{"title":"Keeley","description":"\u003cp\u003eCompressors, overdrives, delays and reverbs built in Oklahoma.\u003c\/p\u003e","products":[{"product_id":"keeley-30ms-double-tracker","title":"Keeley 30ms Double Tracker Doubler\/Reverb Pedal","description":"\u003cp\u003eImprove Your Tone with the Keeley 30ms Automatic Double Tracker\u003c\/p\u003e\n\u003cp\u003eKeeley 30ms Automatic Double Tracker. This stereo effect pedal offers an array of studio-style doubling effects used for creating thicker, fuller sounding instruments. Also included in the effect pedal is a reverb that simulates the famous chamber in Studio Two. The Keeley 30ms is designed to work with guitar, bass, keyboard, even vocals.\u003c\/p\u003e\n\u003cp\u003eSays Chief Engineer Robert Keeley, “Since the early days of automatic double tracking, pioneered by Ken Townsend and John Lennon at Abbey Road Studios, this technique has become the \u003cem\u003ede facto\u003c\/em\u003e way of creating recordings that sound bigger and fuller by making it sound like two guitars, or singers, or instrumentalists are playing at the same time. The Keeley 30ms Automatic Double Tracker offers musicians the ability to take these techniques with them out on the road with a wide range of tools needed for crafting unique double tracking schemes.”\u003c\/p\u003e\n\u003cp\u003eThe Keeley Engineering 30ms Automatic Double Tracker pedal can be used in mono with a built in “Abbey Verb” reverb control, or in stereo as the Double Tracker Pro. The 30ms offers altered and detuned effects like a chorus pedal might sound, only without the regularity of a LFO oscillator in Dimension Mode. In this mode you have the ability to create up to two different voices for a stereo double tracked field. The user controls the tuning and delay for results that are stunning mono or, through two amplifiers, sublime stereo. Abbey Mode offers something more similar to a conventional chorus in that it simulates synched tape decks running in parallel with varying tape speeds. Stereo or mono, this mode gives players a wide, lush sound without sounding like a conventional chorus pedal. Lastly, the team at Keeley created a unique Slapback Mode for rockabilly sounds. The Slapback is now a double tracked echo with the two altered voices. Add the Keeley Abbey Verb to this mode to create stunning, new effects.\u003c\/p\u003e\n\u003cp\u003eIn Stereo Double Tracker Pro Mode, the unit drops the reverb channel in favor of complete control over the double tracked voices. Each of the two voices can be tuned up to 30 cents sharp or flat. Those voices are then delayed by up to 30 milliseconds for subtle to very distinctive doubling sounds. Via internal switches, users can program the wet output to have either dry and effected sounds or just the effect, giving them true double tracking in stereo live.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010140315897,"sku":"30MS-DOUBLE-TRACKER","price":299.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/22_3_8.jpg?v=1788558255"},{"product_id":"keeley-angry-orange","title":"Keeley Angry Orange 4-in-1 Distortion\/Fuzz Pedal","description":"\u003cp\u003ePart of Keeley's new 4-in-1 Series. Toggle between two legendary distortion \u0026amp; fuzz circuits or innovate your sound using gnarly hybrid tones no one has ever used before. It's almost like pedal-modeling, except these are 100% analog circuits and you decide which tone-control or clipping-section suits your style.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSONIC JARGON\u003c\/strong\u003e\u003cbr\u003eOverdrive, Distortion, Fuzz, Boost, Heavy Saturation, Hard Clipping, Soft Clipping, Hybrid, Versatile, Analog.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFour Fuzz and Distortion sounds - including two new hybrid Fuzztortion tones. That's where the magic is!\u003c\/li\u003e\n\u003cli\u003e'91 Soviet Civil War Muff Fuzz Tones (Soft Clipping)\u003c\/li\u003e\n\u003cli\u003eDS-1 Distortion Tones (Hard Clipping)\u003c\/li\u003e\n\u003cli\u003eSwitch between Silent Buffered Bypass or True Bypass with foot gesture - Hold down foot switch to change on the fly\u003c\/li\u003e\n\u003cli\u003e9 to 18 V operation for huge dynamic range and headroom\u003c\/li\u003e\n\u003cli\u003eDesigned \u0026amp; manufactured in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 500 k\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance:\u003c\/strong\u003e 1 k\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent Draw:\u003c\/strong\u003e 22mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDims:\u003c\/strong\u003e 5 x 2.6 x 2.8 in (12.7 x 6.7 x 7 cm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010140348665,"sku":"ANGRY-ORANGE","price":299.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/tVthxwqQ.png?v=1788558258"},{"product_id":"keeley-aurora-reverb","title":"Keeley Aurora Reverb Digital Reverb Pedal","description":"\u003cp\u003eTurn down the lights, turn up the spectrum…\u003c\/p\u003e\n\u003cp\u003eJoin Keeley Electronics’ grand entrance into the hallowed halls of psycho-acoustic processing - the Aurora Reverb. Few effects complement a guitar better than reverb; from spring reverb coils in a tank to the distant echo of cathedrals to 600 pound sheet-metal plate vibrations. Reverb captures our imaginations and plunges us deeply into our musical psyches. Reverb IS the key to the highway.\u003c\/p\u003e\n\u003cp\u003eAt Keeley Electronics, the Aurora Reverb had to meet certain specific criteria. It had to be affordable with no compromise to audio quality. It had to be easy for guitarists to use and be inspiring. And it had to offer the essentials for tailoring your tone without a dozen knobs to learn. Now achieved, we are proud to offer a true bypass, 100% dry analog path, low noise, 24 bit, high-fidelity reverb processor.\u003c\/p\u003e\n\u003cp\u003eAND IT SOUNDS GREAT!\u003c\/p\u003e\n\u003cp\u003eIn fact, when asked if it offered ‘trails’ I couldn’t help but think, “Why would you need trails for a pedal you won’t want to turn off?”\u003c\/p\u003e\n\u003cp\u003eThe following controls offer everything from pristine, fast reflections to ethereal spaces to deep, dark and endless caverns.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Toggle Switch\u003c\/strong\u003e The three most popular reverb styles that don’t come built into your amplifier are \u003cstrong\u003eRoom, Plate and Hall\u003c\/strong\u003e. In the smallest footprint possible, we offer what used to take up a recording studio room \u003cstrong\u003e\u003cem\u003eor an entire city block\u003c\/em\u003e\u003c\/strong\u003e. You can achieve cathedral resonance, enormous surface areas of sheet-metal plate sounds or convincing room decays. Room sizes range from something like a broom closet to that of a barn. (And I also want to add that careful adjustments to the \u003cstrong\u003eRoom\u003c\/strong\u003e settings yield a signal bordering on the verge of spring reverb, so if your amp doesn’t already have a tank, we’ve got you covered.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDecay\u003c\/strong\u003e Decay controls the amount of time it takes for the reverberated sound to disappear. Ours provides a range from a realistic, close-quarters reverberated dimension to a “walk-away-and-come-back in a while” signal of complex, still-ringing musical reflections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSlapback\u003c\/strong\u003e Slapback is what we call pre-delay. Pre-delay creates distance. How soon or late you hear the first reflection is crucial to crafting the reverberated space. Sometimes you do not want any delay between your note and the reverb. And sometimes, for clarity’s sake, you want the reverb to wait a moment before joining the dry signal. Such a setting enables short, staccato, single-syllable type expressions to finish articulating before being suffused and joined by the tail-end of previously reverberated sounds. The \u003cstrong\u003eSlapback\u003c\/strong\u003e setting adjusts from zero to 100 milliseconds. When the \u003cstrong\u003e\u003cem\u003eillusion of infinite space\u003c\/em\u003e\u003c\/strong\u003e is required, set your \u003cstrong\u003eSlapback\u003c\/strong\u003e to zero and you’ll streak vividly away like Dr. David Bowman breaking free of Jupiter’s gravitational pull.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWarmth\u003c\/strong\u003e Dial up the warmth. Unlike most tone controls, ours is a dampening control and \u003cstrong\u003eincreases\u003c\/strong\u003e the warmth, as it is rolled up. Its brightest setting is when completely dialed down.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBlend\u003c\/strong\u003e Blend will take your 100% analog dry signal and blend in the reverb, from just the slightest mix of wet to much more. We suggest you place it at the end of your pedal chain and use the Blend Knob to tailor your sound.\u003c\/p\u003e\n\u003cp\u003eThe Keeley Aurora Reverb provides the essentials guitarists are looking for when they need reverb on their pedal boards. Like that ethereal glow to the mighty Earth herself, Aurora creates a natural halo of sound in the atmosphere of your magnificent core tone.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010140381433,"sku":"AURORA-REVERB","price":279.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Aurora-Reverb-Front-10-2017-e1524686581797.jpg?v=1788558264"},{"product_id":"keeley-bassist","title":"Keeley Bassist Bass Compressor Pedal","description":"\u003ch3\u003eBass Compression\u003c\/h3\u003e\n\u003cp\u003eThe Keeley Bassist Compressor provides true high-fidelity compression and limiting. Be heard and felt using performance compression by Keeley Engineering.\u003c\/p\u003e\n\u003cp\u003eThe Bassist Compressor is built around the exotic and extremely high fidelity THAT Corp. 4320. Think of it as a very affordable studio-grade compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra high performance op-amps to bring you the very best quality. VCA compressors give you precise control. Therefore they are directly suited to bass guitars. The Keeley Bassist Compressor is both musical and very transparent. Where our older compressors were based on the CA3080 or the LM13700 and are perfect for single coil guitars, the new Keeley Bassist Compressor has no problems with active pre-amps and line level input signals! Not only can the Keeley Bassist handle astonishingly large signals, it has an incredible bandwidth of over 20 KHz and incredibly low noise. No detail in your bass guitar’s tone will be lost. The Keeley Bassist will be a sound investment in your tone; you now have rack-mount quality at your feet.\u003c\/p\u003e\n\u003ch3\u003eCompression and Threshold\u003c\/h3\u003e\n\u003cp\u003eWhen bass players use the Keeley Bassist Compressor they will be greeted with a sound that is more easily amplified and heard. Using the effect as a \u003cem\u003elimiting amplifier\u003c\/em\u003e saves your speakers from clipping and distortion. Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers. Simply watch the Threshold Indicator light to see what type of playing you want to limit; it’s that easy! Next set the Compression Ratio Control to determine how much squash you want when the signal is above Threshold. Set Compression all of the way down for no (1:1) compression and use the Gain control as a boost! Set Compression all of the way up for an above-Threshold hard-knee limiter.\u003c\/p\u003e\n\u003cp\u003eA typical soft compressor setting would be 2:1 above threshold. A good starting ratio for the Compression control may be 4:1 as it generally sounds good with bass guitar. A ratio of 5:1 or 6:1 will sound great for slap or funk-style playing. For synth-bass try 10:1 Compression.\u003c\/p\u003e\n\u003ch3\u003eAttack and Release\u003c\/h3\u003e\n\u003cp\u003eThere is a certain figure that just sounds good as far as compression goes; and that’s 125 dB\/second. With feed forward compressors that use this type of true-RMS detector you use a single time constant parameter. The timing capacitor gives you attack and release times that are adaptive to your playing level or the signal input to the compressor. Bottom line: Attack and Release times vary on program content. Attack times are generally speaking, about 100 times faster than release times.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010140414201,"sku":"BASSIST","price":299.