{"title":"Boz Digital Labs","description":null,"products":[{"product_id":"boz-provocative","title":"Boz ProVocative","description":"\u003cp\u003eEasy to use yielding great results quickly, ProVocative is a micro pitch-shift plug-in that’s light on CPU resources, heavy on sound quality, and features high- and low-pass filters for frequency-specific pitch shifting, along with track widening and independent wet\/dry mix controls.\n\n\u003c\/p\u003e\n\u003cp\u003eMicro pitch-shifting has been around for decades and in that time, regardless of format (i.e. hardware or software) it’s functionality has remained largely the same. While some may invoke the “if it ain’t broke, don’t fix it” mantra, who says you can’t go ahead and make it better? Well, nobody at Boz Digital, which is why ProVocative was created. Quick and easy to dial in, its high- and low-pass filters, width control, and wet\/dry knobs let you add thickness or bring out the air in vocals without sounding robotic; subtly or aggressively widen guitars, synth pads, or drums; and mix wet and dry signal to taste. It’s light on the CPU and heavy on sound quality.\n\n\u003c\/p\u003e\n\u003ch3\u003eProVocative—Cracking the Code\u003c\/h3\u003e\n\u003cp\u003eProVocative is an inspired new version of the legendary micro pitch-shifter of days gone by (A hint to its identity lies within a joke we’ve heard at least, Hmm, 3000 times: Child, you so ugly, Even the tide wouldn’t take you out). While the hardware became ubiquitous in high-end and mid-level studios the world over, it was quite complicated to use. As a result, two go-to presets emerged; 231, which became to go-to for vocal thickening, and 521, which combined micro pitch-shifting with slap delay, the standard for depth and widening. All but the most adventurous tweakers kept that ‘big bucks box’ dedicated to those effects (because who has time to read manuals and futz around while the clock is ticking). In the studio, you want great results and you need them quickly, which is what ProVocative is all about.\n\n\u003c\/p\u003e\n\u003ch3\u003eMixer Section\u003c\/h3\u003e\n\u003cp\u003eWith other pitch-shifting plug-ins, the ability to run the effect in parallel with the dry signal for a more controlled, natural sound, ProVocative generously gives you individual Wet and Dry knobs so you can use it as an insert effect and dial in the amount of effect you want in one convenient location. However, if you prefer the functionality of a blend knob, you can engage the Link button, which gangs the Wet and Dry knobs together to act like a wet\/dry mix control.\n\n\u003c\/p\u003e\n\u003ch3\u003eFilter Section\u003c\/h3\u003e\n\u003cp\u003eProVocative’s most unique addition to traditional pitch-shifting is its high- and low-pass filter section, which enables you to select the frequency range it applies micro-shifting to via slider. You can bypass or enable these filters by clicking on the HPF or LPF symbols. These filters will only EQ the wet sound, leaving the dry sound unaffected. The main benefit of the filter section is that it enables to thicken or widen a specific frequency range while retaining an overall more natural sound—unless you want to go full robotic.\n\n\u003c\/p\u003e\n\u003ch3\u003eWidth\u003c\/h3\u003e\n\u003cp\u003eAs its name suggests, width controls widening of the pitch-shifted tracks. When set to positive 100%, the pitch-shifted track is panned to the right, while negative 100% pans the track to the left. When set to 0%, both tracks are panned to the center.\n\n\u003c\/p\u003e\n\u003ch3\u003ePitch\u003c\/h3\u003e\n\u003cp\u003eThe pitch control ranges from 1 to 20 cents. Once set, ProVocative makes two pitch-shifted tracks, one up and one down by the selected amount.\n\n\u003c\/p\u003e\n\u003ch3\u003eDelay\u003c\/h3\u003e\n\u003cp\u003eTo create depth, this knob controls the delay between dry and pitch-shifted tracks. It ranges from 20ms to 150ms. Note: Some slight modulationis applied to the delay time in addition to the delay time set. This helps to give a more natural sound.\n\n\u003c\/p\u003e\n\u003cp\u003eLike all Boz plug-ins, ProVocative comes with its own presets, shareable across formats, computers, and operating systems, along with an A\/B bank that lets you compare settings without losing your settings.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425512833273,"sku":"1358-1010","price":68.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/ProVocative-ScreenShot.jpg?v=1771377857"},{"product_id":"boz-pan-knob-2","title":"Boz Pan Knob 2","description":"\u003cp\u003ePan Knob overcomes the limitations of traditional panning schemes with a superior algorithm that centers low frequencies while panning higher frequencies for superior balance and mix translation.\n\n\u003c\/p\u003e\n\u003cp\u003ePanning is one of the most basic mixing tools we have, and it’s included in every DAW. So why a Pan Knob plugin? Simple answer: because it sounds way better, especially in headphones. Longer answer: Keep reading.\n\n\u003c\/p\u003e\n\u003ch3\u003eWhy Change a Bread and Butter Effect?\u003c\/h3\u003e\n\u003cp\u003eTraditional panning works by adjusting the volume on your right and left channels to move where it sounds in the stereo field. Simple enough. But there’s a major problem with this: It sounds really sucky on headphones when you pan things wide. Why? Because in the real world, sound never shows up in just one ear, unless it’s a mosquito.\n\n\u003c\/p\u003e\n\u003cp\u003ePan Knob fixes this by adding a couple extra dimensions to your pan control.\n\n\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIt keeps low frequencies unpanned. This simulates the natural effect of your head filtering the high frequencies while letting low frequencies hit both ears.\u003c\/li\u003e\n\u003cli\u003eIt adds a small delay to simulate the wave front hitting your ears at different times.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBoth of these effects can be toggled on and off depending on your situation. Pan knob will do everything from traditional dumb panning to advanced natural sounding panning.\n\n\u003c\/p\u003e\n\u003ch3\u003eBreak the Rules\u003c\/h3\u003e\n\u003cp\u003eBecause Pan Knob lets you pan anywhere and still sound natural, you are now free to break the traditional rules of panning. You want to pan your bass to the left? Go for it. It will sound natural. You want that snare drum to come from the right without giving the listener a migraine? Have at it. The traditional panning rules no longer apply.\n\n\u003c\/p\u003e\n\u003ch3\u003ePan Knob to the Rescue\u003c\/h3\u003e\n\u003cp\u003ePan Knob enables you to instantly swap pan positions of instruments, choose between Balance or Pan for stereo tracks, and select pan laws. Best of all, Pan Knob lets you depart from standard panning schemes while still sounding natural, and doesn’t cause the balance problems common to ear-bud and headphone listening. Pan Knob enables you to experiment with panning without all the tail-chasing and tradeoffs that come with moving instruments and vocals around the stereo field using traditional panners. As an added benefit, Pan Knob speeds up your workflow, which is essential for both professional and aspiring mix engineers.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425513226489,"sku":"1358-1055","price":68.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Pan-Knob-2-Screenshot.jpg?v=1771377867"},{"product_id":"boz-sasquatch-kick-machine-2","title":"Boz Sasquatch Kick Machine 2","description":"\u003cp\u003eSasquatch 2 is a CPU-friendly kick drum enhancement plug-in that enables you to custom-tailor the sound of any kick drum, acoustic or electronic, with exhaustive creative possibilities, ranging from subtle to extreme and beyond.\n\n\u003c\/p\u003e\n\u003cp\u003eSasquatch 2 is a dedicated kick drum processing plug-in (though that’s not all it can do), that enables you to craft your kick drum sound in accordance with your production needs in any musical genre. Whether it’s subtle enhancement, massive room-shaking thump, or electronic musical mutation, Sasquatch 2 makes it easy to get the results you want; no option overload, no hours wasted scrolling through Gigs of samples, and no arcane features you’ll never touch. Low end is the crucial part of a modern mix and the most difficult to get under control. If you’ve been struggling to craft a powerful, punchy low end, Sasquatch 2 can give you all that and more in a single, easy-to-use, and affordable plug-in.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425516175609,"sku":"1358-1303","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Sasquatch-2-Screenshot.jpg?v=1771377976"},{"product_id":"boz-recoil","title":"Boz ReCoil","description":"\u003cp\u003eReCoil gives you the authentic sound of real spring reverbs without the hassle, noise\nor limitations.\n\u003c\/p\u003e\n\u003cp\u003eSpring reverbs have always had a bit of a sketchy reputation in the music world. They\nare untweakable, noisy, physically delicate and make clanky sounds when you kick\nyour guitar amp. But despite their shortcomings, one thing is for sure: their\ncharacteristic boingy sound has cemented their place in history. Love them or hate\nthem, spring reverbs instantly give any instrument an undeniably vintage vibe.\u003c\/p\u003e\n\u003ch3\u003eWhat makes ReCoil special?\u003c\/h3\u003e\n\u003cp\u003eTweakability:\u003c\/p\u003e\n\u003cp\u003e What’s the point of a plugin if you can’t tweak it? ReCoil lets you\nchoose which spring, but how many. Each spring model lets you choose between 1\nand 3 springs\u003c\/p\u003e\n\u003cp\u003eVariety of Springs:\u003c\/p\u003e\n\u003cp\u003e We started out with the plan of just using a few reverb tanks, but\ngot a bit carried away and added slinkies, door stops, random springs we found in\nthe trash and basically anything that we could find that could vaguely resemble a\nspring (I prefer Arvin Ash’s definition of a spring)\u003c\/p\u003e\n\u003cp\u003eAlgorithmic or Impulse:\u003c\/p\u003e\n\u003cp\u003e What good is a reverb if you can’t tweak its settings? ReCoil\ncomes with both algorithmic reverbs for maximum control and impulse based\nreverbs for maximum realism. You get to decide what you need.\u003c\/p\u003e\n\u003cp\u003eStereo:\u003c\/p\u003e\n\u003cp\u003e Spring reverbs are almost universally mono, which is cool and all, but it’s hard\nto beat a nice wide stereo reverb. ReCoil lets you get a naturally wide reverb sound\nout of a spring reverb by panning each spring separately\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425530429689,"sku":"1358-2460","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/ReCoil-Screenshot.jpg?v=1771378383"},{"product_id":"boz-big-clipper-2","title":"Boz Big Clipper 2","description":"\u003cp\u003eDistortion is one of the most powerful tools in an engineer’s toolbox. When used subtly, it can enhance even the cleanest acoustic instruments. When used with a heavy hand, it can increase aggression and loudness. But like all powerful tools, if you use it wrong, it can have disastrous consequences.\n\n\u003c\/p\u003e\n\u003cp\u003eBig Clipper gives you the tools to hone in your distortion to give it just the right flavor of harmonics. From a soft, warm overdrive to crushing, bitey clipping, Big Clipper does it all and lets you easily dial it in.\n\n\u003c\/p\u003e\n\u003ch3\u003eDual Stage\u003c\/h3\u003e\n\u003cp\u003eBig Clipper gives you two stages of distortion with wildly different flavors and lets you mix and match them to get just the right flavor.\n\n\u003c\/p\u003e\n\u003ch3\u003eFrequency Selective Threshold\u003c\/h3\u003e\n\u003cp\u003eThe innovative Heft control lets you achieve a much more natural and warm distortion, giving gentle distortion with smooth, tight dynamics. It essentially makes distortion that sounds good on everything.\n\n\u003c\/p\u003e\n\u003ch3\u003eIncludes Little Clipper\u003c\/h3\u003e\n\u003cp\u003eSometimes you just need a simplified set of controls when you don’t need anything super fancy. Little Clipper is included with you purchase of Big Clipper so you can use whichever tool is right for the job.