{"title":"Blackmagic Design","description":"\u003cp\u003eATEM switchers, cinema cameras, DaVinci Resolve, capture cards, and broadcast converters.\u003c\/p\u003e","products":[{"product_id":"blackmagic-design-adpt-12gbi-opt","title":"Blackmagic Design 12G SFP Optical Module Adapter","description":"\u003cp\u003e12G BD SFP Optical Module for use with Blackmagic Optical Products\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596599537913,"sku":"ADPT-12GBI\/OPT","price":469.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/BMD-ADPT-12GBI-OPT.jpg?v=1782508131"},{"product_id":"blackmagic-design-adpt-3gbi-opt","title":"Blackmagic Design 3G SFP Optical Module","description":"\u003cp\u003eAdd an LC fiber optic connection to your Blackmagic Studio Camera, Teranex Converter, ATEM hardware, or any other professional device that supports SFP cages with this Blackmagic Design 3G SFP Optical Module. 3G data rates support SD and HD resolutions, and the fiber optic communication allows for long-distance transmission without quality loss.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596599603449,"sku":"ADPT-3GBI\/OPT","price":165.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/BMD-ADPT-3GBI-OPT.jpg?v=1782508131"},{"product_id":"blackmagic-design-adpt-6gbi-opt","title":"Blackmagic Design 6G SFP Optical Module","description":"\u003cp\u003eAdd an LC fiber optic connection to your Blackmagic Studio Camera, Teranex Converter, ATEM hardware, or any other professional device that supports SFP cages with this Blackmagic Design 6G SFP Optical Module. 6G data rates support SD, HD, and 4K resolutions, and the fiber optic communication allows for long-distance transmission without quality loss.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596599668985,"sku":"ADPT-6GBI\/OPT","price":339.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/BMD-ADPT-6GBIOPT.jpg?v=1782508132"},{"product_id":"blackmagic-design-batt-lpe6m-cam","title":"Blackmagic Design BATT-LPE6M\/CAM Battery","description":"\u003cp\u003eLPE 6 battery from Blackmagic Design.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eCapacity (Wh) 14.8 Wh\u003c\/li\u003e\r\n\t\u003cli\u003eAmp-Hours 2000.00 mAh\u003c\/li\u003e\r\n\t\u003cli\u003eBattery Type: Lithium-Ion\u003c\/li\u003e\r\n\t\u003cli\u003eOutput Voltage 7.4 VDC\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNote: Not compatible with Canon chargers\u003c\/strong\u003e\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596599767289,"sku":"BATT-LPE6M\/CAM","price":55.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/BATT-LPE6M-CAM.jpg?v=1782508131"},{"product_id":"blackmagic-design-batt-npf570-cam","title":"Blackmagic Design NP-F570 3500mAh Battery","description":"\u003cp\u003e3,500 mAh NP-F570 compatible lithium-Ion rechargeable battery\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596599832825,"sku":"BATT-NPF570\/CAM","price":59.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/BATT-NPF570.jpg?v=1782508132"},{"product_id":"blackmagic-design-bdlkduo2","title":"Blackmagic Design DeckLink Duo 2 PCIe Capture\/Playback Card","description":"\u003cdiv class=\"ts-two-thirds ts-divider-right\"\u003e\r\n\u003cp\u003eFeaturing 4 independent 3G-SDI connections, The \u003cstrong\u003eBlackmagic Design DeckLink Duo 2\u003c\/strong\u003e is a PCIe capture and playback card that supports SDI formats in SD and HD up to 1080p60! You get the flexibility of 4 separate capture or playback cards in one! Plus, it’s completely customizable so it’s perfect for media play-out systems, multi screen digital signage servers, real time multi channel capture systems and more!\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis new model of DeckLink Duo 2 features 4 independent 3G-SDI connections so it can now work in high HD frame rates and it supports SDI formats in SD and HD up to 1080p60. Each SDI connection is completely independent, meaning that each of the 4 connections can input or output entirely different video standards and content streams, all at the same time. DeckLink Duo 2 can also capture and playback at the same time, and also includes a reference connection for black burst\/tri-sync. Developers can use the SDK to configure the four SDI connections to be any combination of inputs and outputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFeaturing high performance 4 lane Generation 2 PCI Express, DeckLink Duo 2 takes up only one single PCI slot in the computer, which makes it the perfect solution for system integrators and developers that need completely customizable, flexible I\/O configurations on a single card. 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Each SDI connection is completely independent, meaning that each of the 8 connections can input or output entirely different video standards and content streams, all at the same time. DeckLink Quad 2 can also capture and playback at the same time, and also includes a reference connection for black burst\/tri-sync. Developers can use the SDK to configure the eight SDI connections to be any combination of inputs and outputs.\u003c\/p\u003e\r\n\r\n\u003cp\u003eFeaturing the latest, high performance 8 lane generation 2 PCI Express, DeckLink Quad 2 takes up only one single PCI slot in the computer, which makes it the perfect solution for system integrators and developers that need completely customizable, flexible I\/O configurations on a single card. 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Featuring 4 independent HDMI 2.0b input connections, DeckLink Quad HDMI is like getting 4 separate and customizable capture cards in one, making it perfect for software live switching, real time computer game capture, streaming and more!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eHDMI 2.0b Video Inputs: 4\u003c\/li\u003e\r\n\t\u003cli\u003eHDMI Audio Inputs: 8 Channels embedded in SD\/HD\/UHD\/4K.\u003c\/li\u003e\r\n\t\u003cli\u003eComputer Interface: PCI Express 8 lane generation 3, compatible with 8 and 16 lane PCI Express slots.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596599996665,"sku":"BDLKDVQDHDMI4K","price":905.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/bmd-bdlkdvqdhdmi4k.jpg?v=1782508134"},{"product_id":"blackmagic-design-bdlkhcpro8k12gg2","title":"Blackmagic Design DeckLink 8K Pro G2 12G-SDI\/HDMI Capture Card","description":"\u003cp\u003eIntroducing \u003cstrong\u003eDeckLink 8K Pro G2 12G-SDI and HDMI 2.1 capture and playback PCIe card\u003c\/strong\u003e for allSD, HD, Ultra HD, 4K DCI, 8K and 8K DCI formats!\u003c\/p\u003e\r\n\r\n\u003cp\u003eDeckLink 8K Pro G2 includes four bi-directional 12G-SDI plus HDMI 2.1 connections to support all SD, HD, Ultra HD, 4K and 8K standards, making it the ultimate professional 8K PCIe capture and playback card for designed for feature film production. You can also use the free DeckLink SDK to configure up to 4 video streams in any direction, format or frame rate up to 4K DCI 60p, for true multi channel capture and playback. DeckLink 8K Pro G2 supports 8 and 10-bit YUV 4:2:2, as well as 10 and 12-bit RGB 4:4:4 with full Rec. 2020 color. In addition, you can work at up to 120 frames per second in HD and 4K, and up to 60 frames per second in 8K. The four 12G-SDI connections support up to 64 channels of embedded audio. DeckLink 8K Pro G2 is perfect for the next generation of high resolution, high frame rate and high dynamic range workflows!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eConnections\u003c\/strong\u003e\r\n\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSDI Video Inputs - \u003c\/strong\u003e4 x bi-directional 12G‑SDI\r\n\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003eSupports SD\/HD\/2K\/4K\/8K, single, dual link and quad link 4:2:2\/4:4:4. 2D\/3D switchable.\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSDI Video Outputs - \u003c\/strong\u003e4 x bi-directional 12G‑SDI\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003eSupports SD\/HD\/2K\/4K\/8K, single, dual link and quad link 4:2:2\/4:4:4. 2D\/3D switchable.\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSDI Audio Inputs\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e16 Channels embedded in SD\/HD\/2K.\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e64 Channels embedded in 4K\/8K.\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSDI Audio Outputs\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e16 Channels embedded in SD\/HD\/2K.\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e64 Channels embedded in 4K\/8K.\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eHDMI Video Inputs - \u003c\/strong\u003e1 x HDMI 2.1\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eHDMI Video Outputs - \u003c\/strong\u003e1 x HDMI 2.1\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eHDMI Audio Inputs\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e8 Channels embedded in TMDS.\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e32 Channels embedded in FRL.\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eHDMI Audio Outputs\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e8 Channels embedded in TMDS.\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e32 Channels embedded in FRL.\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSync Input - \u003c\/strong\u003eTri-Sync or Black Burst.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eRemote Control - \u003c\/strong\u003e1 x RS‑422 Out\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eComputer Interface - \u003c\/strong\u003ePCI Express 8 lane generation 3, compatible with 8 and 16 lane PCI Express slots.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSupported Codecs\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eAVC-Intra, AVCHD, Canon XF MPEG2, Digital SLR, DV‑NTSC, DV‑PAL, DVCPRO50, DVCPROHD, DPX, HDV, XDCAM EX, XDCAM HD, XDCAM HD422, DNxHR and DNxHD, Apple ProRes 4444, Apple ProRes 422 HQ, Apple ProRes 422, Apple ProRes LT, Apple ProRes 422 Proxy, Uncompressed 8‑bit 4:2:2, Uncompressed 10‑bit 4:2:2, Uncompressed 10‑bit 4:4:4.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSoftware\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSoftware Included - \u003c\/strong\u003eDaVinci Resolve, Media Express, Disk Speed Test, LiveKey, Blackmagic Desktop Video Utility and Blackmagic driver on Mac OS and Windows. Media Express, Blackmagic Desktop Video Utility and Blackmagic driver on Linux.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eInternal Software Upgrade - \u003c\/strong\u003e​Firmware built into software driver. Loaded at system start or via updater software.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003ePhysical Installation\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003ePCI Express 8 lane generation 3, compatible with 8, 16 lane PCI Express slots on Mac OS, Windows and Linux. Requires 2 PCI slots plus connection to computer power supply. Please check the Support pages to see the full system requirements.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSoftware Applications\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eDaVinci Resolve\u003c\/li\u003e\r\n\t\t\u003cli\u003eFusion\u003c\/li\u003e\r\n\t\t\u003cli\u003eFinal Cut Pro\u003c\/li\u003e\r\n\t\t\u003cli\u003eAdobe Premiere Pro\u003c\/li\u003e\r\n\t\t\u003cli\u003eAvid Media Composer\u003c\/li\u003e\r\n\t\t\u003cli\u003eAdobe After Effects\u003c\/li\u003e\r\n\t\t\u003cli\u003eAvid Pro Tools\u003c\/li\u003e\r\n\t\t\u003cli\u003eSteinberg Cubase\u003c\/li\u003e\r\n\t\t\u003cli\u003eAutodesk Flame\u003c\/li\u003e\r\n\t\t\u003cli\u003eAdobe Photoshop\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e\n\u003cstrong\u003eOther supported applications include: \u003c\/strong\u003eSteinberg Nuendo, Open Broadcaster Software Studio, vMix, The Foundry Nuke, Grass Valley Edius X, Sony Catalyst Production Suite, Tools On Air Just: Play \u0026amp; Live \u0026amp; In, Softron MovieRecorder \u0026amp; MReplay, Adobe Flash Media Live Encoder, Telestream Wirecast, Resolume Arena, Vegas Creative Software Vegas Pro \u0026amp; Vegas Edit, Corel VideoStudio Pro, CyberLink PowerDirector, VidblasterX Studio \u0026amp; Broadcast, CasparCG Server, Magicsoft CG, Xsplit Broadcaster, DevTek Easy Media Suite, Metus Ingest, Boinx Software MimoLive, Cinegy Capture Pro, Renewed Vision ProPresenter, Ventuz Director, Class X Liveboard \u0026amp; Coral CG, Glookast Capturer, Nautilus Studio NEMO3D, Derivative TouchDesigner, Assimilate Scratch \u0026amp; Live Assist, Burst Video WebClip2Go \u0026amp; [REC]Marker, NewBlue Title Live \u0026amp; Titler Pro, SGO Mistika, Zoom.\r\n\t\t\t\u003cul\u003e\r\n\t\t\t\t\u003cli\u003eThese are third party applications and support may vary, check with your software vendor.\u003c\/li\u003e\r\n\t\t\t\u003c\/ul\u003e\r\n\t\t\t\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSDI Video Standards\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSD Video Standards\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eHD Video Standards\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080p95.90, 1080p96, 1080p100, 1080p119.88, 1080p120\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003e2K Video Standards\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI, 2Kp60 DCI, 2Kp95.90 DCI, 2Kp96 DCI, 2Kp100 DCI, 2Kp119.88 DCI, 2Kp120 DCI\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e2KPsF23.98 DCI, 2KPsF24 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI, 2KPsF30 DCI\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eUltra HD Video Standards\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94, 2160p60, 2160p95.90, 2160p96, 2160p100, 2160p119.88, 2160p120\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003e4K Video Standards\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI, 4Kp95.90 DCI, 4Kp96 DCI, 4Kp100 DCI, 4Kp119.88 DCI, 4Kp120 DCI\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003e8K Video Standards\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e4320p23.98, 4320p24, 4320p25, 4320p29.97, 4320p30, 4320p47.95, 4320p48, 4320p50, 4320p59.94, 4320p60\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003e8K DCI Video Standards\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e8Kp23.98 DCI, 8Kp24 DCI, 8Kp25 DCI, 8Kp29.97 DCI, 8Kp30 DCI, 8Kp47.95 DCI, 8Kp48 DCI, 8Kp50 DCI, 8Kp59.94 DCI, 8Kp60 DCI\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003e3D SDI Video Standards\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080p95.90, 1080p96, 1080p100, 1080p119.88, 1080p120\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI, 2Kp60 DCI, 2Kp95.90 DCI, 2Kp96 DCI, 2Kp100 DCI, 2Kp119.88 DCI, 2Kp120 DCI\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e2KPsF23.98 DCI, 2KPsF24 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI, 2KPsF30 DCI\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI, 4Kp95.90 DCI, 4Kp96 DCI, 4Kp100 DCI, 4Kp119.88 DCI, 4Kp120 DCI\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94, 2160p60, 2160p95.90, 2160p96, 2160p100, 2160p119.88, 2160p120\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSDI Compliance\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003eSMPTE 259M, SMPTE 274M, SMPTE 292M, SMPTE 296M SMPTE 372M, SMPTE 424M, SMPTE 425M level A and B, SMPTE 2036‑1, SMPTE 2048‑1, SMPTE 2081‑10, SMPTE 2081‑11, SMPTE 2081‑12, SMPTE 2082‑10, SMPTE 2082‑11, SMPTE 2082‑12 and SMPTE ST2108‑1\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSDI Metadata Support - \u003c\/strong\u003eRP 188\/SMPTE 12M-2 and closed captioning.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eAudio Sampling - \u003c\/strong\u003eTelevision standard sample rate of 48 kHz at 24‑bit.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSDI Video Sampling - \u003c\/strong\u003e4:2:2, 4:4:4\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSDI Color Precision - \u003c\/strong\u003e8, 10, 12-bit RGB 4:4:4 in all modes up to 8Kp30 DCI, and 8, 10-bit YUV 4:2:2 in all modes.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eColor Space - \u003c\/strong\u003eREC 601, REC 709, REC 2020.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eHDR Support - \u003c\/strong\u003eHDR static metadata packing, HLG and PQ transfer characteristics.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eMultiple Rate Support - \u003c\/strong\u003eSDI video connections are switchable between SD\/HD\/2K\/4K and 8K.