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/J18635000000000-00-500x500.jpg?v=1788558265"},{"product_id":"keeley-blues-disorder","title":"Keeley Blues Disorder 4-in-1 Distortion\/Overdrive Pedal","description":"\u003cdiv\u003ePart of Keeley's new 4-in-1 Series. Toggle between two boutique overdrive \u0026amp; distortion effects or innovate your sound using new hybrid tones no one has ever used before. These are 100% analog circuits and you decide which tone-control or clipping-section suits your style.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003eSONIC JARGON\u003c\/strong\u003e\u003cbr\u003eOverdrive, Distortion, Hard Clipping, Soft Clipping, Hybrid, Versatile, Analog\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour Overdrive and Distortion sounds - including two new\u003c\/li\u003e\n\u003cli\u003ehybrid tones...that's where the magic is!\u003c\/li\u003e\n\u003cli\u003eBluesBreaker Overdrive Tones inspired by KoT (Soft Clipping)\u003c\/li\u003e\n\u003cli\u003eOC(D) Distortion Tones (Hard Clipping)\u003c\/li\u003e\n\u003cli\u003eSwitch between Silent Buffered Bypass or True Bypass with foot\u003c\/li\u003e\n\u003cli\u003egesture - Hold down foot switch to change on the fly\u003c\/li\u003e\n\u003cli\u003e9 to 18 V operation for huge dynamic range and headroom\u003c\/li\u003e\n\u003cli\u003eDesigned \u0026amp; manufactured in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSpecifications\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eInput Impedance: 500 k\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: 1 k\u003c\/li\u003e\n\u003cli\u003eCurrent Draw: 27 mA\u003c\/li\u003e\n\u003cli\u003eDimensions: 5 x 2.6 x 2.8 in (12.7 x 6.7 x 7 cm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010140446969,"sku":"BLUES-DISORDER","price":299.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/7vRvzrqw.png?v=1788558266"},{"product_id":"keeley-bubble-tron","title":"Keeley Bubble Tron Dynamic Flanger\/Phaser Pedal","description":"\u003cp\u003eRobert Keeley and his crew are fans of Zappa. Rabid Fans. This pedal explores some of the famous, but very hard to find sounds of the past. Keeley Engineering has created another batch of Neo-Vintage effects that never were. This time Keeley has made the Flanger and Phaser dynamic with your pick attack and strength. Then add the Random Stepped Filter with the new “M-Style Synth” bandpass shaping feature, and you have a lead guitarist’s dream tool. Shut up and play your effect pedal! Yeah, you play this thing like an extension of your mind and fingers.\u003c\/p\u003e\n\u003cp\u003eThe Keeley Bubble Tron Dynamic Flanger Phaser and Random Synth Filter has three modes of operation.\u003c\/p\u003e\n\u003cp\u003eThe Flanger section of the pedal draws on inspiration from the MicMix DynaFlanger. This incredible piece of gear was used by FZ to create many of the sounds in the late 70s to mid 80s where a dynamic flanger was used to get envelope based flanging in his solos. A dynamic flanger is one that starts and stops based on your pick attack or envelope. The word envelope is used because if you were to measure the “weight” of your guitar signal and put it in a storage container (the “envelope” is an imaginary capacitor) it can then be used to control another part of the circuit. The Bubble Tron uses your playing to start and stop the flanger. Most flangers just cycle around and around and you can hear that swooshing in the background. Not in this case, it only cycles as you play. Many flangers offer only positive or negative feedback. This one allows you to try either with the FDBK Control. The negative feedback sounds more vocal like and hollow to my ears while the positive feedback is more conventional and has a thicker, smoother sound. The Sensitivity Control allows you to set how delicately you want to play and have the flanger go fully crazy on you. You can set for crazy silverback gorilla flange or easy flangin’ on Sunday morning. The Depth Control is just that, how deep you want the flanging to be.\u003c\/p\u003e\n\u003cp\u003eThe DynaMoPhase section of the Bubble Tron is actually two phasers. One has an LFO that you set the speed of with the Rate Control (while its depth is dynamically controlled) and the other is a true Dynamic Phaser. It starts and stops based on your pick attack. Again, you can set the Depth and Sensitivity of this phaser to give you a very watery sound that is all based on your guitar’s signal. You can turn off the standard phaser and just run it DynaPhase by turning the Rate Control off.\u003c\/p\u003e\n\u003cp\u003ePaul Priest plays us some Torture: \u003ca href=\"http:\/\/www.priestunes.com\/audio\/Tunes\/Ideas\/Torture.mp3\"\u003eTorture Jam\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003ePaul plays some more guitar Headlessly: \u003ca href=\"http:\/\/www.priestunes.com\/audio\/Tunes\/Ideas\/Deathless_4.mp3\"\u003eHeadless Guitarist\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eThe White Zone is for Loading and Unloading Only.\u003c\/p\u003e\n\u003cp\u003eThe only effect that isn’t dynamic is the Filter Section of the Bubble Tron Dynamic Flanger Phaser. With the Filter you can control the different ramps or random nature of the pedal with the Shape Control. The very exciting part of this pedal is the Sensitivity Control which is like a vintage synth style bandpass filter control. It shapes the bandpass filter on the filter and gives you some incredible keyboard like sounds.\u003c\/p\u003e\n\u003cp\u003eListen here. \u003ca href=\"http:\/\/www.priestunes.com\/audio\/Tunes\/Ideas\/Quick%20Jam.mp3\"\u003eFilter\u003c\/a\u003e by Paul Priest.\u003c\/p\u003e\n\u003cp\u003eOne very nice side effect of dynamic based effects is that they don’t produce the constant, swooshing sound of LFO based effects.\u003c\/p\u003e\n\u003cp\u003eIf you’re a lead guitar player that likes to explore and has never had the kind of expression or dynamics from your sound effects that you have in your mind, this is for you. If you are a sound-experimentalist, this is for you! The sounds are nearly endless in that your input shapes what the effect will do.\u003c\/p\u003e\n\u003cp\u003eThe Bubble Tron Dynamic Flanger Phaser is made in Edmond, Oklahoma by rabid Zappa fans. It was Designed and Engineered by Aaron Tackett, Craighton Hale and Robert Keeley.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010140479737,"sku":"BUBBLE-TRON","price":299.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Bubble_Tron_Filter_Flanger_Phase_Face_Keeley-e1524777844761.jpg?v=1788558272"},{"product_id":"keeley-caverns","title":"Keeley Caverns Delay\/Reverb Pedal","description":"\u003cp\u003eThe Caverns Delay Reverb V2 dual-effect pedal combines delay and reverb for the perfect end to any pedal board. It features Keeley’s analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb. Caverns now comes with a True-Bypass or Trails option. Because of its small and compact design, the New Caverns is a perfect fit for any fly-rig or small board where you have tight space requirements. The New V2 features Keeley’s most popular time-based effects, blended perfectly via a design fine-tuned for over 2 years. Simply put, it will be an amazing addition to any board.\u003c\/p\u003e\n\u003cp\u003eThe Reverb side of the pedal features 3 cavernous sounds:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpring Mode:\u003c\/strong\u003e Blackface Amp style spring reverb with F Style Tremolo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eModulation Mode:\u003c\/strong\u003e Choral modulation to the reverb for a huge, cavernous space\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eShimmer Mode:\u003c\/strong\u003e Reverb with emphasis on octave-up voices in the reverb trails\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Delay side of the pedal incorporates Keeley’s popular Magnetic Echo circuit, which is designed to emulate analog tape delay lines. Three way switchable modulation gives you options for adding Wow and Flutter to the repeats. Perfectly voiced echoes sit well in the mix, either clean or with distortion.\u003c\/p\u003e\n\u003cp\u003eThe New Caverns Delay Reverb V2 builds on the old Caverns pedal by giving players a more open and logical control layout with more space between the foot switches.\u003c\/p\u003e\n\u003cp\u003eTop-Mounted Jacks allow for a compact pedalboard layout.\u003c\/p\u003e\n\u003cp\u003eTrue-Bypass or Trails option gives you the freedom to create huge caverns of sounds and lets them ring out even after you turn the pedal off. Our buffers are engineered to retain your tone and to feed your amplifier a full-strength signal.\u003c\/p\u003e\n\u003cp\u003eThe New Caverns Delay Reverb V2 is entirely built in the US. Keeley’s veteran crew builds the most reliable and road-worthy gear.\u003c\/p\u003e\n\u003cp\u003eUse 2 TRS Breakout cables for effects patching or to use the Caverns with a pro switching system.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010140512505,"sku":"CAVERNS","price":299.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/CavernsFaceNewLogo-e1524687988866.jpg?v=1788558273"},{"product_id":"keeley-compressor-mini","title":"Keeley Compressor Mini Compressor Pedal","description":"The next generation of compression is here! The Keeley Compressor Mini is designed to make the magic of compression simple and easy to use. Featuring Manhattan-style compression, the Compressor Mini intuitively and automatically delivers the perfect blend of dynamic and compressed guitar signal. This is how the Compressor Mini retains all the subtlety and dynamics in your playing, making it effortless to play and sound your best. An all-new transient release time is set to make both single coils or humbuckers sound lively and expressive. The new automatic tone recovery circuit ensures crystal clear highs, even with high compression settings. The Compressor Mini's pre-amp tone is legendary; pushing both pedals and amplifiers to their greatest potential. With any style of guitar, playing live or at the recording desk, the Compressor Mini is your secret weapon.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eAn increased sustain range for even more subtle compression\u003c\/li\u003e\n\u003cli\u003eAuto-blend to enhance clarity and note definition\u003c\/li\u003e\n\u003cli\u003eA new transient release time that makes hum-buckers sing and single coils pop\u003c\/li\u003e\n\u003cli\u003eAutomatic tone recovery, a treble clarifier for high compression settings\u003c\/li\u003e\n\u003cli\u003eA built-in pre-amp for incredible guitar tone\u003c\/li\u003e\n\u003cli\u003e9 volt, 10mA current draw\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010140545273,"sku":"COMPRESSOR-MINI","price":199.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/md_7ab384e4fa09bd402ffd9d49bd73d196.png?v=1788558273"},{"product_id":"keeley-compressor-plus","title":"Keeley Compressor Plus Compressor Pedal","description":"\u003cp\u003eThe Keeley Compressor is the most popular boutique compressor in the world. With well over 52,000 compressors built in our shop we have an expert understanding of compression, limiting, and sustain. We know what it takes to make an instrument sound like it has been professionally recorded. We know how to make your guitar jump from the mix. We know how to make it fun and easy to play. Keeley Compression is how. The Keeley Compressor Plus is the first true advancement in our 2 and 4 knob compressor line. The new features are simple and straightforward. Now there is a simple Release Switch that is tuned for single coils or humbuckers. No more wondering if you have the attack or release set right. Your humbuckers will have all the attack and punch that they should. Our team designed a gorgeous sounding Tone Control which emphasizes the most sensitive harmonics that can be lost in compression. The Compressor Plus now sports a Blend Control that retains the peaks in your playing and, more importantly, the proper phasing of your guitar signal. The Keeley Compressor Plus offers the same gorgeous push of frequencies and sweetening of tone that the old comps gave you, now with the flexibility to easily handle any instrument.\u003c\/p\u003e\n\u003cp\u003eThe Keeley Compressor Plus is a compressor with an expander\/sustainer. Not only does it act as a regular compressor, limiting the peaks in your playing, it adds more and more gain as notes fade out. Now you have sustain. Nothing worse than a note or a bend that has died before its time. The Keeley Compressor Plus adds just the right amount of sustain and expressive bloom to your notes.