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425530659065,"sku":"1358-2485","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Big-Clipper-2-Screenshot.jpg?v=1771378393"},{"product_id":"boz-little-clipper-2","title":"Boz Little Clipper 2","description":"\u003cp\u003eLittle Clipper includes only the essential features you need, along with input and threshold metering, to quickly and easily dial in the perfect amount of clipping to enhance individual tracks, stereo busses, or full mixes.\n\n\u003c\/p\u003e\n\u003cp\u003eLittle Clipper is a powerful tool for enhancing and shaping the sound of your audio recordings. With its intuitive interface and versatile features, this plugin is designed to help you achieve professional-quality results with ease.\n\n\u003c\/p\u003e\n\u003cp\u003eLittle Clipper allows you to easily adjust the amount of clipping applied to your audio signal, giving you greater control over the distortion and saturation of your sound. Whether you’re looking to add subtle warmth or aggressive grit to your tracks, this plugin makes it easy to dial in the perfect amount of clipping to suit your needs.\n\n\u003c\/p\u003e\n\u003cp\u003eIn addition to its clipping capabilities, Little Clipper also features a range of other useful tools and functions, including hard\/soft clipping, mid-side processing, and adjustable oversampling. With these features, you can further shape and refine the sound of your recordings, ensuring that they sound their best in any mix or production.\n\n\u003c\/p\u003e\n\u003ch3\u003eSimple to Use\u003c\/h3\u003e\n\u003cp\u003eSometimes you just need a quick set of controls to get the job done. Little Clipper gives you exactly this. No extra fluff or nonsense. It gives you everything you need to set your clipping levels and move on to your mix.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425530691833,"sku":"1358-2486","price":68.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Little-Clipper-Screenshot-1.jpg?v=1771378394"},{"product_id":"boz-the-hoser-2","title":"Boz The Hoser 2","description":"\u003cp\u003eThe second in the series of David Bendeth signature plugins. Modeled off of a Ward-Beck Systems M462B hardware EQ unit, The Hoser makes a great channel EQ to give that cohesive feel to your mixes.\n\n\u003c\/p\u003e\n\u003cp\u003eThe Hoser takes advantage of some of the benefits of working in the digital domain, all while staying true to the analog sound. It is really the best of both worlds.\n\n\u003c\/p\u003e\n\u003ch3\u003eAnalog Sound – CPU Friendly\u003c\/h3\u003e\n\u003cp\u003eWhen we built The Hoser, we had two objectives:\n\n\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIt must sound just like the hardware\u003c\/li\u003e\n\u003cli\u003eYou should be able to use this plugin on every track without worrying about your CPU overheating.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAfter much trial and error, we finally accomplished this. The plugin stays true to the analog sound, allowing you to add extreme amounts of gain without adding the harshness of digital EQ. It does all this while using small amounts of processing power, to preserve your CPU for other plugins. It’s really the best of both worlds.\n\n\u003c\/p\u003e\n\u003ch3\u003eThe Hoser vs The Hoser XT\u003c\/h3\u003e\n\u003cp\u003eWhen you buy The Hoser XT, The Hoser also comes with your download, but what is the difference?\n\n\u003c\/p\u003e\n\u003cp\u003eThe Hoxer XT\n\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eSeparate Mid\/Side and independent stereo control, as well as standard stereo\/mono mode\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp\u003eThe Hoser\n\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMore compact design\u003c\/li\u003e\n\u003cli\u003estereo\/mono mode only\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425531412729,"sku":"1358-2549","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Hoser-2-Screenshot.jpg?v=1771378429"},{"product_id":"boz-hoser-xt-2","title":"Boz Hoser XT 2","description":"\u003cp\u003eThe second in the series of David Bendeth signature plugins. Modeled off of a Ward-Beck Systems M462B hardware EQ unit, The Hoser makes a great channel EQ to give that cohesive feel to your mixes.\n\n\u003c\/p\u003e\n\u003cp\u003eThe Hoser takes advantage of some of the benefits of working in the digital domain, all while staying true to the analog sound. It is really the best of both worlds.\n\n\u003c\/p\u003e\n\u003ch3\u003eAnalog Sound – CPU Friendly\u003c\/h3\u003e\n\u003cp\u003eWhen we built The HoserXT, we had two objectives:\n\n\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIt must sound just like the hardware\u003c\/li\u003e\n\u003cli\u003eYou should be able to use this plugin on every track without worrying about your CPU overheating.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAfter much trial and error, we finally accomplished this. The plugin stays true to the analog sound, allowing you to add extreme amounts of gain without adding the harshness of digital EQ. It does all this while using small amounts of processing power, to preserve your CPU for other plugins. It’s really the best of both worlds.\n\n\u003c\/p\u003e\n\u003ch3\u003e3 Channel Modes\u003c\/h3\u003e\n\u003cp\u003eWhile we were using the hardware, we couldn’t help but wish that we could use it in a mid\/side configuration. It was just begging for it. So what was stopping us from making the plugin work in mid\/side mode? Nothing, that’s what.\n\n\u003c\/p\u003e\n\u003cp\u003eYou can also process your left and right channels separately, which is a great way to add some stereo width to a mono track, or match the tone of a stereo source.\n\n\u003c\/p\u003e\n\u003ch3\u003eThe Hoser vs The Hoser XT\u003c\/h3\u003e\n\u003cp\u003eWhen you buy The Hoser XT, The Hoser also comes with your download, but what is the difference?\n\n\u003c\/p\u003e\n\u003cp\u003eThe Hoxer XT\n\u003c\/p\u003e\n\u003cul\u003e\u003cli\u003eSeparate Mid\/Side and independent stereo control, as well as standard stereo\/mono mode\u003c\/li\u003e\u003c\/ul\u003e\n\u003cp\u003eThe Hoser\n\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMore compact design\u003c\/li\u003e\n\u003cli\u003estereo\/mono mode only\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425531445497,"sku":"1358-2550","price":205.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Hoser-2-Stereo-Screenshot.jpg?v=1771378431"},{"product_id":"boz-new-york-l-1926-pro","title":"Boz New York L 1926 Pro","description":"\u003cp\u003eBuilt in 1926 in New York, this piano has been kept in pristine condition. The ivories, hammers, strings and soundboard are all original. This piano lived through the great depression, World War II and the filming of the movie “Cats.” It produces a resonant, growly tone that only age (and a bit of dust) can accomplish.\n\n\u003c\/p\u003e\n\u003ch3\u003eSize Matters\u003c\/h3\u003e\n\u003cp\u003eMost pianos that we hear in our favorite albums weren’t recorded in a concert hall on a 10 foot grand piano. They were recorded in on smaller pianos in smaller rooms. As much as we love the sound of massive pianos, it’s not always the right sound for a recording. Sometimes you need something more intimate. Something with a bit more character.\n\n\u003c\/p\u003e\n\u003cp\u003eNew York L 1926 is not your typical 9 foot concert grand piano. The Model L is just under 6 feet long, giving it that shorter piano sound without being so short that the strings sound like rubber bands. Put that in a smaller room and you get an incredibly intimate, real sound. It feels like you are in the room with the piano.\n\n\u003c\/p\u003e\n\u003ch3\u003eBuilding Character\u003c\/h3\u003e\n\u003cp\u003eThis piano has real character. It’s the perfect balance between charm, quirk and quality. Some of the notes buzz a little when you pound them. The strings are showing their age. But boy does this thing sing. It has a resonant sound that just has to be heard. And the growl you get out of these old strings when you play loud gives it amazing dynamic contrast.\n\n\u003c\/p\u003e\n\u003ch3\u003eChoices\u003c\/h3\u003e\n\u003cp\u003eThis piano was sampled with 4 microphone perspectives to give you all the choices you need without being overwhelmed with options. Add in some standard FX like reverb and a 6 band Equalizer, and you have everything you need to craft the sound you want.\n\n\u003c\/p\u003e\n\u003ch3\u003eKeep your Hard Drive\u003c\/h3\u003e\n\u003cp\u003eWe put a ton of work into keeping this thing lean so you can have an incredible sounding piano without taking up 50GB of hard drive space.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425531871481,"sku":"1358-2625","price":109.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/BOZ_DIGITAL_NEW_YORK_L_1926.jpg?v=1771378451"},{"product_id":"boz-new-york-l-1991-pro","title":"Boz New York L 1991 Pro","description":"\u003cp\u003eWhat do you get when you take the multiple gold standards in piano design and manufacturing and stick them all into a single piano? You get the New York L 1991. When you think of the sound of the ultimate piano, nothing comes closer to that sound than this. There’s a reason why these pianos have been become synonymous with high class and quality.\n\n\u003c\/p\u003e\n\u003ch3\u003eClean and Powerful\u003c\/h3\u003e\n\u003cp\u003eThe new York L 1991 offers just the right balance of clean and powerful, with just the slightest hint of charm that comes from a medium sized grand piano. Clocking in at just under 6 feet, this piano boasts a powerful set of strings that produce that quintessential piano sound that every manufacturer has been trying to obtain for the past 100 years. Each note has a crystal clear and powerful tone that we have all heard on high end recordings.\n\n\u003c\/p\u003e\n\u003ch3\u003eTechnicalities\u003c\/h3\u003e\n\u003cp\u003eThe New York L 1991 is sampled from a 5’10” Steinway Model L built in 1991 (Serial Number 519373), purchased 2 years ago from a Steinway showroom in Seattle, WA. It has been incredibly well maintained and restored to be like new when it was purchased. It was sampled in a large, live living room with 5 stereo microphone positions, carefully placed to get the most out of the piano and the room.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425531904249,"sku":"1358-2626","price":109.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/BOZ_DIGITAL_NEW_YORK_L_1991.jpg?v=1771378452"},{"product_id":"boz-new-york-l-bundle","title":"Boz New York L Bundle","description":"\u003ch3\u003e2 Pianos. Same Model. Nearly a century apart.\u003c\/h3\u003e\n\u003cp\u003eNo two pianos are alike, and nothing demonstrates this more than the New York L bundle. We sampled two pianos of the same model, but built in different eras. One was built in 1926, the other in 1991. NYL 1926 has an extremely resonant character that only age can provide, while NYL 1991 retains the pristine, clean sound that the manufacturer is known for.\u003c\/p\u003e\n\u003ch3\u003eSize Matters\u003c\/h3\u003e\n\u003cp\u003eMost pianos that we hear in our favorite albums weren’t recorded in a concert hall on a 9 foot grand piano. They were recorded in on shorter, less perfect pianos in smaller rooms. As much as we love the sound of massive pianos, it’s not always the right sound for a recording. Sometimes you need something more intimate. Something with a bit more character.\n\n\u003c\/p\u003e\n\u003cp\u003eThe Model L is not your typical 9 foot concert grand piano. It sits just under 6 feet long, giving it that shorter piano sound without being so short that the strings sound tubby and lifeless (although that can be a fun sound too). It has that characteristic “real” sound that you are used to hearing on your favorite records.\n\n\u003c\/p\u003e\n\u003ch3\u003eChoices\u003c\/h3\u003e\n\u003cp\u003eBoth pianos were sampled from multiple microphone perspectives to give you all the choices you need without being overwhelmed with options. Select between close mics for an intimate sound, to room mics that capture the entire instrument (or blend them together). Add in some reverb and a 6 band Equalizer, and you have everything you need to get the exact piano sound you want.