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eHDMI 2.1 Video Standards\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eSD Video Standards\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eHD Video Standards\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080p95, 1080p96, 1080p100, 1080p119, 1080p120\u003c\/li\u003e\r\n\t\t\t\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eUltra HD Video Standards\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48 2160p50, 2160p59.94, 2160p60, 2160p95, 2160p96, 2160p100, 2160p119, 2160p120\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003e4K Video Standards\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI, 4Kp95 DCI, 4Kp96 DCI, 4Kp100 DCI, 4Kp119 DCI, 4Kp120 DCI\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003e8K Video Standards\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e4320p23.98, 4320p24, 4320p25, 4320p29.97, 4320p30, 4320p47.95, 4320p48, 4320p50, 4320p59.94, 4320p60\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003e8K DCI Video Standards\u003c\/strong\u003e\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e8Kp23.98 DCI, 8Kp24 DCI, 8Kp25 DCI, 8Kp29.97 DCI, 8Kp30 DCI, 8Kp47.95 DCI, 8Kp48 DCI, 8Kp50 DCI, 8Kp59.94 DCI, 8Kp60 DCI\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eHDMI Audio Sampling - \u003c\/strong\u003eTelevision standard sample rate of 48 kHz and 24‑bit.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eHDMI Video Sampling - \u003c\/strong\u003e4:2:2, 4:4:4 and 4:2:0*\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eHDMI Color Precision - \u003c\/strong\u003e8, 10 and 12-bit*\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e*supported video sampling and colour precision are dependent on connected HDMI device capabilities, video resolution and frame rate.\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eHDMI Color Space - \u003c\/strong\u003eREC 601, REC 709, REC 2020.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eHDR Support - \u003c\/strong\u003eHDR static metadata packing, HLG and PQ transfer characteristics.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eHDMI Configuration - \u003c\/strong\u003eHDMI 2.1 supports Deep Color and HDR. Automatically configures to connected display.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eMultiple Rate Support - \u003c\/strong\u003eHDMI video connections are switchable between SD\/HD\/UHD and 4K.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eCopy Protection - \u003c\/strong\u003eHDMI input is unable to capture from copy protected HDMI sources. \u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eProcessing\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eColorspace Conversion - \u003c\/strong\u003eHardware based real time on output.\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003e3D Processing - \u003c\/strong\u003eLeft eye\/right eye dual stream capture and playback (SDI only).\u003c\/li\u003e\r\n\t\t\u003cli\u003e\n\u003cstrong\u003eReal Time Effects - \u003c\/strong\u003eDaVinci Resolve, Final Cut Pro internal effects. Adobe Premiere Pro CC Mercury Playback Engine effects. 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Featuring 4 independent mini BNC 12G-SDI connections, DeckLink 8K Pro Mini can work in all SD, HD, Ultra HD, 4K DCI, 8K and 8K DCI standards. You get support for high frame rate, 12-bit RGB 4:4:4 video and full Rec. 2020 color, making it perfect for next generation high resolution and high dynamic range workflows!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSDI Video Inputs\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e4 x bi-directional 12G-SDI Micro BNC connectors.\u003c\/li\u003e\r\n\t\t\u003cli\u003eSupports SD\/HD\/2K\/4K\/8K, single, dual link and quad link 4:2:2\/4:4:4. 2D\/3D switchable.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Video Outputs\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e4 x bi-directional 12G-SDI Micro BNC connectors.\u003c\/li\u003e\r\n\t\t\u003cli\u003eSupports SD\/HD\/2K\/4K\/8K, single, dual link and quad link 4:2:2\/4:4:4. 2D\/3D switchable.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Audio Inputs\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e16 Channels embedded in SD\/HD\/2K.\u003c\/li\u003e\r\n\t\t\u003cli\u003e64 Channels embedded in 4K\/8K.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Audio Outputs\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e16 Channels embedded in SD\/HD\/2K.\u003c\/li\u003e\r\n\t\t\u003cli\u003e64 Channels embedded in 4K\/8K.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eSync Input: Tri-Sync or Black Burst.\u003c\/li\u003e\r\n\t\u003cli\u003eComputer Interface: PCI Express 8 lane generation 3, compatible with 8 and 16 lane PCI Express slots.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVideo Standards\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSD Video Standards\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eHD Video Standards\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080p95.90, 1080p96, 1080p100, 1080p119.88, 1080p120\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e2K Video Standards\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI, 2Kp60 DCI, 2Kp95.90 DCI, 2Kp96 DCI, 2Kp100 DCI, 2Kp119.88 DCI, 2Kp120 DCI, 2KPsF23.98 DCI, 2KPsF24 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI, 2KPsF30 DCI\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eUltra HD Video Standards\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94, 2160p60, 2160p95.90, 2160p96, 2160p100, 2160p119.88, 2160p120\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e4K Video Standards\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI, 4Kp95.90 DCI, 4Kp96 DCI, 4Kp100 DCI, 4Kp119.88 DCI, 4Kp120 DCI\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e8K Video Standards\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e4320p23.98, 4320p24, 4320p25, 4320p29.97, 4320p30, 4320p47.95, 4320p48, 4320p50, 4320p59.94, 4320p60\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e8K DCI Video Standards\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e8Kp23.98 DCI, 8Kp24 DCI, 8Kp25 DCI, 8Kp29.97 DCI, 8Kp30 DCI, 8Kp47.95 DCI, 8Kp48 DCI, 8Kp50 DCI, 8Kp59.94 DCI, 8Kp60 DCI\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e3D SDI Video Standards\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080p95.90, 1080p96, 1080p100, 1080p119.88, 1080p120\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\r\n\t\t\u003cli\u003e2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI, 2Kp60 DCI, 2Kp95.90 DCI, 2Kp96 DCI, 2Kp100 DCI, 2Kp119.88 DCI, 2Kp120 DCI\u003c\/li\u003e\r\n\t\t\u003cli\u003e2KPsF23.98 DCI, 2KPsF24 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI, 2KPsF30 DCI\u003c\/li\u003e\r\n\t\t\u003cli\u003e4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI, 4Kp60 DCI, 4Kp95.90 DCI, 4Kp96 DCI, 4Kp100 DCI, 4Kp119.88 DCI, 4Kp120 DCI\u003c\/li\u003e\r\n\t\t\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94, 2160p60, 2160p95.90, 2160p96, 2160p100, 2160p119.88, 2160p120\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Compliance\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eSMPTE 259M, SMPTE 274M, SMPTE 292M, SMPTE 296M, SMPTE 372M, SMPTE 424M, SMPTE 425M, SMPTE 2036‑1, SMPTE 2048‑1, SMPTE 2081‑10, SMPTE 2081‑11, SMPTE 2081‑12, SMPTE 2082‑10, SMPTE 2082‑11, SMPTE 2082‑12 and SMPTE ST2108‑1\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Metadata Support\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eRP 188\/SMPTE 12M-2 and closed captioning.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eAudio Sampling\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eTelevision standard sample rate of 48 kHz 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Media Express, Blackmagic Desktop Video Utility and Blackmagic driver on Linux.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eInternal Software Upgrade - \u003c\/strong\u003eFirmware built into software driver. Loaded at system start or via updater software.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003ePhysical Installation - \u003c\/strong\u003ePCI Express 4 lane generation 2, compatible with 4 and 8 lane PCI Express slots on Mac OS, Windows and Linux. Mac OS systems require a Mac Pro computer with PCI Express slots. Please check the Support pages to see the full system requirements.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSoftware Applications\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eDaVinci Resolve\u003c\/li\u003e\r\n\t\u003cli\u003eFusion\u003c\/li\u003e\r\n\t\u003cli\u003eFinal Cut Pro\u003c\/li\u003e\r\n\t\u003cli\u003eAdobe Premiere Pro\u003c\/li\u003e\r\n\t\u003cli\u003eAvid Media Composer\u003c\/li\u003e\r\n\t\u003cli\u003eAdobe After Effects\u003c\/li\u003e\r\n\t\u003cli\u003eAvid Pro Tools\u003c\/li\u003e\r\n\t\u003cli\u003eSteinberg Cubase\u003c\/li\u003e\r\n\t\u003cli\u003eSteinberg Nuendo\u003c\/li\u003e\r\n\t\u003cli\u003eAdobe Photoshop\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOther supported applications include:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Foundry Nuke, Grass Valley Edius, Sony Catalyst Production Suite, Tools On Air Just: Play \u0026amp; Live \u0026amp; In, Softron MovieRecorder \u0026amp; MReplay, Adobe Flash Media Live Encoder, Telestream Wirecast, Livestream Producer, Resolume Arena, Magix Vegas Pro \u0026amp; Movie Edit Pro Premium, Corel VideoStudio Pro, CyberLink PowerDirector, Vidblaster X \u0026amp; Studio \u0026amp; Broadcast, Uniplay One \u0026amp; CG, CasparCG Server, Magicsoft CG, Xsplit Broadcaster, Imagine Communications Velocity \u0026amp; InfoCaster, DevTek Easy Media Suite, Metus Ingest, Boinx Software MimoLive, Cinegy Capture Pro, vMix Live, Renewed Vision ProPresenter, Ventuz Director, Class X Liveboard \u0026amp; Coral CG, Glookast Capturer, Open Broadcaster Software Studio, Nautilus NEMO3D, Burst Video WebClip2Go \u0026amp; [REC]Marker, Autodesk Flame, Zoom.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eThese are third party applications and support may vary, check with your software vendor.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVideo Standards\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSD Video Standards -  \u003c\/strong\u003e525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eHD Video Standards\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59, 1080p59.94, 1080p60\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080PsF23.98*, 1080PsF24*, 1080PsF25*, 1080PsF29.97*, 1080PsF30*\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e* PsF SDI ONLY\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eAudio Sampling -  \u003c\/strong\u003eTelevision standard sample rate of 48 kHz and 24 bit.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eColor Precision -  \u003c\/strong\u003e8, 10, 12-bit RGB 4:4:4 in all modes up to 1080p30 and 8, 10-bit YUV 4:2:2 in all modes.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eColor Space -  \u003c\/strong\u003eREC 601, REC 709, REC 2020\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIP Video Compliance\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-20 (Uncompressed Video) -  \u003c\/strong\u003eIGMP v2\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-21 (Traffic Shaping)\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eSender: Narrow\u003c\/li\u003e\r\n\t\t\u003cli\u003eReceiver: Narrow, Wide Synchronous, Asynchronous\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-30 (PCM) -  \u003c\/strong\u003eAudio Conformance level: Level C\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-40 (Ancillary Data) -  \u003c\/strong\u003eFull access to entire SMPTE ancillary data stream. 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Adobe Premiere Pro CC Mercury Playback Engine effects. Avid Media Composer internal effects.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePhysical Installation\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cstrong\u003ePCI Express low profile.\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOperating Systems\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eMac\u003c\/strong\u003e\r\n\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eMac 12.0 Monterey,\u003c\/li\u003e\r\n\t\t\u003cli\u003eMac 13.0 Ventura or later.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eWindows\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eWindows 10, 64-bit.\u003c\/li\u003e\r\n\t\t\u003cli\u003eWindows 11.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cstrong\u003eLinux\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003ePower Consumption -  \u003c\/strong\u003e10 Watts\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eOperating Temperature -  \u003c\/strong\u003e5° to 40 ° C (32° to 104° F)\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eStorage Temperature -  \u003c\/strong\u003e-20° to 45° C (-4° to 113° F)\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eRelative Humidity -  \u003c\/strong\u003e0% to 90% non-condensing\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eDeckLink IP HD Optical\u003c\/li\u003e\r\n\t\u003cli\u003e10GBASE-LR Optical Fiber SFP+ Module and Cage\u003c\/li\u003e\r\n\t\u003cli\u003eLow profile slot bracket\u003c\/li\u003e\r\n\t\u003cli\u003eWelcome wallet with QR code for software download\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596601307385,"sku":"BDLKIPDIP\/OPT\/HD","price":555.0,"currency_code":"CAD","in_stock":true}]},{"product_id":"blackmagic-design-bdlkipfip-sdi-hd","title":"Blackmagic Design DeckLink 2110 IP\/SDI HD Capture and Playback Card","description":"\u003cp\u003eConnect to both 3G-SDI and 2110 IP systems with \u003cstrong\u003eDeckLink IP\/SDI HD\u003c\/strong\u003e. It has 2 capture and playback channels to 2110 IP via RJ45 Ethernet, 2 direction configurable 3G-SDI connections and reference out. 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Media Express, Blackmagic Desktop Video Utility and Blackmagic driver on Linux.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eInternal Software Upgrade -  \u003c\/strong\u003eFirmware built into software driver. Loaded at system start or via updater software.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003ePhysical Installation -  \u003c\/strong\u003ePCI Express 4 lane generation 2, compatible with 4 and 8 lane PCI Express slots on Mac OS, Windows and Linux. Mac OS systems require a Mac Pro computer with PCI Express slots. Please check the Support pages to see the full system requirements.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSoftware Applications\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eDaVinci Resolve\u003c\/li\u003e\r\n\t\u003cli\u003eFusion\u003c\/li\u003e\r\n\t\u003cli\u003eFinal Cut Pro\u003c\/li\u003e\r\n\t\u003cli\u003eAdobe Premiere Pro\u003c\/li\u003e\r\n\t\u003cli\u003eAvid Media Composer\u003c\/li\u003e\r\n\t\u003cli\u003eAdobe After Effects\u003c\/li\u003e\r\n\t\u003cli\u003eAvid Pro Tools\u003c\/li\u003e\r\n\t\u003cli\u003eSteinberg Cubase\u003c\/li\u003e\r\n\t\u003cli\u003eSteinberg Nuendo\u003c\/li\u003e\r\n\t\u003cli\u003eAdobe Photoshop\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOther supported applications include:\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Foundry Nuke, Grass Valley Edius, Sony Catalyst Production Suite, Tools On Air Just: Play \u0026amp; Live \u0026amp; In, Softron MovieRecorder \u0026amp; MReplay, Adobe Flash Media Live Encoder, Telestream Wirecast, Livestream Producer, Resolume Arena, Magix Vegas Pro \u0026amp; Movie Edit Pro Premium, Corel VideoStudio Pro, CyberLink PowerDirector, Vidblaster X \u0026amp; Studio \u0026amp; Broadcast, Uniplay One \u0026amp; CG, CasparCG Server, Magicsoft CG, Xsplit Broadcaster, Imagine Communications Velocity \u0026amp; InfoCaster, DevTek Easy Media Suite, Metus Ingest, Boinx Software MimoLive, Cinegy Capture Pro, vMix Live, Renewed Vision ProPresenter, Ventuz Director, Class X Liveboard \u0026amp; Coral CG, Glookast Capturer, Open Broadcaster Software Studio, Nautilus NEMO3D, Burst Video WebClip2Go \u0026amp; [REC]Marker, Autodesk Flame, Zoom.\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eThese are third party applications and support may vary, check with your software vendor.