\u003c\/p\u003e\n\u003cp\u003eThe new Release Switch on the Keeley Compressor Plus is designed to make it very easy to transition between single coil and humbucker guitars. Humbuckers have more average energy than single coils which can cause compressors to stay in “compression mode” for a lot longer. When this happens, any series of notes you play will sound dull. With the quick release of the new Compressor Plus, your humbuckers remain true sounding, and each note retains dynamic attack and definition.\u003c\/p\u003e\n\u003cp\u003eThe Tone Control is our own design taken from analog delays and other vintage effects. Those effects used an emphasis circuit to recover treble and highs after they went through the BBD or other analog delay lines. We took that circuit and made it into a full-fledged tone control! We have found that it is the perfect way to gently add back in those highs lost in the compression process.\u003c\/p\u003e\n\u003cp\u003eThe Blend Control is a way of getting the peaks to come through while having sustain at the same time. So if you want sustain more than peak-limiting, this style of Manhattan Compression is for you! Keep all the peaks and transients with the Blend and Tone Controls while adding sustain on the back end. Heaven!\u003c\/p\u003e\n\u003cp\u003eThis compressor isn’t just for heavy funk or chicken pickin’ anymore. The new Compressor Plus is for players wanting a smooth, subtle wash from their guitar. Remove just the right amount of peaks for an ambient layer and then blend in the right amount of treble for a nice shimmer to your guitar. Use with your favorite fuzz to create a wall of tone like you’ve only heard on records. Looping has never been easier than with this compressor. Consider it an essential tool when creating loops that sound well-balanced. Forget it all and use the Compressor Plus for the best amp boost you’ve heard. Nothing pushes an amp better than the Keeley Compressor Plus.\u003c\/p\u003e\n\u003cp\u003eThe new Keeley Compressor Plus is the result of us specializing in compressors for over 15 years. Chief Engineer and founder Robert Keeley said, “Compression was the first effect I found that was hard to make sound good off the shelf, so I set out to create the best sounding compression effect possible.” We have it down to a science but still treat it like art. Since it is at the core of what we do, we can offer it for an incredible price now. The Keeley Compressor Plus is completely made in the United States. Come by our shop and watch the magic happen. We didn’t just start making compressors to look good alongside co-branded coffee mugs and shirts and hats. We’ve worked with and listened to the pros who have had the original compressor on their boards for 10 to 15 years and found out what it would take to keep it on their boards for another 10, 20, or 30 years. Add the Compressor Plus to your rig, you and your guitar will be singing for days.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010140578041,"sku":"COMPRESSOR-PLUS","price":229.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/lg_9123354c22b574c4183559146a44664e.webp?v=1788558274"},{"product_id":"keeley-compressor-pro","title":"Keeley Compressor Pro Studio Compressor Pedal","description":"\u003cp\u003eKeeley Compressor Pro. The stomp-box sized compressor\/limiter is made in Oklahoma, USA and engineered to be an indispensable tool for your musical endeavors. It is in no way limited to be used with only guitar. It has been designed to work as a studio compressor accepting any range of inputs and a frequency response and noise level matching the finest compressors made.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eIntroduction of Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCompression LED Display - 7 Segment LED display for fast and accurate metering of compression and gain reduction. Gain Reduction Levels of -1dB to -20dB are indicated.\u003c\/li\u003e\n\u003cli\u003eThreshold LED Indicator - Bi-Color LED to indicate when compression is initiated and released.\u003c\/li\u003e\n\u003cli\u003eExact RMS Analysis (ERA) - Senses the true RMS value of the input program material such as your guitar, bass or drum machine.\u003c\/li\u003e\n\u003cli\u003eHard\/Soft Knee Compression - Hard Compression for limiting or adding sustain, soft knee or Komfort Kompression for gentle compression, keeping performances lively and natural sounding without potential phase issues in parallel, or blending style compression.\u003c\/li\u003e\n\u003cli\u003eAuto Mode - Program dependent Attack and Release times. Set to Auto ON for worry-free performance and automatic Attack and Release times.\u003c\/li\u003e\n\u003cli\u003eTrue-Bypass - No tone or signal loss when OFF\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eGeneral Compressor Usage\u003cbr\u003e\u003c\/strong\u003eThe Keeley Compressor Pro is designed to be used at home or in the studio for creating full sounding recordings of any instrument. In live situations, the Compressor Pro can be used to achieve full sounding, polished performances as well as protect amplifiers and speakers from overload. The Comp Pro is designed to work with any instrument from voice and guitar to keyboard, bass, or drums. Use it when creating a podcast or YouTube videos to maintain professional performance levels. Use it around the home to create tons of sustain while at low volumes or low gain settings!\u003c\/p\u003e\n\u003ch3\u003eDevice Controls\u003c\/h3\u003e\n\u003cp\u003eTHRESHOLD, RATIO, ATTACK, RELEASE, GAIN, KNEE, \u0026amp; AUTO\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHRESHOLD Control and LED\u003c\/strong\u003e - This is probably the most important control on the Comp Pro. It is adjusted to determine when the compressor is working or when sound is being passed through unaffected. The Threshold control is turned down or CCW until the THRESHOLD LED turns Red as you play your instrument. When the THRESHOLD LED turns Red the Comp Pro is actively compressing your signal. If the LED is Green, the Comp Pro is not compressing and sound is passed through unchanged.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eRange of Adjustment:\u003c\/strong\u003e from -50dBu to +10dBu.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePro Audio (studio) Levels:\u003c\/strong\u003e +4dBu.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eConsumer Audio Levels:\u003c\/strong\u003e -10dBu.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePassive guitar or bass pickups:\u003c\/strong\u003e typically about -25dBu to 2.5dBu.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRATIO Control\u003c\/strong\u003e - “the Compression Knob”, Ratio is the amount of compression you set the Comp Pro for. You can set it from No Compression (1:1) when all of the way off or CCW. You can set it as high as Infinite Compression (∞:1) which means that the output level will never increase in output level no matter how loud the input. This type of setting can be used for hard-limiting to protect recording or speakers or in some cases for guitar effects like chicken-pickin’.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eATTACK Control\u003c\/strong\u003e - Attack Times between 0.15ms and 150ms. Controls the time it takes for the Comp Pro to start compressing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRELEASE Control\u003c\/strong\u003e - Release Times between 0.1s to 3s. Controls the time before the Comp Pro releases or stops compression.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGAIN Control\u003c\/strong\u003e - This is the output level of the compressor. It does not affect the compression controls like THRESHOLD, RATIO, ATTACK or RELEASE. It is for make-up gain if you set for heavy compression gain reduction. +20dB of boost is possible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKNEE Switch\u003c\/strong\u003e - Hard Knee\/Soft Knee. Hard Knee Compression follows a hard fast rule: If THRESHOLD is met, then Compress at this RATIO. Soft Knee is Komfort Kompression. It’s a way to keep compressed guitar or instrument parts sounding lively and dynamic, without the “blanket” of compression found in many types of compressors.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAUTO Switch\u003c\/strong\u003e - OFF\/ON - Set to ON in most cases for automatic setting of Attack and Release Times. This will sound natural and work in a very large number of cases. The Comp Pro looks at the input signals like guitar, bass, vocals or drums and determines the correct attack and release times depending on what you’re playing and what signal levels are being detected.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010140610809,"sku":"COMPRESSOR-PRO","price":449.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/J21410000000000-00-500x500.jpg?v=1788558276"},{"product_id":"keeley-dark-side","title":"Keeley Dark Side Multi-Effects Pedal with Fuzz\/Delay\/4 × Modulation","description":"\u003cp\u003eYou can behold the universe in a glass of wine.\u003c\/p\u003e\n\u003cp\u003eWe should all be so lucky as to be identified by the sound of a single note. Some players are so well defined that their entire musical journey can be heard in a single note they play. Tone is in the fingers. Tone is in the mind. Effects can be a great way of expressing emotions or creating textures. The Dark Side is about creating sounds and adding new tones to your symphony. It’s the things you can’t create with your fingers or mind. It’s metasymphonic. The Dark Side provides all the textures that define an essence, in one pedal.\u003c\/p\u003e\n\u003ch3\u003eAtom\u003c\/h3\u003e\n\u003cp\u003eThe individual pieces that make up the Dark Side workstation are Fuzz, Delay and Modulation. The Fuzz side of the Dark Side is a big fuzz style distortion based on a 1977 op-amp style. We used something similar in our Psi Fuzz. This one is completely and radically different. We made what seemed like endless changes to extract the nuances of earlier transistor based fuzzes. We gained it way to down to fit the time period and the style. This is a more transparent Big Fuzz. This one lets your guitar sing with sustain, yet retains the essence of your guitar, single coil or humbucker based.\u003c\/p\u003e\n\u003cp\u003eThe next core element in the Dark Side pedal is the Delay and Modulation side. You can select between a multi-head tape delay effect or between a combination of 4 different modulation sounds. The Dark Side delay has 12 different syncopated delays. They are rhythmic and have the tonal quality of the old spinning drum tape delays. The Dark Side has many subtle filters to get the tape delay setting to have the feel and warmth of the original machines, yet gives you range of control to have modern features like expression pedal control for the number of repeats. You can use it for creating a feedback oscillation delay. Extremely subtle modulations in the delay make it very musical.\u003c\/p\u003e\n\u003cp\u003eThe next atom in this workstation is the modulation effect. There are four parts to this effect: Flanger, Rotary Speaker Cabinet, U-Vibe, and Phaser. You can blend between the “Electric Lady” Flanger and a Les-Rotary cabinet, creating new sounds. You can find that perfect blend between a vintage sounding opto-coupler based U-Vibe and the little orange phaser.\u003c\/p\u003e\n\u003cp\u003eThere is also an Expression Pedal port on the pedal. It is highly recommended to have an expression pedal handy. You can make many adjustments on the fly that just increase the fun and functionality of the pedal while you’re creating music. It has to be a TRS style expression pedal. We suggest something like the M-Audio or Moog expression pedals.\u003c\/p\u003e\n\u003cp\u003eYou spoke and we listened! Make America TRS-Free Again. Okay, we heard you, you can’t switch order on the fly during a gig. You never used the TRS cable to insert effects. You just tossed the cable aside. You all said YES when we said effect-order switch. New units have a simple push button switch to change the order! Mike Hermans did a new video with the effect-order switcher.\u003c\/p\u003e\n\u003cp\u003eMike Hermans Demo of the Dark Side - Effect Order Switch.\u003c\/p\u003e\n\u003cp\u003eOn older units there is a TRS Insert for adding effects in between the Fuzz and Modulation\/Delay side of the pedal. This is handy if you have a phaser or chorus pedal you might want to add if you want to use the Delay side of the Dark Side. That way you can have Fuzz\u0026gt;Phaser\u0026gt;Delay for example.