\n\n\u003c\/p\u003e\n\u003ch3\u003eKeep your Hard Drive\u003c\/h3\u003e\n\u003cp\u003eWe put a ton of work into keeping this thing lean so you can have an incredible sounding piano without taking up 50GB of hard drive space.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425531937017,"sku":"1358-2627","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/7elzh89di94fapr9wuc60u4xvf0j.jpg?v=1786553080"},{"product_id":"boz-new-york-l-1991-lite","title":"Boz New York L 1991 Lite","description":"\u003cp\u003eWhat do you get when you take the multiple gold standards in piano design and manufacturing and stick them all into a single piano? You get the New York L 1991. When you think of the sound of the ultimate piano, nothing comes closer to that sound than this. There’s a reason why these pianos have been become synonymous with high class and quality.\n\n\u003c\/p\u003e\n\u003ch3\u003eClean and Powerful\u003c\/h3\u003e\n\u003cp\u003eThe new York L 1991 offers just the right balance of clean and powerful, with just the slightest hint of charm that comes from a medium sized grand piano. Clocking in at just under 6 feet, this piano boasts a powerful set of strings that produce that quintessential piano sound that every manufacturer has been trying to obtain for the past 100 years. Each note has a crystal clear and powerful tone that we have all heard on high end recordings.\n\n\u003c\/p\u003e\n\u003ch3\u003eTechnicalities\u003c\/h3\u003e\n\u003cp\u003eThe New York L 1991 is sampled from a 5’10” Steinway Model L built in 1991 (Serial Number 519373), purchased 2 years ago from a Steinway showroom in Seattle, WA. It has been incredibly well maintained and restored to be like new when it was purchased. It was sampled in a large, live living room with 5 stereo microphone positions, carefully placed to get the most out of the piano and the room.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425533378809,"sku":"1358-2703","price":26.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/New-York-L-1991-Lite-Screenshot-1.webp?v=1771378513"},{"product_id":"boz-chicago-upright-1927-pro","title":"Boz Chicago Upright 1927 Pro","description":"\u003cp\u003eLet’s just get this out of the way. This is no concert grand. It never was and never will be. But it’s no honky-tonk piano either. What this is is a piano with character, and lots of it. That character is more likely to be wearing a flannel shirt than a tuxedo.\n\n\u003c\/p\u003e\n\u003ch3\u003eReal Character\u003c\/h3\u003e\n\u003cp\u003eThough well preserved, this piano has aged like a bottle of fine… vinegar. The low end is tubby and dark. The mid range is warm and cozy. The high end resonant and clear with the growly overtones you get from old strings. You will want to use this piano whenever you need that gritty, vintage feel, or any time you need an intimate, real sound.\n\n\u003c\/p\u003e\n\u003cp\u003eSomething magic happens when you mic up a less-than-perfect piano with great microphones in a room that allows it to breath. The imperfections of the piano matched with the painstaking sampling process gives the listener a real sense of being in the room with a real piano.\n\n\u003c\/p\u003e\n\u003ch3\u003eTechnicalities\u003c\/h3\u003e\n\u003cp\u003eAs the name suggests, this piano is a 48? Baldwin Monarch upright built in Chicago in 1927. It has all its original parts and strings. Its history is uncertain, but based on the condition, it’s clearly been very well cared for and maintained for the past 96 years. It was sampled in a large open living room with 5 stereo microphone positions, carefully placed to get the most out of the piano and the room.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425534001401,"sku":"1358-3039","price":109.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/ChicagoUpright1927Screenshot1.webp?v=1771378542"},{"product_id":"boz-chicago-upright-1927-lite","title":"Boz Chicago Upright 1927 Lite","description":"\u003cp\u003eLet’s just get this out of the way. This is no concert grand. It never was and never will be. But it’s no honky-tonk piano either. What this is is a piano with character, and lots of it. That character is more likely to be wearing a flannel shirt than a tuxedo.\n\n\u003c\/p\u003e\n\u003ch3\u003eReal Character\u003c\/h3\u003e\n\u003cp\u003eThough well preserved, this piano has aged like a bottle of fine… vinegar. The low end is tubby and dark. The mid range is warm and cozy. The high end resonant and clear with the growly overtones you get from old strings. You will want to use this piano whenever you need that gritty, vintage feel, or any time you need an intimate, real sound.\n\n\u003c\/p\u003e\n\u003cp\u003eSomething magic happens when you mic up a less-than-perfect piano with great microphones in a room that allows it to breath. The imperfections of the piano matched with the painstaking sampling process gives the listener a real sense of being in the room with a real piano.\n\n\u003c\/p\u003e\n\u003ch3\u003eTechnicalities\u003c\/h3\u003e\n\u003cp\u003eAs the name suggests, this piano is a 48? Baldwin Monarch upright built in Chicago in 1927. It has all its original parts and strings. Its history is uncertain, but based on the condition, it’s clearly been very well cared for and maintained for the past 96 years. It was sampled in a large open living room with 5 stereo microphone positions, carefully placed to get the most out of the piano and the room.\n\n\u003c\/p\u003e\n\u003ch3\u003eHear It in Action\u003c\/h3\u003e\n\u003cp\u003eBelow are a few samples of songs played through the Chicago Upright 1927. In order to let you hear exactly what the piano sounds like, we have removed all reverb and effects so that you can hear the raw sound of the piano.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425534034169,"sku":"1358-3040","price":26.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/ChicagoUpright1927LiteScreenshot1.webp?v=1771378543"},{"product_id":"boz-ningbo-upright-2021-pro","title":"Boz Ningbo Upright 2021 Pro","description":"\u003cp\u003eUpright pianos have a distinct tone that is hard to mistake. Is it the size? The shape of the soundboard? We’re not sure, but it’s probably a combination of a whole bunch of features. But one thing is certain, and that’s that nothing evokes that intimate, home piano sound like an upright piano. There’s something comforting about the muffled, boxy sound of a upright that you don’t find in a grand.\n\n\u003c\/p\u003e\n\u003ch3\u003eBest of Both Worlds\u003c\/h3\u003e\n\u003cp\u003eThe Ningbo Upright is a brand new piano built by one of the most respected chinese piano manufacturers around. Even the most xenophobic piano snobs can’t deny the fact that these are pretty great pianos. It has a perfect blend of that unmistakable upright character, but with a presence and purity that sounds great on pretty much anything you can throw at it.\n\n\u003c\/p\u003e\n\u003cp\u003ePowerful, bright low end and clean percussive high end is something you can only get from new strings and hammers combined with a great design, and this piano delivers exactly that.\n\n\u003c\/p\u003e\n\u003ch3\u003eTechnicalities\u003c\/h3\u003e\n\u003cp\u003eThe Ningbo Upright piano is a 48? Hailun H-1P upright built in Ningbo in 2021. As a new piano, it has brand new parts all around, giving it a solid clean tone up all the way from top to bottom. Our technician made sure it was it tip top shape before sampling to make sure it was at the top of its game. It was sampled in a small living room with 5 stereo microphone positions, carefully placed to get the most out of the piano and the room.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425534066937,"sku":"1358-3041","price":109.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/NingboUpright2021Screenshot1.webp?v=1771378545"},{"product_id":"boz-ningbo-upright-2021-lite","title":"Boz Ningbo Upright 2021 Lite","description":"\u003cp\u003eUpright pianos have a distinct tone that is hard to mistake. Is it the size? The shape of the soundboard? We’re not sure, but it’s probably a combination of a whole bunch of features. But one thing is certain, and that’s that nothing evokes that intimate, home piano sound like an upright piano. There’s something comforting about the muffled, boxy sound of a upright that you don’t find in a grand.\n\n\u003c\/p\u003e\n\u003ch3\u003eBest of Both Worlds\u003c\/h3\u003e\n\u003cp\u003eThe Ningbo Upright is a brand new piano built by one of the most respected chinese piano manufacturers around. Even the most xenophobic piano snobs can’t deny the fact that these are pretty great pianos. It has a perfect blend of that unmistakable upright character, but with a presence and purity that sounds great on pretty much anything you can throw at it.\n\n\u003c\/p\u003e\n\u003cp\u003ePowerful, bright low end and clean percussive high end is something you can only get from new strings and hammers combined with a great design, and this piano delivers exactly that.\n\n\u003c\/p\u003e\n\u003ch3\u003eTechnicalities\u003c\/h3\u003e\n\u003cp\u003eThe Ningbo Upright piano is a 48? Hailun H-1P upright built in Ningbo in 2021. As a new piano, it has brand new parts all around, giving it a solid clean tone up all the way from top to bottom. Our technician made sure it was it tip top shape before sampling to make sure it was at the top of its game. It was sampled in a small living room with 5 stereo microphone positions, carefully placed to get the most out of the piano and the room.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425534099705,"sku":"1358-3042","price":26.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/NingboUpright2021LiteScreenshot1.webp?v=1771378546"},{"product_id":"boz-upright-bundle","title":"Boz Upright Bundle","description":"\u003cp\u003eThe sound of an upright piano is unmistakable. Even with that unmistakable sound, there’s a lot of variety of character. The upright bundle gives you a touch of old and a touch of new so that you play the piano that matches the music you need. We have the grungy Chicago Upright 1927 with it’s muted strings and slightly wavy unisons. To balance that out, you also get the clean, pure sound of the Ningbo Upright 2021, straight from the workshop.\n\n\u003c\/p\u003e\n\u003cp\u003eBoth of these pianos are the same size (48?) giving a full resonant sound due to the large soundboard.\n\n\u003c\/p\u003e\n\u003ch3\u003eChicago Upright 1927\u003c\/h3\u003e\n\u003cp\u003eLet’s just get this out of the way. This is no concert grand. It never was and never will be. But it’s no honky-tonk piano either. What this is is a piano with character, and lots of it. That character is more likely to be wearing a flannel shirt than a tuxedo.\n\n\u003c\/p\u003e\n\u003cp\u003eReal Character\u003c\/p\u003e\n\u003cp\u003eThough well preserved, this piano has aged like a bottle of fine… vinegar. The low end is tubby and dark. The mid range is warm and cozy. The high end resonant and clear with the growly overtones you get from old strings. You will want to use this piano whenever you need that gritty, vintage feel, or any time you need an intimate, real sound.\n\n\u003c\/p\u003e\n\u003cp\u003eSomething magic happens when you mic up a less-than-perfect piano with great microphones in a room that allows it to breath. The imperfections of the piano matched with the painstaking sampling process gives the listener a real sense of being in the room with a real piano.\n\n\u003c\/p\u003e\n\u003cp\u003eTechnicalities\u003c\/p\u003e\n\u003cp\u003eAs the name suggests, this piano is a 48? Baldwin Monarch upright built in Chicago in 1927. It has all its original parts and strings. Its history is uncertain, but based on the condition, it’s clearly been very well cared for and maintained for the past 96 years. It was sampled in a large open living room with 5 stereo microphone positions, carefully placed to get the most out of the piano and the room.