ft\u003c\/li\u003e\n  \u003cli\u003eAC power cord\u003c\/li\u003e\n  \u003cli\u003eProtective wood case\u003c\/li\u003e\n  \u003cli\u003eMic sock\u003c\/li\u003e\n  \u003cli\u003eShock mount\u003c\/li\u003e\n  \u003cli\u003eCamera-style carrying case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380192149753,"sku":"RO-R122V","price":4519.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/r122v-front.jpg?v=1792175816"},{"product_id":"royer-ro-r122vmp","title":"Royer R-122V Tube Ribbon Microphone Matched Pair (Satin Nickel)","description":"\u003cp\u003eThis matched pair gives you two Royer R-122V vacuum tube ribbon microphones, matched at the factory and consecutively serial numbered for stereo recording. The R-122V is a vacuum tube ribbon microphone and the top model in Royer's R-Series. It puts tube electronics behind the same offset-ribbon transducer used in the R-121 and R-122 MKII, which gives it high output, plenty of headroom and a rich, detailed midrange. It runs from its own dedicated power supply and suits orchestral and string recording, piano and harp, vocals and voice-over, as well as electric guitar, brass and drum overheads.\u003c\/p\u003e\n\n\u003ch3\u003eTube Electronics\u003c\/h3\u003e\n\u003cp\u003eThe head amplifier uses a low-noise, military-grade 5840 tube wired as a triode cathode follower. It keeps an ideal load on the ribbon, so gain and impedance matching to the preamp stop being a concern, and it drives long cable runs without losing high frequencies. A Jensen transformer isolates the fully balanced output to keep induced noise out. The extra output comes from a large toroidal transformer and adds no noise, with self-noise under 18 dB. Royer designed the circuit to avoid the usual tube coloration.\u003c\/p\u003e\n\n\u003ch3\u003ePower Supply\u003c\/h3\u003e\n\u003cp\u003eThe dedicated supply sends the tube's operating voltages through a 7-pin cable, and the audio leaves the supply on a standard 3-pin XLR. It ramps power up slowly to reduce stress on the tube, and Royer recommends letting the mic warm up for at least 15 minutes before recording. The supply switches between mains settings from 100 to 240 V AC.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eFactory-matched pair, consecutively serial numbered\u003c\/li\u003e\n  \u003cli\u003eVacuum tube ribbon microphone with a figure-8 pattern\u003c\/li\u003e\n  \u003cli\u003eJAN mil-spec 5840W tube wired in triode configuration\u003c\/li\u003e\n  \u003cli\u003eJensen output transformer with fully balanced output\u003c\/li\u003e\n  \u003cli\u003eSelf-noise under 18 dB\u003c\/li\u003e\n  \u003cli\u003eHandles more than 160 dB SPL at 1 kHz\u003c\/li\u003e\n  \u003cli\u003eDedicated power supply, selectable from 100 to 240 V AC\u003c\/li\u003e\n  \u003cli\u003ePatented offset ribbon with a slightly brighter back side at three feet and closer\u003c\/li\u003e\n  \u003cli\u003eVery low magnetic leakage\u003c\/li\u003e\n  \u003cli\u003eRibbon element unaffected by load, heat or humidity\u003c\/li\u003e\n  \u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePair:\u003c\/strong\u003e Two R-122V microphones, factory matched\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient with vacuum tube electronics\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eVacuum tube:\u003c\/strong\u003e JAN mil-spec 5840W pentode, wired in triode configuration\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGenerating element:\u003c\/strong\u003e 2.5-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, ±3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -36 dB (re. 1 V\/Pa, ±1 dB)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSelf-noise:\u003c\/strong\u003e Under 18 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 200 ohms, balanced\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e 1,000 ohms\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e More than 160 dB at 1 kHz, more than 135 dB at 20 Hz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower requirements:\u003c\/strong\u003e Plate supply 135 V DC at 2 mA, filament supply 6 V DC at 150 mA, from the dedicated power supply\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower supply mains:\u003c\/strong\u003e 100 to 240 V AC, selectable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 206 mm long, 25 mm wide (8 1\/8 x 1 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMicrophone weight:\u003c\/strong\u003e 300 g\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower supply weight:\u003c\/strong\u003e 1.6 kg (3.5 lb)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Satin nickel\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380194771193,"sku":"RO-R122VMP","price":9179.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/r122v-front_7a42eb41-9d38-4ab9-9a9c-0d49500d7660.jpg?v=1792175819"},{"product_id":"royer-ro-sf2","title":"Royer SF-2 Active Ribbon Microphone (Matte Black)","description":"\u003cp\u003eThe Royer SF-2 is a phantom-powered mono ribbon microphone designed for classical recording and acoustic instruments, from choir and strings to woodwinds, piano, harp and acoustic guitar. It is the active version of Royer's SF-1. Built-in electronics raise its output to -38 dB, on par with a phantom-powered condenser, so it works with almost any mic preamp, and self-noise stays under 18 dB. Its 1.8-micron aluminum ribbon gives fast transient response and a figure-8 pattern with equal pickup from front and back.\u003c\/p\u003e\n\n\u003ch3\u003eActive Electronics\u003c\/h3\u003e\n\u003cp\u003eA fully balanced, discrete head amplifier with a specially wound toroidal transformer and low-noise FETs drives the output. The transformer supplies an extra 14 dB of gain and the circuit runs below unity, so the higher output adds no noise. The electronics also give the ribbon the correct load whatever preamp follows, so the mic keeps its low end and body on any input, and the low output impedance handles very long cable runs. Phantom power, electrical glitches and miswired cables cannot damage the ribbon.\u003c\/p\u003e\n\n\u003ch3\u003eSound\u003c\/h3\u003e\n\u003cp\u003eThe magnet and pole-piece structure gives a wide, even frequency response with no large peaks or dips. Response holds up whatever the angle of the sound reaching the ribbon, so off-axis coloration is negligible. Before release, prototype SF-2s spent years in major studios and scoring stages on choir, piano, woodwinds and strings.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePhantom-powered electronics for high output and correct ribbon loading\u003c\/li\u003e\n  \u003cli\u003eOutput on par with phantom-powered condenser microphones\u003c\/li\u003e\n  \u003cli\u003eHandles 130 dB SPL at 70 Hz, with no distortion up to the maximum rating\u003c\/li\u003e\n  \u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n  \u003cli\u003eRibbon unaffected by heat or humidity\u003c\/li\u003e\n  \u003cli\u003eNo high-frequency phase distortion\u003c\/li\u003e\n  \u003cli\u003eEqual sensitivity from the front and back\u003c\/li\u003e\n  \u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n  \u003cli\u003eHigh-efficiency toroidal transformer and gold-plated output connector\u003c\/li\u003e\n  \u003cli\u003eVery low magnetic leakage\u003c\/li\u003e\n  \u003cli\u003eMatte black finish cuts reflected light on stage and on camera\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eElement:\u003c\/strong\u003e 1.8-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Neodymium\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, +\/- 2 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -38 dBV (re. 