\u003c\/p\u003e\n\u003ch3\u003eHeart\u003c\/h3\u003e\n\u003cp\u003eAt the heart of the Dark Side is a hand built board that contains analog fuzz and a high quality 24-bit DSP engine. We studied and analyzed decades worth of gear and crafted our own sounds that give you not only the original tones, but an endless range of in-between sounds you can’t get elsewhere. Even if you have other Keeley effects or workstations, you don’t have these exact sounds. The Rotary is slightly different than the Monterey, it’s more chorus like. The Flanger is different than the hidden one on the Bubble Tron. The U-Vibe on this pedal is also deeper and throbs with more intensity. If you were lucky enough to get one of the Jimi Hazel Phase Delays or put the Bubble Tron into the hidden bank 2 mode; well then you have heard our 4 stage phaser. It’s dead on and a blast to play. Like the Monterey, this unit is completely hand built. Including the high-end DSP, everything is hand assembled and soldered by our technicians with decades of experience. Attention to detail and tone at every point.\u003c\/p\u003e\n\u003ch3\u003eMother\u003c\/h3\u003e\n\u003cp\u003eWhat you get is a Mother Lode of effects and sounds. Necessity is the Mother of Invention. Someone needed to put all these epic sounds in one box. So we did. There’s no need to wish you were here, get out your Strat and we’ll see you on the Dark Side.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010140741881,"sku":"DARK-SIDE","price":449.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Dark-Side-Front-e1524682919653.jpg?v=1788558277"},{"product_id":"keeley-dynatrem","title":"Keeley Dynatrem Dynamic Tremolo\/Reverb Pedal","description":"\u003cp\u003eEasily our most addictive Vibe tone!\u003c\/p\u003e\n\u003cp\u003eThe DynaTrem Dynamic Tremolo by Keeley Engineering is an all new type of tremolo that is dynamic and responsive to your playing. Your playing controls the Rate and Depth. The harder you play, the more it responds. Play softly and it relaxes. Set the sensitivity with Rate or Depth controls and you have an unparalleled ability to be expressive with your guitar and tremolo.\u003c\/p\u003e\n\u003ch3\u003eTone Trio - Three Modes\u003c\/h3\u003e\n\u003cp\u003eDynamic Rate - Your playing strength controls the Rate. The harder you play, the faster it modulates! Relax and play softly and the tremolo almost stops.\u003c\/p\u003e\n\u003cp\u003eDynamic Depth - Play gently and it just barely throbs. Play aggressively and it pulses hard and deep.\u003c\/p\u003e\n\u003cp\u003eHarmonic Tremolo + Reverb Mode. Yes that phaser\/vibey, soulful and sweet sound! We have crafted our own circuits to give you a sound that is sinfully good. Slippery and smooth, you won’t want to gig without it. Add Reverb by adjusting the SHAPE control.\u003c\/p\u003e\n\u003ch3\u003eWave Table\u003c\/h3\u003e\n\u003cp\u003eWith a spin of the SHAPE control you get 4 wave-forms: Ramp Up, Sine Wave, Ramp Down, and Square Wave.\u003c\/p\u003e\n\u003cp\u003e4th Mode! All DynaTrems after serial number 300 have a hidden feature mode: Standard Tremolo. Turn the Shape knob all of the way down and it becomes a standard triangle wave tremolo in the Delta Rate or Delta Depth modes. Call us for a free upgrade if yours does not have this feature.\u003c\/p\u003e\n\u003cp\u003eOr, when in Harmonic Tremolo Mode the Shape control is Reverb!\u003c\/p\u003e\n\u003ch3\u003eOther Features\u003c\/h3\u003e\n\u003cp\u003eIntegrated noise reduction - developed with the code to reduce noise swells common with tremolo circuit, you get the quietest effect possible.\u003c\/p\u003e\n\u003cp\u003eOutput Volume Control - Can be set for a boost for stand out effect.\u003c\/p\u003e\n\u003cp\u003eTrue-Bypass - No tone loss when off.\u003c\/p\u003e\n\u003cp\u003eBattery Free - Any standard 9 volt, negative tip power supply will work, like a Voodoo Lab Pedal Power II. 60mA or greater.\u003c\/p\u003e\n\u003cp\u003eKeeley Engineered - Decades of audio experience and design.\u003c\/p\u003e\n\u003cp\u003eThe DynaTrem Dynamic Tremolo features killer graphics! Looks like an old tube amp or old tube radio. Tone to match too!\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010140774649,"sku":"DYNATREM","price":299.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Dyna-Trem-New-Logo-Straight-HR-e1524685231797.jpg?v=1788558278"},{"product_id":"keeley-dyno-my-roto","title":"Keeley Dyno My Roto Tri-Chorus\/Rotary\/Flange Pedal","description":"\u003cp\u003eYou want tri-chorus in a pedal? The new Keeley Dyno My Roto!\u003c\/p\u003e\n\u003cp\u003eFinally you can get those 80’s vintage rack chorus sounds that define killer chorus sounds. This was not an easy development. The Dyno My Roto is a tough and difficult thing to accomplish in such a small package and we couldn’t leave good enough alone. We added a Flanger and a Leslie Cabinet simulator.\u003c\/p\u003e\n\u003cp\u003eThe magic to the chorus sound in the Dyno My Roto is the three LFOs that give you lush modulations that truly sing out like a chorus of guitars. Most chorus pedals, in fact nearly all, are simply two voice, one straight and one modulated. This offers twice the amount of joy by modulating another voice. That significantly reduces the ability to just hear one voice being affected and smears a couple voices in an effect that is truly enjoyable to listen to.\u003c\/p\u003e\n\u003cp\u003eWe came up with a new Rotary Cabinet package that gives you a Proximity Control. The Proximity Control controls how far away you are from the spinning speaker cabinet. This adds a depth and distance to the cabinet and is a touch like a reverb control. It gives you that spatial expanse that can give you presence or depth in the chorus-like rotations. Lastly, while we were spinning things, we crafted a RotoFlange sound that has a simple negative feedback control. Easy to use and gets you the most classic flanger sounds possible.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010140807417,"sku":"DYNO-MY-ROTO","price":259.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Dyno-My-Roto-Chorus-Flange-Rotary-Face-White-Keeley-e1524691995433.jpg?v=1788558279"},{"product_id":"keeley-eccos","title":"Keeley Eccos Delay\/Looper Pedal","description":"\u003cp\u003eThe true-stereo Keeley ECCOS artfully combines a delay pedal and a looper. At the heart of the ECCOS is a neo-vintage delay with unprecedented control over tape-style echoes. Create long and majestic sounding tape flanged delay lines and then switch to the feature-packed Looper to record endless layers of sound! Dual stomp switches in delay mode are for true-bypass, tap-tempo and even endless feedback - but in looper mode they allow you to record, play, reverse, half-speed and even trigger a “play-once”. Live or as a studio workstation the delay and looper work together giving you endless room for creating and experimenting in a small footprint. With over four years of development on the Quad 24\/56-bit Dream DSP, Keeley has reached the pinnacle of delay sound quality with the amazing new tones in the ECCOS.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eECCOS is a True Stereo Delay and Looper\u003c\/li\u003e\n\u003cli\u003eStudio quality delay with tape flanged modulation\u003c\/li\u003e\n\u003cli\u003eFeatures include 3 memory presets, subdivisions, trails, runaway feedback\u003c\/li\u003e\n\u003cli\u003eHuge array of tone and time-based controls with the Alt Hold feature\u003c\/li\u003e\n\u003cli\u003eFull-featured Looper with reverse and half-speed loop effects\u003c\/li\u003e\n\u003cli\u003e2 minutes of looping in mono, 60 seconds in stereo\u003c\/li\u003e\n\u003cli\u003eEndless layers of recording!\u003c\/li\u003e\n\u003cli\u003eTrue-Bypass and Tap Tempo on-board or remotely with any style pedal-switcher\u003c\/li\u003e\n\u003cli\u003eExpression pedal assignment over any parameter and in any direction\u003c\/li\u003e\n\u003cli\u003ePro Rig designed, remote control thru 1\/4\" jacks for live use with pedal switcher systems\u003c\/li\u003e\n\u003cli\u003e100% analog dry signal, audiophile designed input to output\u003c\/li\u003e\n\u003cli\u003eStereo True-Bypass\/Trails, switchable on the fly\u003c\/li\u003e\n\u003cli\u003e9 Volt DC, 115mA low-current design\u003c\/li\u003e\n\u003cli\u003eMade in Edmond, USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010140872953,"sku":"ECCOS","price":379.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Screenshot_17.png?v=1788558280"},{"product_id":"keeley-fuzz-bender","title":"Keeley Fuzz Bender 3-Transistor Hybrid Fuzz Pedal with Germanium and Silicon","description":"The Keeley Fuzz Bender is a 5 knob - 3 transistor modern fuzz using a combination of high-gain silicon and silky smooth germanium. What makes fuzz better? Active EQ. Using two gyrators as an active EQ gives you the ability to create massive fuzz tones not possible with typical square-wave boxes. Pummel your amp with over 20dB of boost\/cut at 100Hz and 10K Hz. The Fuzz Bender is built around vintage Japanese germanium to create its monumental fuzz tones. With the all new Bias Control, you control the attack and decay of your notes. Anything from Fat Square Waves to Angular Fuzz to glitchy-Velcro attacks are possible with the Bias Control. The Fuzz Bender's five knobs confirm size matters when creating a new and epic world of fuzz.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003eFive Knob Hybrid Fuzz with Japanese Germanium Transistor\u003c\/li\u003e\n\u003cli\u003eGinormous Level and Fuzz controls you can move with your feet!\u003c\/li\u003e\n\u003cli\u003eGyrator Bass and Treble controls with 20 dB boost each!\u003c\/li\u003e\n\u003cli\u003eBias Control for glitchy-velcro attack\u003c\/li\u003e\n\u003cli\u003eSimple in\/out top mounted jacks, true bypass\u003c\/li\u003e\n\u003cli\u003e9 volt DC, 20mA power jack, no battery\u003c\/li\u003e\n\u003cli\u003eDesigned and Made in the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010140938489,"sku":"FUZZ-BENDER","price":229.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/md_60e4786fab1a83c81e024df68517fc7d.jpg?v=1788558283"},{"product_id":"keeley-gc-2","title":"Keeley GC-2 Limiting Amplifier Compressor Pedal","description":"\u003cp\u003e\u003cstrong\u003eThe Keeley Compressor GC-2 Limiting Amplifier. The same great professional compression\/limiting technology available in our Bassist Limiting Amplifier, for musicians and compressor fans of all kinds!\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003ePrecision Compression\u003c\/h3\u003e\n\u003cp\u003eThe Keeley Compressor GC-2 Limiting Amplifier provides true high-fidelity compression and limiting.\u003c\/p\u003e\n\u003cp\u003eThe Keeley Compressor GC-2 Limiting Amplifier is built around the exotic and extremely high-fidelity THAT Corp. 4320. Think of it as a very musical studio-grade compressor in stomp box format! It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra-high performance op-amps to bring you the very best quality. This type of compressor gives you precise control and very musical results. This along with a full frequency range means that the GC-2 Limiting Amplifier compressor is well suited for guitar, keyboards, drum machines and, really, anything you can throw at it. The Keeley GC-2 Limiting Amplifier is both musical and transparent. Where our older compressors were based on the CA3080 or the LM13700 and are perfect for that “Compressor Effect” and are still in use by tens of thousands of players, the new Keeley GC-2 is a different style compressor, aimed at being the ultimate in low noise and transparency. Not only can it handle astonishingly large signals, but it has an incredible bandwidth of over 20 KHz. No detail in your guitar’s tone will be lost. The Keeley GC-2 will be a sound investment in your tone - you now have genuine rack-mount quality at your feet.\u003c\/p\u003e\n\u003ch3\u003eCompression and Threshold\u003c\/h3\u003e\n\u003cp\u003eWhen musicians use the new Keeley Compressor GC-2, they will be greeted with a sound that is more easily amplified and heard. Using the effect as a \u003cem\u003elimiting amplifier\u003c\/em\u003e saves your speakers from clipping and distortion. Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers. Simply watch the Threshold Indicator light to see what type of playing you want to limit; it’s that easy! Next, set the Compression Ratio Control to determine how much squash you want when the signal is above Threshold. Set Compression all of the way down (1:1) for no compression and use the Gain control as a boost. Set Compression all of the way up for an above-Threshold, hard-knee limiter.\u003c\/p\u003e\n\u003ch3\u003eAttack and Release\u003c\/h3\u003e\n\u003cp\u003eThere is a certain figure that just sounds good as far as compression goes, and that’s 125 dB\/second. With feed-forward compressors that use this type of true-RMS detector you use a single time-constant parameter. The timing capacitor gives you attack and release times that are adaptive to your playing level or the signal input to the compressor. 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Andy spent decades combining and crafting the sounds you can now get from the HALO. Notes from the HALO dance rhythmically, almost creating a reverb diffusion.\u003cbr\u003e\u003cbr\u003eThose notes are held together with tape-style effects like modulation, saturation and compression. The results are stunning. The pedal comes loaded with his signature delay tone and you can program your own sounds and save them as presets. Easily bounce between Side A and B on the fly, essentially giving you two delay pedals in one. In addition to Andy's signature Halo sound, there are numerous other rhythmic delays including: quarter note, dotted 8th, stereo rack mount analog delay, and a vintage multi-head tape echo. Stunning stereo and pristine sound quality are enhanced with controls for saturation, tone, and shelving filters that give you the ultimate delay pedal.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eTone Factory\u003c\/b\u003e\u003cbr\u003eUse the Saturate control to add tape compression texture to your tone. The Tone and High Pass Filter controls your overall delay shape and mix. The Rhythm Mode selector delivers 5 delay types, including Andy's unique \"Halo\" sound. Set the Time and Feedback controls low, and you can open up a world of ambient chorus and flanger effects. Run the HALO in stereo for incredible true-stereo imaging. Save your favorite combination of settings as a preset and the HALO becomes an incredibly compact multi-effect workstation.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eThe Sound of Two Delays\u003c\/b\u003e\u003cbr\u003eUse the HALO as two delay pedals that work in tandem, letting you switch between your main delay (side A) and an alternative (side B). With up to 1500 ms of available delay, set sides A and B for different delay times, then simply foot switch between the two. Our Smart Stomp System allows you to press and hold either stomp switch to engage tap tempo mode. Press and hold the alternate stomp switch for infinite repeat\/hold. Each Preset bank gives you 2 delays settings for a total of 8 user-storable effects!\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLet's Dance\u003c\/b\u003e\u003cbr\u003eUse the Rhythm control to select between different echoes like HALO, Analog, Tape, Quarter and Dotted Eighth.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFeatures\u003c\/b\u003e\u003cbr\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eAndy Timmons signature \"Halo\" sound:\u003c\/strong\u003e saved as a preset!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eThe HALO functions as:\u003c\/strong\u003e 2 delay pedals with up to 1500ms of available delay time; save different sounds to A and B; then switch between the two!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDelay rhythms:\u003c\/strong\u003e 5 delay rhythms including stereo rack BBD and multi-head tape delay\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFactory presets:\u003c\/strong\u003e 8 factory presets loaded with new delay and modulation sounds\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStatus light:\u003c\/strong\u003e indicates when you've adjusted a knob from home settings\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSoft stomp switches:\u003c\/strong\u003e for tap tempo, infinite hold, preset save\/recall, and more\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRemote switching:\u003c\/strong\u003e and programmable expression pedal control\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDREAM multi-core DSP:\u003c\/strong\u003e for stunning sound quality\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue-Bypass:\u003c\/strong\u003e or Trails\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMade in:\u003c\/strong\u003e the USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010141004025,"sku":"HALO","price":449.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/md_afd879cfaa8380d39fcd2aed9bfa3f89.jpg?v=1788558284"},{"product_id":"keeley-halo-core","title":"Keeley Halo Core Delay\/Echo Pedal","description":"\u003cp\u003eThe Halo Core is a streamlined version of our iconic Halo delay, offering Andy Timmons’ incredible tone with a simplified control set. Powered by our latest DSP technology, the Halo Core delivers pristine sound quality and versatile delay options, including classic Halo, quarter note, and dotted eighth note modes.\u003c\/p\u003e\n\u003cp\u003eAndy Timmons’ mysterious sounding “Halo” effect is a modulated dual echo sound that has long been kept a secret by the tone wizard himself. Andy spent decades combining and crafting the sounds you can now get from the HALO Core.\u003c\/p\u003e\n\u003cp\u003eNotes dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects like modulation, saturation and compression. The results are stunning.\u003c\/p\u003e\n\u003cp\u003eDiscover the latest from Keeley Electronics: the HALO Core, a streamlined version of our top-selling HALO Andy Timmons Dual Echo. The HALO Core has three modes: Andy’s iconic ‘HALO’ sound, Quarter Note, and now Dotted Eighth.\u003c\/p\u003e\n\u003ch3\u003eTone Factory\u003c\/h3\u003e\n\u003cp\u003eUse the Saturate control to add tape compression texture to your tone. The Tone and High Pass Filter controls your overall delay shape and mix. Set the Time and Feedback controls low, and you can open up a world of ambient chorus and flanger effects. Run in stereo for incredible true-stereo imaging.\u003c\/p\u003e\n\u003ch3\u003eA Match Made in Heaven\u003c\/h3\u003e\n\u003cp\u003eThe collaboration of Andy Timmons, “Master Guitar Player \u0026amp; Delay Wizard”, and Robert Keeley, Godfather of boutique stompbox effects, have collaborated to produce a tool allowing players to master their musical craft.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue Stereo Input and Output:\u003c\/strong\u003e Enjoy immersive sound quality with true stereo capabilities.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSwitchable Trails or True Bypass:\u003c\/strong\u003e Easily switch between trails or true bypass operation on the fly to suit your playing style.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAll-Wet or All-Dry Modes:\u003c\/strong\u003e Engineered to work perfectly with straight-into-amp and effects loop setups.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTap Tempo Footswitch:\u003c\/strong\u003e Achieve perfect timing with the new dedicated Tap Tempo footswitch.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRedesigned ‘Infinite Hold’ Feature:\u003c\/strong\u003e Experience enhanced sound with our improved Infinite Hold feature.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eIntuitive Alt Controls:\u003c\/strong\u003e Fine-tune your sound with adjustable High Pass Filter, Delay Tone, and tape-like Saturation controls.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010141036793,"sku":"HALO-CORE","price":369.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Keeley-Electronics-New-HALO-Core-Andy-Timmons-001-Face-scaled_jpg.webp?v=1788558289"},{"product_id":"keeley-hooke-reverb","title":"Keeley Hooke Reverb Spring Reverb\/Tremolo Pedal","description":"\u003cp\u003e\u003cstrong\u003eHooke Spring Reverb\u003cbr\u003e\u003c\/strong\u003eThe new Hooke Spring Reverb from Keeley brings vintage tube-amp spring reverb and tremolo into one package. Bring your Blackface reverb and tremolo on the road with you without lugging around your prized possession! Choose from Classic Spring, Blackface Trem-n-Verb, or an organ-like Fugue-Verb.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClassic Spring Reverb\u003cbr\u003e\u003c\/strong\u003eThe Hooke Spring Reverb begins with a Spring Reverb mode. The main features of this mode include the Tone and Spring controls. \u003c\/p\u003e\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTone:\u003c\/strong\u003e Allows you to work within the range of bright and spanky to dark and thick.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSpring:\u003c\/strong\u003e The amount of “looseness” or “Sproing!” in the reverb pan.\u003c\/li\u003e\n\u003c\/ul\u003eLoose springs seem to generate a lot of reflections, and you can hear the reverb “bounce.” With the Hooke, you can simulate a specific reverb pan of a vintage amp, two-springs, three-springs, short, medium, long decay. Combinations of these two controls allow you to fine-tune the tone and the character of the springs and tubes in order to dial in your favorite vintage reverb response. The depth and warmth of the Hooke reverb is simply remarkable. It’s one of our finest creations.\n\u003cp\u003e\u003cstrong\u003eBlackface Trem-n-Verb\u003cbr\u003e\u003c\/strong\u003eTrem-n-verb is designed to give you the ultimate Fullerton, CA black panel Vibrato channel reverb. Everyone knows that it’s not really (pitch) vibrato, it’s tremolo. We carefully EQ’d and filtered the sound to not only be tube-like, but we crafted a tonal modification that makes for a deep, throbbing tremolo. By adjusting the bias of the output tubes for the volume tremolo, you also dip the volume of the reverb. We created a special recipe in which the reverb washes over the tremolo texture just a little thickened in order to craft a tone that is truly magical.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFugue, an Organ Reverb\u003cbr\u003e\u003c\/strong\u003eThe Hooke Reverb needed something crazy, something that just didn’t exist. We started playing with shimmer-springs, octave down and sprung, and all sorts of other coiled manifestations of things springy and coily when it hit us. The problem was we could hear the original guitar part. Ah, yes, all wet. All wet is where magic can happen. No original signal, all wet spring reverb with octave up and down. Church Organ, Organ Reverb, Fugue It! Get Hooked and Go Fugue!\u003c\/p\u003e\n\u003cp\u003eSpring Reverb: It’s all about that pan, that pan.\u003c\/p\u003e\n\u003cp\u003eSpring for More!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThree More Reverb Patches!\u003cbr\u003e\u003c\/strong\u003eWant more from your Keeley Reverb? Take the back plate off your Hooke Spring Reverb and change the Bank Switch to Bank 2. Now you have three more spring reverb patches!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLong Decay Trem-n-Verb - \u003c\/strong\u003eSame as in Bank 1, but set up for single coil guitars and super long decay\/reverb trails. If you want a huge springy mess of reverb and you have some spaghetti logo guitar for making surf music, this is it. Spring’s up, dude!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpring-Plate\u003c\/strong\u003e - Another Keeley Original. After a YouTube commentator wrote, oh man no plate reverb? I said, Beeeeetch! I got your plate reverb! How about this, I said: Cross Fade between Spring Reverb and Plate Reverb. And that’s just exactly what it does. Dial in 25% spring reverb and 75% plate, dial in 50\/50, dial in your own perfection. This is like taking your tube amp with spring reverb into the studio and then the producer adds plate reverb. Classic. Happens all the time. Well, now you can do it anywhere with the Keeley Hooke Spring Reverb. Thank you.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVibro-Spring\u003c\/strong\u003e - What if a Blackface and Magnatone amp had a love child? Yeah, a pitch vibrato spring reverb. Something that would have been right up Lonnie Mack’s alley? Well, it’s in there too. The Fugue Mode becomes what I call the Mack Mode. Mack Mode was inspired by Eddie Heinzleman’s love of Lonnie Mack. I texted Eddie about this possibility and in a few seconds I had YouTube links to \u003ca href=\"https:\/\/www.youtube.com\/watch?v=1isW4s7rWpc\"\u003eWham\u003c\/a\u003e and \u003ca href=\"https:\/\/www.youtube.com\/watch?v=xhX1lfWZaNw\"\u003eSatisfy Suzie\u003c\/a\u003e. Yup, Vibrato and Reverb. Sounds Delish. Mack ‘n’ Cheese! Wait, wrong page… Mack Mode! Spring Reverb with Pitch Vibrato.