\n\n\u003c\/p\u003e\n\u003ch3\u003eNingbo Upright 2021\u003c\/h3\u003e\n\u003cp\u003eUpright pianos have a distinct tone that is hard to mistake. Is it the size? The shape of the soundboard? We’re not sure, but it’s probably a combination of a whole bunch of features. But one thing is certain, and that’s that nothing evokes that intimate, home piano sound like an upright piano. There’s something comforting about the muffled, boxy sound of a upright that you don’t find in a grand.\n\n\u003c\/p\u003e\n\u003cp\u003eBest of Both Worlds\u003c\/p\u003e\n\u003cp\u003eThe Ningbo Upright is a brand new piano built by one of the most respected chinese piano manufacturers around. Even the most xenophobic piano snobs can’t deny the fact that these are pretty great pianos. It has a perfect blend of that unmistakable upright character, but with a presence and purity that sounds great on pretty much anything you can throw at it.\n\n\u003c\/p\u003e\n\u003cp\u003ePowerful, bright low end and clean percussive high end is something you can only get from new strings and hammers combined with a great design, and this piano delivers exactly that.\n\n\u003c\/p\u003e\n\u003cp\u003eTechnicalities\u003c\/p\u003e\n\u003cp\u003eThe Ningbo Upright piano is a 48? Hailun H-1P upright built in Ningbo in 2021. As a new piano, it has brand new parts all around, giving it a solid clean tone up all the way from top to bottom. Our technician made sure it was it tip top shape before sampling to make sure it was at the top of its game. It was sampled in a small living room with 5 stereo microphone positions, carefully placed to get the most out of the piano and the room.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425534132473,"sku":"1358-3044","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Upright-Bundle-icons.webp?v=1771378548"},{"product_id":"boz-all-pro-pianos-bundle","title":"Boz All Pro Pianos Bundle","description":"\u003cp\u003eSometimes you just need them all. This bundle gets you every one of our pianos with an extra discount, making it a no-brainer.\n\n\u003c\/p\u003e\n\u003ch3\u003eNew York L 1991\u003c\/h3\u003e\n\u003cp\u003eThe new York L 1991 offers just the right balance of clean and powerful, with just the slightest hint of charm that comes from a medium sized grand piano. Clocking in at just under 6 feet, this piano boasts a powerful set of strings that produce that quintessential piano sound that every manufacturer has been trying to obtain for the past 100 years. Each note has a crystal clear and powerful tone that we have all heard on high end recordings.\u003c\/p\u003e\n\u003ch3\u003eNew York L 1926\u003c\/h3\u003e\n\u003cp\u003eThe new York L 1926 offers offers a unique and rare sound. Most pianos this age have one foot in the grave. Once they are old enough, they either need to be rebuilt or taken to the dump. But not this one. This piano is a wise old sage who knows his age but can outrun most pianos in their prime. All parts are original. The strings have gained a healthy growl that new strings don’t have, but manages to avoid getting the thuddy low end like most strings do. What you end up with is a resonant, growly piano with a couple of quirks, but boy does this thing know how to sing.\n\n\u003c\/p\u003e\n\u003ch3\u003eNingbo Upright 2021\u003c\/h3\u003e\n\u003cp\u003eThe Ningbo Upright is a brand new piano built by one of the most respected chinese piano manufacturers around. Even the most xenophobic piano snobs can’t deny the fact that these are pretty great pianos. It has a perfect blend of that unmistakable upright character, but with a presence and purity that sounds great on pretty much anything you can throw at it.\n\nPowerful, bright low end and clean percussive high end is something you can only get from new strings and hammers combined with a great design, and this piano delivers exactly that.\u003c\/p\u003e\n\u003ch3\u003eChicago Upright 1927\u003c\/h3\u003e\n\u003cp\u003eThough well preserved, this piano has aged like a bottle of fine… vinegar. The low end is tubby and dark. The mid range is warm and cozy. The high end resonant and clear with the growly overtones you get from old strings. You will want to use this piano whenever you need that gritty, vintage feel, or any time you need an intimate, real sound.\n\nSomething magic happens when you mic up a less-than-perfect piano with great microphones in a room that allows it to breath. The imperfections of the piano matched with the painstaking sampling process gives the listener a real sense of being in the room with a real piano.\u003c\/p\u003e\n\u003ch3\u003eVienna 170\u003c\/h3\u003e\n\u003cp\u003eThe Vienna 170 is a tribute to the piano that defined European design in the 19th century. It unapologetically exudes this heritage with a strong attack and clear, piercing sustain, making it the centerpiece of any mix. You’ll immediately notice the expansive soundstage and the clarity of each note, even in the most complex passages. We’ve meticulously selected microphone positions to capture every detail, providing you with a variety of choices for different songs and genres.\u003c\/p\u003e\n\u003ch3\u003eNingbo Upright Felt\u003c\/h3\u003e\n\u003cp\u003eNingbo Felt 2021 offers a quiet, expressive voice shaped by felted strings and a naturally intimate recording space. The tone is soft and subdued, with gentle attacks and a warm, muted resonance that invites slower playing and subtle dynamics. It’s a piano built for restraint, ideal for cinematic scoring, ambient textures, and moments that need to feel personal.Sampled from the same upright as Ningbo Upright 2021, this version was recorded with the felt engaged across all registers. Five stereo microphone positions capture its full character, from close and focused to spacious and atmospheric, giving you control over how the piano sits in your mix without losing its quiet charm.\n\n\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425534165241,"sku":"1358-3045","price":275.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/all-pianos-bundle-icons-5.webp?v=1771378550"},{"product_id":"boz-transgressor-3","title":"Boz Transgressor 3","description":"\u003cp\u003eTransgressor sets a new standard for transient design by combining transient shaping with two 4-band equalizers, giving you the unprecedented power to EQ attack and sustain individually. Now you can craft the sound of your drums any way you want, whether it’s subtle enhancement or changing the sound of an entire kit, and more.\n\n\u003c\/p\u003e\n\u003ch3\u003eNot Just Another Transient Designer\u003c\/h3\u003e\n\u003cp\u003eIf we were to dissect the sound of a single drum hit, we would discover an incredibly complex series of events, all happening in rapid succession, that creates the unique tone of each drum. From the attack of the stick to the resonance of the head, these short time slices add together to create what we hear as the tone. This is why it’s such a shame that the standard is to rely on static EQ to sculpt the tone of our drums. To put it bluntly, eq is just not a very good tool for the job, especially if drastic changes are needed.\n\n\u003c\/p\u003e\n\u003cp\u003eEnter Transgressor. Transgressor breaks up your drum hits into separate sections: Transient (attack) and Sustain and lets you control the volume and EQ of those sections independently. This opens up huge potential for dialing in your drums to sound exactly the way you want them too.\n\n\u003c\/p\u003e\n\u003cp\u003eDo you need a sharper attack on your snare but don’t want a harsh ring? Just boost the high end of the attack only.\n\n\u003c\/p\u003e\n\u003cp\u003eDoes your kick drum ring out too long, cluttering your low end? Just take some low frequencies out of the sustain of your kick to retain the deep impact without the rumble.\n\n\u003c\/p\u003e\n\u003cp\u003eIs your snare to harsh but you don’t want to deaden the resonance? Just remove some of the high end from the attack.\n\n\u003c\/p\u003e\n\u003ch3\u003ePower + Ease of Use\u003c\/h3\u003e\n\u003cp\u003eIt’s not easy to create a plugin that so drastically changes the game while being easy and intuitive to use, but once you try it out, you will instantly click with what it can do.\n\n\u003c\/p\u003e\n\u003ch3\u003eBreak the Rules\u003c\/h3\u003e\n\u003cp\u003eBecause Transgressor lets you EQ such small slices of time, it also opens up a whole set of new possibilities on how you use your EQ. The traditional rules of EQ can be thrown out the window. That resonant shelf filter on your parametric EQ that no sane person in the history of music making has ever used? It suddenly becomes useful. 20dB of low end boost on your kick? Go for it. You don’t have to be shy when it comes to extreme settings anymore.\n\n\u003c\/p\u003e\n\u003ch3\u003eJust the Facts\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eHybrid transient designer with two 4-band equalizers with selectable slopes\u003c\/li\u003e\n\u003cli\u003eGain controls let you boost or eliminate transients and sustain independently\u003c\/li\u003e\n\u003cli\u003eMix knob lets you adjust wet\/dry signal\u003c\/li\u003e\n\u003cli\u003eAdjustable transient detector lets you control sensitivity, eliminate false triggers from bleed\u003c\/li\u003e\n\u003cli\u003eInternal, external and MIDI sidechain control of detector\u003c\/li\u003e\n\u003cli\u003eFactory presets to get you started\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425536033017,"sku":"1358-3198","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/transgessor3.png?v=1771378622"},{"product_id":"boz-vienna-170-pro","title":"Boz Vienna 170 Pro","description":"\u003ch3\u003eDiscover the European Tradition\u003c\/h3\u003e\n\u003cp\u003eStep away from the American pianos we’ve been sampling and immerse yourself in the rich European tradition with the Vienna 170. Despite its compact size of just 5’7?, this piano delivers an astonishingly powerful sound. Its clean low end and robust midrange defy expectations, showcasing the unique character that different pianos can offer.\n\n\u003c\/p\u003e\n\u003ch3\u003eBold and Articulate\u003c\/h3\u003e\n\u003cp\u003eThe Vienna 170 is a tribute to the piano that defined European design in the 19th century. It unapologetically exudes this heritage with a strong attack and clear, piercing sustain, making it the centerpiece of any mix. You’ll immediately notice the expansive soundstage and the clarity of each note, even in the most complex passages. We’ve meticulously selected microphone positions to capture every detail, providing you with a variety of choices for different songs and genres.\n\n\u003c\/p\u003e\n\u003ch3\u003eHistory\u003c\/h3\u003e\n\u003cp\u003eSampled from a Bösendorfer 170VC, this piano was acquired from the University of Music and Performing Arts in Vienna in 2007 and meticulously restored to pristine condition by master technicians at European Piano Restoration. While the serial number 7,345 suggests it was originally built in 1874, the VC170 model wasn’t created until 1908, adding an element of mystery to its history. Regardless, the craftsmanship and sound quality are undeniable.\n\n\u003c\/p\u003e\n\u003ch3\u003eExperience the Vienna 170\u003c\/h3\u003e\n\u003cp\u003eWhether you’re composing a classical masterpiece or adding depth to a modern track, the Vienna 170 offers unparalleled versatility and quality. Don’t miss the chance to bring this iconic sound into your studio. Try it today and hear the difference.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425539670265,"sku":"1358-3427","price":109.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Vienna-170-Screenshot-Mix_29083582-16a5-4422-a25a-1fb767cb31c4.webp?v=1771378775"},{"product_id":"boz-vienna-170-lite","title":"Boz Vienna 170 Lite","description":"\u003ch3\u003eDiscover the European Tradition\u003c\/h3\u003e\n\u003cp\u003eStep away from the American pianos we’ve been sampling and immerse yourself in the rich European tradition with the Vienna 170. Despite its compact size of just 5’7?, this piano delivers an astonishingly powerful sound. Its clean low end and robust midrange defy expectations, showcasing the unique character that different pianos can offer.