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eVideo Standards\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSD Video Standards -  \u003c\/strong\u003e525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eHD Video Standards\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59, 1080p59.94, 1080p60\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080PsF23.98*, 1080PsF24*, 1080PsF25*, 1080PsF29.97*, 1080PsF30*\r\n\t\t\u003cul\u003e\r\n\t\t\t\u003cli\u003e* PsF SDI ONLY\u003c\/li\u003e\r\n\t\t\u003c\/ul\u003e\r\n\t\t\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSDI Compliance -  \u003c\/strong\u003eSMPTE 259M, SMPTE 292M, SMPTE 296M, SMPTE 424M, SMPTE 425M, level A and B, ITU‑R BT.656 and ITU‑R BT.601.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSDI Metadata Support -  \u003c\/strong\u003eRP 188\/SMPTE 12M-2 and closed captioning.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eAudio Sampling -  \u003c\/strong\u003eTelevision standard sample rate of 48 kHz and 24 bit.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eColor Precision -  \u003c\/strong\u003e8, 10, 12-bit RGB 4:4:4 in all modes up to 1080p30 and 8, 10-bit YUV 4:2:2 in all modes.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eColor Space -  \u003c\/strong\u003eREC 601, REC 709, REC 2020\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eHDR Support -  \u003c\/strong\u003eHDR static metadata packing, HLG and PQ transfer characteristics.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIP Video Compliance\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-20 (Uncompressed Video) -  \u003c\/strong\u003eIGMP v2\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-21 (Traffic Shaping)\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eSender: Narrow\u003c\/li\u003e\r\n\t\t\u003cli\u003eReceiver: Narrow, Wide Synchronous, Asynchronous\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-30 (PCM) -  \u003c\/strong\u003eAudio Conformance level: Level C\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSMPTE 2110-40 (Ancillary Data) -  \u003c\/strong\u003eFull access to entire SMPTE ancillary data stream. 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Adobe Premiere Pro CC Mercury Playback Engine effects. Avid Media Composer internal effects.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePhysical Installation\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\u003cstrong\u003ePCI Express full height.\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eOperating Systems\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eMac\u003c\/strong\u003e\r\n\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eMac 12.0 Monterey,\u003c\/li\u003e\r\n\t\t\u003cli\u003eMac 13.0 Ventura or later.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eWindows\u003c\/strong\u003e\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eWindows 10, 64-bit.\u003c\/li\u003e\r\n\t\t\u003cli\u003eWindows 11.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e\u003cstrong\u003eLinux\u003c\/strong\u003e\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower Requirements\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003ePower Consumption -  \u003c\/strong\u003e10 Watts\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eEnvironmental Specifications\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eOperating Temperature -  \u003c\/strong\u003e5° to 40 ° C (32° to 104° F)\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eStorage Temperature -  \u003c\/strong\u003e-20° to 45° C (-4° to 113° F)\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eRelative Humidity -  \u003c\/strong\u003e0% to 90% non-condensing\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eDeckLink IP\/SDI HD\u003c\/li\u003e\r\n\t\u003cli\u003eWelcome wallet with QR code for software download\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596601405689,"sku":"BDLKIPFIP\/SDI\/HD","price":589.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/BMDDeckLinkIPSDIHD.jpg?v=1782508140"},{"product_id":"blackmagic-design-bdlkiphip-100g","title":"Blackmagic Design DeckLink IP 100G","description":"\u003cp\u003eThe Perfect Capture and Playback for 2110 IP Broadcast Systems!\u003c\/p\u003e\r\n\r\n\u003cp\u003eThis fast model features 8 channels of Ultra HD video, in simultaneous capture and playback via 100G Ethernet. It also features 2 100G Ethernet QSFP ports, providing full redundancy.\u003c\/p\u003e\r\n\r\n\u003cp\u003eDeckLink IP cards are the easiest way to capture and play back video directly into 2110 IP based broadcast systems! They have the same DeckLink features so all your existing software will just work! DeckLink IP cards support multiple video channels plus each channel can capture and play back at the same time. This means you can build racks of servers generating broadcast graphics, virtual sets or GPU based AI image processing, all directly integrated into 2110 IP broadcast infrastructure. You can even use DaVinci Resolve for 2110 IP based broadcast editing workstations! 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You get a broadcast quality capture card that’s compatible with virtually all SD and HD equipment and popular video software such as DaVinci Resolve and more!\u003c\/p\u003e\r\n\r\n\u003cp\u003eConnections\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSDI Video Input: 1 x 10-bit SD\/HD switchable\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Rates: 270Mb, 1.5G, 3G\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Audio Input: 16 channels embedded in SD\/HD\u003c\/li\u003e\r\n\t\u003cli\u003eHDMI Video Input: 1 x HDMI 2.0 type A connector\u003c\/li\u003e\r\n\t\u003cli\u003eHDMI Audio Input: 8 channels embedded in SD\/HD\u003c\/li\u003e\r\n\t\u003cli\u003eComputer Interface: PCI Express 1 lane generation 2, compatible with 1, 4, 8 and 16 lane PCI Express slots.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eSDI Video Standards\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSDI Video Standards: 525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\r\n\t\u003cli\u003eHD Video Standards:\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e2K Video Standards:\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp50 DCI, 2Kp59.94 DCI, 2Kp60 DCI\u003c\/li\u003e\r\n\t\t\u003cli\u003e2KPsF23.98 DCI, 2KPsF24 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI, 2KPsF30 DCI\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Compliance: SMPTE 259M, SMPTE 274M, SMPTE 296M, SMPTE 424M and SMPTE 425M A\/B\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Metadata Support: RP 188\/SMPTE 12M-2 and closed captioning.\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Audio Sampling: Television standard sample rate of 48 kHz and 24-bit.\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Video Sampling: 4:2:2, 4:4:4\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Color Precision: 8, 10, 12-bit RGB 4:4:4 up to 1080p30, and 8, 10-bit YUV 4:2:2 in all standards.\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Color Space: REC 601, REC 709 and REC 2020\u003c\/li\u003e\r\n\t\u003cli\u003eMultiple Rate Support: SDI video connection is switchable between SD and HD.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003eHDMI Video Standards\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSDI Video Standards: 525i59.94 NTSC, 625i50 PAL\u003c\/li\u003e\r\n\t\u003cli\u003eHD Video Standards: 720p50, 720p59.94, 720p60 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60, 1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\r\n\t\u003cli\u003eHDMI Audio Sampling: Television standard sample rate of 48 kHz and 24 bit.\u003c\/li\u003e\r\n\t\u003cli\u003eHDMI Video Sampling: 4:2:2 and 4:4:4\u003c\/li\u003e\r\n\t\u003cli\u003eHDMI Color Precision: 8-bit RGB 4:4:4, 8-bit YUV 4:4:4 and 12-bit YUV 4:2:2 in all standards.\u003c\/li\u003e\r\n\t\u003cli\u003eHDMI Configuration: HDMI 2.0 supports Deep Color.\u003c\/li\u003e\r\n\t\u003cli\u003eHDMI Color Space: REC 601, REC 709 and REC 2020\u003c\/li\u003e\r\n\t\u003cli\u003eMultiple Rate Support: HDMI video connection is switchable between SD and HD.\u003c\/li\u003e\r\n\t\u003cli\u003eCopy Protection: HDMI input is unable to capture from copy protected HDMI sources. 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The DeckLink Mini Recorder 4K is perfect for integrating into mobile live capture environments, broadcast trucks and more! You can even develop your own custom capture solutions using the Blackmagic Desktop Video SDK for Mac OS X, Windows and Linux! 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You get incredible quality 6G-SDI on any PCI Express Mac, Windows or Linux computer. DeckLink SDI 4K is the world’s smallest and most affordable multi rate SD\/HD and Ultra HD SDI video card that lets you connect to any SD, HD, 2K and Ultra HD equipment. You also get RS422 deck control, internal keying and reference input for a complete solution for editing, paint and design.\u003c\/p\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596601864441,"sku":"BDLKSDI4K","price":449.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/BDKJSDI4K.jpg?v=1782508145"},{"product_id":"blackmagic-design-bdlkstudio4k","title":"Blackmagic Design DeckLink Studio 4K","description":"\u003cp\u003eIf you work with a wide range of analog video and audio gear, and need to move seamlessly between SD, HD, 2K and Ultra HD, then DeckLink Studio 4K is perfect! DeckLink Studio 4K includes a massive number of analog and digital video connections including SD\/HD\/Ultra HD 6G-SDI, HDMI 1.4b, SD\/HD component, composite, S-video, 4 ch balanced analog audio, 2 ch AES\/EBU switchable to 6 ch out, black burst and tri-sync reference input, RS-422 deck control connections, keying in SD and a hardware down converter. 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For output, you get dual link 3G-SDI with fill and key, and an HDMI connection for monitoring video with a big screen television!\u003c\/p\u003e\r\n\r\n\u003cp\u003ePowered by Thunderbolt cable. Requires computer with a Thunderbolt™ 3 port.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSDI Video Inputs: 1 x 3Gb\/s SD\/HD switchable.\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Video Outputs: 2 x 3Gb\/s SD\/HD switchable, supports fill and key.\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Rates: 270Mb, 1.5G, 3G\u003c\/li\u003e\r\n\t\u003cli\u003eOptical SDI: None\u003c\/li\u003e\r\n\t\u003cli\u003eHDMI Video Inputs: None\u003c\/li\u003e\r\n\t\u003cli\u003eHDMI Video Outputs: 1 x HDMI 1.4b type A connector.\u003c\/li\u003e\r\n\t\u003cli\u003eAnalog Video Inputs: Y, B-Y, R-Y\/NTSC\/PAL.\u003c\/li\u003e\r\n\t\u003cli\u003eAnalog Video Outputs: None\u003c\/li\u003e\r\n\t\u003cli\u003eAnalog Audio Inputs: 2 x 1\/4 inch jack connectors for balanced and unbalanced analog audio.\u003c\/li\u003e\r\n\t\u003cli\u003eAnalog Audio Outputs: None, embedded audio only.\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Audio Inputs: 16 Channels embedded in SD and HD.\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Audio Outputs: 16 Channels embedded in SD and HD.\u003c\/li\u003e\r\n\t\u003cli\u003eHDMI Audio Outputs: 2 Channels embedded in SD and HD.\u003c\/li\u003e\r\n\t\u003cli\u003eTimecode Connection: None. 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DaVinci can even add an automatic stinger! It's the perfect solution for news and replay!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eElegant Design with Broadcast Features\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Media Player includes everything you need for broadcast playback! Place it on the desktop or it can be rack mounted using a Blackmagic Universal Rack Shelf. The front panel has an LCD with video, audio meter status information that includes input, video standard and the depth of the record\/playback frame buffer. The audio meter can also be changed between VU and PPM. There's also a headphone socket, speaker and a speaker enable button! To lock the speaker on, just double press the speaker enable button! If Blackmagic Media Player is mounted in a control room, then the front Thunderbolt connection lets you walk up and plug your computer right into the front of the rack!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExtremely Fast Thunderbolt Connection\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Media Player includes fast Thunderbolt with video capture and playback, as well as 10G Ethernet and laptop power all over a single cable! There are Thunderbolt connections on both the front and rear panels, so you can connect either rack mount or laptop computers. With Thunderbolt, you get lots of speed to handle large 4:4:4:4 and 4:2:2:4 files with alpha channels, in all SD, HD and Ultra HD video standards up to 2160p60. Blackmagic Media Player uses the DeckLink API, so almost all video software works. Plus, the Thunderbolt link is bidirectional, so you can capture, process and output video in real time! Now you can use computers as a graphics processing engine!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConnections for Replay, Monitoring and Extended Desktop\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Blackmagic Media Player has lots of connections for monitoring, extended desktop and fast networking. All with a single Thunderbolt connection! The program fill and key outputs can be muted so video won't key on a switcher until the replay has started. Then the dedicated 12G-SDI and HDMI monitoring outputs are always active so you can setup the next replay. There's even balanced audio out for powered speakers. 12G-SDI video in allows live input monitoring of the switcher multiview for replay. Plus, the 10G Ethernet provides fast assess to shared storage for accessing ISO video files. There's even an extended desktop for the DaVinci UI. Plus, a USB expansion for a keyboard and mouse.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSupports Independent Fill and Key Outputs\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith dual 12G-SDI video outputs, Blackmagic Media Player can connect into live production switchers so broadcast graphics can be overlaid with transparency. Internally, there's hardware support for both RGBA and YUVA frame buffers. With RGBA graphics, the Blackmagic Media Player will automatically transcode the RGB pixels to 10-bit YUV on the fill output and the alpha channel to the 10-bit key output. The two SDI outputs are then connected to a live production switcher where they can be keyed over video. The key output ensures you get smooth blending of the transparent elements in the images. This all means that Blackmagic Media Player is ideal for broadcast graphics and stingers!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSimultaneous Capture and Playback!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Media Player uses the same Desktop Video software that's used in our popular DeckLink and UltraStudio capture and playback solutions. This driver supports simultaneous real time bidirectional transfer of video data to and from the computer. Plus, the latency is extremely low. What this means is you can capture image data into the computer from the SDI input, while at the same time, send image data from the computer to the SDI outputs. This lets you create some amazing solutions where the computer is a processing engine. Imagine using the computer as a keyer, or generating broadcast graphics over the live input! Or even exciting new AI based processing overlaid on live video!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eHigh Speed Ethernet for Network Storage Access\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe high speed 10G Ethernet port means that the Blackmagic Media Player gives you access to network storage when your computer is connected to the Thunderbolt port. This means you don't need extra Ethernet adapters as you get video and network with a single cable. 10G Ethernet is 10 times faster than regular Ethernet so you get enough speed for lots of video streams, common when doing replay work. The 10G Ethernet port also features very low latency for fast access times. Plus, Blackmagic Cloud Stores have 10G Ethernet, which means you get the speed to access shared media and ISO recordings so you can have multiple editors all working together in DaVinci Resolve.