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSelf-noise:\u003c\/strong\u003e Under 18 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e Over 130 dB (130 dB at 70 Hz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 200 ohms at 1 kHz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e Over 1,500 ohms\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 3-pin male XLR (pin 2 hot)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 48 V phantom, 4 mA\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 203 mm long, 39 mm at the base, 25 mm at the top (8 x 1.5 x 1 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 448 g (15.8 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Matte black\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e 10 years on materials, workmanship and finish to the original owner; first re-ribbon free within one year\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSF-2 microphone\u003c\/li\u003e\n  \u003cli\u003eSF-2 shock mount\u003c\/li\u003e\n  \u003cli\u003eMicrophone sock\u003c\/li\u003e\n  \u003cli\u003eCable ties\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380197261561,"sku":"RO-SF2","price":2749.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/sf2-1.jpg?v=1792176216"},{"product_id":"royer-ro-sf2mp","title":"Royer SF-2 Active Ribbon Microphone Matched Pair (Matte Black)","description":"\u003cp\u003eThe Royer SF-2 Matched Pair is two SF-2 phantom-powered ribbon microphones supplied by Royer Labs as a matched set for stereo work on choirs, orchestras, string sections, piano and drum overheads. Each mic's active electronics bring its output to -38 dB, on par with a phantom-powered condenser, with self-noise under 18 dB, so the pair runs on ordinary mic preamps. The 1.8-micron aluminum ribbons give fast transient response and a figure-8 pattern with equal pickup from front and back.\u003c\/p\u003e\n\n\u003ch3\u003eActive Electronics\u003c\/h3\u003e\n\u003cp\u003eEach SF-2 has a fully balanced, discrete head amplifier with a specially wound toroidal transformer and low-noise FETs. The transformer supplies an extra 14 dB of gain and the circuit runs below unity, so the higher output adds no noise. The electronics give each ribbon the correct load whatever preamp follows, and the low output impedance handles very long cable runs.\u003c\/p\u003e\n\n\u003ch3\u003eSound\u003c\/h3\u003e\n\u003cp\u003eThe magnet and pole-piece structure gives a wide, even frequency response with no large peaks or dips. Response holds up whatever the angle of the sound reaching the ribbon, so off-axis coloration is negligible, and it stays consistent at any distance from the source.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eTwo SF-2 active ribbon microphones, sold as a matched pair\u003c\/li\u003e\n  \u003cli\u003ePhantom-powered electronics for high output and correct ribbon loading\u003c\/li\u003e\n  \u003cli\u003eOutput on par with phantom-powered condenser microphones\u003c\/li\u003e\n  \u003cli\u003eHandles 130 dB SPL at 70 Hz, with no distortion up to the maximum rating\u003c\/li\u003e\n  \u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n  \u003cli\u003eRibbon unaffected by heat or humidity\u003c\/li\u003e\n  \u003cli\u003eNo high-frequency phase distortion\u003c\/li\u003e\n  \u003cli\u003eEqual sensitivity from the front and back\u003c\/li\u003e\n  \u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n  \u003cli\u003eHigh-efficiency toroidal transformer and gold-plated output connector\u003c\/li\u003e\n  \u003cli\u003eVery low magnetic leakage\u003c\/li\u003e\n  \u003cli\u003eMatte black finish cuts reflected light on stage and on camera\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eQuantity:\u003c\/strong\u003e 2 microphones, matched pair\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eElement:\u003c\/strong\u003e 1.8-micron aluminum ribbon\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Neodymium\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, +\/- 2 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -38 dBV (re. 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSelf-noise:\u003c\/strong\u003e Under 18 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e Over 130 dB (130 dB at 70 Hz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 200 ohms at 1 kHz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e Over 1,500 ohms\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 3-pin male XLR (pin 2 hot)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 48 V phantom, 4 mA\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 203 mm long, 39 mm at the base, 25 mm at the top (8 x 1.5 x 1 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 448 g (15.8 oz) each\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Matte black\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e 10 years on materials, workmanship and finish to the original owner; first re-ribbon free within one year\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380197490937,"sku":"RO-SF2MP","price":5599.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/sf2-2_15125d3f-4393-485e-a160-38156d66440b.jpg?v=1792179649"},{"product_id":"royer-ro-sf12","title":"Royer SF-12 Stereo Ribbon Microphone (Matte Black)","description":"\u003cp\u003eThe Royer SF-12 is a stereo coincident ribbon microphone: two matched ribbon mics in one body, one above the other, each aimed 45 degrees from center in the classic Blumlein arrangement. A single SF-12 records true stereo, in Blumlein or mid-side, with strong separation and imaging, which suits orchestra, choir, piano, harp and drum overheads. It is a passive design with no electronics inside, so nothing in the mic can overload or distort below its maximum SPL.\u003c\/p\u003e\n\n\u003ch3\u003eDesign\u003c\/h3\u003e\n\u003cp\u003eEach side uses a 1.8-micron aluminum ribbon weighing about 1\/3 milligram, set in a magnet and pole-piece structure that gives wide, even response with no large peaks or dips. The ingot iron case forms part of the magnetic circuit, which keeps magnetic leakage low and sensitivity high for such a slim mic. The supplied extension cable ends in a splitter with two 3-pin XLR connectors marked Upper and Lower, one for each ribbon.\u003c\/p\u003e\n\n\u003ch3\u003eStereo and Mono\u003c\/h3\u003e\n\u003cp\u003eThe two sides stay in phase when summed to mono, which helps with a wide source or a singer who moves off a mono mic's sweet spot. Either side also works on its own as a mono figure-8 microphone. Ribbons add almost no distortion of their own, so they take EQ well, and a top-end boost on drum overheads brings up cymbal air without harshness.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eTrue stereo (Blumlein and M-S) recording from one microphone\u003c\/li\u003e\n  \u003cli\u003eTwo matched 1.8-micron aluminum ribbons fixed at 90 degrees\u003c\/li\u003e\n  \u003cli\u003eNo internal active electronics to overload or distort up to the maximum SPL rating\u003c\/li\u003e\n  \u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n  \u003cli\u003eRibbons unaffected by heat or humidity\u003c\/li\u003e\n  \u003cli\u003eNo high-frequency phase distortion\u003c\/li\u003e\n  \u003cli\u003eEqual sensitivity from the front and back of each ribbon\u003c\/li\u003e\n  \u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n  \u003cli\u003eHigh-efficiency matching toroidal transformers\u003c\/li\u003e\n  \u003cli\u003eVery low magnetic leakage\u003c\/li\u003e\n  \u003cli\u003eGold-plated XLR contacts\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Crossed figure-8 (two symmetrical figure-8 elements)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eElements:\u003c\/strong\u003e Two 1.8-micron aluminum ribbons\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnets:\u003c\/strong\u003e Rare earth neodymium\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, +\/- 3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -52 dBV (re. 