\n\n\u003c\/p\u003e\n\u003ch3\u003eBold and Articulate\u003c\/h3\u003e\n\u003cp\u003eThe Vienna 170 is a tribute to the piano that defined European design in the 19th century. It unapologetically exudes this heritage with a strong attack and clear, piercing sustain, making it the centerpiece of any mix. You’ll immediately notice the expansive soundstage and the clarity of each note, even in the most complex passages. We’ve meticulously selected microphone positions to capture every detail, providing you with a variety of choices for different songs and genres.\n\n\u003c\/p\u003e\n\u003ch3\u003eHistory\u003c\/h3\u003e\n\u003cp\u003eSampled from a Bösendorfer 170VC, this piano was acquired from the University of Music and Performing Arts in Vienna in 2007 and meticulously restored to pristine condition by master technicians at European Piano Restoration. While the serial number 7,345 suggests it was originally built in 1874, the VC170 model wasn’t created until 1908, adding an element of mystery to its history. Regardless, the craftsmanship and sound quality are undeniable.\n\n\u003c\/p\u003e\n\u003ch3\u003eExperience the Vienna 170\u003c\/h3\u003e\n\u003cp\u003eWhether you’re composing a classical masterpiece or adding depth to a modern track, the Vienna 170 offers unparalleled versatility and quality. Don’t miss the chance to bring this iconic sound into your studio. Try it today and hear the difference.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425539703033,"sku":"1358-3428","price":26.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Vienna-170-Lite-Screenshot.webp?v=1771378776"},{"product_id":"boz-imperial-delay","title":"Boz Imperial Delay","description":"\u003cp\u003eThe Imperial Delay comprises a highly versatile dual-layer delay with multi-effects, giving you a range that can go anywhere from smooth and warm vintage delay to Gremlins from hell, or the far reaches of outer spatial.\n\n\u003c\/p\u003e\n\u003cp\u003eIn the tradition of everyone’s favorite studio gear, Imperial Delay gives you maximum sonic possibilities with a minimum of knob twiddling. While the GUI of Imperial Delay is simple and straightforward, it offers far more creative options than its streamlined front panel suggests. Since Imperial Delay can function as both a delay and multi-effects processor, it’s designed to draw minimal CPU power, which enables multiple instances—something that will come in very handy if you want to dedicate its various capabilities to specific applications such as a lead vocal delay, stereo widening effects, modulation and color, and detune and chorus effects. You can also use it as a distortion generator, or throw caution to the wind and create effects previously unheard by human ears.\n\n\u003c\/p\u003e\n\u003ch3\u003eMain view\u003c\/h3\u003e\n\u003cp\u003eThe Delay knob is where the royal edicts of Imperial Delay are carried out. Delay modes include Sync, which tracks your DAW project tempo displaying note values (including triplets); Free lets you dial in a delay value from 0.1 to 10s; and Tap lets you tap in a value in the absence of a DAW tempo setting. There is also independent L-C-R channel activation with a mode display. If you click on the mode display, it offers six options, including standard stereo mode; left\/right swap; two mono modes; and two ping pong modes.\n\n\u003c\/p\u003e\n\u003ch3\u003eOffset\u003c\/h3\u003e\n\u003cp\u003eRather than split the interface into two sections with duplicate controls when you select stereo or ping pong modes, Imperial Delay has a simple Offset control that, as its name implies, lets you offset the left and right channel delays (right channel only). Once set, the offset maintains at the same ratio regardless of the main delay setting. For example, with the delay knob set at 344ms with a 10ms offset (354ms right), if you change the main delay setting to 244ms, the right channel will be 254ms, maintaining the 10ms offset.\n\n\u003c\/p\u003e\n\u003ch3\u003eGo Deep\u003c\/h3\u003e\n\u003cp\u003eWhile the main control display is easily discernable to those who prefer to forge ahead without reading manuals, there are some hidden gems in the advanced settings windows, which appear at the selection of button labeled “e.” Advanced settings are available for Drive, Feedback, Modulation, Smear, Color, Chorus, and Duck. When the edit button is selected, the relevant controls appear along with a presets button that gives you an idea of the possibilities the advanced section can give you, along with the ability to save your custom presets in submenus. There are also some hidden gems in the advanced modes, such as the ability to select a chorus effect with 2, 4, 8, or 16 voices. (So break with tradition and read the manual.)\n\n\u003c\/p\u003e\n\u003ch3\u003ePitch shift\u003c\/h3\u003e\n\u003cp\u003eThe Pitch function of Imperial Delay also gives you the ability to independently detune left and right channels. It can create interesting effects, as well as doubling. In subtle amounts, it enhances stereo width without phase issues. In fact, when used with the Chorus effect, you can duplicate the Stereoizer* effect found on the tc electronic System 6000 mastering reverb (saving you around $13,000).\n\n\u003c\/p\u003e\n\u003ch3\u003eEffects\u003c\/h3\u003e\n\u003cp\u003eControls for sound design and effects include:\n\n\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDrive, which adds distortion and harmonics to the input signal, along with a 20dB overdrive boost.\u003c\/li\u003e\n\u003cli\u003eFeedback sets how the delay is fed back into itself, along with a secondary feedback value that activates when signal drops below its threshold setting\u003c\/li\u003e\n\u003cli\u003eModulation, which is a short-modulated delay within the feedback loop\u003c\/li\u003e\n\u003cli\u003eSmear, which softens the delayed signal, rounding off the sharp edges of echo to act more like reverb,which can be very useful for instruments with pronounced attacks\u003c\/li\u003e\n\u003cli\u003eColor, which is a tone-shaping control that adds more color with each feedback pass. It also has a slant filter that enables drastic tonal changes without significant volume changes\u003c\/li\u003e\n\u003cli\u003eChorus is a stereo chorus effect that occurs within the feedback loop, that can create higher timing variation between voices\u003c\/li\u003e\n\u003cli\u003eDuck is a compressor that prevents delays from overwhelming the dry input signal\u003c\/li\u003e\n\u003cli\u003eWidth is a straightforward control for stereo widening\u003c\/li\u003e\n\u003cli\u003eDry and Wet knobs provide independent control of input signal and effect levels\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425546813689,"sku":"1358-628","price":205.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Screenshot-1_5.jpg?v=1771379351"},{"product_id":"boz-t-bone-2","title":"Boz T-Bone 2","description":"\u003cp\u003eT-Bone is an overall track or mix-bus tone-shaping EQ that lets you work quickly before ear fatigue rears its ugly head.\u003c\/p\u003e\n\u003cp\u003eOne of the most important parts of getting a good mix is your ability to mix before ear fatigue sets in. This is why sometimes plugins that give you control over every little detail often lead to worse mixes. This is where T-Bone comes in. T-Bone is designed to be fast. Get in and get out. It gives you quick access to all the necessary tone adjustment tools that 95% of your tracks need. Adjust the brightness, focus, air and beef with simple and fast controls. And when you are done, you can check your sanity with the “intensity” control, which lets you dial back everything (or dig in harder) if you’ve overdone it.\n\n\u003c\/p\u003e\n\u003ch3\u003eClean filters up to Nyquist without a CPU hit\u003c\/h3\u003e\n\u003cp\u003eDuring the development of T-Bone, Boz Digital created some incredibly smooth filters that don’t produce any of the disturbing high-frequency wonkiness. Boz Digital’s wonk-free filters not only give you a smooth frequency response up to the Nyquist limit, but also can do so without the resource-draining hit to your CPU that occurs with oversampled filters.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425546911993,"sku":"1358-635","price":68.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/T-Bone_2_Screenshot.jpg?v=1771379351"},{"product_id":"boz-mongoose-2","title":"Boz Mongoose 2","description":"\u003cp\u003eMongoose is a mid-side processor that sums all frequencies below a selectable crossover to mono, creating a mix that sounds natural in all environments.\n\n\n\u003c\/p\u003e\n\u003cp\u003ePanning is one of our most powerful tools as mixing engineers, but due to the fact that we have to create our mixes for multiple environments (headphones, speakers, etc) we are bound by how we can pan our instruments while still sounding natural on all of these playback systems. Have you ever noticed that panning an instrument to one side sounds fine on loudspeakers but hurts your brain on headphones? This is because in real life, no sound goes into just one ear unless it’s coming from your ear (like headphones).\n\n\n\u003c\/p\u003e\n\u003cp\u003eMongoose fixes this problem by summing low frequencies to mono so that no matter how far you pan your instruments, they will sound equally natural on both headphones and speakers.\n\n\u003c\/p\u003e\n\u003ch3\u003eTake on Mongoose\u003c\/h3\u003e\n\u003cp\u003eKeep in mind that our job as mixers is essentially the same as that of a magician: to create a satisfying illusion in the mind of the audience. So while left and right is all we have in stereo, mono bass summing focuses the center image while creating the illusion of greater space in the stereo field, which in turn simplifies the mixing process. Mongoose makes it easy to achieve a focused and punchy center image with as much width on the sides as you like.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425547010297,"sku":"1358-640","price":68.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Mongoose2Screenshot.jpg?v=1771379352"},{"product_id":"boz-plus-10db-bundle-2","title":"Boz +10dB Channel Strip","description":"\u003cp\u003e+10db Channel Strip isn’t just another channel strip plugin, it’s a force of nature. The first of its kind in plugin form, meticulously modeled after David Bendeth’s personal compressor and EQ units, +10db delivers the explosive punch, grit, and energy that define Bendeth’s countless platinum rock records.\n\u003c\/p\u003e\n\u003cp\u003eWe didn’t just take inspiration from the hardware, we obsessed over it, capturing every nuance to ensure it sounds and reacts exactly like the original. If you’ve ever cranked up Paramore, Breaking Benjamin, Papa Roach, or any other iconic record produced by Bendeth, you’ll know THE unmistakable, gut-punching drum sound as soon as you hear it.\n\u003c\/p\u003e\n\u003cp\u003eDrop +10dB on your tracks and hear the difference. Instant impact, undeniable energy, and rock-solid punch. Your drums (and your entire mix) will never sound the same again.\n\n\u003c\/p\u003e\n\u003ch3\u003e3 Plugins in One – you get the +10db Compressor, +10db EQ, and +10db Channel Strip.\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003ePainstakingly modeled in direct collaboration with award-winning producer David Bendeth\u003c\/li\u003e\n\u003cli\u003eCan be used in 3 distinct modes: channel strip, or broken out into standalone compressor and\/or EQ\u003c\/li\u003e\n\u003cli\u003eFeatures two powerful EQ and dynamics sections based on David Bendeth’s ultra-rare, iconic personal hardware – available for the first time EVER in plugin form\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDavid’s ultimate rock ‘n’ roll 1-2 punch.\u003c\/h3\u003e\n\u003cp\u003eHybrid EQ \u0026amp; Transient Shaper\u003c\/p\u003e\n\u003cp\u003eUnmatched Transient Shaping\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIncludes 3 elite dynamics processors (Compressor, Expander, and Limiter) modeled on Bendeth’s legendary hardware unit for the first time EVER, one of THE punchiest drum compressors ever made\u003c\/li\u003e\n\u003cli\u003eInput: crank this up to slam the compressor harder – more input, more squeeze, more punch. Output: compression can hype your levels; this puts you back in control. Dial to taste.