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGet True 10‑BitBroadcast Video Quality\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Media Player is designed to support the highest quality video. You get support for capture and playback to popular video formats such as Apple ProRes, DNxHD or even 10-bit uncompressed, so you’re never locked into a single file format. 10-bit is the most commonly used television standard as colors can be represented with 4 times the precision of 8-bit video. Only working with 10-bit uncompressed video will ensure all images are a perfect pixel for pixel clone of the original source, so you’re always working at the absolute highest quality possible. This means you get the sharpest green screen keying, seamless VFX compositions and superior color correction!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWorks with All Popular Video Software\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith support for all popular video software, the Blackmagic Media Player gives you the freedom to work with the tools you already know and love! Blackmagic Media Player is perfect for using DaVinci Resolve for broadcast editing and color correction work. Because Blackmagic Media Player supports capture and playback at the same time, you can even use the live grading feature in DaVinci Resolve to capture video, apply color correction and then output it all at the same time! Blackmagic Media Player also works with other editing software including Final Cut Pro, Media Composer, Premiere Pro and more! You can even create stunning visual effects with Fusion, After Effects and Photoshop!\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eDaVinci Resolve\u003c\/li\u003e\r\n\t\u003cli\u003eFusion\u003c\/li\u003e\r\n\t\u003cli\u003eFinal Cut Pro\u003c\/li\u003e\r\n\t\u003cli\u003eAdobe Premiere\u003c\/li\u003e\r\n\t\u003cli\u003eAdobe After Effects\u003c\/li\u003e\r\n\t\u003cli\u003eAvid Media Composer\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUse Powerful Broadcast Graphics Tools\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen creating broadcast graphics and titles, you will want to use the same tools graphic designers are already familiar with, so you get the most creativity, with no retraining required. Blackmagic Media Player works with Fusion, which is the visual effects software integrated into DaVinci Resolve, as well as Adobe After Effects and Photoshop. Fusion Studio is a powerful node based compositing VFX tool with 2D and 3D environments, hundreds of effects and more. Plus, you can download and use Fusion free of charge in DaVinci Resolve! You can use the included Blackmagic Media Express software to capture and play back video into files that can be loaded into Fusion, After Effects or Photoshop.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSupports Ultra HD and 4K DCI Film\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Media Player supports the latest Ultra HD video standards on its 12G-SDI video connections. Ultra HD video standards include 2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p47.95, 2160p48, 2160p50, 2160p59.94 and 2160p60. You even get 4K film standards, which include 4Kp23.98 DCI, 4Kp24 DCI, 4Kp25 DCI, 4Kp29.97 DCI, 4Kp30 DCI, 4Kp47.95 DCI, 4Kp48 DCI, 4Kp50 DCI, 4Kp59.94 DCI and 4Kp60 DCI, 4KPsF25 DCI, 4KPsF29.97 DCI and 4KPsF30 DCI. This means Blackmagic Media Player is the ideal solution for broadcasters, because it allows you to migrate to Ultra HD and 4K work now! Plus, Blackmagic Media Player can be software updated to add new television standards later!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSupports SD, HD and 2K DCI Film\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eEven though Blackmagic Media Player has 12G-SDI connections, they are multi-rate and support lower resolution SD for archive or HD for broadcast video use. These include 525i59.94 NTSC, 625i50 PAL, 720p50, 720p59.94, 720p60, 1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p47.95, 1080p48, 1080p50, 1080p59.94, 1080p60, 1080PsF25, 1080PsF29.97, 1080PsF30, 1080i50, 1080i59.94, 1080i60, 2Kp23.98 DCI, 2Kp24 DCI, 2Kp25 DCI, 2Kp29.97 DCI, 2Kp30 DCI, 2Kp47.95 DCI, 2Kp48 DCI, 2Kp50 DCI, 2Kp59.94 DCI and 2Kp60 DCI, 2KPsF25 DCI, 2KPsF29.97 DCI and 2KPsF30 DCI. When connected to 3G-SDI sources, you can also switch between level A and B.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTraditional RS-422 for Broadcast Automation Control\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe most popular control connection used on broadcast decks since the early 1980s is the RS-422 protocol. Originally developed by Sony, RS-422 is used on almost all broadcast gear. Blackmagic Media Player features an RS-422 deck control input connection so you can remote control software that supports the remote port using broadcast automation systems. The connection also supports extra commands for the Advanced Media Protocol for managing disk recorders. It's easy to use RS-422 and we even include documentation of the supported remote-control commands in the Blackmagic Media Player instruction manual, which you can download from the support page of our web site.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDevelop Custom Solutions with the SDK\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you want to develop custom solutions for Blackmagic Media Player then simply download the Blackmagic Desktop Video SDK for Mac, Windows and Linux free of charge! The developer SDK makes it easy to develop your own custom solutions for in house use, or to sell to other broadcasters! The Desktop Video SDK provides low level control of hardware when you need flexibility, as well as high level interfaces which are easier to use for more common tasks. Thousands of manufacturers and developers use Blackmagic DeckLink cards in their products, so you get the confidence that the Desktop Video SDK will provide a solid foundation for developing commercial quality broadcast solutions.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eBlackmagic Media Player 10G\u003c\/li\u003e\r\n\t\u003cli\u003eWelcome wallet with QR code for software download\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596602290425,"sku":"BDLKULSTMP010G","price":1455.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/BDLKULSTMP010G.jpg?v=1782508150"},{"product_id":"blackmagic-design-bdlkweb-c-sedhd","title":"Blackmagic Design Streaming Encoder (Web Presenter) HD","description":"\u003cp\u003eNow you can live stream to the world! \u003cstrong\u003eBlackmagic Streaming Encoder (previously Web Presenter) HD\u003c\/strong\u003e is a complete streaming solution that includes a professional hardware streaming engine for direct streaming via Ethernet to YouTube, Facebook, Twitter and more! It’s just like a modern broadcast television transmitter for a new global streaming audience! Plus the built in USB connections work like a webcam, so you can connect a computer and use any streaming software, or even Skype or Zoom. For redundancy, you can stream to the internet via Ethernet or connect a 5G or 4G phone to use mobile data! Streaming Encoder also includes a technical monitoring output that includes video, audio meters, trend graphs and even SDI technical data!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLive Stream to YouTube, Facebook and More!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Streaming Encoder supports the most popular streaming platforms. Plus the built in hardware streaming engine has been designed for live streaming at professional broadcast quality. That means you get a self contained solution for live streaming that works without dropped frames. You only need to connect it to the internet! Setup is easy, as the Streaming Encoder Utility software lets you select the streaming platform and update the streaming key. The utility works on Mac and Windows and connects directly via USB or remotely via Ethernet. If you're technically minded, you can even manually update the XML settings file to change specific settings or to add new streaming platforms.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eYouTube\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eYouTube is the most dominant live streaming platform globally and you can connect multiple Streaming Encoder to both the primary and secondary YouTube servers, allowing for full redundancy. Simply create your channel and Blackmagic Streaming Encoder will connect and live stream to YouTube's servers.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFacebook\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eFacebook makes it easy to share live streams with friends and professional networks. This means as you start your live stream, the number of viewers can multiply dramatically as each viewer can share your show with others via their social networks. Viewer counts can keep growing as you live stream!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwitter\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwitter supports live streaming so you can create live content that you can broadcast across the globe. You can use Blackmagic Streaming Encoder as the source input for your Twitter video stream then tweet out the link to your audience and let them start watching.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwitch\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith an audience of over 10 million daily viewers, Twitch is the world’s leading streaming video platform and community for gamers. Blackmagic Streaming Encoder lets you stream in incredible quality so you can broadcast via Twitch and share gameplay with friends and fans around the world!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMake Live Streaming Easy!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Streaming Encoder is a self contained solution that includes a powerful hardware encoder, software for connecting to streaming platforms, and network connections. That means you don’t need to buy an expensive computer or use complicated streaming software. Simply connect an SDI video source such as a live production switcher or a camera, then connect to the internet using the built in Ethernet connection. Or plug in a mobile phone to use mobile data! With settings built in for popular streaming platforms, you simply need to enter a streaming key and press on air! Plus you can simultaneously use the USB webcam output to connect to a computer, allowing other video software to be used!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you're streaming from a remote location, or you need a backup for the main Ethernet connection, you can plug in an Apple or Android phone to connect to the internet via mobile data. For convenience, there are USB connections on both the front and rear panel that can be used for tethering phones. Plus it works with the latest high speed 5G phones, as well as 4G phones! Blackmagic Streaming Encoder will auto detect when a phone is connected and switch its internet connection to use it. You can select Ethernet or phone priority, which makes phone internet backup fully automatic. Plus, by using phone tethering and mobile data, Streaming Encoder becomes the perfect remote location streaming solution!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor increased compatibility, Blackmagic Streaming Encoder also features two USB connections that operate as a simple webcam source. That means you can plug into any computer and work with any video software. The software is tricked into thinking the Streaming Encoder is a common webcam, but it's really a broadcast quality SDI video source! That guarantees full compatibility with any video software and in full resolution 1080 HD quality. Imagine connecting Streaming Encoder to a camera and then Skype or Zoom calling your client with live video of a shoot! Streaming Encoder works with any video software including Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster and more!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuilt-in Technical Monitoring\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eTraditional broadcast transmitters are critical equipment in a television station, however now the streaming server is just as critical because millions of viewers can be watching globally! To help, Blackmagic Streaming Encoder includes a feature rich technical monitoring output. The graphics based monitoring output includes a video view, audio meters with accurate ballistics, trend graphs for codec data rates and cache fill, plus a summary of the streaming settings and detailed SDI technical information. Plus the technical monitoring output works in full 1080 HD and outputs to both SDI and HDMI. That means you can use an SDI router for monitoring multiple units, or connect a simple HDMI TV!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuilt in Redundancy Keeps You On Air!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eSerious broadcasters love redundancy because it increases reliability. Blackmagic Streaming Encoder includes redundant features to help ensure you stay online. You get dual internet connections, so you connect to the internet using the built in Ethernet or a tethered phone for 5G or 4G mobile data. Plus the internet automatically switches in case of an outage! Or you can use 2 separate units to stream to both the primary and secondary YouTube servers. With both AC and DC inputs, you can use a broadcast battery pack for redundant power. There are even front panel buttons and menus, plus the Blackmagic Streaming Encoder Utility software for control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBroadcast Links with ATEM Streaming Bridge!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhile Blackmagic Streaming Encoder can send video to a wide range of streaming services, it can also be used as a private broadcast SDI video link between studios! The ATEM Streaming Bridge is a video converter that lets you receive the H.264 stream from Blackmagic Streaming Encoder and then convert it back to SDI video. This means you can send video between remote locations across your local Ethernet network, or via the internet globally! That's all possible due to the built in H.264 hardware codec that decodes the Streaming Encoder stream. Imagine setting up multiple television studios and using ATEM Streaming Bridge and Streaming Encoder for video links between sites.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSDI Video Inputs: 1\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Video Outputs: 1 x loop out, 1 x monitor out.\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Rates: 1.5G, 3G, 6G, 12G\u003c\/li\u003e\r\n\t\u003cli\u003eHDMI Video Outputs: 1 x monitor out\u003c\/li\u003e\r\n\t\u003cli\u003eWebcam Output: 1 x Type USB-C\u003c\/li\u003e\r\n\t\u003cli\u003eEthernet: Ethernet supports 10\/100\/1000 BaseT for live streaming, software control and software updates.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStandards\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eHD Video Input Standards\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eUltra HD Video Input Standards\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eVideo Input Color Space\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eRec.601, Rec.709, Rec.2020\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e3G SDI\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eAuto detects SMPTE level A or B on SDI input.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eSDI and HDMI Monitor Out Video Standards\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eVideo Streaming Standards\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e720p25, 720p30, 720p50, 720p60\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStreaming\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eDirect Streaming: Blackmagic Streaming Encoder HD supports direct live streaming over ethernet using Real Time Messaging Protocol (RTMP).\u003c\/li\u003e\r\n\t\u003cli\u003eClosed Captions: Streaming Encoder HD supports embedding CEA-608 and CEA-708 closed captions in your live RTMP stream.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596602388729,"sku":"BDLKWEB\/C\/SEDHD","price":789.