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010148606201,"sku":"HOOKE-REVERB","price":279.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Hooke_Reverb_Face_White_Keeley1-e1524689018356.jpg?v=1788558292"},{"product_id":"keeley-hydra","title":"Keeley Hydra Stereo Reverb\/Tremolo Pedal","description":"Bathe your sound in high-fidelity, true-stereo Tremolo and Reverb with the new HYDRA. Designed to be the perfect end to ANY pedalboard, regardless of genre. Save up to 3 presets and dive deep into the HYDRA's potential using Keeley's Smart Alt Control feature. 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Keeley’s oldest design made smaller and with an additional feature. The Katana started back in 2002 within the Time Machine Boost. It was a dual class A JFET design that gave players an incredible boost and sounded so good they never turned off. In fact, they often ran two or three on stages like John Mayer! The Mini Katana boost provides over 35dB of boost. Enough for the most demanding players and sound reinforcement.\u003c\/p\u003e\n\u003cp\u003eNew for the Mini Katana - 4 MODES!\u003c\/p\u003e\n\u003cp\u003eThe new Mini Katana is now a 4 Mode Booster! With the dual micro switches, you have a total of four sounds possible. Need drive? Just flip the micro Hi-Gain Switch inside and you’ve got overdriven tone! Flip the Hi-Cut Switch (NEW for the Katana Mini!) on the inside and you have a warmer tone to soften any Strat or Tele. Flip both switches and you have the ultimate sounding boost, thick, creamy, tube-amp sounding, and plenty of volume on tap!\u003c\/p\u003e\n\u003cp\u003eObsessed with the cleanest, most enjoyable tone boosted? Well, before other people started using Blue LEDs and non-diode clipping stages, there was the TMB and Katana. Cascading FET stages do the tube-amp-thing like nothing else!\u003c\/p\u003e\n\u003cp\u003eNow made smaller, it will fit any board and any budget. 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This is based on the Yamaha SPX90 and the Alesis Midiverb II. This is not a true reversed reverb as it reads through a delay line at various points in the delay while increasing in volume. The Decay control is more of a switch in that it is choosing between 8 different set decay times: 150ms, 200ms, 250ms, 300ms, 350ms, 400ms, 450ms, and 500ms allowing you to set all kinds of delay times in which the notes come back at you.\u003cbr\u003e\u003cbr\u003eThis is where it gets really cool. The vibrato in this mode is envelope controlled. The range runs from 0 to 50ms of time shift. Tone control is loosely based on the Jazzmaster rhythm tone control with a low pass filter centered at 156.6Hz. Strum hard at it pitch bends like you are playing the trem bar on a Jazzmaster or Jaguar! 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Tape echos have long been regarded as a warm and very guitar friendly form of delay. The Mag-Echo achieves similar results by using a touch of Lo-Fi delay, a slightly filtered echo response to keep things warm, and some modulation. Modulation, or “Wow and Flutter” in the tape world is a slight pitch shift or wavering that occurs as the tape is pulled across the heads. The modulation we use is similar to what we use in our Seafoam Chorus, a slight wavering of pitch on the trails of the repeats. With a simple set of controls for the delay - Time, Regen, and Level and with the “Wow and Flutter” controls - Depth and Rate you can create some very vintage or rather unique tones.\u003c\/p\u003e\n\u003ch3\u003eEcho Controls\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eDelay Time:\u003c\/strong\u003e This Time control roughly sets the length between your repeats between 40ms and 600ms. 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As you raise the control the Depth and Rate LED will start to glow giving you a visual indication as to the amount of modulation you are applying to the repeats.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRate:\u003c\/strong\u003e This is your Flutter control. It’s another way to control how poorly your tape echo is performing! Not that any tape deck was ever in this bad of condition, but it sure sounds good to have a little pitch modulation on your echo! Using these controls gives you a nice way to create unique and very musical delays.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eKeeley Electronics started to develop and produce this delay way back in 2005. But as things happened, we worked on other projects, always keeping an eye on the growing delay and echo market. We sure you will be very happy with the tone of this echo\/delay\/modulation effect.\u003c\/p\u003e\n\u003cp\u003eIt’s pretty clear from this unbiased shoot-out that the Magnetic Echo wins. 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Need more low-end? A dedicated bass boost switch lowers the cutoff an octave and adds 3dB, ideal for single coil low-end recovery. Built tough and uniquely capable of running on 18V for more headroom, a true first of its kind. 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Studio sounds of the 1950s and more. Small Room Reverb, Slapback Echo, Futuristic Double Tracking.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAh, the sounds of Rock and Roll….\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClickety Clack,\u003c\/strong\u003e\u003cbr\u003e noun:\u003cbr\u003e A rhythmic, swiftly paced succession of alternating clicks and clacks, as the sound produced by the wheels of a train moving over tracks. \u003cem\u003eI hear that train a comin’\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eMemphis Sun!\u003c\/p\u003e\n\u003cp\u003eThe new \u003cstrong\u003eMemphis Sun\u003c\/strong\u003e - Lo-Fi Reverb, Echo and Double-Tracker is our second studio themed pedal. Like the Keeley 30ms ADT this pedal gives you a wealth of tones for capturing that classic Rock-and-Roll sound as well as sounds you’ve not heard before. It’s NeoVintage. 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Automatic Double Tracking (ADT) was not available in the 1950s, but we sneak it in here because it makes a wonderful sound. And, if you lengthen the time, it goes right into slapback territory which is at the heart of Country and Rock and Roll guitar sounds. Like our Keeley 30ms, this pedal will do ADT. The Memphis Sun creates a vintage-voiced double-track in mono. Your guitar-playin’ “Gemini-Twin” has a very warmed-up tone. Adjusting the Time Control lets you easily create anything from Double Tracking to Slapback with up to 180ms of delay time.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTime:\u003c\/strong\u003e Delay Time is 0-180ms. For Automatic Double-Tracking set this control at the second mark or lower, 0-30ms. For slapback echo 30-180ms sounds great. The knob markers notate 0, 30, 60, 90, 120, 150, and 180ms\u003cbr\u003e \u003cstrong\u003eRegen:\u003c\/strong\u003e Modulation for the ADT. Set to OFF for NO Rate or Depth. Increasing this control increases both the Rate and Depth of “Tape” modulation.\u003cbr\u003e \u003cstrong\u003eReverb:\u003c\/strong\u003e It’s Still Rock-and-Roll Room Reverb to Me.\u003c\/p\u003e\n\u003ch3\u003eRoom\u003c\/h3\u003e\n\u003cp\u003eThe Room Reverb simulates a small 33′ by 18′ asbestos-tiled room so filled with music the sounds actually get compressed. We take into account the frequency response of the mics used back then. The RCA 77 is loosely simulated by a group of filters including a HPF = 300 Hz and LPF = 8 kHz. Many artifacts are incorporated in our room reverb. And second and third order harmonics are added to make sure it sounds just right.\u003c\/p\u003e\n\u003cp\u003eTime is the Pre-Delay amount: 0-150ms of pre-delay. 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A dual effect designed to inspire musical adventuring. That's what the new Octa Psi Transfigurating Fuzz is all about. The all-analog fuzz and distortion features a powerful transistor design that will make any bass or guitar pickup sound massive. The fast tracking polyphonic pitch-shifter offers a symphony of sounds to explore. Drop tuning, familiar and new pitch-shifting combinations, and even unexpected chorus-inspired sounds just to name a few. Why settle for static Fuzz into Pitch Shift or Pitch Shift into Fuzz settings? With the Octa Psi, you don't have to be binary. On-the-fly commands include switching the effects order, going all-wet, and even True bypass to Buffered Bypass modes. Plug in for Remote use or use a TRS Expression Pedal to control the pitch bending parameters and dive-bomb your heart out.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Octa Psi delivers mind-blowing sounds and visual impact in a newly designed aluminum enclosure with the quality you would expect from Robert Keeley. Welcome to a new era of Keeley Electronics.\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eOcta Psi Polyphonic Pitch Shifter\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e+\/- Two Octave Range\u003c\/li\u003e\n\u003cli\u003eLow latency, fast tracking\u003c\/li\u003e\n\u003cli\u003eExpression pedal control for pitch bending or dive bombs\u003c\/li\u003e\n\u003cli\u003eAll-Wet or Wet\/Dry, switchable on-the-fly\u003c\/li\u003e\n\u003cli\u003eUp\/Down\/Dual modes offer octave, harmonized intervals, and modulation effects\u003c\/li\u003e\n\u003cli\u003eAutomatically remembers tilt control voicing of dual or triple part harmonies\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eOcta Psi Fuzz\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAll Transistor Analog Fuzz and Distortion\u003c\/li\u003e\n\u003cli\u003eThree-Way Bass Response: Scoop, Punch, or Psi mode for massive undertones\u003c\/li\u003e\n\u003cli\u003eTrue-Bypass or Silent Buffered-Bypass, switchable on-the-fly\u003c\/li\u003e\n\u003cli\u003eDouble Tap the Blend Control for effect-order change: Fuzz ⇆ Pitch-Shifter\/Octave\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePedal Type: Octave Fuzz and Pitch Shifter\u003c\/li\u003e\n\u003cli\u003eAnalog\/Digital: Mixed, Analog Fuzz \u0026amp; DSP Pitch Shifting\u003c\/li\u003e\n\u003cli\u003eEffects: Polyphonic Pitch Shifter, Octave, Fuzz, Distortion\u003c\/li\u003e\n\u003cli\u003eInputs\/Outputs: TS ¼” jacks\u003c\/li\u003e\n\u003cli\u003eOther I\/O (Remote): 1x 1\/4\" TRS-Tip=Fuzz, Ring=Octave\u003c\/li\u003e\n\u003cli\u003eOther I\/O (Control): 1x 1\/4\" TRS-Expression, TS-Effect Order\u003c\/li\u003e\n\u003cli\u003eBypass: True Bypass or Silent Buffered Bypass, user selectable\u003c\/li\u003e\n\u003cli\u003ePower Requirements: 9-18 VDC, 150mA (high current power supply sold separately) - no battery\u003c\/li\u003e\n\u003cli\u003eHeight: 2.7”\u003c\/li\u003e\n\u003cli\u003eWidth: 3.9”\u003c\/li\u003e\n\u003cli\u003eLength: 5\"\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010149261561,"sku":"OCTA-PSI","price":379.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/OCTAPSI-TransfiguratingFuzz001-Front.jpg?v=1788558327"},{"product_id":"keeley-rk2000","title":"Keeley RK2000 Funk Siren Delay Pedal","description":"\u003cp\u003eThe RK2000 Funk Siren Delay is the first-ever pedal recreation of the vintage DM2000 rackmount delay that Trey Anastasio has used since 1984. Trey’s “Funk Siren” is a technique in which a one-second delay actually loops a phrase. Similarly, the RK2000 delay pedal captures delay-like loops with infinite repeat, while freeing you to improvise on top. Switching the pedal in and out of Hold mode builds intense layers of sound within your loops. In essence, the RK2000 can be used either as a delay pedal or a phrase looper. It is designed to be a drop-in replacement for the DM2000, loaded with modern updates such as stereo, tap tempo, and MIDI.\u003c\/p\u003e\n\u003cp\u003eKeeley Electronics designed the RK2000 in close coordination with Trey's guitar tech, Justin Stabler, as well as a host of other players familiar with the original DM2000 and the Funk Siren technique. Here are two standouts that make the sound quality of the RK2000 unique for delay enthusiasts: Firstly, the delay is a 12-bit design, not LoFi 8-bit nor HiFi 16-bit. Similarly, all of the supporting analog circuitry is precisely simulated to capture the unique character of the original delay. Secondly, the modulation spans an incredible four octaves and is nearly 44 seconds long. The RK 2000 provides modulation that’s so dramatic, it’s like slamming your hand against the supply reel on a tape deck. To win Trey's approval, both the tone and the modulation had to be spot on!