\u003c\/li\u003e\n\u003cli\u003eVersatile switchable attack between 0.25ms, 2.5ms and 25ms\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eLegendary 4-band “parallel” hardware EQ.\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eEach band has 3 controls (boost\/cut, mode, and frequency), featuring a specifically-crafted bandwidth designed to give you the most musical results for each frequency\u003c\/li\u003e\n\u003cli\u003eUnique filters that run in parallel, giving it a huge step up sonically from most digital EQs; instantly resulting in a more naturally open sound that’s much closer to hardware\u003c\/li\u003e\n\u003cli\u003eCan be engaged pre-compressor, post, or in sidechain mode\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425547108601,"sku":"1358-644","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Plus-10db-Screenshot-Promo.webp?v=1771379351"},{"product_id":"boz-10db-compressor-2","title":"Boz +10dB Compressor 2","description":"\u003cp\u003e+10db Compressor is meticulously modeled after one of the industries most iconic hardware compressors. Unless you refuse to listen to any music after Beethoven, you most certainly have heard this unit in action. Best yet, this is the first time this hardware unit has been available in plugin format.\n\n\u003c\/p\u003e\n\u003cp\u003e+10db Compressor is the first of it’s kind channel strip plugin. This plugin is modelled after a very highly sought after compressor hardware unit. We didn’t just use the hardware unit for inspiration, we dug in deep and made sure that it sounded just like the original.\n\n\u003c\/p\u003e\n\u003ch3\u003eWhy did we model this unit?\u003c\/h3\u003e\n\u003cp\u003eHere’s the deal. It seems like everybody is modelling hardware these days, but we wanted to do something a little different. We didn’t want to model any hardware units that have been done a million times. We wanted to do something that had never been done before but has been an icon in the recording industry, and the only way to do that was to team up with producer\/mixer David Bendeth. He just happened to have a few of these in his rack, so he sent us one to pour over.\n\n\u003c\/p\u003e\n\u003cp\u003eUnless you stopped listening to music after “Johnny B Goode” then you have most definitely heard this hardware unit many many times. Think of Led Zeppelin drums.\u003c\/p\u003e\n\u003cp\u003eIn order to get this same compressor in hardware, not only would you have to pay over $2,000 to get one, but you’d have to deal with all the other drawbacks of using analog hardware. For a very small fraction of the price, you can get that same sound in the much more convenient software format. There are really no downsides (unless you live in Alaska an need a room heater)\u003c\/p\u003e\n\u003ch3\u003eA few extra features\u003c\/h3\u003e\n\u003cp\u003eSince we weren’t bound by the limits of the analog hardware, we took the liberty of adding a couple features that make this even more powerful than the original hardware. For one, we added a “Dry Passthrough” knob that makes parallel compression super easy, without having to set up extra buses.\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425547206905,"sku":"1358-645","price":109.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Plus10dbCompressorScreenshot.jpg?v=1771379352"},{"product_id":"boz-10db-equaliser-2","title":"Boz +10dB Equaliser 2","description":"\u003cp\u003e+10db Equaliser is meticulously modeled after the EQ section of a very highly sought after hardware channel strip. The parallel nature and design of this EQ gives you a completely new approach to applying EQ.\n\n\u003c\/p\u003e\n\u003cp\u003e+10db Equaliser takes the EQ section from our +10db Channel strip plugin and puts it in a dedicated plugin.  This plugin faithfully recreates the curves and subtleties of this hardware equaliser unit.\n\n\n\n\u003c\/p\u003e\n\u003ch3\u003eWhat is so special about this EQ?\u003c\/h3\u003e\n\u003cp\u003eThis EQ takes a different approach to equalization than your standard digital EQ. Instead of the standard series configuration, this EQ uses a parallel configuration, which makes for some very interesting effects, especially for bands that are close together. You will notice that you can use more extreme boost and cut settings without going into that harsh realm.\n\n\u003c\/p\u003e\n\u003cp\u003eAnd of course, in order to preserve the spectral integrity of analog filters, we do not do any of the digital pre-warping tricks. Instead, each filter has a nice symmetric frequency response all the way up to Nyquist frequency, giving it a much more natural and musical response in the high frequencies.\n\n\u003c\/p\u003e\n\u003cp\u003eThe layout of this EQ makes you work with a different part of your brain than the standard parametric EQ. Don’t get us wrong, we love parametric EQs too, but working with this EQ definitely opens up the creative side of our brain, which can open up entirely new creative possibilities.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425547305209,"sku":"1358-646","price":109.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Plus10dbEQScreenshot.jpg?v=1771379352"},{"product_id":"boz-manic-compressor","title":"Boz Manic Compressor","description":"\u003cp\u003eManic Compressor makes cumbersome and procedurally intense chores easy and intuitive. With true parallel processing, it features six compressor models and the ability to switch between them instantly without changing settings. Two EQ sections give you sidechain controlas well as the ability to create truly unique sounds unattainable by standard EQ\/compressor combinations.\n\n\u003c\/p\u003e\n\u003cp\u003eManic Compressor is not only manic, but also has multiple personalities—six to be precise, each one providing its own unique character. Manic Compressor addresses the creative needs of mix engineers in ways that no other compressor does. Its ability to instantly switch between compressors models without changing settings lets you can choose the most effective compressor for the job without losing perspective or valuable mix time. Along with supreme flexibility, Manic Compressor was conceived with true parallel compression as its core functionality. It also combines the compressor models with two sections of EQ, plus a number of innovative features that give you the ability to drive Manic Compressor as hard as you like, simultaneously creating new and unique sounds while still retaining musicality. Once you hear what Manic Compressor can do, you’ll wonder how you lived without it. Plus, it will be hard to resist the temptation to revisit old mixes with a renewed enthusiasm.\n\n\u003c\/p\u003e\n\u003ch3\u003eParallel-O-Grammys\u003c\/h3\u003e\n\u003cp\u003eManic Compressor is built for parallel compression right from the drawing board. It comprises six unique compressor models, each optimized for the response you want from bus compression, plus separate faders for compressed, uncompressed, and master levels—offering true parallel compression in a single plug-in. However, if you want subtle compression with natural sound, you can combine the Wet and Dry faders to function like a mix knob.\n\n\u003c\/p\u003e\n\u003ch3\u003eThe Power of Six\u003c\/h3\u003e\n\u003cp\u003eWith Manic Compressor, you can switch between its six compressors instantly without any change in settings, so you can hear the tonal effect and impact of each in action without losing perspective. Plus, since compression is treated more and more as a creative effect, Manic Compressor is built for abuse, enabling you to go to extremes and achieve unique, musically useful sounds that go beyond the limits (so to speak) of mere level control. One such effect is the Tone EQ in a parallel compression setup.\n\n\u003c\/p\u003e\n\u003ch3\u003eBuilt-in Tone and Sidechain EQ\u003c\/h3\u003e\n\u003cp\u003eIn standard parallel compression schemes, EQ is used to boost or cut various frequencies for pre- or post-compression effects. Ahead of the compressor, EQ can tame sounds going into the compressor, such as cymbals from being too harsh, or, it can prevent low frequencies from pulling down the mix. Used after the compressor, EQ can emphasize lost frequencies or tame those that the compressor over-emphasizes. This involves a lot of extra steps, even in software. Either way, this approach is more utilitarian than creative.\n\n\u003c\/p\u003e\n\u003cp\u003eManic Compressor gives you both practical and creative EQing. It hosts two EQ sections, both with their own preset manager, for the “all-in-one” functionality you’ve come to expect from Boz Digital. The Sidechain EQ, which is not audible, affects the signal going into the detector, determining how it reacts to program material by emphasizing or de-emphasizing selected frequencies. Additionally, the Sidechain input, selectable between internal and external sources, can be monitored in isolation for tweaking purposes.\n\n\u003c\/p\u003e\n\u003cp\u003eThe second EQ section is the Tone EQ, which does affect the audio output and gives you creative license to go wild if you want to. This EQ is designed to give you control over the frequency bands mainly associated with parallel compression. However, it’s not simply for low- and high-end boost. It follows its own set of rules. You can use extreme settings and blend them in with the dry signal for some truly unique sounds, unattainable by standard compressors and EQs.\n\n\u003c\/p\u003e\n\u003ch3\u003eBringing Transients into Sharp Relief\u003c\/h3\u003e\n\u003cp\u003eYou know you have a great piece of kit when you can crank knobs all the way up and still get a good sound, or an unexpectedly great sound, which is what Manic Compressor is built for—so let’s make some mistakes—that’s what it’s all about. The last “mistake” that spawned a unique compression effect was the “all button mode,” which is so 50 years ago. Among Manic Compressor’s innovative features is its Loud Relief control, which lets you apply extreme amounts of compression while relaxing the compressor’s grip on loud transients for a more natural sound.\n\n\u003c\/p\u003e\n\u003cp\u003eWith Loud Relief, Manic Compressor lets you visit sonic mayhem on an unsuspecting populace, crushing tracks under your merciless boot heels, and then ease off with Loud Relief, which softens the compression artifacts even under super heavy load.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425547370745,"sku":"1358-666","price":205.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/ScreenshotClean.jpg?v=1771379352"},{"product_id":"boz-david-bendeth-hoser-xt-and-10db-bundle-2","title":"Boz David Bendeth Hoser XT and +10db Bundle 2","description":"\u003cp\u003eCombine our best analog emulations of gear from David Bendeth’s House of Loud studio. We teamed up with platinum producer David Bendeth (Paramore, Breaking Benjamin, etc) to capture the sound of his favorite gear. The result is pure analog goodness from the hardware that you’ve heard on your favorite albums. With this bundle, you get both Hoser XT 2 and +10db Channel Strip 2.\n\n\u003c\/p\u003e\n\u003ch3\u003eDavid Bendeth's +10db Compressor 2\u003c\/h3\u003e\n\u003cp\u003e+10db Compressor is meticulously modeled after one of the industries most iconic hardware compressors. Unless you refuse to listen to any music after Beethoven, you most certainly have heard this unit in action. Best yet, this is the first time this hardware unit has been available in plugin format.\u003c\/p\u003e\n\u003ch3\u003eDavid Bendeth's +10db Equaliser 2\u003c\/h3\u003e\n\u003cp\u003e+10db Equaliser is meticulously modeled after the EQ section of a very highly sought after hardware channel strip. The parallel nature and design of this EQ gives you a completely new approach to applying EQ.