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Web-Presenter-HD.jpg?v=1782508150"},{"product_id":"blackmagic-design-bdlkweb-d-sed4k","title":"Blackmagic Design Streaming Encoder (Web Presenter) 4K","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan\u003ePower Cable Not Included\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBlackmagic Streaming Encoder 4K (previously Web Presenter 4K)\u003c\/strong\u003e is a complete streaming solution that includes a professional hardware streaming engine for direct streaming via Ethernet to YouTube, Facebook, Twitter and more. It’s just like a modern broadcast television transmitter for a new global streaming audience. Plus the built in USB connections work like a webcam, so customers can connect a computer and use any streaming software, or even Skype or Zoom. For redundancy, customers can stream to the internet via Ethernet or connect a 5G or 4G phone to use mobile data. Streaming Encoder 4K also includes a technical monitoring output that includes video, audio meters, trend graphs and even SDI technical data.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Streaming Encoder 4K supports the most popular streaming platforms. Plus the built in hardware streaming engine has been designed for live streaming at professional broadcast quality. That means customers get a self contained solution for live streaming that works without dropped frames. Customers only need to connect it to the internet. Setup is easy, as the Streaming Encoder 4K Utility software lets customers select the streaming platform and update the streaming key.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Streaming Encoder 4K is a self contained solution that includes a powerful hardware encoder, software for connecting to streaming platforms, and network connections. That means customers don’t need to buy an expensive computer or use complicated streaming software. Simply connect an SDI video source such as a live production switcher or a camera, then connect to the internet using the built in Ethernet connection. Or plug in a mobile phone to use mobile data. With settings built in for popular streaming platforms, customers simply need to enter a streaming key and press on air. Plus customers can simultaneously use the USB webcam output to connect to a computer, allowing other video software to be used.\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf users are streaming from a remote location, or customers need a backup for the main Ethernet connection, customers can plug in an Apple or Android phone to connect to the internet via mobile data. For convenience, there are USB connections on both the front and rear panel that can be used for tethering phones. Plus it works with the latest high speed 5G phones, as well as 4G phones. Blackmagic Streaming Encoder 4K will auto detect when a phone is connected and switch its internet connection to use it. Customers can select Ethernet or phone priority, which makes phone internet backup fully automatic.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Streaming Encoder 4K features two USB connections that operate as a simple webcam source. That means customers can plug into any computer and work with any video software. The software is tricked into thinking the Streaming Encoder 4K is a common webcam, but it's really a broadcast quality SDI video source. That guarantees compatibility with any video software in full resolution 1080 HD or even 2160p Ultra HD quality, depending on the model. Streaming Encoder 4K works with any video software including Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003eTraditional broadcast transmitters are critical equipment in a television station, however now the streaming server is just as critical because millions of viewers can be watching globally. To help, Blackmagic Streaming Encoder 4K includes a feature rich technical monitoring output. The graphics based monitoring output includes a video view, audio meters with accurate ballistics, trend graphs for codec data rates and cache fill, plus a summary of the streaming settings and detailed SDI technical information. Plus the technical monitoring output works in full 1080 HD and outputs to both SDI and HDMI. That means customers can use an SDI router for monitoring multiple units, or connect a simple HDMI TV.\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Blackmagic Streaming Encoder 4K Utility software provides a single place to manage multiple encoders and to update the settings and software. Simply plug directly into the front of the streaming encoder's USB connection, or connect using Ethernet so customers can configure remotely, which is important when users are managing multiple remote sites. The familiar menus and controls make it very easy to set up a live event, so customers can get started fast. Plus the front panel LCD menus have the same settings and controls. The Blackmagic Streaming Encoder 4K Utility software is included free and runs on both Mac and Windows platforms.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Streaming Encoder 4K includes a 12G-SDI input with support for all HD and Ultra HD formats up to 2160p60. A 12G-SDI loop output is included enabling customers to loop video through more than one encoder, so customers can stream to multiple services. Blackmagic Streaming Encoder 4K features Teranex conversion technology on the SDI input for incredibly clean looking video. Blackmagic Streaming Encoder 4K takes the incoming HD or Ultra HD input signal and automatically converts it to high quality, low data rate 1080p HD or high resolution 2160p60 Ultra HD depending on the model, which is then sent to the hardware H.264 encoder for streaming.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Streaming Encoder 4K includes redundant features to help ensure customers stay online. Customers get dual internet connections, so customers can connect to the internet using the built in Ethernet or a tethered phone for 5G or 4G mobile data. Plus the internet automatically switches in case of an outage. Or customers can use 2 separate units to stream to both the primary and secondary YouTube servers. With both AC and DC inputs, customers can use a broadcast battery pack for redundant power.\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhile Blackmagic Streaming Encoder 4K can send video to a wide range of streaming services, it can also be used as a private broadcast SDI video link between studios. The ATEM Streaming Bridge is a video converter that lets customers receive the H.264 stream from Blackmagic Streaming Encoder 4K and then convert it back to SDI video. This means customers can send video between remote locations across their local Ethernet network, or via the internet globally. That's all possible due to the built in H.264 hardware codec that decodes the Streaming Encoder 4K stream.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Streaming Encoder 4K is based on the modular Teranex Mini design allowing desktop or rack use. The extremely portable design is only 5.5 inches wide, which means customers can mount 3 in a single rack unit, perfect when customers need to stream to multiple independent services all at the same time. Plus customers can combine Blackmagic Streaming Encoder 4K with other products such as the ATEM Television Studio HD switcher for a live production and streaming solution in a single rack unit.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBlackmagic Streaming Encoder 4K Features\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eComplete streaming solution for YouTube, Facebook, Twitter and more.\u003c\/li\u003e\r\n\t\u003cli\u003eSupports streaming via Ethernet or tethered phones via USB.\u003c\/li\u003e\r\n\t\u003cli\u003eBuilt in broadcast quality hardware H.264 encoder.\u003c\/li\u003e\r\n\t\u003cli\u003eTethers to 5G or 4G phones for mobile remote streaming.\u003c\/li\u003e\r\n\t\u003cli\u003eUSB looks like a webcam allowing support for all video software.\u003c\/li\u003e\r\n\t\u003cli\u003eMonitoring output includes meters, trend graphs and SDI technical data.\u003c\/li\u003e\r\n\t\u003cli\u003eIncludes Streaming Encoder 4K Utility software for Mac and Windows.\u003c\/li\u003e\r\n\t\u003cli\u003e12G-SDI input with down conversion for any HD or Ultra HD source.\u003c\/li\u003e\r\n\t\u003cli\u003eBoth AC and DC connections allow redundant power.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eSDI Video Inputs: 1\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Video Outputs: 1 x loop out, 1 x monitor out.\u003c\/li\u003e\r\n\t\u003cli\u003eSDI Rates: 1.5G, 3G, 6G, 12G\u003c\/li\u003e\r\n\t\u003cli\u003eHDMI Video Outputs: 1 x monitor out\u003c\/li\u003e\r\n\t\u003cli\u003eWebcam Output: 1 x Type USB-C\u003c\/li\u003e\r\n\t\u003cli\u003eEthernet: Ethernet supports 10\/100\/1000 BaseT for live streaming, software control and software updates.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStandards\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eHD Video Input Standards\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e720p50, 720p59.94, 720p60\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080PsF23.98, 1080PsF24, 1080PsF25, 1080PsF29.97, 1080PsF30\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080i50, 1080i59.94, 1080i60\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eUltra HD Video Input Standards\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eVideo Input Color Space\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eRec.601, Rec.709, Rec.2020\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003e3G SDI\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eAuto detects SMPTE level A or B on SDI input.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eSDI and HDMI Monitor Out Video Standards\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eVideo Streaming Standards\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e720p25, 720p30, 720p50, 720p60\u003c\/li\u003e\r\n\t\t\u003cli\u003e1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60\u003c\/li\u003e\r\n\t\t\u003cli\u003e2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eStreaming\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eDirect Streaming: Blackmagic Streaming Encoder 4K supports direct live streaming over ethernet using Real Time Messaging Protocol (RTMP).\u003c\/li\u003e\r\n\t\u003cli\u003eClosed Captions: Streaming Encoder 4K supports embedding CEA-608 and CEA-708 closed captions in your live RTMP stream.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eControl Panel: Built in control panel with 2.2 inch color display for video preview, audio meters and status.\u003c\/li\u003e\r\n\t\u003cli\u003eDevice Control: Front panel, USB‑C or ethernet.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCompatible Services and Software\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eYouTube Live, Facebook Live, Twitter, Twitch, Skype, Microsoft Teams, Open Broadcaster and Wowza Streaming Engine.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596602454265,"sku":"BDLKWEB\/D\/SED4K","price":1039.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Blackmagic-Streaming-Encoder-4K.jpg?v=1782508152"},{"product_id":"blackmagic-design-bdlkweb-j-des4k","title":"Blackmagic Design Blackmagic Streaming Decoder 4K","description":"\u003cp\u003eBlackmagic Streaming Decoder is a streaming processor that lets customers build internet broadcast links with the Blackmagic Streaming Encoder. The Blackmagic Streaming Decoder 4K receives the H.264 or H.265 stream from the Blackmagic Streaming Encoder and converts it to SDI and HDMI video. Plus most Blackmagic Design cameras have built in streaming such as Blackmagic Studio Camera Pro, PYXIS, URSA Cine and URSA Broadcast G2, so customers can stream directly from these cameras without additional hardware. This means customers can send video point-to-point between remote locations. The Blackmagic Streaming Decoder also has a 12G-SDI \"reference\" input that lets customers connect SDI tally, camera control plus talkback and send it back up to the encoder end. Everyone is remote, but still working together.\u003c\/p\u003e\r\n\r\n\u003cp\u003eCustomers can connect to the internet using their phone's mobile data for maximum flexibility when streaming from a remote location or as a backup for their primary Ethernet connection. For convenience, both the front and rear panels feature USB-C connections that can be used for phone tethering. Plus it works with the latest high speed 5G phones, as well as 4G phones. If the internet fails, Blackmagic Streaming Decoder will automatically switch its internet connection to use a connected phone. Customers can also choose to prioritize either the Ethernet connection or the phone connection.\u003c\/p\u003e\r\n\r\n\u003cp\u003eMost Blackmagic Design cameras support camera control, talkback and tally from an ATEM switcher via an SDI control protocol. Control is for all cameras and is embedded into the ATEM SDI outputs, and then customers select the specific camera number on the camera. This also works for cameras with built-in streaming. To do this, customers connect the Blackmagic Streaming Decoder’s REF input to the ATEM switcher's SDI output. Customers can also use the Blackmagic Streaming Encoder for cameras without streaming. Control is embedded into the SDI monitoring output of the Streaming Encoder, to connect to the Blackmagic camera’s SDI input.\u003c\/p\u003e\r\n\r\n\u003cp\u003eBoth the Blackmagic Streaming Encoder and Blackmagic Streaming Decoder use the modular Teranex Mini design allowing rack mounting. The ultra-portable design is only 5.5 inches wide, allowing customers to mount three in a single rack unit for simultaneous streaming to multiple independent services.\u003c\/p\u003e\r\n\r\n\u003cp\u003e“The current Blackmagic Web Presenters are great streaming products, but we found the name was causing some confusion. That’s why we’ve simplified both the Web Presenter and ATEM Streaming Bridge into the one Blackmagic Streaming Processors family,” said Grant Petty, Blackmagic Design CEO, “We’ve also been able to add powerful new features like camera control and tally so remote cameras know when they’re on the air. We think these new features and the convenient rack mount format will make it even easier for our customers to build broadcast quality video links across the world!”\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Streaming Decoder Features\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eDecodes H.264 and H.265 streams to SDI and HDMI\u003c\/li\u003e\r\n\t\u003cli\u003eSupports streaming via Ethernet or tethered phones via USB\u003c\/li\u003e\r\n\t\u003cli\u003eSupports remote camera control, talkback and tally\u003c\/li\u003e\r\n\t\u003cli\u003eTethers to 5G or 4G phones for mobile remote streaming\u003c\/li\u003e\r\n\t\u003cli\u003eUSB looks like a webcam allowing support for all video software\u003c\/li\u003e\r\n\t\u003cli\u003eIncludes Blackmagic Streaming Utility software for Mac and Windows\u003c\/li\u003e\r\n\t\u003cli\u003e1\/3rd rack width design allows 3 streams in a single rack unit\u003c\/li\u003e\r\n\t\u003cli\u003eBoth AC and DC connections allow redundant power\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596602519801,"sku":"BDLKWEB\/J\/DES4K","price":1039.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Blackmagic-Streaming-Decoder-4K.jpg?v=1782508154"},{"product_id":"blackmagic-design-bdlkwebptrpro","title":"Blackmagic Design Web Presenter HD","description":"\u003cp\u003eNow you can live stream to the world! \u003cstrong\u003eBlackmagic Web Presenter HD\u003c\/strong\u003e is a complete streaming solution that includes a professional hardware streaming engine for direct streaming via Ethernet to YouTube, Facebook, Twitter and more! It’s just like a modern broadcast television transmitter for a new global streaming audience! Plus the built in USB connections work like a webcam, so you can connect a computer and use any streaming software, or even Skype or Zoom. For redundancy, you can stream to the internet via Ethernet or connect a 5G or 4G phone to use mobile data! Web Presenter also includes a technical monitoring output that includes video, audio meters, trend graphs and even SDI technical data!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLive Stream to YouTube, Facebook and More!