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 300 ohms at 1 kHz (nominal)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e Over 1,500 ohms\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e Over 130 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 5-pin male XLR (stereo)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e None, passive design\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 206 mm long, 25 mm wide (8 x 1 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 369 g (13 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Matte black\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLonger cable runs:\u003c\/strong\u003e EXC50 (50 ft) and EXC100 (100 ft) 5-conductor extension cables\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e 10 years on materials, workmanship and finish to the original owner; first re-ribbon free within one year\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSF-12 microphone\u003c\/li\u003e\n  \u003cli\u003eProtective wood case\u003c\/li\u003e\n  \u003cli\u003e18 ft 5-conductor extension cable\u003c\/li\u003e\n  \u003cli\u003eSplitter cable with two 3-pin male XLR connectors (Upper and Lower)\u003c\/li\u003e\n  \u003cli\u003eMicrophone sock\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380200112377,"sku":"RO-SF12","price":3599.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/sf12-1.jpg?v=1792176219"},{"product_id":"royer-ro-sf24","title":"Royer SF-24 Active Stereo Ribbon Microphone (Matte Black)","description":"\u003cp\u003eThe Royer SF-24 is a phantom-powered stereo ribbon microphone, the active version of Royer's SF-12. Like the SF-12, it holds two matched ribbon mics one above the other, each aimed 45 degrees from center in a Blumlein pair, so one mic records true stereo in Blumlein or mid-side. Its active electronics raise the output to -38 dB, 14 dB more than the SF-12 and on par with a phantom-powered condenser, while self-noise stays under 18 dB.\u003c\/p\u003e\n\n\u003ch3\u003eActive Electronics\u003c\/h3\u003e\n\u003cp\u003eEach side has its own fully balanced, discrete head amplifier with a specially wound toroidal transformer and low-noise FETs, so the SF-24 works with any preamp of average gain. The extra level comes from the transformers and the circuit runs below unity, so it adds no noise. The electronics give each ribbon the correct load whatever preamp follows, allow very long cable runs, and protect the ribbons from phantom power, electrical glitches and miswired cables.\u003c\/p\u003e\n\n\u003ch3\u003eStereo and Mono\u003c\/h3\u003e\n\u003cp\u003eThe supplied extension cable ends in a splitter with two 3-pin XLR connectors marked Upper and Lower, one for each ribbon. The two sides stay in phase when summed to mono, and either side works on its own as a mono figure-8 mic. The SF-24 suits classical piano, drum overheads, orchestras and ensembles, percussion, acoustic instruments, vocal groups and choirs.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003ePhantom-powered circuitry for high output and correct ribbon loading\u003c\/li\u003e\n  \u003cli\u003eTrue stereo (Blumlein and M-S) recording from one microphone\u003c\/li\u003e\n  \u003cli\u003eHigh SPL capability, with no distortion up to the maximum rating\u003c\/li\u003e\n  \u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n  \u003cli\u003eRibbons unaffected by heat or humidity\u003c\/li\u003e\n  \u003cli\u003eNo high-frequency phase distortion\u003c\/li\u003e\n  \u003cli\u003eEqual sensitivity from the front and back of each ribbon\u003c\/li\u003e\n  \u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n  \u003cli\u003eHigh-efficiency matching toroidal transformers\u003c\/li\u003e\n  \u003cli\u003eVery low magnetic leakage\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Crossed figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eElements:\u003c\/strong\u003e Two 1.8-micron aluminum ribbons\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 40 Hz to 15 kHz, +\/- 2 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -38 dB (re. 1 V\/Pa, +\/- 1 dB)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSelf-noise:\u003c\/strong\u003e Under 18 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 200 ohms\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRated load impedance:\u003c\/strong\u003e 1,000 ohms minimum\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e Over 130 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput connector:\u003c\/strong\u003e 5-pin male XLR (stereo)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 48 V phantom only, 4 mA per channel\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 270 mm long, 39 mm at the base, 25 mm at the top (10 5\/8 x 1.5 x 1 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 583 g (20.5 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Matte black\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLonger cable runs:\u003c\/strong\u003e EXC50 (50 ft) and EXC100 (100 ft) 5-conductor extension cables\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e 10 years on materials, workmanship and finish to the original owner; first re-ribbon free within one year\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSF-24 microphone\u003c\/li\u003e\n  \u003cli\u003eSling-Shock RSM-SS24 shock mount\u003c\/li\u003e\n  \u003cli\u003e25 ft 5-pin XLR extension cable\u003c\/li\u003e\n  \u003cli\u003eY splitter cable with two 3-pin male XLR connectors (Upper and Lower)\u003c\/li\u003e\n  \u003cli\u003eMicrophone sock\u003c\/li\u003e\n  \u003cli\u003eCable ties\u003c\/li\u003e\n  \u003cli\u003eHard carrying case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380202275065,"sku":"RO-SF24","price":5699.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/sf24-1.jpg?v=1792176221"},{"product_id":"royer-ro-sf24v","title":"Royer SF-24V Tube Stereo Ribbon Microphone (Satin Nickel)","description":"\u003cp\u003eThe Royer SF-24V is a vacuum tube stereo ribbon microphone and the top model in Royer's SF series. Two matched ribbon mics sit one above the other in a Blumlein pair, each aimed 45 degrees from center, so one mic records true stereo in Blumlein or mid-side. It uses the same tube electronics as Royer's R-122V, which add midrange reach, clarity, detail and air, with -38 dB output for any professional preamp and self-noise under 18 dB.\u003c\/p\u003e\n\n\u003ch3\u003eTube Electronics\u003c\/h3\u003e\n\u003cp\u003eEach channel runs a low-noise, military-grade 5840 tube wired as a triode cathode follower, which lets the mic drive long cable runs without losing high frequencies. Jensen output transformers isolate the balanced outputs to keep induced noise out, and a dedicated power supply feeds the tubes with ample current. The circuit gives each ribbon the correct load whatever preamp follows and protects the ribbons from phantom power, electrical glitches and miswired cables.\u003c\/p\u003e\n\n\u003ch3\u003eStereo and Mono\u003c\/h3\u003e\n\u003cp\u003eThe microphone connects to its power supply over a 7-pin cable, and the supply delivers the two channels on 3-pin XLR outputs. The two sides stay in phase when summed to mono, and each side works on its own as a mono figure-8 mic. Royer recommends the SF-24V for full orchestra, choirs and ensembles, classical piano, drum overheads, percussion and acoustic instruments.