\u003c\/p\u003e\n\u003cp\u003eTake full control with 5 onboard presets, expression pedal mapping, remote Mod and Hold as well as full MIDI implementation. The RK2000 can be used as a chorus, a flanger, a doubler, a slapback delay, or a saturated tape echo. 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This pedal faithfully recreates the swirling textures and vintage warmth of those rotary cabinets. Tucked inside Keeley’s laser cut aluminum case is a brand new set of circuit boards delivering the finest tone we’ve ever achieved. The quality is so impressive that it’s knocking industry titans off pedal boards.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSyrupy Swirl \u0026amp; Tube Breakup:\u003c\/strong\u003e Achieve that classic rotary sound with a rich, “chorus-y” effect and a tube-like overdrive, reminiscent of those era-defining guitar tones!\u003c\/p\u003e\n\u003ch3\u003eSculpt Your Sound\u003c\/h3\u003e\n\u003cp\u003eBlend: Find the perfect mix between dry and wet signals for a subtle warble or a full-on sonic whirlpool.\u003c\/p\u003e\n\u003cp\u003eDrive: Dial in tube-like harmonic saturation that adds depth and character to your tone!\u003c\/p\u003e\n\u003cp\u003eMid Boost: Three different EQ curves to fatten up the stereo chorus effect.\u003c\/p\u003e\n\u003ch3\u003eRotary in Motion\u003c\/h3\u003e\n\u003cp\u003eDual Speed: Choose between two distinct rotation speeds for classic slow warble or a more dramatic, fast chorus effect.\u003c\/p\u003e\n\u003cp\u003eBrake: Instantly slow down the rotation for a cool “stopping” effect, adding a dynamic touch to your playing.\u003c\/p\u003e\n\u003cp\u003eAdjustable Ramp: Control the speed transition between slow and fast for smooth or dramatic soundscapes.\u003c\/p\u003e\n\u003cp\u003eLarge Speed Knob: Easily control the rotation speed for intuitive adjustments on the fly!\u003c\/p\u003e\n\u003ch3\u003eIntegration\u003c\/h3\u003e\n\u003cp\u003eLight Show: Set the mood with the optional pulsing LED that reacts to the rotary effect, adding a touch of visual flair to your performance!\u003c\/p\u003e\n\u003cp\u003eStereo Everywhere: This pedal has stereo ins and outs, allowing you to create lush, expansive soundscapes that perfectly complement modern rigs.\u003c\/p\u003e\n\u003cp\u003eTrue Bypass or Buffered Bypass: Choose between transparent signal switching or a buffered bypass for maintaining pristine tone in complex pedal chains!\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSculpt your rotary tones with our finest sounds to date\u003c\/li\u003e\n\u003cli\u003eUpdated circuits for maximum fidelity\u003c\/li\u003e\n\u003cli\u003eSimple and intuitive controls for live and studio use\u003c\/li\u003e\n\u003cli\u003eNew LED speed indicator - Become one with the sound\u003c\/li\u003e\n\u003cli\u003eTrue Stereo for perfect integration in modern rigs\u003c\/li\u003e\n\u003cli\u003eTrue or Buffered Bypass - Switchable on the fly\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 3.9in \/ 99mm\u003c\/li\u003e\n\u003cli\u003eHeight: 2.6in \/ 66mm\u003c\/li\u003e\n\u003cli\u003eDepth: 4.9in \/ 124.5mm\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010149392633,"sku":"ROTARY","price":339.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Keeley-Electronics-New-Rotary-Guitar-Effect-Pedal-001-Front-scaled_jpg.webp?v=1788558334"},{"product_id":"keeley-seafoam-plus","title":"Keeley Seafoam Plus Chorus\/Vibrato Pedal","description":"\u003cp\u003e\u003cstrong\u003e\u003cem\u003eSeafoam Plus Chorus - True Chorus and ADT with Reverb\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eKeeley Engineering is changing the minds of even the most picky players… again.\u003c\/p\u003e\n\u003cp\u003eWe redefined chorus. There is a new style of chorus that actually sounds \u003cem\u003eRIGHT\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eWe are proud to announce the all new \u003cem\u003eSeafoam Plus Chorus - True Chorus and ADT with Reverb\u003c\/em\u003e. It will forever change the way you think about chorus, because we have developed a new type of chorus that until now has only been available in expensive DAWs and in studios. Not only is it tuned for guitar, but there are voices and modes created specifically for bass players including flanging and tremolo. Lastly, this tri-mode chorus pedal offers internal switching for vintage and modern tones, doubling the amount of sounds you can get.\u003c\/p\u003e\n\u003cp\u003eADT: \u003cstrong\u003eTHE NEW DEFINITION OF CHORUS\u003c\/strong\u003e. In the Seafoam Plus Chorus you get the automatic doubler that we developed in the revolutionary 30ms Double Tracker. Our ADT chorus is what we call True Chorus, because we create a second and third voice - like singers in a choir. Not only do they sing at different times, they sing at different pitches. True Chorus.\u003c\/p\u003e\n\u003cp\u003eSeafoam Mode: You guessed it… the all new Seafoam Plus Chorus - lush, wide, and with a very musical vibrato. It gives you the lush sounds and tone of a vintage BBD analog chorus unit. This is where you’ll find a typical chorus feature. The Seafoam Mode of the pedal has an LFO, the regularly cycling part you hear in most every other chorus unit. It provides a classic tone that you expect and which has become part of many classic tunes. Set the rate for slow and the depth for wide, and enjoy a really spacious sounding chorus. Roll the Mix Control all of the way up for Vibrato. With the Space control acting as a Tone Control in this mode, you can go from bright to vintage warmth, dialing in the perfect chorus.\u003c\/p\u003e\n\u003cp\u003eDual Chorus Mode: We created a frequency crossover-based dual-chorus engine. Imagine a dividing line that is centered on your high E-string. Control the depth of chorus independently for highs and lows. Craft the ultimate “Come As You Are” Nirvana of chorus tones. Create a very deep, throbbing chorus on the low end, and a near perfect calm on the top end. Or make the high-end shimmer and waver while keeping the low end fixed!\u003c\/p\u003e\n\u003ch3\u003eChoralFlangelo\u003c\/h3\u003e\n\u003cp\u003eOK, it goes twice as deep. The Seafoam Plus Chorus is a Bass Chorus, Flanger, and Tremolo too! Pop off the back, flick a switch, and it’s a bass guitar player’s dream. The Space Controls give you controls for Regeneration, High-pass filtering to keep things tight, and a haunting Tremolo you have to hear to believe! Let’s get down and funky, Michelangelo!\u003c\/p\u003e\n\u003ch3\u003eVintage at Heart\u003c\/h3\u003e\n\u003cp\u003eWant a softer tone? Chorus that’s silky smooth and warm? No problem. Internal switching puts it in “Vintage Mode.” The Keeley Seafoam Plus Chorus ships in “Modern Mode” for ultra wide, lush, and high-fidelity chorus. Either way, enjoy sounds that are downright frighteningly good. Makes you wonder, “Is that my fingers playing that tone?!”\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010149425401,"sku":"SEAFOAM-PLUS","price":289.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/J31545000000000-00-500x500.jpg?v=1788558338"},{"product_id":"keeley-super-phat-mod","title":"Keeley Super Phat Mod Full Range Overdrive Pedal","description":"\u003cp\u003eMany say the Phat Mod delivers their favorite tone from a pedal. It’s that natural break-up that just feels good and lets you express yourself. The dynamics make it feel alive and part of your fingers. That’s the reason the modified pedal has stayed on people’s boards for nearly 15 years. The Keeley Super Phat Mod is our famous mod now perfected with amazing sounding JFETs that emulate old tube amps in a unique way.\u003c\/p\u003e\n\u003cp\u003eThe original pedal was a great design that features tube-like amp stages, tube amp tone stacks, and a variety of tone shaping circuits to bring out the best in any guitar’s pickups. The problem with building one in the past has been the difficulty finding the perfect FET to capture the magic. If the harmonic content and grain of the distortion and overdrive weren’t exactly right, we moved on and waited to try out other devices. Well, after all these years Craighton Hale stumbled upon a Toshiba device that had the magic. Our resident guitar hero, Aaron Pierce, known for being very critical of even the most minute nuances, was grinning from ear to ear when he approved this ear-candy final version. We had found the magic device that pushed it over the top. So, we just had to dress it in gold and royal purple. The name badge had to speak of its history and heritage. With Super Phat Mod in an old, Blackface-style logo and the metal-flake clear-sparkle on gold, we feel it will look incredible in any rig.\u003c\/p\u003e\n\u003cp\u003eThe Super Phat Mod pedal now has incredible dynamics. It is full range and very responsive. The phrase “transparent overdrive” was born of this design! From country pickin’ to blues and rock wailing, the Phat Mod is the choice for those not wanting the over-refined sound of a common Screamer. Set the gain high and let your guitar’s volume control or your pick attack do the work. With the Super Phat Mod, you now have all of our refinements - the very best of tone-shaping electronics and modern features like true-bypass.\u003c\/p\u003e\n\u003ch3\u003eThe Skinny on the Phat History\u003c\/h3\u003e\n\u003cp\u003eThe Keeley BD-2 was the first mod that had a switch. It was done to give players two modes of bass response. With the slight boost, it was called the Phat mode. It was perfect for players of Strats and Teles who wanted just a small push without being muddy. That same design is also available via the micro toggle on the Super Phat Mod. Later on we released the Luna Overdrive which won a Gear of the Year award in England, and that pedal had further refinements made to it and became the Katana Blue Drive. The Katana Blues Drive still retained the active bass and treble controls but smoothed out the highs and increased the gain range slightly. That was an original design designed to meet many of the tonal characteristics of the Blues Driver. The new Super Phat Mod takes off by duplicating the Keeley Phat Mod part-for-part with the exception of our new “super JFETs.” And we think you’ll enjoy this incredible tone we have crafted for you.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010149458169,"sku":"SUPER-PHAT-MOD","price":229.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Super-Phat-Mod-Overdrive-Face-White-Keeley1-e1524692498561.jpg?v=1788558339"},{"product_id":"keeley-super-rodent","title":"Keeley Super Rodent 4-in-1 Distortion\/Overdrive Pedal","description":"\u003cp\u003ePart of Keeley's new 4-in-1 Series. Toggle between two very different overdrive \u0026amp; distortion circuits or innovate your sound using new hybrid tones no one has ever used before. It's almost like pedal-modeling, except these are 100% analog circuits and you decide which tone-control or clipping-section suits your style.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSONIC JARGON\u003c\/strong\u003e\u003cbr\u003eOverdrive, Distortion, Fuzz, Boost, Saturation, Hard Clipping, Soft Clipping, Hybrid, Versatile, Analog\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFour Overdrive and Distortion sounds - including two new\u003c\/li\u003e\n\u003cli\u003eFrankenstein hybrid tones...that's where the magic is!\u003c\/li\u003e\n\u003cli\u003eSD-1 Overdrive Tones (Soft Clipping)\u003c\/li\u003e\n\u003cli\u003eRAT Distortion Tones (Hard Clipping)\u003c\/li\u003e\n\u003cli\u003eSwitch between Silent Buffered Bypass or True Bypass with foot gesture - Hold down foot switch to change on the fly\u003c\/li\u003e\n\u003cli\u003e9 to 18 V operation for huge dynamic range and headroom\u003c\/li\u003e\n\u003cli\u003eDesigned \u0026amp; manufactured in the USA\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSpecifications\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e 500 k\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput Impedance:\u003c\/strong\u003e 1 k\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCurrent Draw:\u003c\/strong\u003e 29 mA\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 5 x 2.6 x 2.8 in (12.7 x 6.7 x 7 cm)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010149490937,"sku":"SUPER-RODENT","price":299.