\u003c\/p\u003e\n\u003ch3\u003eDavid Bendeth's The Hoser XT 2\u003c\/h3\u003e\n\u003cp\u003eThe second in the series of David Bendeth signature plugins. Modeled off of a Ward-Beck Systems M462B hardware EQ unit, The Hoser makes a great channel EQ to give that cohesive feel to your mixes.\n\n\u003c\/p\u003e\n\u003cp\u003eThe Hoser takes advantage of some of the benefits of working in the digital domain, all while staying true to the analog sound. It is really the best of both worlds.\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425547567353,"sku":"1358-671","price":415.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Bendeth-Bundle-2-Promo-1.jpg?v=1771379352"},{"product_id":"boz-the-wall-2","title":"Boz The Wall 2","description":"\u003cp\u003eThe Wall lets you crank your mix to commercial loudness without crushing its dynamics. Whether you’re sending a first pass to a client or bouncing a final reference for an artist, it needs to hit like\nthe final master. The Wall gets you there fast.\u003c\/p\u003e\n\u003cp\u003eIts impactful, yet simple controls deliver polished, competitive volume without painful tweaking or decision fatigue. Skip the second-guessing and print loud, clean mixes\/masters that stand up to anything out there.\u003c\/p\u003e\n\u003ch3\u003eThe Limiter That Hits Hard and Plays Nice\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eDual Limiting Modes: Switch between Smooth and Aggressive for perfect control on any material, legato to percussive.\u003c\/li\u003e\n\u003cli\u003eFlavor Fader: One fader, 30+ internal parameters. Dial in the vibe without drowning in menus.\u003c\/li\u003e\n\u003cli\u003eSanity Check A\/B: Loudness tricks your ears, this button doesn’t. Level-match instantly and compare with confidence.\u003c\/li\u003e\n\u003cli\u003eOversampling That Actually Helps: Up to 8x oversampling to kill intersample peaks with zero CPU guilt.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBuilt for Mixers Who Hate Menus and Love Results\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCPU-Friendly Design: Drop it on your mix bus, your drum bus, your kick, your snare, everywhere.\u003c\/li\u003e\n\u003cli\u003eStereo Link Control: Keep your stereo field tight or let each side breathe, your call.\u003c\/li\u003e\n\u003cli\u003eThreshold \u0026amp; Ceiling Sliders: Straightforward, intuitive controls to crank it up and keep it clean.\u003c\/li\u003e\n\u003cli\u003eDesigned for Real-World Mixing: Whether you’re mastering or mixing high track counts, The Wall gets loud without killing your musicality or workflow.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425547731193,"sku":"1358-4112","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/The-Wall-2-Screenshot-2.webp?v=1771379355"},{"product_id":"boz-big-beautiful-door-2","title":"Boz Big Beautiful Door 2","description":"\u003cp\u003eWhile other gate plugins are stuck in the dark ages, Big Beautiful Door catapults gating into the future with cutting-edge innovation. This isn’t just a gate plugin—it’s a creative paradigm shift.\u003c\/p\u003e\n\u003cp\u003eTweak not only volume but also tonal balance above and below the threshold with stunning precision and fluidity. From surgical noise gating to intelligent automated EQ; from seamless drum de-bleeding to mind-blowing frequency shaping; Big Beautiful Door doesn’t just gate—it unleashes boundless creative potential. The future of gating is here, and it’s yours for the\ntaking.\u003c\/p\u003e\n\u003ch3\u003ePresets\u003c\/h3\u003e\n\u003cp\u003eBig Beautiful Door 2 comes equipped with its own preset menu. To save a preset, just hit the\n‘Save’ icon next to the preset menu, type the name of the preset and hit enter. If you enter a\nname of an existing preset, the old preset will be overwritten.\u003c\/p\u003e\n\u003cp\u003ePresets can be organized into sub menus by sorting them into folders in your finder\/explorer\nwindow. Note that the preset menu only supports one layer of sub folders, so if you put presets\ninside a folder that is inside a folder, the preset scanner will not find them.\n\u003c\/p\u003e\n\u003cp\u003ePresets are shareable across formats, computers and operating systems. This means that if you\nsave a preset in your DAW in OSX, you can send that preset file to a friend who uses a different\nDAW on Windows and it will work exactly the same.\n\u003c\/p\u003e\n\u003ch3\u003eThe Controls\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eThreshold - This controls the level at which your gate opens and closes.\u003c\/li\u003e\n\u003cli\u003eInput Display - This graph shows the input level history, and also the state of the envelope.\u003c\/li\u003e\n\u003cli\u003eOpen Gain - Controls the volume of your transients.\u003c\/li\u003e\n\u003cli\u003eOpen Enable - This lets you turn on\/off your transients altogether\u003c\/li\u003e\n\u003cli\u003eEQ - This 4 band Equalizer equalizes only the transient portion of your audio signal.\u003c\/li\u003e\n\u003cli\u003eSustain Gain - Controls the volume of your sustain. \u003c\/li\u003e\n\u003cli\u003eSustain Enable - This lets you turn on\/off your sustain altogether.\u003c\/li\u003e\n\u003cli\u003eSustain EQ Section - This EQ has the same settings as the Transient EQ.\u003c\/li\u003e\n\u003cli\u003eAttack - This sets how quickly the envelope will open when the sidechain level rises above the threshold.\u003c\/li\u003e\n\u003cli\u003eRelease - This sets how quickly the envelope will decay after the sidechain drops below the threshold.\u003c\/li\u003e\n\u003cli\u003eHold - After the envelope opens, it will hold there for as long as this knob is set.\u003c\/li\u003e\n\u003cli\u003eRatio - After the sidechain drops below the threshold, the filter will drop to the “Closed” settings. Adjusting the ratio will give it sort of a soft threshold, so that it will gradually adjust from open to closed. When set to infinity, it will be a hard switch. When set to a lower ratio, the switch will be more gradual.\u003c\/li\u003e\n\u003cli\u003eLookahead - This is like a time machine that looks into the future. It lets your gate open before the level crosses the threshold, so that by the time your signal is loud, your gate is already open.\u003c\/li\u003e\n\u003cli\u003eHysteresis - After the sidechain rises above the threshold, the sidechain must drop below the threshold plus the hysteresis in order to close.\u003c\/li\u003e\n\u003cli\u003eSidechain - The sidechain section determines what audio will be used to send to the threshold detector\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425549697273,"sku":"1358-3892","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/BBD2-Screenshot-2.webp?v=1771379350"},{"product_id":"boz-ningbo-felt-2021-lite","title":"Boz Ningbo Felt 2021 Lite","description":"\u003ch3\u003eThe quiet intimacy of felted strings\u003c\/h3\u003e\n\u003cp\u003eNingbo Felt 2021 offers a quiet, expressive voice shaped by felted strings and a naturally intimate recording space. The tone is soft and subdued, with gentle attacks and a warm, muted resonance that invites slower playing and subtle dynamics. It’s a piano built for restraint, ideal for cinematic scoring, ambient textures, and moments that need to feel personal.\n\n\u003c\/p\u003e\n\u003cp\u003eSampled from the same upright as Ningbo Upright 2021, this version was recorded with the felt engaged across all registers. Five stereo microphone positions capture its full character, from close and focused to spacious and atmospheric, giving you control over how the piano sits in your mix without losing its quiet charm.\n\n\u003c\/p\u003e\n\u003ch3\u003eThe Piano\u003c\/h3\u003e\n\u003cp\u003eThis piano speaks in hushed tones. With the felt engaged, each note emerges gently, softened at the edges and wrapped in warmth. The attack is subdued, the resonance quiet, and the overtones held back just enough to let the silence between notes carry weight.\n\n\u003c\/p\u003e\n\u003cp\u003eIt’s a sound built for restraint. The felt dampens not just volume, but urgency, creating a space where the music feels personal and unforced. It invites slower tempos, sparse voicings, and moments where the performance is more about presence than projection.\n\n\u003c\/p\u003e\n\u003cp\u003eWhether you’re scoring for film, writing late at night, or simply chasing a quieter mood, this piano offers a voice that stays close to the listener. It doesn’t demand attention. It earns it.\n\n\u003c\/p\u003e\n\u003ch3\u003eInstrument Specs\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eNearly new condition, minimal play wear\u003c\/li\u003e\n\u003cli\u003eFelt engaged across all registers during sampling\u003c\/li\u003e\n\u003cli\u003eHailun H-1P upright, built in 2021\u003c\/li\u003e\n\u003cli\u003eHeight: 48 inches\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecording Environment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSmall living room, naturally controlled ambience\u003c\/li\u003e\n\u003cli\u003eMic positioning chosen for a balanced, realistic stereo image\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSound Profile\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSoft, muted tone with gentle attack\u003c\/li\u003e\n\u003cli\u003eReduced brightness and minimal overtones\u003c\/li\u003e\n\u003cli\u003eIdeal for cinematic scoring, ambient textures, and intimate arrangements\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMicrophone Positions\u003c\/h3\u003e\n\u003cul\u003e\u003cli\u003eBehind Close - A pair of cardioid microphones near the soundboard behind the piano. This gives that woody characteristic sound of an upright piano while still being close and wide.\u003c\/li\u003e\u003c\/ul\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425550483705,"sku":"1358-4159","price":26.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Ningbo-Upright-Felt-Screenshot-Mix.webp?v=1771379361"},{"product_id":"boz-ningbo-felt-2021-pro","title":"Boz Ningbo Felt 2021 Pro","description":"\u003ch3\u003eThe quiet intimacy of felted strings\u003c\/h3\u003e\n\u003cp\u003eNingbo Felt 2021 offers a quiet, expressive voice shaped by felted strings and a naturally intimate recording space. The tone is soft and subdued, with gentle attacks and a warm, muted resonance that invites slower playing and subtle dynamics. It’s a piano built for restraint, ideal for cinematic scoring, ambient textures, and moments that need to feel personal.\n\n\u003c\/p\u003e\n\u003cp\u003eSampled from the same upright as Ningbo Upright 2021, this version was recorded with the felt engaged across all registers. Five stereo microphone positions capture its full character, from close and focused to spacious and atmospheric, giving you control over how the piano sits in your mix without losing its quiet charm.\n\n\u003c\/p\u003e\n\u003ch3\u003eThe Piano\u003c\/h3\u003e\n\u003cp\u003eThis piano speaks in hushed tones. With the felt engaged, each note emerges gently, softened at the edges and wrapped in warmth. The attack is subdued, the resonance quiet, and the overtones held back just enough to let the silence between notes carry weight.\n\n\u003c\/p\u003e\n\u003cp\u003eIt’s a sound built for restraint. The felt dampens not just volume, but urgency, creating a space where the music feels personal and unforced. It invites slower tempos, sparse voicings, and moments where the performance is more about presence than projection.\n\n\u003c\/p\u003e\n\u003cp\u003eWhether you’re scoring for film, writing late at night, or simply chasing a quieter mood, this piano offers a voice that stays close to the listener. It doesn’t demand attention. It earns it.