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eVacuum tube circuitry for high output and correct ribbon loading\u003c\/li\u003e\n  \u003cli\u003eTrue stereo (Blumlein and M-S) recording from one microphone\u003c\/li\u003e\n  \u003cli\u003eHigh SPL capability, with no distortion up to the maximum rating\u003c\/li\u003e\n  \u003cli\u003eExtremely low residual noise\u003c\/li\u003e\n  \u003cli\u003eRibbons unaffected by heat or humidity\u003c\/li\u003e\n  \u003cli\u003eNo high-frequency phase distortion\u003c\/li\u003e\n  \u003cli\u003eEqual sensitivity from the front and back of each ribbon\u003c\/li\u003e\n  \u003cli\u003eConsistent frequency response regardless of distance\u003c\/li\u003e\n  \u003cli\u003eHigh-efficiency matching toroidal transformers\u003c\/li\u003e\n  \u003cli\u003eVery low magnetic leakage\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOperating principle:\u003c\/strong\u003e Electrodynamic pressure gradient with vacuum tube electronics\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTubes:\u003c\/strong\u003e 2 x JAN mil-spec 5840W pentodes wired as triodes\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePolar pattern:\u003c\/strong\u003e Crossed figure-8\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eElements:\u003c\/strong\u003e Two 1.8-micron aluminum ribbons\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 30 Hz to 15 kHz, +\/- 3 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSensitivity:\u003c\/strong\u003e -38 dB (re. 1 V\/Pa, +\/- 1 dB)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSelf-noise:\u003c\/strong\u003e Under 18 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 450 ohms at 1 kHz\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRecommended load impedance:\u003c\/strong\u003e 1,500 ohms or higher\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaximum SPL:\u003c\/strong\u003e Over 130 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMicrophone connector:\u003c\/strong\u003e 7-pin male XLR\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower supply outputs:\u003c\/strong\u003e Two 3-pin male XLR\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTube supply:\u003c\/strong\u003e Plate 135 V DC at 2 mA, filament 6 V DC at 150 mA, from the dedicated power supply\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMains:\u003c\/strong\u003e 110, 120, 220 or 240 V AC, 50\/60 Hz, selectable at the power supply\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 270 mm long, 39 mm at the base, 25 mm at the top (10 5\/8 x 1.5 x 1 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 583 g (20.5 oz), microphone only\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShipping weight:\u003c\/strong\u003e 21 lb (9.5 kg)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Dull satin nickel\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExtension cables:\u003c\/strong\u003e Royer 7-pin EXCV series: EXCV-25, EXCV50 and EXCV100\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e 10 years on materials, workmanship and finish to the original owner; first re-ribbon free within one year\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eSF-24V microphone\u003c\/li\u003e\n  \u003cli\u003eVacuum tube power supply\u003c\/li\u003e\n  \u003cli\u003e7-pin XLR cable\u003c\/li\u003e\n  \u003cli\u003eAC power cord\u003c\/li\u003e\n  \u003cli\u003eSling-Shock RSM-SS24 shock mount\u003c\/li\u003e\n  \u003cli\u003ePadouk wood presentation case\u003c\/li\u003e\n  \u003cli\u003eHard carrying case\u003c\/li\u003e\n  \u003cli\u003eMicrophone sock\u003c\/li\u003e\n  \u003cli\u003eCable ties\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380202537209,"sku":"RO-SF24V","price":7199.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/sf24v-1.jpg?v=1792176224"},{"product_id":"royer-ro-rdb20","title":"Royer dBooster In-Line Signal Booster","description":"\u003cp\u003eThe Royer dBooster (model R-DB20) is an in-line signal booster for passive ribbon and dynamic microphones. It sits between the mic and your preamp or audio interface, runs on the 48 V phantom power already at that input, and adds 12 dB or 20 dB of clean gain from a front-panel switch. Royer first built it to give its R-10 ribbon extra gain on vocals and acoustic instruments, and it lifts any passive low-output mic the same way.\u003c\/p\u003e\n\n\u003ch3\u003eHow It Works\u003c\/h3\u003e\n\u003cp\u003eThe input stage uses paralleled PNP transistors running in pure Class A, and its high 3.6k ohm input impedance keeps the ribbon from being loaded down, which holds coloration and distortion low. A pair of op-amp line drivers feeds a 300 ohm output that drives long cable runs, mic splitters and vintage-style preamps without losing gain. The circuit draws regulated power from phantom and shields the ribbon from it, so the dBooster is safe with any ribbon mic.\u003c\/p\u003e\n\n\u003ch3\u003eSetting It Up\u003c\/h3\u003e\n\u003cp\u003eConnect the mic to the dBooster input with a standard XLR cable and the output to a phantom-powered preamp or interface, then turn phantom on and bring the gain up slowly. The 12 dB setting suits most sources, and 20 dB is for very quiet sources, very low-output mics or low-gain preamps. The output is a boosted mic-level signal meant for a mic input.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e12 dB or 20 dB of gain, set by a front-panel switch\u003c\/li\u003e\n  \u003cli\u003eClass A input stage with paralleled PNP transistors for low noise\u003c\/li\u003e\n  \u003cli\u003eHigh input impedance that keeps loading off the microphone\u003c\/li\u003e\n  \u003cli\u003eLow output impedance for long cable runs, splitters and vintage-style preamps\u003c\/li\u003e\n  \u003cli\u003eRegulated internal power from 48 V phantom with true electrical isolation\u003c\/li\u003e\n  \u003cli\u003eSafe with all ribbon microphones and shields them from phantom power\u003c\/li\u003e\n  \u003cli\u003eAssembled in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eModel:\u003c\/strong\u003e R-DB20\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGain:\u003c\/strong\u003e 12 dB or 20 dB, switchable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz to 20 kHz, ±0.25 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTHD+N:\u003c\/strong\u003e 0.0015% at 20 dB gain (-25 dBu input), 0.001% at 12 dB gain (-6 dBu input)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIM distortion:\u003c\/strong\u003e Below 0.002% at 20 dB (800 mV output), below 0.005% at 12 dB (2.6 V output)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSelf-noise:\u003c\/strong\u003e Below 11 dBA at 20 dB, below 15 dBA at 12 dB (referred to -48 dB re 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHeadroom:\u003c\/strong\u003e 127 dB at 20 dB, 120 dB at 12 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInput impedance:\u003c\/strong\u003e 3.6k ohms\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 300 ohms (20 dB setting)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConnectors:\u003c\/strong\u003e Balanced XLR input and output (pin 2 hot)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 48 V phantom, about 5 mA idle and 7.5 mA at full output\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 92 x 51 x 41.3 mm (3.62 x 2.0 x 1.62 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 170 g (6 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e 1 year, parts and labor\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380205486329,"sku":"RO-RDB20","price":269.