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Web Presenter supports the most popular streaming platforms. Plus the built in hardware streaming engine has been designed for live streaming at professional broadcast quality. That means you get a self contained solution for live streaming that works without dropped frames. You only need to connect it to the internet! Setup is easy, as the Web Presenter Utility software lets you select the streaming platform and update the streaming key. The utility works on Mac and Windows and connects directly via USB or remotely via Ethernet. If you're technically minded, you can even manually update the XML settings file to change specific settings or to add new streaming platforms.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eYouTube\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eYouTube is the most dominant live streaming platform globally and you can connect multiple web presenter to both the primary and secondary YouTube servers, allowing for full redundancy. Simply create your channel and Blackmagic Web Presenter will connect and live stream to YouTube's servers.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFacebook\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eFacebook makes it easy to share live streams with friends and professional networks. This means as you start your live stream, the number of viewers can multiply dramatically as each viewer can share your show with others via their social networks. Viewer counts can keep growing as you live stream!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwitter\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eTwitter supports live streaming so you can create live content that you can broadcast across the globe. You can use Blackmagic Web Presenter as the source input for your Twitter video stream then tweet out the link to your audience and let them start watching.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTwitch\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith an audience of over 10 million daily viewers, Twitch is the world’s leading streaming video platform and community for gamers. Blackmagic Web Presenter lets you stream in incredible quality so you can broadcast via Twitch and share gameplay with friends and fans around the world!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMake Live Streaming Easy!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Web Presenter is a self contained solution that includes a powerful hardware encoder, software for connecting to streaming platforms, and network connections. That means you don’t need to buy an expensive computer or use complicated streaming software. Simply connect an SDI video source such as a live production switcher or a camera, then connect to the internet using the built in Ethernet connection. Or plug in a mobile phone to use mobile data! With settings built in for popular streaming platforms, you simply need to enter a streaming key and press on air! Plus you can simultaneously use the USB webcam output to connect to a computer, allowing other video software to be used!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you're streaming from a remote location, or you need a backup for the main Ethernet connection, you can plug in an Apple or Android phone to connect to the internet via mobile data. For convenience, there are USB connections on both the front and rear panel that can be used for tethering phones. Plus it works with the latest high speed 5G phones, as well as 4G phones! Blackmagic Web Presenter will auto detect when a phone is connected and switch its internet connection to use it. You can select Ethernet or phone priority, which makes phone internet backup fully automatic. Plus, by using phone tethering and mobile data, Web Presenter becomes the perfect remote location streaming solution!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUSB Webcam Output for Video Software\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eFor increased compatibility, Blackmagic Web Presenter also features two USB connections that operate as a simple webcam source. That means you can plug into any computer and work with any video software. The software is tricked into thinking the web presenter is a common webcam, but it's really a broadcast quality SDI video source! That guarantees full compatibility with any video software and in full resolution 1080 HD quality. Imagine connecting web presenter to a camera and then Skype or Zoom calling your client with live video of a shoot! Web Presenter works with any video software including Zoom, Microsoft Teams, Skype, Open Broadcaster, XSplit Broadcaster and more!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuilt-in Technical Monitoring\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eTraditional broadcast transmitters are critical equipment in a television station, however now the streaming server is just as critical because millions of viewers can be watching globally! To help, Blackmagic Web Presenter includes a feature rich technical monitoring output. The graphics based monitoring output includes a video view, audio meters with accurate ballistics, trend graphs for codec data rates and cache fill, plus a summary of the streaming settings and detailed SDI technical information. Plus the technical monitoring output works in full 1080 HD and outputs to both SDI and HDMI. That means you can use an SDI router for monitoring multiple units, or connect a simple HDMI TV!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuilt in Redundancy Keeps You On Air!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eSerious broadcasters love redundancy because it increases reliability. Blackmagic Web Presenter includes redundant features to help ensure you stay online. You get dual internet connections, so you connect to the internet using the built in Ethernet or a tethered phone for 5G or 4G mobile data. Plus the internet automatically switches in case of an outage! Or you can use 2 separate units to stream to both the primary and secondary YouTube servers. With both AC and DC inputs, you can use a broadcast battery pack for redundant power. There are even front panel buttons and menus, plus the Blackmagic Web Presenter Utility software for control.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBroadcast Links with ATEM Streaming Bridge!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhile Blackmagic Web Presenter can send video to a wide range of streaming services, it can also be used as a private broadcast SDI video link between studios! The ATEM Streaming Bridge is a video converter that lets you receive the H.264 stream from Blackmagic Web Presenter and then convert it back to SDI video. This means you can send video between remote locations across your local Ethernet network, or via the internet globally! That's all possible due to the built in H.264 hardware codec that decodes the Web Presenter stream. 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All this lets you create distinctive cinematic content in the highest quality!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eNext Generation L‑Mount!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Cinema Camera 6K features an L-Mount, an advanced lens mount designed to accommodate full frame sensors while ensuring compatibility with new and vintage lenses! With a large diameter of 51.6mm, L-Mount works with the latest full frame lenses from manufacturers such as Leica, Panasonic and Sigma. Plus, a very short flange distance of only 20mm means you can easily add adapters for a variety of lens mounts without impacting image quality. Imagine using modern high speed lenses for sharp, precise images on one shoot and then shooting a period drama with vintage photographic lenses! With L-Mount, you get a single mount that works with virtually any lens for unlimited creative choice!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic Cinema Camera 6K has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! The Blackmagic Cinema Camera 6K features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Cinema Camera 6K can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels! Blackmagic Cinema Camera 6K will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4838 x 4032. You can even shoot 120 fps in 1080HD! With Blackmagic Cinema Camera 6K, you’ll always be able to shoot the right resolution for the job!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLightweight Carbon Fiber Polycarbonate Composite\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe elegant design of Blackmagic Cinema Camera 6K packs an incredible number of high end digital film features into a miniaturized, handheld design based on the Pocket Cinema Camera platform. Made from lightweight carbon fiber polycarbonate composite, the camera has a multifunction handgrip with all controls for recording, ISO, WB and shutter angle right at your fingertips. Because it's an advanced digital film camera, the sensor is designed to reduce thermal noise allowing cleaner shadows and higher ISO. Plus the large 5\" LCD makes it possible to get perfect focus at 6K resolution. You also get a removable battery door, 4 shock proof microphones, heavy duty lens mount and built in speaker.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMultifunction Grip with Fingertip Controls!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe multifunction handgrip features an ergonomic design that puts important functions such as ISO, WB and shutter buttons at your fingertips. There’s even a scroll wheel under your index finger for making quick iris adjustments! Additional controls go beyond those found on a DSLR, which means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic Cinema Camera 6K features easy to reach recording and still buttons that are placed exactly where you expect, including user assignable function keys allowing buttons for high frame rate, focus zoom, false color and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eShoot in Vertical Aspect Ratio!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eNow you can easily create cinematic content for TikTok, YouTube Shorts and more! Simply rotate the Blackmagic Cinema Camera 6K to shoot vertical aspect ratios such as 9:16 and 4:5. The on screen HUD rotates so critical information, such as frame rate, shutter angle and frame guides, are easy to view, even when the camera’s turned upside down! You can even switch on frame guides so important details stay in shot for different aspect ratios. When you import your files into DaVinci Resolve, clips are automatically tagged as vertical so they appear correctly in your timeline. Once you’ve finished your project, it’s easy to upload to your channel with direct exporting to TikTok and YouTube!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePost Production Friendly File Formats!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Cinema Camera records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecord to CFexpress Cards or External Disks!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Blackmagic Cinema Camera 6K features a built in CFexpress card recorder, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLarge 5\" LCD Monitor\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic Cinema Camera 6K features a large, bright 5 inch HDR touchscreen that makes it easy for you to frame shots and accurately focus, whatever the conditions! That means you don’t have to carry around an external monitor! On screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides and more. You can quickly apply 3D LUTs for monitoring shots with the desired color and look. The LCD monitor can even be tilted up to 180 degrees flat and down to 47 degrees so it's easy to monitor your shot from virtually any position. Plus, its HDR display features 1500 nits of brightness, so you can always frame your shot, even in bright sunlight!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eTouchscreen for Fast Setup\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe large LCD touchscreen displays critical information on the heads up display, or HUD, as well as access to camera setup menus. The HUD lets you see and adjust settings such as the frame rate, iris, timecode, shutter angle, white balance, ISO, audio levels and more with a single tap. You can show or hide the HUD by simply swiping up or down. Adjust settings such as white balance simply by touching the WB indicator, or change the audio levels by touching the audio meters. Everything is interactive, so you can tap any item and instantly change settings without searching through confusing menus! You can also access settings such as the digital slate, to quickly add metadata to any shot.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eCamera Features\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eEffective Sensor Size: 36mm x 24mm (Full Frame)\u003c\/li\u003e\r\n\t\u003cli\u003eLens Mount: Active L-Mount.\u003c\/li\u003e\r\n\t\u003cli\u003eLens Control: Iris and focus on supported lenses.\u003c\/li\u003e\r\n\t\u003cli\u003eDynamic Range: 13 Stops.\u003c\/li\u003e\r\n\t\u003cli\u003eDual Native ISO: 400 and 3200\u003c\/li\u003e\r\n\t\u003cli\u003eShooting Resolutions\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e6048 x 4032 (Open Gate 3:2) up to 36 fps\u003c\/li\u003e\r\n\t\t\u003cli\u003e4838 x 4032 (Anamorphic 6:5) up to 36 fps\u003c\/li\u003e\r\n\t\t\u003cli\u003e6048 x 3200 (6K DCI 17:9) up to 48 fps\u003c\/li\u003e\r\n\t\t\u003cli\u003e6048 x 2520 (6K 2.4:1) up to 60 fps\u003c\/li\u003e\r\n\t\t\u003cli\u003e4096 x 3072 (Super 35 4:3) up to 50 fps\u003c\/li\u003e\r\n\t\t\u003cli\u003e4096 x 2160 (4K DCI 17:9) up to 60 fps\u003c\/li\u003e\r\n\t\t\u003cli\u003e2112 x 1184 (Super 16 16:9) up to 100 fps\u003c\/li\u003e\r\n\t\t\u003cli\u003e1920 x 1080 (1080 HD 16:9) up to 120 fps\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eFrame Rates\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eMaximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.\u003c\/li\u003e\r\n\t\t\u003cli\u003eOff-speed frame rates up to 60 fps in 6K 2.4:1 and 4K DCI 17:9, 100 fps in Super 16 16:9 and 120 fps in 1080HD.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eFocus: Auto focus available using compatible lenses.\u003c\/li\u003e\r\n\t\u003cli\u003eIris Control: Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.\u003c\/li\u003e\r\n\t\u003cli\u003eScreen Dimensions: 5” 1920 x 1080.\u003c\/li\u003e\r\n\t\u003cli\u003eScreen Brightness: 1500 nits\u003c\/li\u003e\r\n\t\u003cli\u003eScreen Type: LCD capacitive touchscreen.\u003c\/li\u003e\r\n\t\u003cli\u003eMetadata Support\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eAutomatically populated lens data from electronic L-Mount lenses. Automatic recording of camera settings and slate data such as project, scene number, take and special notes. A 3D LUT can also be embedded in metadata of Blackmagic RAW files.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eControls\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003eTouchscreen menus on 5 inch screen.  Power Switch,  Record Button,  Stills Button,  Scroll Wheel with push integrated into handgrip,  ISO Button,  White Balance,  Shutter Button, 3 x software configurable Fn buttons,  Focus Button,  IRIS Button,  High Frame Rate (HFR) Button,  Zoom Button,  Menu Button and  Playback Button.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eTimecode Clock: Highly accurate timecode clock. Less than 1 frame drift every 8 hours.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConnections\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eTotal Video Inputs: None\u003c\/li\u003e\r\n\t\u003cli\u003eTotal Video Outputs:  HDMI up to 1080p60\u003c\/li\u003e\r\n\t\u003cli\u003eAnalog Audio Inputs:\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e2 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu).  \u003c\/li\u003e\r\n\t\t\u003cli\u003e3.5mm Stereo Input.\u003c\/li\u003e\r\n\t\t\u003cli\u003eAll audio inputs can also be used for Timecode input.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eAnalog Audio Outputs\r\n\t\u003cul\u003e\r\n\t\t\u003cli\u003e3.5mm headphone jack.\u003c\/li\u003e\r\n\t\u003c\/ul\u003e\r\n\t\u003c\/li\u003e\r\n\t\u003cli\u003eComputer Interface: USB Type-C for external drive recording, PTP camera control and software updates.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAudio\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eMicrophone: Integrated stereo microphone.\u003c\/li\u003e\r\n\t\u003cli\u003eBuilt in Speaker: mono speaker.