\n\n\u003c\/p\u003e\n\u003ch3\u003eInstrument Specs\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eNearly new condition, minimal play wear\u003c\/li\u003e\n\u003cli\u003eFelt engaged across all registers during sampling\u003c\/li\u003e\n\u003cli\u003eHailun H-1P upright, built in 2021\u003c\/li\u003e\n\u003cli\u003eHeight: 48 inches\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecording Environment\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSmall living room, naturally controlled ambience\u003c\/li\u003e\n\u003cli\u003eMic positioning chosen for a balanced, realistic stereo image\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSound Profile\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eSoft, muted tone with gentle attack\u003c\/li\u003e\n\u003cli\u003eReduced brightness and minimal overtones\u003c\/li\u003e\n\u003cli\u003eIdeal for cinematic scoring, ambient textures, and intimate arrangements\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMicrophone Positions\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eFront Under - A pair of Omni-directional condenser mics underneath the keyboard facing the bridge. Provides a close, intimate sound with very light hammer action noise.\u003c\/li\u003e\n\u003cli\u003eBehind Close - A pair of cardioid microphones near the soundboard behind the piano. This gives that woody characteristic sound of an upright piano while still being close and wide.\u003c\/li\u003e\n\u003cli\u003eBehind Spaced - Pulled back a couple feet from the back side of the soundboard. This gives a more spacious and natural sound, with a bright crisp tone.\u003c\/li\u003e\n\u003cli\u003eFront Over - A wide pair of microphones aiming at the hammers. Despite what you may expect, this position gives a dark, distant, but wide tone.\u003c\/li\u003e\n\u003cli\u003eRoom - A pair of spaced omni-directional microphones about 6 feet away from the piano. These capture the entire piano and the room. This position gives a more distant sound and works best blended with the other microphone positions.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425550582009,"sku":"1358-4160","price":109.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Ningbo-Upright-Felt-Screenshot-Mix_aba0c278-c68e-43f7-a419-af241c4d7bff.webp?v=1771379361"},{"product_id":"boz-gatey-watey","title":"Boz Gatey Watey","description":"\u003cp\u003eUnlike other gates, Gatey Watey enables you to zero in on precisely the frequency range you want attenuate without the hit-or-miss tweaking of complicated controls, yielding excellent results regardless of your skill level.\n\n\u003c\/p\u003e\n\u003cp\u003eInstead of the wibbly-wobbly, timey-wimey stuff that traditional gates chatter on about, Gatey Watey lets you select the frequencies you want to attenuate for a smooth and natural sound. If you want to shorten cymbal tails without losing the resonance of the kit, quiet singing toms without choking them, or tame the fizz but keep the fuzz on distorted guitars, Gatey Watey will give you the closure you need to move on and mix. Gatey Watey is a forward-thinking, resource-friendly plug-in that not only eliminates the guesswork typical of complicated gates, but also the steep learning curve as well. Gatey Watey is how a gate should work, especially if you want to breeze through the tedious housekeeping processes of noise cleanup and track preparation and focus on creativity.\u003c\/p\u003e\n\u003ch3\u003eGatey Watey—Cracking the Code\u003c\/h3\u003e\n\u003cp\u003eThe reasons for using gates have never gone away: singing toms, too much metal-work on a drum kit, bleed in kick and snare that makes processing troublesome at best, and we haven’t even gotten to guitars. Gating is a key element for increasing dynamic range and bringing out the punch and focus of drums in a dense mix. And yes, gates come standard in all DAWs, but how often do you actually use them? And wouldn’t you prefer a gate that works without all the histrionics (and hysteresis)?\n\n\u003c\/p\u003e\n\u003cp\u003eIn order to increase appeal, gate plug-ins have some complicated and downright incomprehensible controls, yet they still operate on the same principle as analog gates from the days of yore (with names like Kepex). Some argue that gates are outdated technology in the face of powerful DAW editing. For example, there’s that clip gain trick used in place of gating, which requires you cut regions, say between tom fills, and reduce the gain of the clip by around -14dB to maintain a natural sound. If you don’t have an intern (studio slang for “slave”) to do it for you, you’ll want something that gets the tedium out of the way. The real question is whether you want to focus on mixing, or spend hours cutting spaces between every snare, kick, and tom hit? And what if you have cymbal or hi-hat bleed you want to get rid of? That’s near impossible to edit. Again, wouldn’t you rather have a gate that does all that for you in a fraction of the time? Of course you would.\n\n\u003c\/p\u003e\n\u003ch3\u003eTransient ischemic attack\u003c\/h3\u003e\n\u003cp\u003eEven gate plug-ins, as fast as they are, have the same problem with transients as their analog ancestors. One clever workaround in DAWs is to copy the track you wish to add gating to, offset it slightly ahead of the track to be processed, and send a sidechain signal from the offset track to the gated track. The offset track opens the gate slightly ahead of the gated track so that transients will pass unmolested. Clever, yes? Well, not really when Gatey Watey will do that for you with its look-ahead feature.\n\n\u003c\/p\u003e\n\u003cp\u003eBoz Fun Fact: In the days of recording to tape, gates were used on drums as part of the tracking process. It took a bit of expertise to set the hold and release functions to have the gate close smoothly, but transients were another problem altogether. Since audio signal crossing a threshold opened the gate, a certain amount of transient information was lost, which was further exacerbated by analog tape’s tendency to soften transients. To preserve as much of the attack as possible, some devilishly clever engineers came up with an analog look-ahead scheme, which involved placing two microphones on each drum; one mic close to the drum that opened a gate key input (which wasn’t heard), and a second mic farther back to capture the sound of the drum. The few-millisecond delay of the transients hitting the second mic after the first one opened the gate allowed the transients to be captured entirely.\n\n\u003c\/p\u003e\n\u003ch3\u003eChatter below decks\u003c\/h3\u003e\n\u003cp\u003eAnother issue that comes with setting a gate is known as gate chatter, which occurs when audio signal fluctuates above and below the threshold at the tail end of its decay. The gate opens and closes rapidly, causing a stuttering effect. Standard gates have a hysteresis control to deal with that. Yet another parameter that has to be tweaked to sound natural, hysteresis keeps the gate open by a fixed amount below the threshold, allowing the sound to die out without shutting the gate. You’ll find this control on SSL and Neve consoles, but not on Gatey Watey. Due to its operating principle, gate chatter is simply not an issue.\n\n\u003c\/p\u003e\n\u003ch3\u003eGatey Watey controls\u003c\/h3\u003e\n\u003cp\u003eGatey Watey has three mode buttons: high-pass, low pass, and normal gate operation (should you need it). Below these buttons is a frequency slider ranging from 20Hz to 12kHz, which lights red and blue above and below the slider position (and depending on which mode you select). Below the frequency slider are Range, which determines how many dB the gate will attenuate; Attack, which sets how quickly the gate will respond (0ms – 200ms); Release, which determines how fast or slow the gate will close (25ms – 500ms), and Lookahead, which ranges from 0ms to 50ms. The Threshold slider on Gatey Watey’s left side also lights red and blue coinciding with the frequency slider and mode so you can see what’s happening graphically. And finally, a bypass button lives on the right side of the GUI.\n\n\u003c\/p\u003e\n\u003ch3\u003eWhy Gatey Watey when there are so many gates—even ones for free?\u003c\/h3\u003e\n\u003cp\u003eAs we briefly touched on in the beginning, Gatey Watey has one feature that sets it apart and makes it a must-have for anyone who has struggled with gating: frequency-selective attenuation. To put it simply, when the input drops below the threshold Gatey Watey will attenuate only the high frequencies or only the low frequencies based on selected mode switch and your selected crossover point. That ability makes Gatey Watey extremely powerful when it comes to gating drums, electric guitars, or pretty much anything that requires a gate.\n\n\u003c\/p\u003e\n\u003cp\u003eFor example, if you want to cut the hi-hat bleed from a snare without killing the ring of the snare, better call Gatey Watey (sorry Saul, this is out of your league). Do you want your distorted guitars to ring out without electrical hum from fluorescent bulbs or neon lamps blaring through your pickups? Gatey Watey to the rescue. You can even use two instances of Gatey Watey if you’d like to gate specific high and low frequencies simultaneously. Even in normal gating situations, Gatey Watey excels. You just tell it what to turn down and how much to turn down and Gatey Watey takes it from there. On the other hand, if you get stuck in 1969 without a TARDIS, you’ll just have to wait it out until Boz invents Gatey Watey (and don’t point your timey-wimey detector at a chicken . . . it’s not pretty when they blow.)\n\n\u003c\/p\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425551106297,"sku":"1358-892","price":68.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/screen-shot-high-res.jpg?v=1771379360"},{"product_id":"boz-el-clapo-2","title":"Boz El Clapo 2","description":"\u003ch3\u003eThe ultimate clap track machine packed with natural human feel.\u003c\/h3\u003e\n\u003cp\u003eWhether you need a crisp solo clap, stomp, or snap; a stadium full of energy, or anything in between, El Clapo delivers. Packed with 100% authentic claps, stomps, and snaps, El Clapo gives you instant access to a massive range of percussive textures for your productions.\n\u003c\/p\u003e\n\u003cp\u003eDial in the perfect crowd size—from one person to an entire arena—and tweak away with three mic positions for unmatched realism. Fine-tune your mix with a 6-band EQ, compressor, and reverb, then bring your beats to life using the built-in step sequencer or MIDI control. \n\u003c\/p\u003e\n\u003ch3\u003eEl Clapo makes every hit count.\u003c\/h3\u003e\n\u003cp\u003eBecause why settle for lifeless, robotic claps?\nHarness the power and impact of the industry’s\nmost natural-sounding claps, stomps, and snaps\ninstrument.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eChoose from 100% authentic Claps, Stomps \u0026amp; Snaps – instantly access a wide range of samples to craft the perfect rhythm.\u003c\/li\u003e\n\u003cli\u003eFully Adjustable Crowd Size – from a single, crisp clap to a roaring stadium —you’re in total control.\u003c\/li\u003e\n\u003cli\u003eSlop Control – add natural timing variation for ultra-realistic, humanized group claps.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Boz Digital Labs","offers":[{"title":"Default Title","offer_id":47425552154873,"sku":"1358-3942","price":82.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/ElClapo2ScreenshotScope.webp?v=1771379365"},{"product_id":"boz-little-foot-2","title":"Boz Little Foot 2","description":"\u003ch3\u003eLittle Foot. Huge Kick.\u003c\/h3\u003e\n\u003cp\u003eMeet Little Foot, the straightforward plugin designed to give your kick drum a deep, controlled thump effortlessly.\n\n\u003c\/p\u003e\n\u003cp\u003eWith Little Foot, you get precise control over your kick’s low end without the complexity of sidechaining or manual layering.\n\n\u003c\/p\u003e\n\u003cp\u003eForget complicated setups. 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Automate different sections to open the chorus with extra width, tighten a verse with subtle EQ shifts, or push a bridge with bold tonal changes.\n\u003c\/p\u003e\n\u003cp\u003eWhether you need small, musical tweaks or dramatic transformations, Automator lets you shape movement and dynamics without the usual automation complexity. The result is more expressive, intentional automation that you will actually use.\n\n\u003c\/p\u003e\n\u003ch3\u003eUse just One Automation Lane\u003c\/h3\u003e\n\u003cp\u003eAutomator lets you use a single automation lane to change up to 38 parameters. 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