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/royer-ro-rdb20-1.jpg?v=1792175465"},{"product_id":"royer-ro-rdb22","title":"Royer dBooster2 Two-Channel In-Line Signal Booster and DI","description":"\u003cp\u003eThe Royer dBooster2 (model R-DB22) puts two channels of Royer's dBooster in one box, and each channel also works as a high-impedance DI for guitar and bass. In mic mode a channel adds 12 dB or 20 dB of clean gain to a passive ribbon or dynamic mic, and in DI mode it gives unity gain or 8 dB. It runs on 48 V phantom from your preamp or interface and handles a stereo ribbon pair, two DIs, or one mic and one DI at the same time.\u003c\/p\u003e\n\n\u003ch3\u003eTwo Independent Channels\u003c\/h3\u003e\n\u003cp\u003eEach channel has a combination input that takes an XLR mic cable or a 1\/4-inch instrument cable, its own gain switch and its own balanced XLR output. The channels are electrically isolated from each other, which helps avoid ground loops with a stereo mic such as the SF-12 or with two separate preamps. For a single mic in an electrically noisy room, Royer recommends channel 1.\u003c\/p\u003e\n\n\u003ch3\u003eWhat It Works With\u003c\/h3\u003e\n\u003cp\u003eRoyer pairs the dBooster2 with its R-121, R-10 and SF-12 ribbons, and it also brings up dynamic mics such as the Shure SM7B and Electro-Voice RE20. The input blocks phantom power from reaching the mic to protect ribbons, so phantom-powered condenser mics will not work through it. The output is a boosted mic-level signal meant for a mic preamp or interface input.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eTwo independent channels, electrically isolated from each other\u003c\/li\u003e\n  \u003cli\u003eMic mode: 12 dB or 20 dB of gain per channel\u003c\/li\u003e\n  \u003cli\u003eDI mode: 0 dB (unity) or 8 dB of gain per channel for guitar, bass and other Hi-Z sources\u003c\/li\u003e\n  \u003cli\u003eCombination XLR and 1\/4-inch input on each channel\u003c\/li\u003e\n  \u003cli\u003eClass A input stages with ultra-low noise and distortion\u003c\/li\u003e\n  \u003cli\u003eBalanced low-impedance outputs that drive long cables, mic splitters and vintage-style preamps\u003c\/li\u003e\n  \u003cli\u003eBlocks phantom power from the mic to protect ribbons\u003c\/li\u003e\n  \u003cli\u003eDesigned and assembled in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eModel:\u003c\/strong\u003e R-DB22\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eChannels:\u003c\/strong\u003e 2\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGain, mic mode:\u003c\/strong\u003e 12 dB or 20 dB, switchable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGain, DI mode:\u003c\/strong\u003e 0 dB or 8 dB, switchable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFrequency response:\u003c\/strong\u003e 20 Hz to 20 kHz, ±0.25 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTHD+N:\u003c\/strong\u003e 0.0015% at 20 dB gain (-25 dBu input), 0.001% at 12 dB gain (-6 dBu input)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIM distortion:\u003c\/strong\u003e Below 0.002% at 20 dB (800 mV output), below 0.005% at 12 dB (2.6 V output)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSelf-noise:\u003c\/strong\u003e Below 11 dBA at 20 dB, below 15 dBA at 12 dB (referred to -48 dB re 1 V\/Pa)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHeadroom:\u003c\/strong\u003e 127 dB at 20 dB, 120 dB at 12 dB\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInput impedance, mic mode:\u003c\/strong\u003e 3.6k ohms\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e 300 ohms (20 dB setting)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInputs:\u003c\/strong\u003e 2 x combination XLR and 1\/4-inch (1\/4-inch unbalanced, tip hot)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutputs:\u003c\/strong\u003e 2 x balanced XLR (pin 2 hot)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePower:\u003c\/strong\u003e 48 V phantom, about 5 mA idle and 7.5 mA at full output\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 98.4 x 98.4 x 44.5 mm (3.875 x 3.875 x 1.75 in)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 289 g (10.2 oz)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e 1 year, parts and labor\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380206534905,"sku":"RO-RDB22","price":479.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/royer-ro-rdb22-1.jpg?v=1792175468"},{"product_id":"royer-ro-flexbar","title":"Royer FlexBar Dual Microphone Mount (Matte Black)","description":"\u003cp\u003eThe Royer FlexBar holds two microphones on a single stand and covers far more setups than a fixed stereo bar. Its two L-shaped arms move independently, so the same bar sets up a Blumlein, head-to-head or spaced pair, mics the top and bottom of a snare from one stand, or gives a singer-songwriter one mic for the voice and one for the guitar. It is made from aircraft-grade aluminum in a matte black finish that cuts glare from stage lights and on camera.\u003c\/p\u003e\n\n\u003ch3\u003eRepeatable Placement\u003c\/h3\u003e\n\u003cp\u003eEach arm is engraved with a centimeter scale measured from the center of the stand, so a setup that works can be written down and rebuilt exactly. Three clutch handles lock the angle of the bar on the stand and the position of each mic. Tighten them only enough to hold the mics, since overtightening wears the locking mechanism over time.\u003c\/p\u003e\n\n\u003ch3\u003eBuilt With Triad-Orbit\u003c\/h3\u003e\n\u003cp\u003eRoyer designed the FlexBar together with Triad-Orbit, and it accepts Triad-Orbit accessories. For fine angle adjustments of the whole bar, Royer suggests adding a Triad-Orbit ball-swivel adapter between the FlexBar and the stand.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eHolds two microphones on one stand\u003c\/li\u003e\n  \u003cli\u003eTwo independently movable L-shaped arms\u003c\/li\u003e\n  \u003cli\u003eEngraved centimeter markings on each arm for repeatable spacing\u003c\/li\u003e\n  \u003cli\u003eThree clutch handles: one for the bar angle and one for each mic\u003c\/li\u003e\n  \u003cli\u003eBlumlein, head-to-head and spaced-pair positions\u003c\/li\u003e\n  \u003cli\u003eSnare top and bottom, or voice and guitar, from a single stand\u003c\/li\u003e\n  \u003cli\u003eLightweight aircraft-grade aluminum with a matte black finish\u003c\/li\u003e\n  \u003cli\u003eAccepts Triad-Orbit accessories\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCapacity:\u003c\/strong\u003e 2 microphones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e Aircraft-grade aluminum\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFinish:\u003c\/strong\u003e Matte black\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eArm markings:\u003c\/strong\u003e Engraved centimeter scale\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAdjustment:\u003c\/strong\u003e 3 clutch handles\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompatibility:\u003c\/strong\u003e Triad-Orbit accessories\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e 1 year to the original owner\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380209189113,"sku":"RO-FLEXBAR","price":369.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/royer-ro-flexbar-1.jpg?v=1792175471"},{"product_id":"royer-ro-sm21","title":"Royer SM-21 AxeMount Dual Microphone Mount","description":"\u003cp\u003eThe Royer AxeMount is a dual microphone clip that holds an R-121 ribbon mic right beside a 57-style dynamic mic, lined up in phase on a single stand. Engineers have paired these two mics on electric guitar cabinets for years, and the AxeMount turns that setup into one clip: no second stand, no second clip and no time spent getting the two mics in phase. Moving both mics to another cabinet is as quick as moving one stand.