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eMedia: CFexpress Type B card slot,  USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and H.264 Proxy Recording.\u003c\/li\u003e\r\n\t\u003cli\u003eMedia Format: Can format media to ExFAT (Windows\/Mac) or HFS+ (Mac) file systems.\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eExternal Control\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eBlackmagic Zoom Demand and Blackmagic Focus Demand for controlling your camera and lens from tripod handles.\u003c\/li\u003e\r\n\t\u003cli\u003eiPad control, Bluetooth control, USB PTP camera control. External control of some camera settings, focus, iris and zoom with compatible lenses. Camera Control REST API over USB Ethernet for external control via HTTP when used with REST client applications such as Postman.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596608221433,"sku":"CINECAM60KLFL","price":4049.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Cinema-Camera-6K.jpg?v=1782508168"},{"product_id":"blackmagic-design-cinecamcpyxa60lfl","title":"Blackmagic Design PYXIS 6K Full Frame Camera (Body Only) - L Mount","description":"\u003cp\u003eIntroducing the next generation customizable cinema camera! \u003cstrong\u003eBlackmagic PYXIS 6K\u003c\/strong\u003e is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned for Maximum Customizability!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGet the \"Hollywood Look\"with Digital Film!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLarge Format Cinematic Digital Film Sensor!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic color science means you get the same imaging technology as expensive digital cinema cameras.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull Frame Flexibility\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThree Great Models!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith 3 models, you can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! Blackmagic PYXIS features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels! Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4832 x 4032. You can even shoot 120 fps in 1080HD! With Blackmagic PYXIS, you’ll always be able to shoot the right resolution for the job!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLarge 4″ LCD Monitor\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired color and look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAll Controls at your Fingertips\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false color and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSide Plates for Flexible Mounting Options!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePost Production Friendly File Formats!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecord to CFexpress Card or External Disks!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBlackmagic RAW - The quality of RAW and the speed of video!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eColor Temperature - \u003c\/strong\u003eSetting the color temperature tells the camera how to interpret white and other colors in an image. Instead of saving images with color values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eContrast - \u003c\/strong\u003eAdjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and color correcting.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eISO - \u003c\/strong\u003eChanging the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eTint -\u003c\/strong\u003e Adjusting tint is another way you can affect the overall color balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colors in different directions.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSaturation -\u003c\/strong\u003e Saturation is the strength or purity of a color. More saturated colors are pure and less saturated colors have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colors visually pop or become muted.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eExposure -\u003c\/strong\u003e In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed!\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGeneration 5 Color Science\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eFeaturing the same generation 5 color science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post production workflows!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThree Post Production Workflows!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eRecord to Internal Storage - \u003c\/strong\u003eYou can record to the internal media or an external USB-C flash disk. This will allow you to browse the clips and let the camera sync your media files to other users globally.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSelect and Upload Clips - \u003c\/strong\u003eIf you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eRecord into DaVinci Resolve -\u003c\/strong\u003e Log into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project.\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G phones! You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post production teams anywhere in the world can start work in real time! Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWorks with URSA CineView finder and Accessories\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProfessional Connections for Custom Rigs!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48 volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuilt-in Microphones and Professional Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eDigital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUSB-C for External Disks and Ethernet Control\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Blackmagic PYXIS features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk straight away, eliminating file copying. You can also use the camera’s built in Ethernet port to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuilt In SRT and RTMP Live Streaming\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eNow you can live stream from film sets! Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more! For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post production team can keep an eye on the shoot, live, while it's happening!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGet Multi CameraShoots in Perfect Sync!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eProfessional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync! Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras! Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eShoot Still Frames up to 24.6 Megapixels!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to shooting video, Blackmagic PYXIS can also capture high resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLocalized in 13Popular Languages\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide! When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower from Batteries or 12V DC!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS uses high capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge! Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib! You also get a set of international socket adapters for worldwide use.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the the same high end software that professional editors and colorists use!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eBlackmagic PYXIS 6K\u003c\/li\u003e\r\n\t\u003cli\u003eLens turret dust cap\u003c\/li\u003e\r\n\t\u003cli\u003ePYXIS Standard Plate\u003c\/li\u003e\r\n\t\u003cli\u003ePYXIS SSD Plate\u003c\/li\u003e\r\n\t\u003cli\u003e60W power supply with locking connector and international adapters\u003c\/li\u003e\r\n\t\u003cli\u003eWelcome booklet\u003c\/li\u003e\r\n\t\u003cli\u003eDaVinci Resolve Studio activation key\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596608286969,"sku":"CINECAMCPYXA60LFL","price":4589.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Blackmagic-PYXIS-6K.jpg?v=1782508170"},{"product_id":"blackmagic-design-cinecamcpyxd60lfef","title":"Blackmagic Design PYXIS 6K Full Frame Camera (Body Only) - EF Mount","description":"\u003cp\u003eIntroducing the next generation customizable cinema camera! \u003cstrong\u003eBlackmagic PYXIS 6K\u003c\/strong\u003e is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDesigned for Maximum Customizability!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith multiple mounting points and accessory side plates, it’s easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS’ compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1\/4″ and 3\/8″ thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that’s both rugged and reliable!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGet the \"Hollywood Look\"with Digital Film!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLarge Format Cinematic Digital Film Sensor!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic color science means you get the same imaging technology as expensive digital cinema cameras.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eFull Frame Flexibility\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe large full frame sensor in Blackmagic PYXIS lets you work in a variety of film formats and aspect ratios without sacrificing quality! Using the full area of the sensor gives you a unique open gate 3:2 image which also lets you reframe your shots in post production. The large sensor also lets you work in true 6:5 anamorphic without cropping, making widescreen cinematic images more detailed and in higher resolution than previously possible. You can even use the classic Super 35 sized window on the sensor to create an instant ‘close up’ version of your shot that fits seamlessly with open gate footage. All this lets you create distinctive cinematic content in the highest quality!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThree Great Models!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith 3 models, you can choose between L-Mount, EF or PL lenses, making Blackmagic PYXIS compatible with the largest range of cinema and photographic lenses in the world! The L-Mount model works with the latest full frame lenses from Leica, Panasonic and Sigma but can also accommodate lens adapters, allowing you to use a wide variety of new and vintage lenses. The EF model lets you use high quality photographic lenses you already own from DSLRs or even Blackmagic Pocket Cinema Cameras. Or the PL model lets you work with professional cinema lenses from Zeiss, ARRI, Cooke and more without needing an adapter. With Blackmagic PYXIS, you get a choice of lens mounts for unlimited creative choice!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eShoot Incredible High Dynamic Range (HDR) Images\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe distance between the lightest and the darkest parts of an image is called dynamic range and is measured in stops. Blackmagic PYXIS has an incredible 13 stops of dynamic range which means it preserves more detail in the lightest and darkest areas of an image than simple video cameras can. This allows you to set exposure for an indoor scene such as a cafe and still retain the details of bright outdoor light coming through a window. You also get more colors than the standard DCI-P3 colorspace used for feature films. Plus DaVinci Resolve Studio is included with the camera, so you get total creative freedom with full exposure adjustment and recovery controls when color grading!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eDual Gain ISO for Exceptional Low Light Performance\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn digital film ISO is a measurement of the image sensor’s sensitivity to light. This means the higher the ISO number the more sensitivity to light so it’s possible to shoot using natural light even at night! Blackmagic PYXIS features dual native ISO up to 25,600, which means it’s optimized to minimize grain or noise in images, while maintaining the full dynamic range of the sensor. The native ISO of 400 is ideal for scenes with on-set lighting. The secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain is set automatically as you adjust the ISO setting, so it's easy to capture great images when you don’t have time to set up lights.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eMultiple Resolutions and Frame Rates\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS can shoot in all standard resolutions and frame rates from HD up to DCI 4K and even 6K. You can even shoot stills at 24.6 megapixels! Blackmagic PYXIS will shoot up to 36 fps at 6048 x 4032 3:2 open gate or 60 fps at 6048 x 2520 2.4:1 and 60 fps at 4096 x 2160 4K DCI. For higher frame rates you can window the sensor and shoot up to 100 fps at 2112 x 1184 Super 16. You can even work in true anamorphic 6:5 at much higher resolutions than other cameras using anamorphic lenses in 4.8K 24 fps at 4832 x 4032. You can even shoot 120 fps in 1080HD! With Blackmagic PYXIS, you’ll always be able to shoot the right resolution for the job!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLarge 4″ LCD Monitor\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe built in LCD on Blackmagic PYXIS is more than just a simple status display. It’s a 4″ high resolution HDR touchscreen that is also perfect for monitoring and reviewing shots on set! Its full HD resolution means you can frame and focus your shots without needing to carry around a bulky external monitor! You can even use the display as a focus assist station! Plus, as an HDR display, it has 1500 nits of brightness so you can always see your shot or change settings, even in bright sunlight. On screen overlays show status and record parameters, histograms, levels, frame guides and more. You can even quickly apply 3D LUTs for monitoring shots with the desired color and look.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eAll Controls at your Fingertips\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS features a logical design that puts important functions such as ISO, WB and shutter at your fingertips with both touchscreen and physical controls. There’s even a scroll wheel for making quick adjustments to settings! A row of 3 customizable function buttons means you don’t have to go hunting through menus on a tiny screen to find a command! The Blackmagic PYXIS features easy to reach recording and still buttons that are placed exactly where you expect, including function keys for high frame rate, focus, zoom, false color and more. The controls can even be locked to avoid accidentally changing settings during a shot or when the camera is out of reach on a rig.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eSide Plates for Flexible Mounting Options!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe innovative side plates expand the riggability of your camera even further! The standard plate included with Blackmagic PYXIS is made from the same aircraft grade aluminum as the camera body and features 2 1\/4″ thread mounts and one 3\/8″ thread mount, allowing you to add microphones, brackets or other accessories. Or you can attach the included SSD plate which offers a convenient location to securely attach a USB-C drive for recording or even a mobile phone for live streaming! The optional Rosette Plate gives you maximum flexibility with 5 1\/4″ thread mounts and 4 3\/8″ thread mounts for adding accessories, plus a rosette mounting point for attaching handgrips or extension arms!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePost Production Friendly File Formats!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS records in Blackmagic RAW to preserve control of detail, exposure and color during post production. It also records HD H.264 proxies in real time making it easy to share media around the world in minutes! Blackmagic RAW is highly optimized, multi‑threaded, works across multiple CPU cores and is also GPU accelerated to work with Apple Metal, CUDA and OpenCL. This means your images always maintain unprecedented resolution and quality for color, keying, compositing, reframing, stabilization and tracking in HD, 4K or 6K. Media files work on all operating systems plus you can format media cards and disks in HFS+ for Mac and ExFAT for Windows.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eRecord to CFexpress Card or External Disks!