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/8pe04ckw.png?v=1788558340"},{"product_id":"keeley-tube-drive","title":"Keeley Tube Drive Dual Overdrive Pedal with 12AX7","description":"\u003cp\u003eSince first hitting the stompbox scene with his famous Phat Mod, Robert Keeley has established himself as an authority on overdrive pedals, and the Tube Drive delivers one of his most ambitious projects to date. Featuring a pairing of the legendary Super Phat Mod overdrive circuit with a genuine high-voltage 12AX7 tube preamp, this dual-function overdrive is designed to be the saturation centerpiece of your rig. Each effect can be run independently or combined in varying orders to create a spectrum of tones, ranging from a low-gain boost to thick overdrive, and gigging guitarists will appreciate the Tube Drive’s ability to deliver a consistent live tone, regardless of the venue's backline. The Keeley Tube Drive is sure to become the heart and soul of your setup.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEqual parts tube drive and super phat mod\u003c\/strong\u003e\u003cbr\u003eTone purists believe that you can never have enough tube warmth in your signal chain, and the Tube Drive’s 12AX7 offers the warm, rich tone you can only get from a valve running at proper voltage. Add touch-sensitive breakup to your clean amp on light gain settings, or push your driven amp harder with generous amounts of gain and volume. The Super Phat Mod adds its own legendary character, full of dynamic, transparent overdrive and boost tones alive with harmonic content thanks to its unique JFET design. Each side sounds fantastic on its own, but the real magic happens when you run them together. There’s an infinite palette of saturation waiting to be explored in the Keeley Tube Drive.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSimplicity and versatility\u003c\/strong\u003e\u003cbr\u003eWhile this pedal's straightforward control set is simple to dial in, the Tube Drive has a number of features that elevate it well above your standard drive stompbox. A remote TRS input jack on the rear panel lets you control each side of the pedal externally. Here, Tip is assigned to Drive and Ring is assigned to Tube, allowing the Tube Drive to be fully integrated into complex pedalboard setups. The Tube Drive also accepts power from 9-18V center-negative power supplies, allowing you to choose the right amount of headroom for further tone shaping. Lastly, every Keeley-branded 12AX7 tube used is carefully selected and broken in, a custom Keeley tube shroud offers protection, and a vented rear panel ensures proper airflow for long life and optimal performance. It adds up to a dual overdrive pedal crafted specifically for those in constant pursuit of tonal perfection.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDual-stage overdrive pairs an authentic high-voltage 12AX7 tube preamp with the legendary Super Phat Mod circuit\u003c\/li\u003e\n\u003cli\u003eCircuits can be combined or used independently for a stunning range of tones from clean boost to thick, saturated overdrive\u003c\/li\u003e\n\u003cli\u003eStreamlined control panel includes per-channel Level, Tone, and Gain\/Drive\u003c\/li\u003e\n\u003cli\u003eSwitchable FX order allows for signature tone sculpting\u003c\/li\u003e\n\u003cli\u003eCan be powered by 9V - 18V for varied headroom\u003c\/li\u003e\n\u003cli\u003eRemote TRS jack allows for enhanced pedalboard integration\u003c\/li\u003e\n\u003cli\u003eCustom Keeley tube shroud and vented rear panel protect the tube and ensure proper airflow\u003c\/li\u003e\n\u003cli\u003eSelect between true bypass and silent buffered switching\u003c\/li\u003e\n\u003cli\u003eIncludes tube-removal tool, tube shield, and tube grommet\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePedal Type: Overdrive\n\u003c\/li\u003e\n\u003cli\u003eAnalog\/Digital: Digital\n\u003c\/li\u003e\n\u003cli\u003eControls: Knobs: 2 x Level, Gain, Drive, 2 x Tone\n\u003c\/li\u003e\n\u003cli\u003eNumber of Footswitch Buttons: 2\n\u003c\/li\u003e\n\u003cli\u003eInputs: 1 x 1\/4\"\n\u003c\/li\u003e\n\u003cli\u003eOutputs: 1 x 1\/4\"\n\u003c\/li\u003e\n\u003cli\u003eOther I\/O: 1 x 1\/4\" (remote)\n\u003c\/li\u003e\n\u003cli\u003eTrue Bypass: Yes\n\u003c\/li\u003e\n\u003cli\u003eBypass Switching: Silent Buffered\n\u003c\/li\u003e\n\u003cli\u003ePower Source: 9V DC power supply (sold separately)\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010149523705,"sku":"TUBE-DRIVE","price":579.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Keeley-Electronics-Tube-Drive-Twin-Triode-Dual-Overdrive-000-Tube-Drive-on-Transparent-Background.png-scaled.png?v=1788558347"},{"product_id":"keeley-tube-drive-at7","title":"Keeley Tube Drive 12AT7 Limited Edition Dual Overdrive Pedal with 1987 Philips JAN 12AT7WC","description":"\u003cp\u003eThe Keeley Tube Drive Limited Edition equipped with a 1987 Philips JAN (Joint Army Navy) 12AT7WC military-spec dual-triode tube is an uncompromising, dual-voice overdrive workstation. Operating the internal twin-triode valve at high voltages (exceeding 100V) in Class A configuration, the left side of the pedal functions as a true tube preamp featuring a vintage 5E3 tweed-amp-style tone stack. This delivers authentic, organic compression and harmonic saturation entirely from the glass tube - bypassing the need for standard clipping diodes.\u003c\/p\u003e\n\u003cp\u003eThe right side features Keeley’s acclaimed Super Phat Mod (an enhanced JFET-based circuit derived from the classic Blues Driver) to add punch, body, and singing sustain. Players can completely reorder the signal path on the fly via foot gestures or an external remote jack, running the tube into the Phat Mod or vice versa. Housed in a pedalboard-friendly enclosure with top-mounted jacks, it bridges the gap between genuine boutique high-voltage tube tone and versatile modern switching.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003ePowered by:\u003c\/strong\u003e a vintage 1987 Philips JAN 12AT7WC dual-triode valve running at high voltage.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDual-Stage Overdrive:\u003c\/strong\u003e Combines a Class A tube preamp channel with a transparent JFET Super Phat Mod drive circuit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEffect Order:\u003c\/strong\u003e Easily swap the effect order underfoot (Tube into Drive or Drive into Tube) or via an external remote switch.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eControls:\u003c\/strong\u003e Dedicated Level, Gain, and Tone knobs for each of the two distinct audio channels.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFlexible Switching \u0026amp; I\/O:\u003c\/strong\u003e Selectable true-bypass or silent buffered operation with top-mounted audio jacks and remote expansion.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010149556473,"sku":"TUBE-DRIVE-AT7","price":649.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/KTUBEDRIVE-AT7.png?v=1788558352"},{"product_id":"keeley-verb-o-trem","title":"Keeley Verb-O-Trem Eddie Heinzelman Signature Reverb\/Tremolo Pedal","description":"\u003cp\u003eWelcome to the Vibe-O-Verb!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eThis is a reverberation machine\u003c\/em\u003e\u003c\/strong\u003e. \u003cem\u003eLost reverbs that never were.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe atmospheres are Vibey, have Vibratoneness, and are Phasery.\u003c\/p\u003e\n\u003cp\u003eThis three mode reverb lets you hear what some of the most classic effects sound like on just the reverb. Allowing you to create new sounds and textures like never before.\u003c\/p\u003e\n\u003ch3\u003eFibonacci\u003c\/h3\u003e\n\u003cp\u003eAll of the Delay Space in our reverb engine for the pedal are in the Fibonacci series. What does this mean for you? You’ll probably make more money, look better (see golden ratio below) and find true happiness. What does this mean for us? A secret pleasure in defining a reverb that is unique and possibly more musical. Since great works of art like Debussy’s La Mer have been crafted by using the Golden Ratio, why not create lengths of time defined by such ratios? 0, 1, 1, 2, 3, 5, 8, 13, 21, 34\u003c\/p\u003e\n\u003ch3\u003eHarmonic Reverb\u003c\/h3\u003e\n\u003cp\u003eThis mode is like a vintage Brownface Amp or our DynaTrem, Harmonic Tremolo on the reverb. Imagine choppy waves of tremolo on your verb! All with a delicious hint of Vibe! Dynamic Dimension Canyons?!\u003c\/p\u003e\n\u003ch3\u003eVibrato Reverb\u003c\/h3\u003e\n\u003cp\u003ePitch Bending Reverberation Machine. From mild chorus to spacey bayou tones! Too grande to call our modulated chorus, this is one for modern psychedelics. For this one you have to imagine maybe both the source and the reflective wall moving! Maybe even accelerating with respect to each other. Why didn’t we call this one the General Theory Of Reverberation?\u003c\/p\u003e\n\u003ch3\u003ePhaser\u003c\/h3\u003e\n\u003cp\u003ePhaser Modulated Reverb. Maybe the most mild but in a way that lets you appreciate some of the space around notes. This notch filter in your reverb space gives the illusion of the reflecting wall morphing from carpet to wood, then to steel and then glass. Round and round. Get the idea? Dynamic reflections in an all new space.\u003cbr\u003e Enjoy these “Lost Reverbs” Vibe-O-Verb, reverbs that never were until now.\u003c\/p\u003e","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010149589241,"sku":"VERB-O-TREM","price":229.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/md_1f39d52ea529679e2eb1eeb0aaa31f9e.jpg?v=1788558353"},{"product_id":"keeley-vibe-o-verb","title":"Keeley Vibe-O-Verb Ambient Reverb Pedal","description":"This three mode reverb lets you hear what some of the most classic effects sound like on just the reverb. Allowing you to create new sounds and textures like never before.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFibonacci\u003c\/b\u003e\u003cbr\u003eAll of the Delay Space in the reverb engine for this pedal are in the Fibonacci series. What does this mean for you? You'll probably make more money, look better (see golden ratio below) and find true happiness. For Keeley it means a secret pleasure in defining a reverb that is unique and possibly more musical. Since great works of art like Debussy's La Mer have been crafted by using the Golden Ratio, why not create lengths of time defined by such ratios? 0, 1, 1, 2, 3, 5, 8, 13, 21, 34\u003cbr\u003e\u003cbr\u003e\u003cu\u003eHarmonic Reverb\u003c\/u\u003e\u003cbr\u003eThis mode is like a vintage Brownface Amp or the DynaTrem, Harmonic Tremolo on the reverb. Imagine choppy waves of tremolo on your verb! All with a delicious hint of Vibe!\u003cbr\u003e\u003cbr\u003e\u003cu\u003eVibrato Reverb\u003c\/u\u003e\u003cbr\u003ePitch Bending Reverberation Machine. From mild chorus to spacey bayou tones, this is one for modern psychedelics. For this one you have to imagine maybe both the source and the reflective wall moving! Maybe even accelerating with respect to each other.\u003cbr\u003e\u003cbr\u003e\u003cu\u003ePhaser Modulated Reverb\u003c\/u\u003e.\u003cbr\u003eMaybe the most mild but in a way that lets you appreciate some of the space around notes. This notch filter in your reverb space gives the illusion of the reflecting wall morphing from carpet to wood, then to steel and then glass. Round and round. Get the idea? Dynamic reflections in an all new space.","brand":"Keeley","offers":[{"title":"Default Title","offer_id":49010149622009,"sku":"VIBE-O-VERB","price":229.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/md_e50fb5ec6d65652937ae09644f040586.jpg?v=1788558354"},{"product_id":"keeley-zoma","title":"Keeley Zoma Stereo Reverb\/Tremolo Pedal","description":"\u003cp\u003eThe first sound effects built into amplifiers were tremolo and reverb. 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Experience a dirty, swampy tone with harmonic tremolo on top of reverb.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTrue Bypass or Buffered Trails:\u003c\/strong\u003e You chose what sounds and works best in your rig.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Zoma is more than just a pedal - it’s your signature. Reverb and tremolo effects crown any player’s pedalboard. Trust Keeley reverbs for an inspiring “always-on” sound\u003c\/p\u003e\n\u003ch3\u003eThree Reverb and Trem Modes\u003c\/h3\u003e\n\u003cp\u003eWe’ve combined the most popular ‘Verbs and Trems into three different pairs. 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