\u003c\/p\u003e\n\n\u003ch3\u003ePhase Alignment Built In\u003c\/h3\u003e\n\u003cp\u003eAn arrow on the clip marks the in-phase position for a 57-style dynamic. Slide the dynamic mic in and line the arrow up with the seam on its body. As a starting point, Royer suggests aiming the dynamic where the speaker's dome meets the paper cone, with the R-121 sitting more over the dome, then blending the two to taste.\u003c\/p\u003e\n\n\u003ch3\u003eDesigned with SLR, Made in Canada\u003c\/h3\u003e\n\u003cp\u003eRoyer developed the AxeMount with SLR of Windsor, Ontario, and SLR builds it in Canada. Besides the R-121, it also holds Royer's R-122 MKII and R-122V ribbon mics.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eHolds an R-121 and a 57-style dynamic mic side by side on one stand\u003c\/li\u003e\n  \u003cli\u003eAlignment arrow marks the in-phase position for 57-style dynamic mics\u003c\/li\u003e\n  \u003cli\u003eAlso fits the Royer R-122 MKII and R-122V\u003c\/li\u003e\n  \u003cli\u003eMoves between cabinets as one unit\u003c\/li\u003e\n  \u003cli\u003eCo-designed with SLR and made in Canada\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Dual microphone clip\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRibbon mic:\u003c\/strong\u003e Royer R-121, R-122 MKII or R-122V\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDynamic mic:\u003c\/strong\u003e 57-style dynamic microphones\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePhase alignment:\u003c\/strong\u003e Arrow marker for 57-style dynamic mics\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMade by:\u003c\/strong\u003e SLR, Windsor, Ontario, Canada\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380210401529,"sku":"RO-SM21","price":79.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/royer-ro-sm21-1.jpg?v=1792175502"},{"product_id":"royer-ro-rsmss1","title":"Royer RSM-SS1 Sling-Shock Microphone Shock Mount (Matte Black)","description":"\u003cp\u003eThe Royer RSM-SS1 Sling-Shock is a suspension shock mount sized for Royer's 1-inch ribbon microphones: the R-121, R-122 MKII, R-122V and SF-12. It also fits any cylindrical microphone about 1 inch in diameter, give or take 1\/8 inch. Non-resonant nylon cord and damped steel springs do the work that rubber bands and elastic do in other mounts, so there are no rubber parts to degrade or stretch and the mount needs almost no maintenance.\u003c\/p\u003e\n\n\u003ch3\u003eIsolation\u003c\/h3\u003e\n\u003cp\u003eVibration from the floor and the mic stand reaches a microphone as rumble and low-level noise across the whole frequency range, and the Sling-Shock's patented suspension greatly reduces it. The mount also has no self-resonance, which conventional mounts can add on loud close-miked sources such as electric guitar cabinets. A cable clip on the mount holds a loop of mic cable under the microphone, so vibration does not travel up the cable.\u003c\/p\u003e\n\n\u003ch3\u003eHolding the Microphone\u003c\/h3\u003e\n\u003cp\u003eThe mic sits in a felt-lined chamber, and a knurled lock-down knob holds it without marking the finish. The clutch allows fine position adjustments once the mic is mounted. Each Sling-Shock is handcrafted in Burbank, California from aircraft-grade aluminum, with a powder-coated finish and a solid brass base for long thread life.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eNon-resonant nylon cord and damped steel spring suspension (patented)\u003c\/li\u003e\n  \u003cli\u003eNo rubber parts or elastic cords to degrade or stretch\u003c\/li\u003e\n  \u003cli\u003eIsolation from vibration, shock and rumble\u003c\/li\u003e\n  \u003cli\u003eNo self-resonance on high-SPL sources\u003c\/li\u003e\n  \u003cli\u003eFelt-lined chamber holds the mic securely without scratches\u003c\/li\u003e\n  \u003cli\u003eBuilt-in microphone cable clip\u003c\/li\u003e\n  \u003cli\u003eFlexible for easy microphone positioning\u003c\/li\u003e\n  \u003cli\u003eKnurled lock-down knob\u003c\/li\u003e\n  \u003cli\u003eAircraft-grade aluminum with a powder-coated finish\u003c\/li\u003e\n  \u003cli\u003eHandcrafted in Burbank, California\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFits:\u003c\/strong\u003e Royer R-121, R-122 MKII, R-122V and SF-12, or any cylindrical mic about 1 in (+\/- 1\/8 in) in diameter\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e About 4 x 4 x 4 in\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 7 oz (198 g)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShipping size and weight:\u003c\/strong\u003e 6 x 5 x 5 in, 10.8 oz (306 g)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eColor:\u003c\/strong\u003e Matte black, powder coated\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThread size:\u003c\/strong\u003e 5\/8-27\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBase:\u003c\/strong\u003e Solid brass\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Lifetime, unconditional\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380212826361,"sku":"RO-RSMSS1","price":409.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/rsmss1-1.jpg?v=1792176213"},{"product_id":"royer-ro-rsmss24","title":"Royer RSM-SS24 Sling-Shock Microphone Shock Mount (Matte Black)","description":"\u003cp\u003eThe Royer RSM-SS24 Sling-Shock is a suspension shock mount sized for Royer's SF-2, SF-24 and SF-24V ribbon microphones, and for any cylindrical microphone about 1 1\/2 inches in diameter, give or take 1\/8 inch. Non-resonant nylon cord and damped steel springs do the work that rubber bands and elastic do in other mounts, so there are no rubber parts to degrade or stretch. The SF-24 and SF-24V come with one in the box.\u003c\/p\u003e\n\n\u003ch3\u003eIsolation\u003c\/h3\u003e\n\u003cp\u003eVibration from the floor and the mic stand reaches a microphone as rumble and low-level noise across the whole frequency range, and the Sling-Shock's patented suspension greatly reduces it. The mount also has no self-resonance, which conventional mounts can add on loud sources. A cable clip on the mount holds a loop of mic cable under the microphone, so vibration does not travel up the cable.\u003c\/p\u003e\n\n\u003ch3\u003eHolding the Microphone\u003c\/h3\u003e\n\u003cp\u003eThe mic sits in a felt-lined chamber, and a knurled lock-down knob holds it without marking the finish. The clutch allows fine position adjustments once the mic is mounted. Each Sling-Shock is handcrafted in Burbank, California from aircraft-grade aluminum, with a powder-coated finish and a solid brass base for long thread life.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eNon-resonant nylon cord and damped steel spring suspension (patented)\u003c\/li\u003e\n  \u003cli\u003eNo rubber parts or elastic cords to degrade or stretch\u003c\/li\u003e\n  \u003cli\u003eIsolation from vibration, shock and rumble\u003c\/li\u003e\n  \u003cli\u003eNo self-resonance on high-SPL sources\u003c\/li\u003e\n  \u003cli\u003eFelt-lined chamber holds the mic securely without scratches\u003c\/li\u003e\n  \u003cli\u003eBuilt-in microphone cable clip\u003c\/li\u003e\n  \u003cli\u003eFlexible for easy microphone positioning\u003c\/li\u003e\n  \u003cli\u003eKnurled lock-down knob\u003c\/li\u003e\n  \u003cli\u003eAircraft-grade aluminum with a powder-coated finish\u003c\/li\u003e\n  \u003cli\u003eHandcrafted in Burbank, California\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFits:\u003c\/strong\u003e Royer SF-2, SF-24 and SF-24V, or any cylindrical mic about 1.5 in (+\/- 1\/8 in) in diameter\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e About 5 x 6 x 4 in\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 8 oz (227 g)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eShipping size and weight:\u003c\/strong\u003e 7 x 5 x 5 in, 11 oz (312 g)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eColor:\u003c\/strong\u003e Matte black, powder coated\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThread size:\u003c\/strong\u003e 5\/8-27\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBase:\u003c\/strong\u003e Solid brass\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Lifetime, unconditional\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380213022969,"sku":"RO-RSMSS24","price":479.