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Blackmagic PYXIS features two built in CFexpress card recorders, and a USB-C expansion port for recording direct to external flash media disks or an SSD. CFexpress media are more durable and faster than even older media so are perfect for recording full resolution, 12-bit Blackmagic RAW files. Imagine capturing over an hour of full resolution 6K images on a single 256GB CFexpress card! Plus, with dual CFexpress slots, you can keep recording because you can hot swap full cards without stopping! The very high speed of CFexpress cards makes them perfect for mounting on your computer and editing directly from them using the included DaVinci Resolve Studio software!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBlackmagic RAW - The quality of RAW and the speed of video!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW eliminates quality problems so you get stunning images with incredible detail and color throughout the production pipeline from camera to edit, color and mastering. It also saves camera settings as metadata so you can set ISO, white balance and exposure in camera or override them later while editing, all without any loss of quality! Blackmagic RAW files are also small and fast to use making them easy to work with. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eColor Temperature - \u003c\/strong\u003eSetting the color temperature tells the camera how to interpret white and other colors in an image. Instead of saving images with color values baked in, Blackmagic RAW makes it possible for you to change the temperature in post production with DaVinci Resolve Studio.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eContrast - \u003c\/strong\u003eAdjusting contrast, or the tonal range of an image, can make different parts of the image stand out. While you should always try to get the best shot on set, Blackmagic RAW gives you the flexibility to adjust contrast without any loss of quality while you’re editing and color correcting.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eISO - \u003c\/strong\u003eChanging the ISO adjusts the camera’s sensitivity to light. Properly exposed shots require the right combination of ISO, aperture and shutter speed. Depending on the lights and exposure settings, you may need to adjust ISO in post.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eTint -\u003c\/strong\u003e Adjusting tint is another way you can affect the overall color balance of an image. Unlike saturation or midpoint which can make reds redder or yellows more yellow, adjusting tint actually lets you push the colors in different directions.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSaturation -\u003c\/strong\u003e Saturation is the strength or purity of a color. More saturated colors are pure and less saturated colors have a percentage of gray in proportion to their hue. Adjusting saturation in Blackmagic RAW images can help make the colors visually pop or become muted.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eExposure -\u003c\/strong\u003e In order for your images to look good, you need to make sure that it’s not too bright (overexposed) or too dark (underexposed). With Blackmagic RAW, the exposure settings can be changed in post so you can save shots that were not properly exposed!\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePowered by Blackmagic OS\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user friendly camera operating system based on the latest technology. Blackmagic OS is a true modern operating system where all camera features run independently for smoother control, plus the camera powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata and view recording status. You also get full control over advanced camera features such as on screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings and more!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGeneration 5 Color Science\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eFeaturing the same generation 5 color science as the high end URSA Cine, the Blackmagic PYXIS delivers an even greater advancement in image quality with stunning, accurate skin tones and faithful color in every shot. You get a new dynamic 12-bit gamma curve designed to capture more color data in the highlights and shadows, for better looking images. The color science also handles some of the complex Blackmagic RAW image processing, so color and dynamic range data from the sensor is preserved via metadata which you can use in post production. That means you get images that have a natural, film like response to color adjustments in post with DaVinci Resolve.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLive Sync to Blackmagic Cloud and Editors\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS supports creating a small H.264 proxy file in addition to the camera original media when recording. This means the small proxy file can upload to Blackmagic Cloud in seconds so your media is available back at the studio in real time. The ability to transfer media directly into the DaVinci Resolve media bin as editors are working is revolutionary and has never before been possible! Any editor working anywhere in the world will get the shots! If you have multiple cameras, then the new multi source feature in DaVinci Resolve's Cut page will show each camera angle in a multiview. Blackmagic Cloud is a revolution in global post production workflows!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eThree Post Production Workflows!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003col\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eRecord to Internal Storage - \u003c\/strong\u003eYou can record to the internal media or an external USB-C flash disk. This will allow you to browse the clips and let the camera sync your media files to other users globally.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eSelect and Upload Clips - \u003c\/strong\u003eIf you're offline, then later when you have internet access you can browse media and manually select which clips you want to upload to Blackmagic Cloud.\u003c\/li\u003e\r\n\t\u003cli\u003e\n\u003cstrong\u003eRecord into DaVinci Resolve -\u003c\/strong\u003e Log into Blackmagic Cloud and select a DaVinci Resolve project before recording. After each individual recording the media will automatically upload and sync to all DaVinci users on that project.\u003c\/li\u003e\r\n\u003c\/ol\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eConnect 5G or 4G Phones for Mobile Data\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWhen uploading to Blackmagic Cloud, you can use an Apple or Android phone to get a connection to the internet via mobile data. Simply connect the phone to the USB-C port and Blackmagic PYXIS will configure for mobile data. Plus it works with the latest high speed 5G phones, as well as 4G phones! You can also connect via wired Ethernet using the camera’s Ethernet port. This lets you get your media out as you shoot so post production teams anywhere in the world can start work in real time! Plus on set grading can be done in a grading suite and synced back to DaVinci on set. It’s a truly global post production solution that works with Blackmagic Cloud to create amazing teams of creative people.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWorks with URSA CineView finder and Accessories\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup. You can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included extension arm and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eProfessional Connections for Custom Rigs!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS features a wide range of connections for audio, monitoring, power and more. The camera includes a 12G-SDI out for monitoring with support for HDR and Ultra HD output. That means you can connect an SDI display for on set monitoring of images, with or without overlays that show critical information and camera status. SDI allows for much longer cable runs than HDMI making it easier to reach monitors that are further away on set. There’s also a mini XLR connection with 48 volt phantom power for microphones, a 3.5 mm video camera style microphone input, timecode in, reference input, headphone connection and a locking DC power connector!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuilt-in Microphones and Professional Audio Inputs\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eWith professional, high fidelity audio recording built in you'll never have to carry around a separate sound recorder again! Blackmagic PYXIS features a mini XLR input with 48 volts of phantom power for connecting professional microphones such as lapel mics and booms. The built in mics have an extremely low noise floor and are shock and wind resistant, capturing great sound and are ideal for recording guide tracks on location. There’s also a 3.5mm audio input for connecting video camera microphones, along with a built in speaker for playback and a 3.5mm headphone jack. These audio connections allow you to record separate audio tracks using microphones, without an external mixer.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLoad Custom 3D LUTs to Recreate Film Looks!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eDigital film cameras shoot logarithmic colorspace to preserve the dynamic range, which is great for later post production, however when these files are viewed on a monitor they can look flat and washed out. 3D LUTs solve this problem because they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post production. The Blackmagic PYXIS works with industry standard 17 and 33 point 3D LUT files, or you can work with the built in LUTs such as Extended Video, Film to Video, Film to Rec.2020 and more.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eUSB-C for External Disks and Ethernet Control\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eThe Blackmagic PYXIS features an innovative and high speed USB-C Expansion Port that operates at up to 5 Gb\/s. USB-C is available on most new computers and even provides power. That means you can connect external accessories such as flash drives and high capacity SSDs for significantly longer recording times. Best of all, when shooting is complete you can simply move the external disk to your computer and start editing and color correction from the same disk straight away, eliminating file copying. You can also use the camera’s built in Ethernet port to control your camera over a network via secure and easy to use REST APIs. You can even copy files off the camera via the network!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eBuilt In SRT and RTMP Live Streaming\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eNow you can live stream from film sets! Blackmagic PYXIS features a built hardware streaming engine that supports RTMP and SRT streaming to YouTube, Facebook, X and more! For internet access, you have two options, one to connect via Ethernet or you can connect a 4G or 5G phone for mobile data! As the streaming is built into the camera, you can see the stream status and data rate in the viewfinder and the LCD! If you want to create a wireless link back to the studio, then you can stream to a Blackmagic ATEM Streaming Bridge, which is an H.264 decoder that converts the video stream back to video. Now the whole post production team can keep an eye on the shoot, live, while it's happening!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eGet Multi CameraShoots in Perfect Sync!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eProfessional cameras include professional features and you also get a timecode input, allowing shooting with more than one camera while keeping perfect sync! Simply plug in an external timecode generator to the BNC timecode input and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording and all the shots from all cameras will have the same matched timecode. Imagine shooting a music festival with multiple roving cameras! Best of all, DaVinci Resolve will automatically find and sync the shots from all cameras so you don't need to waste time sorting through thousands of shots!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eShoot Still Frames up to 24.6 Megapixels!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIn addition to shooting video, Blackmagic PYXIS can also capture high resolution stills. Simply press the dedicated stills button to record 24.6 megapixel images. Still images are saved as Blackmagic RAW, so you get a very high image quality, which is perfect for making high resolution professional prints or for later editing in DaVinci Resolve. Capturing still images is great for keeping track of continuity between shots or for sharing images to get approval from clients that are not on set.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eLocalized in 13Popular Languages\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS is designed to be used worldwide and supports 13 different languages! When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese or Korean. It’s easy to switch to another language so you can share your camera with other crew when traveling to locations worldwide! When you switch languages, all on screen overlays, setup menus and monitoring information will be displayed in the selected language.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWireless Bluetooth Camera Remote Control\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eIf you're positioning the camera on the end of a boom, or in another hard to reach location, you can get full control via Bluetooth from up to 30 feet away. You can download the Blackmagic Camera Control app for your iPad or use third party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There’s even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions! Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003ePower from Batteries or 12V DC!\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS uses high capacity BP-U series batteries. These popular batteries come in a variety of capacities and are commonly available around the world. The highest capacity BP-U series battery lets you shoot for over 3 hours on a single charge! Plus there are a wide range of battery adapters and charger plates available from third parties so never have a flat battery. When using DC power, a locking connector is used so you won't have to worry about losing power during a shoot, perfect for when your camera is out of reach on a mount or jib! You also get a set of international socket adapters for worldwide use.\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eIncludes DaVinci Resolve Studio\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cp\u003eBlackmagic PYXIS includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high end feature films, episodic television shows, commercials and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together and output it fast. In addition to the new cut page, you also get DaVinci’s legendary professional editing, advanced color correction, audio post and visual effects tools, all in a single software application! Now you can use the the same high end software that professional editors and colorists use!\u003c\/p\u003e\r\n\r\n\u003cp\u003e\u003cstrong\u003eWhat's Included\u003c\/strong\u003e\u003c\/p\u003e\r\n\r\n\u003cul\u003e\r\n\t\u003cli\u003eBlackmagic PYXIS 6K\u003c\/li\u003e\r\n\t\u003cli\u003eLens turret dust cap\u003c\/li\u003e\r\n\t\u003cli\u003ePYXIS Standard Plate\u003c\/li\u003e\r\n\t\u003cli\u003ePYXIS SSD Plate\u003c\/li\u003e\r\n\t\u003cli\u003e60W power supply with locking connector and international adapters\u003c\/li\u003e\r\n\t\u003cli\u003eWelcome booklet\u003c\/li\u003e\r\n\t\u003cli\u003eDaVinci Resolve Studio activation key\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Blackmagic Design","offers":[{"title":"Default Title","offer_id":48596608352505,"sku":"CINECAMCPYXD60LFEF","price":4575.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/files\/Blackmagic-PYXIS-6K-EF.jpg?v=1782508171"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0746\/5766\/1177\/collections\/blackmagic-design-logo.png?v=1782507236","url":"https:\/\/blackoutaudio.com\/collections\/blackmagic-design.oembed?page=4","provider":"Blackout Audio","version":"1.0","type":"link"}