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/rsmss24-1.jpg?v=1792179646"},{"product_id":"royer-ro-rsmss251","title":"Royer RSM-SS251 Sling-Shock Microphone Shock Mount","description":"\u003cp\u003eThe Royer RSM-SS251 Sling-Shock is a suspension shock mount for classic large microphones about 2 inches (50 mm) in diameter, including the Telefunken ELAM 251, Neumann U-67 and Neumann U-87. Mounts for these mics often fail with stretched, sagging elastic, loose fits that let the mic fall, and rubber parts that break down over time. The RSM-SS251 holds the mic on non-resonant nylon cord and damped springs, with no rubber or elastic parts at all.\u003c\/p\u003e\n\n\u003ch3\u003eProtecting a Classic Microphone\u003c\/h3\u003e\n\u003cp\u003eA felt lining in the chamber gives a snug fit that protects the finish of a valuable microphone. The suspension isolates the mic from shocks, vibration and stand rumble and has no self-resonance on loud sources, while still letting you position the mic freely. A built-in cable clip keeps the mic cable from carrying vibration into the microphone.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eNon-resonant nylon cord and damped steel spring suspension (patented)\u003c\/li\u003e\n  \u003cli\u003eNo rubber parts or elastic cords to degrade or stretch\u003c\/li\u003e\n  \u003cli\u003eIsolation from vibration, shock and rumble\u003c\/li\u003e\n  \u003cli\u003eNo self-resonance on high-SPL sources\u003c\/li\u003e\n  \u003cli\u003eFelt-lined chamber holds the mic securely without scratches\u003c\/li\u003e\n  \u003cli\u003eBuilt-in microphone cable clip\u003c\/li\u003e\n  \u003cli\u003eFlexible for easy microphone positioning\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eChamber diameter:\u003c\/strong\u003e About 2 in (50 mm)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFits:\u003c\/strong\u003e Telefunken ELAM 251 and 251E (original and new), Neumann U-67, Neumann U-87, Bock Audio 251, Peluso 22 251, Audio-Technica AT4047\/SV and AT4060, Miktek CV3, Mojave Audio MA-1000, MA-200, MA-201fet, MA-300 and MA-300fet\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWarranty:\u003c\/strong\u003e Lifetime\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380213907705,"sku":"RO-RSMSS251","price":549.0,"currency_code":"CAD","in_stock":true}]},{"product_id":"royer-ro-ps101","title":"Royer PS-101 Metal Pop Screen with Gooseneck","description":"\u003cp\u003eThe Royer PS-101 is a metal pop screen for vocals and spoken word. Its louvered metal screen turns the burst of air from plosives downward while the sound passes straight through to the microphone, so it stops pops and leaves the sound itself alone. The screen is see-through, so the mic stays in clear view while you set up, and it mounts on a gooseneck.\u003c\/p\u003e\n\n\u003ch3\u003eMade by Stedman for Royer\u003c\/h3\u003e\n\u003cp\u003eStedman Corporation manufactures the PS-101 for Royer Labs with its patented louvered metal screen. The angled louvers do the work, and Royer warns that look-alike copies without them act more like a cloth filter and let pops through. The metal lasts for years and cleans with soap and water.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eLouvered metal screen that turns plosive air downward\u003c\/li\u003e\n  \u003cli\u003eSound passes straight through to the microphone\u003c\/li\u003e\n  \u003cli\u003eSee-through screen keeps the mic in view\u003c\/li\u003e\n  \u003cli\u003eGooseneck mount\u003c\/li\u003e\n  \u003cli\u003eCleans with soap and water\u003c\/li\u003e\n  \u003cli\u003eMade for Royer Labs by Stedman Corporation\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eScreen:\u003c\/strong\u003e Patented louvered expanded metal\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMounting:\u003c\/strong\u003e Gooseneck attachment\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCleaning:\u003c\/strong\u003e Soap and water\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eManufacturer:\u003c\/strong\u003e Stedman Corporation for Royer Labs\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380216889593,"sku":"RO-PS101","price":79.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/royer-ro-ps101-1.jpg?v=1792175472"},{"product_id":"royer-ro-yc18","title":"Royer YC-18 SF-12\/SF-24 Y Splitter Cable","description":"\u003cp\u003eThe Royer YC-18 is the splitter cable from the cable sets that ship with Royer's SF-12 and SF-24 stereo ribbon microphones. It takes the 5-pin XLR end of the 5-conductor extension cable and splits it into two 3-pin male XLR connectors, one for each ribbon element, marked Upper and Lower. Royer sells it on its own as a replacement splitter.\u003c\/p\u003e\n\n\u003ch3\u003eHow the Cable Set Connects\u003c\/h3\u003e\n\u003cp\u003eThe SF-12 and SF-24 each have a 5-pin XLR output that carries both channels. A 5-conductor extension cable runs from the mic to the YC-18 (18 ft with the SF-12, 25 ft with the SF-24), and the YC-18 feeds two standard mic inputs on your preamp. For longer runs, Royer's EXC50 and EXC100 extension cables go between the mic and the splitter. The SF-24 manual warns against substituting extension cables of unknown wiring.\u003c\/p\u003e\n\n\u003ch3\u003eUpper and Lower\u003c\/h3\u003e\n\u003cp\u003eThe two ribbons in an SF-12 or SF-24 sit one above the other, which is where the Upper and Lower labels come from. With the mic upright and the Royer logo facing the source, Upper is the right channel and Lower is the left, heard from behind the mic. When the mic hangs upside down, swap the two at the preamp.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eReplacement splitter for the SF-12 and SF-24 cable sets (CS-18 and CS-25)\u003c\/li\u003e\n  \u003cli\u003e5-pin XLR input from the 5-conductor extension cable\u003c\/li\u003e\n  \u003cli\u003eTwo 3-pin male XLR outputs marked Upper and Lower\u003c\/li\u003e\n  \u003cli\u003eWorks with the EXC50 and EXC100 extension cables for longer runs\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eType:\u003c\/strong\u003e Stereo splitter (Y) cable\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eInput:\u003c\/strong\u003e 5-pin XLR\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutputs:\u003c\/strong\u003e 2 x 3-pin male XLR, marked Upper and Lower\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePin-out:\u003c\/strong\u003e Pin 1 shared ground, pins 2 and 3 upper ribbon (hot, cold), pins 4 and 5 lower ribbon (hot, cold)\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompatible microphones:\u003c\/strong\u003e Royer SF-12 and SF-24\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNot for:\u003c\/strong\u003e SF-24V, which uses 7-pin cables\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380217577721,"sku":"RO-YC18","price":109.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/royer-ro-yc18-1.jpg?v=1792178475"},{"product_id":"royer-ro-exc50","title":"Royer EXC50 50 ft SF-12\/SF-24 Extension Cable","description":"\u003cp\u003eThe Royer EXC50 is a 50 ft 5-conductor extension cable for the SF-12 and SF-24 stereo ribbon microphones. It is for runs longer than the cable set that comes with these mics, which has an 18 ft extension cable on the SF-12 and a 25 ft one on the SF-24.\u003c\/p\u003e\n\n\u003ch3\u003eWhich Mics It Fits\u003c\/h3\u003e\n\u003cp\u003eThe SF-12 and SF-24 share a 5-pin XLR pin-out: pin 1 ground, pins 2 and 3 for the upper ribbon, and pins 4 and 5 for the lower ribbon. The SF-24V tube ribbon uses a 7-pin connection and its own EXCV extension cables, so the EXC50 does not fit it. Royer advises SF-24 owners against extension cables of unknown wiring.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e50 ft extension cable for the Royer SF-12 and SF-24\u003c\/li\u003e\n  \u003cli\u003e5 conductors carry both ribbon channels\u003c\/li\u003e\n  \u003cli\u003eMatches the SF-12 and SF-24 5-pin XLR pin-out\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLength:\u003c\/strong\u003e 50 ft\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConductors:\u003c\/strong\u003e 5\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompatible microphones:\u003c\/strong\u003e Royer SF-12, SF-24\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNot compatible:\u003c\/strong\u003e Royer SF-24V (uses 7-pin EXCV cables)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380219412729,"sku":"RO-EXC50","price":229.0,"currency_code":"CAD","in_stock":true}]},{"product_id":"royer-ro-exc100","title":"Royer EXC100 100 ft SF-12\/SF-24 Extension Cable","description":"\u003cp\u003eThe Royer EXC100 is a 100 ft 5-conductor extension cable for the SF-12 and SF-24 stereo ribbon microphones. It is for runs longer than the cable set that comes with these mics, which has an 18 ft extension cable on the SF-12 and a 25 ft one on the SF-24.\u003c\/p\u003e\n\n\u003ch3\u003eWhich Mics It Fits\u003c\/h3\u003e\n\u003cp\u003eThe SF-12 and SF-24 share a 5-pin XLR pin-out: pin 1 ground, pins 2 and 3 for the upper ribbon, and pins 4 and 5 for the lower ribbon. The SF-24V tube ribbon uses a 7-pin connection and its own EXCV extension cables, so the EXC100 does not fit it. Royer advises SF-24 owners against extension cables of unknown wiring.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e100 ft extension cable for the Royer SF-12 and SF-24\u003c\/li\u003e\n  \u003cli\u003e5 conductors carry both ribbon channels\u003c\/li\u003e\n  \u003cli\u003eMatches the SF-12 and SF-24 5-pin XLR pin-out\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLength:\u003c\/strong\u003e 100 ft\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConductors:\u003c\/strong\u003e 5\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompatible microphones:\u003c\/strong\u003e Royer SF-12, SF-24\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNot compatible:\u003c\/strong\u003e Royer SF-24V (uses 7-pin EXCV cables)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380220264697,"sku":"RO-EXC100","price":379.0,"currency_code":"CAD","in_stock":true}]},{"product_id":"royer-ro-cs18","title":"Royer CS-18 SF-12 Cable Set (18 ft)","description":"\u003cp\u003eThe Royer CS-18 is the replacement cable set for the SF-12 stereo ribbon microphone, the same two-part set the mic comes with. An 18 ft 5-conductor extension cable runs from the SF-12's 5-pin XLR output to a splitter, and the splitter divides into two 3-conductor leads with male 3-pin XLR connectors marked Upper and Lower, one for each ribbon element.\u003c\/p\u003e\n\n\u003ch3\u003eWiring\u003c\/h3\u003e\n\u003cp\u003eThe SF-12 uses a standard 5-pin XLR layout: pin 1 is the shared ground, pins 2 and 3 carry the upper ribbon, and pins 4 and 5 carry the lower ribbon. With the mic upright and the Royer logo facing the source, the upper element is the right channel and the lower element is the left, seen from behind the mic. Royer notes that faulty or miswired cables can cause problems with the SF-12, so the matching set is the one to use.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eComplete replacement cable set for the Royer SF-12\u003c\/li\u003e\n  \u003cli\u003e18 ft 5-conductor extension cable\u003c\/li\u003e\n  \u003cli\u003eSplitter cable with two male 3-pin XLR connectors\u003c\/li\u003e\n  \u003cli\u003eLeads marked Upper and Lower for the two ribbon elements\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompatible microphone:\u003c\/strong\u003e Royer SF-12\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExtension cable:\u003c\/strong\u003e 18 ft, 5-conductor, 5-pin XLR\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSplitter:\u003c\/strong\u003e Two 3-conductor leads with male 3-pin XLR, marked Upper and Lower\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePin-out:\u003c\/strong\u003e Pin 1 ground, pins 2 (+) and 3 (-) upper element, pins 4 (+) and 5 (-) lower element\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e18 ft extension cable\u003c\/li\u003e\n  \u003cli\u003eYC-18 splitter cable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380221673721,"sku":"RO-CS18","price":259.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/royer-ro-cs18-set.jpg?v=1792178916"},{"product_id":"royer-ro-cs25","title":"Royer CS-25 SF-24 Cable Set (25 ft)","description":"\u003cp\u003eThe Royer CS-25 is the replacement cable set for the SF-24 stereo active ribbon microphone, the same two-part set the mic comes with. A 25 ft 5-conductor extension cable runs from the SF-24's 5-pin XLR output to a splitter, and the splitter divides into two 3-conductor leads with male 3-pin XLR connectors marked Upper and Lower, one for each ribbon element.\u003c\/p\u003e\n\n\u003ch3\u003eWiring\u003c\/h3\u003e\n\u003cp\u003eThe SF-24 uses a standard 5-pin XLR layout: pin 1 is the shared ground, pins 2 and 3 carry the upper ribbon, and pins 4 and 5 carry the lower ribbon. The SF-24 needs 48 V phantom on both channels, at least 4 mA each, and the set carries it from the preamp to the mic. Royer tells SF-24 owners to use this five-lead stereo cable and to avoid extension cables of unknown wiring.\u003c\/p\u003e\n\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003eComplete replacement cable set for the Royer SF-24\u003c\/li\u003e\n  \u003cli\u003e25 ft 5-conductor extension cable\u003c\/li\u003e\n  \u003cli\u003eSplitter cable with two male 3-pin XLR connectors\u003c\/li\u003e\n  \u003cli\u003eLeads marked Upper and Lower for the two ribbon elements\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompatible microphone:\u003c\/strong\u003e Royer SF-24\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExtension cable:\u003c\/strong\u003e 25 ft, 5-conductor, 5-pin XLR\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSplitter:\u003c\/strong\u003e Two 3-conductor leads with male 3-pin XLR, marked Upper and Lower\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePin-out:\u003c\/strong\u003e Pin 1 ground, pins 2 (+) and 3 (-) upper element, pins 4 (+) and 5 (-) lower element\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch3\u003eIn the Box\u003c\/h3\u003e\n\u003cul\u003e\n  \u003cli\u003e25 ft extension cable\u003c\/li\u003e\n  \u003cli\u003eYC-18 splitter cable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Royer","offers":[{"title":"Default Title","offer_id":67380222722297,"sku":"RO-CS25","price":289.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/royer-ro-cs25-1.jpg?v=1792175476"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/collections\/royer-logo-white.png?v=1792175239","url":"https:\/\/blackoutaudio.com\/collections\/royer.oembed","provider":"Blackout Audio","version":"1.0","type":"link"}